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sewing-msg – 4/8/08

 

Sewing ideas and stitches. Helpful ideas for those new to sewing.

 

NOTE: See also the files: sergers-msg, sewng-machnes-msg, sewing-tables-msg, sewing-tools-msg, washing-msg, linen-msg, velvet-msg, silk-msg, textiles-msg, cotton-art.

 

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NOTICE -

 

This file is a collection of various messages having a common theme that I have collected from my reading of the various computer networks. Some messages date back to 1989, some may be as recent as yesterday.

 

This file is part of a collection of files called Stefan's Florilegium. These files are available on the Internet at: http://www.florilegium.org

 

I have done a limited amount of editing. Messages having to do with separate topics were sometimes split into different files and sometimes extraneous information was removed. For instance, the message IDs were removed to save space and remove clutter.

 

The comments made in these messages are not necessarily my viewpoints. I make no claims as to the accuracy of the information given by the individual authors.

 

Please respect the time and efforts of those who have written these messages. The copyright status of these messages is unclear at this time. If information is published from these messages, please give credit to the originator(s).

 

Thank you,

    Mark S. Harris                  AKA:  THLord Stefan li Rous

                                          Stefan at florilegium.org

************************************************************************

 

From: PRIEST at vaxsar.vassar.EDU (THORA SHARPTOOTH)

Date: 2 Dec 91 13:37:00 GMT

Organization: The Internet

 

Unto the Fishyfolk of the Rialto, and especially Joshua, from Thora Sharptooth,

greeting!

 

My specialty is Viking and early (i.e., pre-1066) period, so this may not be of

use to you later period folk, but here's what I know about early period seams

and seam finishings.  Most of this information is drawn from the excavations at

Jorvik and Hedeby, because the findings from them have been carefully analyzed

and comprehensively published in the last decade.  As it happens, this is the

research in which I am presently engaged, so forgive me if I blather....

 

A wide variety of seams and seam finishings were used in the Viking Age.  Most

garments were very carefully and neatly sewn and finished, frequently with

tailoring details that are invisible from the outside.  At Birka many seams

were reinforced at the cut edges by tiny sewn-down braided cords.  But to

answer Joshua's questions more specifically:

 

>1) right-sides-together, sew near the edge, spread apart

 

Yes, with one refinement.  Generally the flat parts would also be sewn down to

the rest of the garment, with either a hem or an overcast stitch.  This

strengthens the garment as well as the seam.

 

>2)French seams

 

Yes.  From the site of Hedeby in Denmark we have an example of "French seams"

on wool in the tenth century.  (Right sides together, sew closely to the edge;

turn inside-out and sew farther back from the edge, enclosing the first seam in

a little tube.  Press to one side.)

 

>3)flat-felled seams

 

Yes.  From the site of Jorvik (Viking Age York) there is evidence of

flat-felled seams of several varieties, also in the ninth, tenth, and early

eleventh centuries.  Flat-felling is the seam finishing most likely to appear

on linen from this site, leading one researcher to suggest that it was typical

for use on underwear.

 

>4)right-side to wrong-side, overlapping by 3/4" or so

 

Yes; see below.  Both Hedeby and Jorvik yield many sorts of seams wherein the

wrong side of one piece and the right side of another are sewn together.

 

>Same as 4), but then rolled over and sewed down again to form a sort of

flat-fell

 

Again, the raw edges (or selvedges) of seams constructed in this way were

generally sewn down.

 

>6)etc.

 

Generally speaking, running stitch was used for the initial line of sewing on a

finished seam.  I have not yet found documentation for back-stitch, which is

the stitch with which most people are taught to hand-sew seams.  Also, when I

get home I'll look up the eighth century Coptic tunic article I have on file

and see what stitches were used to construct it; if there's anything new or

different there, I'll post it.

 

I'm glad you didn't ask about hems--there are about two dozen variations! ;>

 

I apologize for not being able to footnote this properly, but my sources are at

home.  Generally, they are Agnes Geijer's BIRKA II, Inga Hagg's book on the

finds at Hedeby harbour, and Penelope Walton's TEXTILES, CORDAGE, AND RAW FIBRE

FROM 16-22 COPPERGATE (Archaeology of York series).  As always, anyone who

wants sources or who is just generally interested in this is encouraged to drop

me a line.

 

*****************************************************************************

Carolyn Priest-Dorman                   Thora Sharptooth

Poughkeepsie, NY                        Frosted Hills

priest at vassar.edu                       East Kingdom

*****************************************************************************

 

From: PRIEST at vaxsar.vassar.EDU (THORA SHARPTOOTH)

Date: 3 Dec 91 03:25:00 GMT

Organization: The Internet

 

Unto the Fishyfolk of the Rialto from Thora Sharptooth, greeting!

 

Sorry, I caught this mistake too late to correct it before it was posted:

 

>>2)French seams

>

>Yes.  From the site of Hedeby in Denmark we have an example of "French seams"

>on wool in the tenth century.  (Right sides together, sew closely to the edge;

                                 ^^^^^

>turn inside-out and sew farther back from the edge, enclosing the first seam in

>a little tube.  Press to one side.)

 

That should be, "WRONG sides together."

 

While I'm here, here's a report on the Coptic tunic seams from the eighth

century:  flat-felled, on a linen tunic with wool trimmings of several sorts.

 

And here are the sources.

 

Geijer, Agnes.  DIE TEXTILFUNDE AUS DEN GRABERN, Vol. II of BIRKA:

        UNTERSUCHUNGEN UND STUDIEN.  Uppsala:  Kungl. Vitterhets Historie och

        Antikvitets Akadamien, 1938.

 

Hagg, Inga.  DIE TEXTILFUNDE AUS DEM HAFEN VON HAITHABU, Vol. 20 of BERICHTE

        UBER DIE AUSGRABUNGEN IN HAITHABU.  Neumunster: Karl Wachholz Verlag,

        1984.

 

Marko, Ksynia, and Dobbie, Margaret.  "The Conservation of an Eighth Century

        A.D. Sleeveless Coptic Tunic," STUDIES IN CONSERVATION 27 (1982), pp.

        154-160.

 

Walton, Penelope.  TEXTILES, CORDAGE AND RAW FIBRE FROM 16-22 COPPERGATE, Vol.

        17, Fascicule 5, of THE ARCHAEOLOGY OF YORK. Dorchester:  The Council

        for British Archaeology and The Dorset Press, 1989.

 

*****************************************************************************

Carolyn Priest-Dorman                   Thora Sharptooth

Poughkeepsie, NY                        Frosted Hills

priest at vassar.edu                       East Kingdom

*****************************************************************************

 

 

From: ck290 at cleveland.Freenet.Edu (Chandra L. Morgan-Henley)

Newsgroups: rec.org.sca

Subject: Re: tablet weaving info needed.

Date: 27 Sep 1993 21:30:06 GMT

Organization: Case Western Reserve University, Cleveland, Ohio (USA)

 

I don't weave, but I have a comment about Fray-Check...

 

I have attempted to use it on both finely and not-so-finely

woven materials.  It works best on fine, tight weaves such as

satins and (the dreaded OOP) taffeta.  Also, despite claims on

the label, it *does* wash out after a few washings -- and dry

cleaning will remove it on the first go-round.

 

OTOH, it *does* prevent satin, etc., from fraying while you

are working on it.  But be sure to lay the fabric on several

layers of newspaper when applying the stuff, and expect color

to leach from the fabric into the newspaper (the fabric will

also stick to the newspaper when the Fray-Check dries, but can

be pulled off easily with no transference of newspaper or ink

to the fabric) -- the dye in the fabric will also color your

hands if you handle it while the Fray-Check is wet.

 

In Service, even when it's distinctly OOP,

 

Cara The Unbalanced

 

--

Chandra L. Morgan-Henley

ck290 at Cleveland.Freenet.Edu

 

 

Newsgroups: rec.org.sca

Subject: Re: garb sewn with sergers

From: una at bregeuf.stonemarche.org (Honur Horne-Jaruk)

Date: Thu, 30 Dec 93 20:11:41 EST

 

Unto Amethysta(and anybody else with the same question

about sergers and garb)Alizaunde sends greetings (and congratulations on

your new toy!)

      -Only two suggestions:

      1: how fast it goes can cause BIG problems. Buy

old sheets at Goodwill and practice. LOTS. My sisters were full-time, pro

seamstresses for years, using sergers daily; they said it took about one full

set of cones of thread to adjust to a new serger well enough to produce

quality results.

      2:Don't use it for ANTHING that shows. I use a machine (straight

stitch- I'm poor) for anything I can, partly because some period things,

like seamstresses' neuropathy, should not be re-created; and partly because

Life Is Too Short For Handstitching Straight Seams. But on the insides of

cuffs, and on necklines and hems, Serging is Serging and looks like serging.

Even a regular machine's zigzag looks more like handwork- and that's saying

plenty. (If it will never show WHEN WORN and you don't enter competitions,

Don't Sweat the Small Stuff.) If the speed of a serger gives you more time

to research and design better quality, more authentic garb, it's done you

and the Society a favor; if its speed becomes an excuse for cranking out

endless stacks of `they'll do for fighters', it hasn't.

Good luck.

 

                              Alizaunde, Demoiselle de Bregeuf

 

 

From: hrjones at uclink.berkeley.edu (Heather Rose Jones)

Newsgroups: rec.org.sca

Subject: Re: viking sewing stitches?

Date: 20 Jun 1994 06:11:01 GMT

Organization: University of California, Berkeley

 

:      Again I, Tarrach Alfson, send greetings and beg answers to a

: question.  I am in the middle of an attempt to make a viking shirt

: similar to the one found in Viborg (and recently the subject of an

: artical in the Early Period).  The information I have on this find does

: not mention what type of stitching was used to sew the arm sleeves

: together, or to finish hems, or how they finished the raw edges of the

: inner seams since it is said that all raw edges are finished.  I am

: currently waiting on an inter-library loan for Arheological Textiles in

: Northern Europe (Coppenhagen 1992) which I hope to help answer these and

: other questions.  However, faster answers from any knowledgable

: individuals would be greatly appreciated, as I hope to have it finished

: for an upcoming event (two weeks from now).  Thanks in advance!

 

Margrethe Hald's book "Ancient Danish Textiles from Bogs and Burials"

notes seams done in running stitch, herringbone stitch, and twisted

buttonhole stitch. There are also viking-era items with a decorative

seam-joining done in "raised fishbone stitch" (a more heavily overlapped

version of herringbone). Edge-finishes include overcast (whip) stitch and

buttonhole.

 

Tangwystyl verch Morgant Glasvryn

 

 

From: bloodthorn at sloth.equinox.gen.nz (Jennifer Geard)

Newsgroups: rec.org.sca

Subject: Re: viking sewing stitches?

Date: Tue, 21 Jun 94 21:13:39 GMT

Organization: Lethargy Inc.

 

Tangwystyl verch Morgant Glasvryn wrote:

>There are also viking-era items with a decorative seam-joining done in

>"raised fishbone stitch" (a more heavily overlapped version of herringbone).

 

This is my stitch of choice for quick sewing, since it binds the edges at the

same time as making the structural join.  Looks good too.

 

  Pagan

==/==\==/==\==/==\==/==\==/==\==/==\==/==\==/==\==/==\==/==\==/==\==/==\==

  Jennifer Geard                         bloodthorn at sloth.equinox.gen.nz

  Christchurch, New Zealand

 

 

From: parkerd at mcmail.cis.mcmaster.CA (Diana Parker)

Newsgroups: rec.org.sca

Subject: Re: Cloaks

Date: 15 Nov 1994 08:37:19 -0500

Organization: The Internet

 

>I need help in finding a place in Ohio that can get me a pattern for a cloak.

>Before, I had always had someone else make my garb, but I have decided to do

>this myself.

 

        A wonderful starting project, because it is done with long

straight seams, no complicated sewing tricks, and is fairly easy to make

the pattern.

        If you are set on buying a commercial pattern, I can't help you because

I don't know who would carry such a thing.  If you would like to make

your own pattern (following my easy directions - _easy_ honest :), send

me an email, and I will dig up the pattern I have on disk at home &

forward it to you.

 

>I even went out and bought a used sewing machine, though it is

>missing the needle.  The lady who I bought it off of said that a missing

>needle

>would not be a problem--that I could go and get it replaced for minimal cost.

 

Needles are a consumable on sewing machines, something like thread only

not quite as fast.  I have a small box I keep different sizes of needles

in.  The usual sizes are:

         9 - very fine sheer cloth

        11 - light weight cloth

        14 - practically everything

        16 - heavier weight (your cloak!)

        18 - sewing a tent

 

Then there are specialty needles of varying usefulness that are sold for

leather, for silks, or sewing with multiple threads at once.

 

Needles are quite cheap and can be bought at fabric stores, department

stores, and even some grocery stores.

 

>In any case, I think I got ripped off.

 

Well that would depend on what kind of machine you got and how much you

paid.  Some of the older (ie 15-25 year old) machines are going to live

forever.  My Mother has an ancient Singer that will sew through anything

you put in it's way.  I know of many people sewing with older machines

that they wouldn't give up.  If the motor on your machine still runs, you

probably didn't get ripped off.

 

        I'm glad you have a sewing machine and the ambition to sew for

yourself.  I think it is a great skill that is relatively easily

mastered, and I'd like to see more people getting into it.

 

cheers

Tabitha

----------------------------------------------

Diana Parker    <parkerd at mcmail.mcmaster.ca>

Security Services       CUC - 201      

McMaster University     (905) 525-9140 (x24282)

 

 

From: dickeney at access1.digex.net (Dick Eney)

Newsgroups: rec.org.sca

Subject: Re: hand stitching documentation

Date: 14 Dec 1995 10:06:11 -0500

Organization: Express Access Online Communications, Greenbelt, MD USA

 

In article <4ap5gn$54k at jaxnet.jaxnet.com>,

Tracy Watson <tewkes at jaxnet.com> wrote:

>     Does anyone know of some illustations of hand stitched seams?  I'd like

>to enter a piece into an Arts/Sci competition, but i'd rather use hand

>stitching instead of by machine.  I also need a picture of those seams, it

>would be easier to copy.  If anyone knows of such documentation, let me know

>the title and ISBN number, so I can access it by inter library loan, if

>neccessary.  Thank you,

>

>                           Kathryn of Tewkesbury

 

Probably not what you're looking for, but one of the Unicorn tapestries

in the Cloisters shows a peasant with what looks like large topstitching

around the neck of his shirt (black thread on white shirt).

 

There's a photograph in a book about The Unicorn Tapestries; sorry, it's

packed in a box and not readily available.

 

-- Tamar the Gypsy (sharing account dickeney at access.digex.net)

 

 

From: hrjones at uclink.berkeley.edu (Heather Rose Jones)

Newsgroups: rec.org.sca

Subject: Re: hand stitching documentation

Date: 14 Dec 1995 17:07:05 GMT

Organization: University of California, Berkeley

 

Tracy Watson (tewkes at jaxnet.com) wrote:

:      Does anyone know of some illustations of hand stitched seams?  I'd like

: to enter a piece into an Arts/Sci competition, but i'd rather use hand

: stitching instead of by machine.  I also need a picture of those seams, it

: would be easier to copy.  If anyone knows of such documentation, let me know

: the title and ISBN number, so I can access it by inter library loan, if

: neccessary.  Thank you,

 

The appropriate documentation will differ depending on the precise period

and location of the item in question, but the best source I know for

"high medieval" English sewing is the Museum of London textiles book.

Nice clear diagrams and explanations of the use to which various

stitching techniques were put. ISBN 0-11-290445-9.

 

Tangwystyl verch Morgant Glasvryn

 

 

From: Kimberly <kim at inna.net>

Newsgroups: rec.org.sca

Subject: Sewing Garb tips for newbies

Date: Sun, 5 May 1996 17:06:22 -0700

 

Greetings!

 

        Just a few thoughts for some of our newer members from someone

who's been there, done that <grin>...

 

        Making garb for the first time can be hectic... especially if you

have an event you've >just heard about< and you absolutely >have< to be

there!  And you've only two days to come up with something.

 

        Good news! With only a simple sewing machine, a steaming iron and

Elmer's glue, you can whip out a great t-tunic that will last all season

(and beyond) ----> In About 2 Hours <----!

 

        Yes, those of you who sew constantly are probably groaning at the

mention of Elmer's glue, but honest, it's the best way to hold a seam

without the time consuming bother of pining!  Just pre-crease your seams

with the iron, add a thin line of glue, then quick-dry it with the iron

again, and vola!  A seam that will hold long enough to get from the

ironing board to the sewing machine... and unlike the conventional

straight pins, it holds the seams perfectly in place!  No sliding or

gathering of material (which is caused by clumsy pining, like mine

<sigh>).

 

        And unlike using tapes and permanent glues, Elmer's will wash out

and leave your seams soft and pliable.  Now, granted, unless you double

roll your inside seams like I do, you will get fraying! But for a first

time attempt that is only going to get you through one event, it's one of

the best ways I know to get a tunic done quick!

 

        I won't waste space here by going through all the gory details

unless someone asks me to.  I've been told there are several EXCELLENT

sewing FAQ's on the internet, but most of the ones I've read are a little

too technical for newbies and >no one< has mentioned the use of glue as a

temporary holding method vs. pining.

 

        If you'd like a complete, detailed run-down (including a nifty

collar pattern), e-mail me at: kim at inna.net and mention "Newbie sewing".

I'll be more than happy to give you a list there!

 

        Welcome and good luck!

 

        Yours In Service,

        Kimberly

 

 

From: jeffebear1 at aol.com (JeffEBear1)

Newsgroups: rec.org.sca

Subject: Re: Sewing Garb tips for newbies

Date: 8 May 1996 04:06:02 -0400

 

Don't forget to pre-shrink your fabric!

 

 

From: Doni Leamon <doeadeer at utc.campus.mci.net>

Newsgroups: rec.org.sca

Subject: Re: Sewing Garb tips for newbies

Date: Wed, 08 May 1996 20:25:57 -0400

 

If you are really pressed for time, nerves, etc. a fun alternative is

called Unique Stitch.  It is a permanent (no, really!) fabric glue that

you apply and let cure for a few hours.  My shot nerves would not allow

me to fight with my sewing machine one night before an event, but I

learned how to glue in *kindergarten* so I gave it a whirl.  I even went

swimming in it (a chiton) the next day with no problems!

 

Just a thought when the sewing machine gremlins plague you.

 

In service,

Daine un Cerf

Kingdom of Meridies

 

 

From: aceia at onr.com (Aceia)

Newsgroups: rec.org.sca

Subject: Re: Sewing Garb tips for newbies

Date: Wed, 08 May 1996 19:13:16 +0100

 

Kimberly <kim at inna.net> wrote:

>        Yes, those of you who sew constantly are probably groaning at the

>mention of Elmer's glue, but honest, it's the best way to hold a seam

>without the time consuming bother of pining!  Just pre-crease your seams

>with the iron, add a thin line of glue, then quick-dry it with the iron

>again, and vola!  A seam that will hold long enough to get from the

>ironing board to the sewing machine... and unlike the conventional

>straight pins, it holds the seams perfectly in place! No sliding or

>gathering of material (which is caused by clumsy pining, like mine

><sigh>).

>

>        And unlike using tapes and permanent glues, Elmer's will wash out

>and leave your seams soft and pliable.  Now, granted, unless you double

>roll your inside seams like I do, you will get fraying!  But for a first

>time attempt that is only going to get you through one event, it's one of

>the best ways I know to get a tunic done quick!

 

WOW! what a wonderful idea!!  I have been sewing awhile and never thought

of it.  I HATE pinning and usually I just don't bother which sometimes

leads to uneven seams....I wonder if this would work with

applique...sometimes I just hate wonder-under, always seems to end up all

over my iron.  Of course glue probably will to...but it should just peel

off.  Or for stabilizing the fabric....or for attaching thick trim that

has to be hand sewn (takes me days to do...)

 

THANKS for sharing this with me!!

Sewing is fun if you know all the shortcuts!

 

Robin Anderson of Ross

Ansteorra

Barony of Bryn Gwlad

 

 

From: parkerd at mcmail.cis.McMaster.CA (Diana Parker)

Newsgroups: rec.org.sca

Subject: Re: Sewing Garb tips for newbies

Date: 8 May 1996 23:28:42 -0400

Organization: McMaster University, Hamilton, Ontario, Canada.

 

        When you're planning your cutting layout... is your fabric wide

enough for the selvedge (finished edges at the side) to be your bottom

hem? or at least to cut your sleeves so the bottom of them has a finished

edge?  Makes it easier to turn up your fabric once instead of twice for

hemming - and saves the day if you've left the garb til the last minute

and have to choose between hemming & sleep.

 

Tabitha

--

Diana Parker               parkerd at mcmaster.ca   (905) 525-9140 (x24282)

CUC - 201               Security Services       McMaster University

 

 

From: IVANOR at delphi.com

Newsgroups: rec.org.sca

Subject: Sewing Garb tips for newbies

Date: 11 May 1996 03:28:30 GMT

 

Quoting aceia from a message in rec.org.sca

   >>        And unlike using tapes and permanent glues, Elmer's will wash

   >out >and leave your seams soft and pliable. Now, granted, unless you

   >double >roll your inside seams like I do, you will get fraying!  But

   >for a first >time attempt that is only going to get you through one

   >event, it's one of >the best ways I know to get a tunic done quick!

   >WOW! what a wonderful idea!!  I have been sewing awhile and never

   >thought of it.  I HATE pinning and usually I just don't bother which

   >sometimes leads to uneven seams....I wonder if this would work with

   >applique...sometimes I just hate wonder-under, always seems to end up

 

Of course it will. In fact, the sewing/crafts tips programs recommend this

sort of thing, though they mostly seem to be pushing things like Aleene's

Tacky Glue.... But Elmer's is cheaper and definitely soluble.

 

   >all over my iron.  Of course glue probably will to...but it should

   >just peel off.  Or for stabilizing the fabric....or for attaching

   >thick trim that has to be hand sewn (takes me days to do...)

 

Yup, it'll work for that, too.  Just don't use it for anything that isn't

washable, or you'll have to leave it in even after stitching.

 

Carolyn Boselli   ivanor at delphi.com   Host of CF35..SCAdians on Delphi

ivanor at localnet.com                                                   

 

 

From: Kim Pollard <kim at inna.net>

Newsgroups: rec.org.sca

Subject: Re: Sewing Garb tips for newbies

Date: Sun, 19 May 1996 09:21:16 -0400

 

On Sat, 18 May 1996, Cennydd wrote:

> Could anyone please help me with tips on how to do dagging so all the

> edges don't fray--were the edges finished in any way? And were the

> edges of fabric in slashed sleeves, etc. finished?

__________

 

I don't know how those of the middle ages delt with frayed edges, but

I've found the best way to "dagg" is to:

        a)  draw out your pattern first on the fabric leaving roughly

            1/2" between the daggs for the thread to hold onto once

            they are cut and flipped.

        b)  pin (or glue) another piece of fabric behind the first

        c)  carefully sew along your lines... leave "points" in the

            ends of your daggs so they will flip easier   V    V

                                                        | ||   ||

                if this realy confuses you, wait        | ||   ||

                until I get my newbie sewing site up   \___/\___/\

        d)  once all the sewing is done, cut out the daggs leaving

            at least 1/4" trim to leave the thread something to hold

            hold onto once it's been washed.

        e)  flip the fabric right-side out and iron flat. You may wish

            to re-sew along the edge again to keep it flat permanently,

            but that is not really necessary.  Just sew the end of the

            backing shut (flipping that over as well to keep >it< from

            fraying) and volia!  You have daggs!

 

Kimberly

 

 

From: brettwi at ix.netcom.com(Brett Williams)

Newsgroups: rec.org.sca

Subject: Re: Sewing Garb tips for newbies

Date: 19 May 1996 15:50:15 GMT

 

Cennydd <mite1 at aloha.net> writes:

>Could anyone please help me with tips on how to do dagging so all the

>edges don't fray--were the edges finished in any way? And were the

>edges of fabric in slashed sleeves, etc. finished?

 

In period, dagged fabric was more tightly beaten in the weaving process

than what is done by machine these days and didn't need edge finishes

when pinked or dagged (see the fragment of dagging in HMSO "Medieval

Textiles". I've finished dagged edges in three different ways, none of

which are (so far in my searchings) documentably period techniques*:

 

1.  Fray Check. This stuff is a chemical preparation found on the

notion wall in any decent sewing shop that, when dribbled on the cut

edge of a fabric, will prevent fraying of any kind. It is poisonous,

nasty to breathe and will stain the edge of the fabric a tad darker in

hue than what it originally was. Since you're talking as if your

fraying is after the fact, this might be a way to save your present

garment.

 

But, in the future:

 

2.  Before cutting the dag pattern, travel over the proposed edge of

the dags with two journeys of dense zig-zag stitching with your

machine, either in matching or contrasting thread. Fray Check is a nice

reinforcement here.

 

3.  Line your dagged edges with a contrasting color: e.g., if your

houppelande is black velveteen and your cotehardie underneath is white,

how about a nice deep red for a sleeve lining?

 

Hope this helps.

 

ciorstan