leather-msg - 7/25/04
Working with leather. General info on leather.
NOTE: See also the files: lea-tooling-msg, lea-tanning-msg, lea-bladders-msg, leather-dyeing-msg, butchering-msg, parchment-msg.
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Stefan at florilegium.org
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From: dew at psuecl.bitnet (Baron Dur, Dark Horde, SCA)
Date: 15 Apr 90 02:43:08 GMT
Organization: Engineering Computer Lab, Pennsylvania State University
jdnicoll at watyew.waterloo.edu (Brian or James) writes:
> Greetings unto the Rialto from Konrad Matthias Jager
>
> Gentles, I am looking for some information on the preparation of Cour
> Boulli (sp?), also known as hardened leather. I am aware of two methods of
> hardening leather; the first is boiling the leather in wax. I have successfully
> used this method to create a coat of scale armour. The second method I have
> seen mentioned is to boil the leather in water with salt and alum.
>
> Does anyone in the Rialto have practical experience with the second
> method? If so, do you have any advice vis-a-vis the porpotions of salt and alum
> to water, and the length of time to boil the leather?
In the tanning of hides, we use salts (particularly alum) to cause the
folicles around the hairs of the hide to constrict. This is important if you
want to keep the hair on the hide.
For those of you with period pavilions, alum is also used as a non-toxic fire
retardant for fabric. Before you apply your favorite waterproofing, soak the
fabric in a strong solution of alum and let dry. This method was also used to
fireproof sails on ships of war.
Dur the Nasty, Baron of Grey Matter
From: Colin The Blackheart
To: All
08-Jul-90 01:20am
Subject: leather
Can't remember who asked about leather, but here's a tip from Haagen, a friend
of mine in Southkeype who's too busy making the money to move away to ge to
events. . . blah, typed that all in one breath!
Get a couple of stainless steel salad bowls, each the same size (spun domes
work OK for this, but rust). Soak your leather as before, but when it gets to
that soggy cardboard consistency, put it in between those domes, and put a
couple of bricks on top. Let it sit for a couple of days (preferably a week).
Remove bricks and bowls and walla! Perfect hemispherical (or whatever) shape
in the leather, perfect for elbows and knees.
Colin
From: cav at bmerh364.BNR.CA (Rick Cavasin)
Date: 28 Oct 91 20:57:54 GMT
Organization: Bell-Northern Research Ltd.
Greetings unto people of the rialto:
Is suede period? Strictly speaking probably not, in the
sense that period leathers that might have looked like
suede would not have been produced in the same way, or
for the same reason. Modern suede is produced from the
'split' (pelt is passed through a band knife machine that
splits it into two layers) which does not have the original
grain surface of the leather. It is typically chrome tanned
(not a period tannage). While the technology to split a
pelt existed in period (highly skilled manual operation
employed in producing some parchments), I have seen no
references to it having been done in leather production.
I would guess that this is due to the limited utility of suede.
Leather is useful because of it's beauty and durability.
Both these virtues are compromised in the removal of the grain
surface. The period tanner would probably have seen little
advantage in devoting a large amount of work to obtain an
inferior (and therefore less marketable) product. With modern,
highly mechanized tanneries, making maximum use of the raw
materials (pelts) in producing lightweight fashion/garment
leathers in the priority. The period exception to this argument
would be oil-tanned wash leathers and buff leathers (NOTE: what
tandy's calls oil-tanned leather is NOT in fact, oil-tanned).
In producing these leathers, the grain is scraped away (called
'frizzing') to facilitate penetration of oils from both sides
of the pelt. These leathers would look somewhat like suede,
but would exhibit different properties (a modern chamois is
an oil tanned split). I personally prefer full grain leathers,
but would not regard the use of suede as horrendously un-period.
What I find more disturbing is the prevelence of the colour
black. While beer-black was certainly a popular leather dye
in period, red was much more highly prized . Sometimes SCA
events put me in mind of biker-hell.
Of course, almost all modern leathers are, to varying degrees,
non-period.
Regards,
Balderik (of no fixed address)
From: ewright at convex.com (Edward V. Wright)
Date: 28 Oct 91 23:29:55 GMT
Organization: CONVEX Computer Corporation, Richardson, Tx., USA
cav at bmerh364.BNR.CA (Rick Cavasin) writes:
>Is suede period? Strictly speaking probably not, in the
>sense that period leathers that might have looked like
>suede would not have been produced in the same way, or
>for the same reason. Modern suede is produced from the
>'split' (pelt is passed through a band knife machine that
>splits it into two layers) which does not have the original
>grain surface of the leather.
That is one way seude can be made, but not the only way.
Tanning a hide produces a type of leather called "full grain."
This is the type of leather usually used for carving. This
leather is then sanded to produce "suede." Coating the leather
to fill in the roughness produces "top grain," the type of
leather used to make (non-suede) jackets, etc. (Source: The
Leather Warehouse)
And, yes, suede is period. If you look in Janet Arnold's "Patterns
of Fashion (Vol. 3)," you will find several good examples of suede
used in period documents.
From: cav at bmerh364.BNR.CA (Rick Cavasin)
Date: 11 Dec 91 13:49:20 GMT
Organization: Bell-Northern Research Ltd.
Unto Duke Sir Cariadoc does Lord Balderik sent his
greetings. Below I have given a brief note on cuir
boulli I once prepared as a Rialto posting but never
got around to posting until the thread had petered out.
I hope it may be of some use. If you would like more
info, feel free to contact me via the Rialto (I do not
have external E-mail).
According to Waterer (Leather Craftmanship, Leather and the
Warrior, etc.), the cuir boulli effect is obtained when
vegetable tanned leather is dried at elevated temperatures.
It is a chemical reaction which converts the leather
into something more closely resembling plastic (I forget the
details). It will only occur with vegetable tanned
leather (the stuff used for tooling leather).
The temperature is critical: too low and no hardening occurs,
too high and the leather becomes brittle.
R. Reid (or was it Reed? in his book Ancient Skins, Parchments,
and Leathers) concurrs, adding that it was also achieved by
briefly (!) dipping the leather in boiling water for between
20 and 120 sec. I have yet to experiment with this technique.
The application of wax is not necessary, although it enhances
the effect by increasing the density of the leather and
limiting the softening that can occur when the leather
is dampened (the use of a wax hardener as mentioned in a
previous posting will achieve a similar effect no doubt!).
The wax also makes the leather tougher. I do not recall either
Waterer or Reed making mention of the use of wax for cuir boulli
armour, but I would have to check.
I made cuir boulli arm harness' as follows:
1) cut out individual lames from leather
2) select forms on which leather will be dried :
-lames were tied onto coffee cans with string
(don't use tape!!!)
-vambraces were tied onto newspapers which were rolled
up into roughly conical shapes
3) in order to determine the optimum temperature, the scrap
bits of leather were used to experiment with different
oven settings (soak piece of leather in water until
saturated, dry in oven, check result)
4) when the correct setting for the oven in question is
determined, the individual armour components (not yet
assembled) are soaked in water until saturated, and
then tied firmly to their respective forms (note that
if you are ambitious you can carve positive and negative
molds in order to impress decorations in relief
on the armour - very period! - see Waterer).
5) place forms in oven and prop door open a crack to let
the moisture escape.
6) melt some parafin wax (beeswax can be used but it is
expensive and will smell like honey when your
armour is in the sun for a while) in a double boiler
(a bowl sitting in a pot of boiling water works).
7) when the pieces are dry and hardened, remove them from
the forms (careful of heat) and brush on the molten
wax with a basting brush or some such implement.
Pieces can be returned to the oven (placed on a cookie
sheet or some such) in order to allow the wax
to permiate the leather. The oven should be hot
enough to melt the wax, but NOT hot enough to burn it!
EXERCISE DUE CAUTION!
SEE INSTRUCTIONS IN EARLIER POSTINGS ON WAXING ARMOUR.
8) When the pieces are hardened and waxed, any rivet holes
needed (unless prepunched) can be drilled.
Edges can be filed/sanded.
An old fashioned (period?) method for hardening shoe
soles (if they are made of vegetable tanned leather)
is to soak and HAMMER them. The compression/heat of hammering
probably produces an effect analagous to that of cuir boulli.
It has the advantage of stretching and consolidating the
leather to limit changes in the sole's shape once the
shoe starts being worn. Given the similarities between the
two applications, I thought it natural to wax the
soles of my boots in the same way as my armour. The soles get
harder, tougher, and less succeptable to dampness.
They can however be very slippery the first time you wear
them so it is best to go out on the pavement and scuff them
up a bit before dancing on a hardwood floor!
Hope this helps,
Balderick (of pathless wastes fame)
Re: Patent Leather
Date: 4 Feb 92
From: cav at bnr.ca (Rick Cavasin)
Newsgroups: rec.org.sca
Organization: Bell-Northern Research Ltd.
Unto the good people of the Rialto does Balderik
send his greetings.
In the article 'Leather Conservation Terminology'
from Leather Conservation News Vol.4 1984 (p.6-15),
we find the definition:
PATENT LEATHER Cattle or horse hide leather,
one side of which (usually the flesh) is covered
with a flexible waterproof film having a lustrous
and highly glazed surface produced by successive
coats of daubs, varnishes and lacquers some of which
may be pigmented. These were formerly based on
boiled linseed oil ('Japanning') but some or all
may now consist partly or entirely of plasticised
nitrocellulose and/or synthetic resin. Originally
made only in black and white, colours are now
available. How long the term 'patent' has been
applied to this kind of leather is not known.
Japanned horse winkers were used in France before
the revolution, but the earliest English patent
so far traced that appears to have reference to
this process is dated 1799 followed by one in 1801.
Patent leather would not be my first choice but
that is mostly my personal preference. While
it may not be 'period' in a strict sense,
there may be period leathers that are similar
in appearance. You should be commended for
going to the effort of making period footwear
(one article of garb that is often neglected).
Regards,
Balderik
From: ddfr at quads.uchicago.edu (david director friedman)
Subject: Re: Waxed Leather
Organization: University of Chicago
Date: Sat, 3 Jul 1993 03:59:41 GMT
Patrick Angus Flynn asks about waxed leather, and Magnus Moorley
responds:
"Making it is simple; get a big kettle, melt some parrafin, dip the
leather, and bend your leather to the desired shape immediately."
I would add:
1. Beeswax also works and, unlike paraffin, is period.
2. You can also do it in an oven at about 220 degrees, with the
melted wax in a baking pan or something similar.
3. While you can bend leather as described, it would be very
difficult to get any shape that involves stretching. My usual
technique involves first soaking the leather in water for many hours,
then shaping and stretching it to the desired shape, then letting it
dry out on some convenient form to keep the shape, then waxing it
when it is thoroughly dry. This way all the forming is being done
with cool, water soaked leather, not with hot, wax soaked leather.
4. More more detailed instructions, see my article on the subject in
T.I. a year or so back.
David/Cariadoc
From: pmw2c at csissun10.ee.Virginia.EDU (Paul Michael Wayner)
Subject: Re: Waxed Leather
Organization: University of Virginia
Date: Sat, 3 Jul 1993 04:13:49 GMT
jeff_witham at mercer.COM writes:
|> Patrick Angus Flynn enquireth:
|>
|> >>What is the opinion of the populace of waxing leather for
|> >>armor? Is it necessary? Is it a good idea? If so, how do I do
|> >>it?
|>
|> Waxed leather or Cuir bouilli <sp?> is a relatively inexpensive
|> (but effective and authentic) type of armor. Not only does this
|> make the leather waterproof (and almost sweatproof), but it makes
|> the leather much more rigid. I'm going to make some this year.
|> I like it better than regular leather since the leather can
|> protect you better. Making it is simple; get a big kettle, melt
|> some parrafin, dip the leather, and bend your leather to the
|> desired shape immediately. I've been told that this can be done
|> in the kitchen. I wouldn't do it in _my_ kitchen, though. I
|> think I'll go camping to do it, and make a party of the occasion.
I have made Coir bouilli in my kitchen (I'm not
real picky :-) and have been very pleased with
the results. Cuir bouilli has the properties of
being light, and fairly rigid but not too rigid.
When armour is too rigid, like steel, you can get
armour bites. Armour bites are much less likely
with Coir bouilli.
There are some things you need to be aware of
though.
#1 if the wax gets warm the leather gets
soft again. This is more of a problem with beeswax
than parafin, which has a higher melting point.
#2 you can use the warming to your advantage. If
your leather gets bent (which it invariably will)
you can heat it and bend it back into shape, no
problem!
Conrad Hebenstorm
From: nusbache at epas.utoronto.ca (Aryk Nusbacher)
Newsgroups: rec.org.sca
Subject: Re: Waxed Leather
Date: 3 Jul 93 11:38:46 GMT
Organization: University of Toronto - Wax on ... wax off
I had heard that a blend of beeswax (for resilience) and carnuba wax
(for hardness) made for the best hardener.
In my experience, the wax always had to go on hot leather, or it would
just sit on the surface. If the leather is hot (only as hot as an
oven or dryer) vegetable tanned stuff, it will drink the wax right in.
Aryk
From: ross at chem.queensu.ca (Ross Dickson)
Subject: Re: Waxed Leather
Organization: Dept. of Chemistry, Queen's University
Date: Mon, 5 Jul 1993 18:14:49 GMT
David / Cariadoc (ddfr at midway.uchicago.edu) writes:
> ... first soaking the leather in water for many hours,
>then shaping and stretching it to the desired shape, then letting it
>dry out on some convenient form to keep the shape, then waxing it
>when it is thoroughly dry.
I thought I should mention that the bit about waxing it WHEN IT IS
THOROUGHLY DRY is important. Gaerhun made his first set of waxed
leather armour here a couple of years ago, and we discovered that one
of the pieces was a rather brittle in the center, and had the
appearance of a crystalline nature at the broken spot. We deduced that
the center of the piece hadn't completely dried before it was waxed.
Angus / Ross
From: nusbache at epas.utoronto.ca (Aryk Nusbacher)
Subject: Re: Waxed Leather
Organization: University of Toronto - Wax on, wax off...
Date: Mon, 5 Jul 1993 20:34:37 GMT
Another safe way to melt wax: microwave oven.
Aryk
From: cav at bnr.ca (Rick Cavasin)
Subject: Re: Waxed Leather
Organization: Bell-Northern Research Ltd.
Date: Tue, 6 Jul 93 16:47:00 GMT
Greetings from Balderik:
Here's some info I posted LOOONNNGGG time ago on making
cuirboulli armour:
According to Waterer (Leather Craftmanship, Leather and the
Warrior, etc.), the cuir boulli effect is obtained when
vegetable tanned leather is dried at elevated temperatures.
It is a chemical reaction which converts the leather
into something more closely resembling plastic (I forget the
details). It will only occur with vegetable tanned
leather (the stuff used for tooling leather).
The temperature is critical: too low and no hardening occurs,
too high and the leather becomes brittle.
R. Reid (or was it Reed? in his book Ancient Skins, Parchments,
and Leathers) concurrs, adding that it was also achieved by
briefly (!) dipping the leather in boiling water for between
20 and 120 sec. I have yet to experiment with this technique.
The application of wax is not necessary, although it enhances
the effect by increasing the density of the leather and
limiting the softening that can occur when the leather
is dampened.
The wax also makes the leather tougher. I do not recall either
Waterer or Reed making mention of the use of wax for cuir boulli
armour, but I would have to check.