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lyres-msg – 2/18/08

 

Medieval lyres and reconstructions.

 

NOTE: See also the files: instruments-msg, guitar-art, music-bib, music-lnks, song-sources-msg, Entrtng-n-SCA-art, drums-msg, harps-msg, p-stories-msg.

 

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NOTICE -

 

This file is a collection of various messages having a common theme that I have collected from my reading of the various computer networks. Some messages date back to 1989, some may be as recent as yesterday.

 

This file is part of a collection of files called Stefan's Florilegium. These files are available on the Internet at: http://www.florilegium.org

 

I have done a limited amount of editing. Messages having to do with separate topics were sometimes split into different files and sometimes extraneous information was removed. For instance, the message IDs were removed to save space and remove clutter.

 

The comments made in these messages are not necessarily my viewpoints. I make no claims as to the accuracy of the information given by the individual authors.

 

Please respect the time and efforts of those who have written these messages. The copyright status of these messages is unclear at this time. If information is published from these messages, please give credit to the originator(s).

 

Thank you,

    Mark S. Harris                  AKA:  THLord Stefan li Rous

                                          Stefan at florilegium.org

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From: PRIEST at vaxsar.vassar.EDU (CAROLYN PRIEST-DORMAN)

Newsgroups: rec.org.sca

Subject: Sutton Hoo Lyre

Date: 14 Mar 1993 11:59:33 -0500

 

Unto the Fishyfolk of the Rialto from Thora Sharptooth, greeting!

 

Pagan said:

 

>Assuming the latest reconstruction

>of the lyre is vaguely accurate (my professor noted that you can buy your

>very own copy at the British Museum), how would it be played?  Then you

>wander off to Christopher Page's thesis on the Anglo-Saxon hearpan, and the

>bit in "The Story of English" TV series where he plays and chants the first

>lines of "Beowulf", and decide that it's really neat, but you have no idea

>whether it's anything like the original.  

 

I told my husband Dof about this question, and this is what he said.  (Dof has

made several Saxon lyres and has been playing them for 5 years.)

 

"As for the accuracy of reproductions, here is the best source:  Frederick

Crane, EXTANT MEDIEVAL MUSICAL INSTRUMENTS:  A PROVISIONAL CATALOGUE BY TYPES

(Iowa City:  University of Iowa Press, 1972).  [We finally got our own personal

copy of this at the Cloisters in New York City two months ago, so it may still

be available.]  It lists seven 'Germanic lyres' and seven bridges.  They range

from the fifth through the tenth century.

 

With respect to how they were played, there are many illuminations of people

playing lyres.  I have eliminated those that are outside the time when they

lyre seems to have been common (post-11th century) on the assumption that the

artist had never seen someone actually playing the instrument, and find that of

those illustrations contemporary in age with the finds there is great

consistency with respect to the way the instrument is held and the way the

hands are being placed on the instrument.  The lyre is usually held upright

resting on one or the other leg; the right hand is holding some kind of

plectrum and moving close to the bridge; the left hand is behind the instrument

with the fingers spread, apparently against the strings. Typical of these is

the illumination of King David from the Vespasian Psalter (circa early 8th

century), which is the picture shown in 'The Story of English' just before

Christopher Page plays.

 

Putting this together with the archaeological evidence of all the narrow bridge

finds (the bridges range from 3/4" to just over 2" wide), it seems the

instrument would have been strummed, not plucked. Parallel-stringed

instruments were known at the same period and are much easier to pluck.  While

the individual musician could have done any number of things possible on the

instrument, the most common thing would seem to me to be blocking and

strumming.  By this I mean strumming across the strings with the right hand and

blocking strings from behind with the left hand so the strings you are touching

with the left hand are the strings that DON'T sound.  This is very comfortable

to do and produces pleasing results.

 

Additionally, the finds all have openings in the back which are larger than one

half the string length.  This would allow the left hand to produce half-length

harmonics for occasional highlights.  Yes, to do these you would pluck the

individual string, which is why I think it would only be used occasionally.

 

As for tunings, since my local music store was out of Mel Bay's COMPLETE GUIDE

TO THE ANGLO-SAXON LYRE, :-) I have tried many different tunings and string

arrangements.  Archaeologica Musica (P.O. Box 92, Cambridge CB4 1PU, England)

produces the audio tape 'Sounds of the Viking World,' and as best I can

determine from the tape, they use the first 6 notes of a major scale (e.g., if

tuned to C, then CDEFGab).  Using this tuning I have been able to produce the

songs from the tape as well as several choral pieces contemporary to the lyre.

Additionally, I have had pleasing results with various diatonic and pentatonic

tunings.  But again, we have no explicit knowledge of how they tuned.

 

My basic rule in all the exploration has been 'find out as much as we can of

what's known, but from there spend many hours playing with it and see what

feels right.'  So if any of the above that feels right for me doesn't work for

you, throw it out.  Then let me know what does work for you.

 

From what I can see of Christopher Page's playing on 'The Story of English,' he

is holding the instrument with the strings against his body so he can rest his

right hand in the upper opening, plucking with his right hand, his left hand

only holding the instrument.  While there are some illustrations of people

holding their left hands on the top of the instrument, I know of none with the

strings reversed or the right hand as far up on the instrument as he does.  I

can't help but think, if it was being used as a plucked instrument, the bridges

would be wider.  THIS DOESN'T MEAN IT WASN'T DONE.  I just haven't seen

anything to support it.

 

                                      -- Dofinn-Hallr Morrisson"

***************************************************************************

Carolyn Priest-Dorman                     Thora Sharptooth

Poughkeepsie, NY                   Frosted Hills ("where's that?")

priest at vassar.edu                      East Kingdom

              Gules, three square weaver's tablets in bend Or

***************************************************************************

 

 

From: dragonsl at hebron.connected.com (Ralph Lindberg)

Newsgroups: rec.org.sca

Subject: Re: Viking instruments and such...

Date: 27 Apr 1994 08:27:11 -0700

 

From the 'Britain before the Conquest" series' Anglo-Saxon England 400AD

to 1066 page 56

 

...A Lyre..74cm long was found at Sutton Hoo....Harps are mentioned in

BEOWULF....Other musical instruments known in Anglo-Saxon manuscripts are

the horn, trumpet, pipe, shawn, rebec, and probably the bagpipes. A

Danish-period flute was found at York.

.....

But just don't ask me what a shawn or a rebec is.

 

Ralg Nilsen, Dragons Laire, AnTir     more hobbies then time

email dragonsl at hebron.connected.com

 

 

Date: Thu, 1 May 1997 12:07:50 -0400 (EDT)

From: "Greg Lindahl" <lindahl at pbm.com>

To: sca-arts at raven.cc.ukans.edu

Subject: Re: Early Period Musicians/Sutton Hoo

 

> Also, the gentle who created the harp (Master Brendan for those in

> Calontir) mentioned someone who possibly _records_ Anglo-Saxon stuff

> accompanied by one of these. Anyone got any ideas on this one? Or

> (Gregory?) any other places on the net I should look or ask?

 

Here's an article about an early Lyre:

http://www.cs.vassar.edu/~priestdo/lyre.html

 

Which has a bibliography which might lead you to similar information

about Saxon harps. It looks like a highly speculative field to play

in, because there simply isn't that much known -- a few finds of

instruments, a few paintings, no music, but an occasional discription

of tuning. This webpage refers to a period description for lyre tuning

for a 6-string lyre which is not pentatonic, it's simply the first 6

notes of our major scale. Which isn't that much of a surprise; early

chant is based on hexachords, and the first 6 notes of the major scale

form a hexachord which was used in chant.

 

> Maerwynn of Holme, a French horn player (with an Anglo-Saxon persona)

> who's desperately searching for a _Medieval_ instrument she can play! :)

 

Sackbutts and cornetti are too late for you? Straight trumpets are

expensive, I'm finding out.

 

-- gb

 

 

From: Robin Carroll-Mann <rcmann4 at salmon.earthlink.net>

Newsgroups: rec.org.sca

Subject: Re: Interesting posts

Date: Fri, 17 Sep 2004 03:53:15 GMT

 

On Thu, 16 Sep 2004 16:39:56 -0700, David Friedman

<ddfr at daviddfriedman.com> wrote:

>My daughter took Dov's class on the Anglo-Saxon Lyre, is interested in

>playing one. I've checked Dov's webbed instructions and plan to make one

>for her to play.

 

I don't know if he covered this in his class, but there was a lyre

found in a recent excavation of a 7th century Saxon prince's grave.

The lyre is of the same style as the one found at Sutton Hoo, but its

remains were more complete.

http://www.molas.org.uk/pages/siteReports.asp?siteid=pr03&;section=preface

 

Brighid ni Chiarain (mka Robin Carroll-Mann)

Barony of Settmour Swamp, East Kingdom

To email me, remove the fish

 

 

From: David Friedman <ddfr at daviddfriedman.com>

Newsgroups: rec.org.sca

Subject: Germanic lyre query

Date: Mon, 22 Nov 2004 00:17:11 -0800

 

I've recently, inspired by Master Dof, made several plucked lyres based

mostly on the Sutton Hoo lyre. Like all the Anglo-Saxon lyres, it

survives only as fragments.

 

There was, however, one complete lyre found in a german grave which was

only destroyed in WWII. I would like to try to make one based on it, but

all I have is a line drawing of it in one book. Does anyone know of

either a published photograph or published dimensions?

 

While on the subject, does anyone know of early pictures of bowed lyres

of the figure eight form (as opposed to the ones that look like the

later Crwth) other than the one 10th century picture of King David that

shows up in various books? Any surviving instruments of that sort?

--

David/Cariadoc

www.daviddfriedman.com

 

 

From: alchem at en.com (James Koch)

Newsgroups: rec.org.sca

Subject: Re: Germanic lyre query

Date: 22 Nov 2004 21:22:52 -0800

 

David Friedman <ddfr at daviddfriedman.com> wrote

> I've recently, inspired by Master Dof, made several plucked lyres based

> mostly on the Sutton Hoo lyre. Like all the Anglo-saxon lyres, it

> survives only as fragments.

I am certainly no expert on musical instruments, but some years ago

Benjamin(sp?) Bagby performed Beowulf at Harkness Chapel on the CWRU

campus here in Cleveland.  He accompanied himself on a reproduction of

an Anglo Saxon period lyre which was tuned in some strange scale

(pentatonic?). I believe he may still be associated with the

university. You may want to contact him or stop at CWRU the next time

you are in town.

 

Jim Koch (Gladius The Alchemist)

 

 

From: David Friedman <ddfr at daviddfriedman.com>

Newsgroups: rec.org.sca

Subject: Re: Germanic lyre query

Date: Mon, 22 Nov 2004 22:28:06 -0800

 

alchem at en.com (James Koch) wrote:

> David Friedman <ddfr at daviddfriedman.com> wrote

> > I've recently, inspired by Master Dof, made several plucked lyres based

> > mostly on the Sutton Hoo lyre. Like all the Anglo-saxon lyres, it

> > survives only as fragments.

>

> I am certainly no expert on musical instruments, but some years ago

> Benjamin(sp?) Bagby performed Beowulf at Harkness Chapel on the CWRU

> campus here in Cleveland.  He accompanied himself on a reproduction of

> an Anglo Saxon period lyre which was tuned in some strange scale

> (pentatonic?).  I believe he may still be associated with the

> university.  You may want to contact him or stop at CWRU the next time

> you are in town.

 

His lyre is described as based on the Oberflacht find which, like the

Sutton Hoo lyre, was fragmentary. Judging by the webbed pictures it's

very like the Sutton Hoo lyre, except that there is a crosspiece near

the peg end which I haven't seen any evidence for in what I've found so

far, and the end piece doesn't seem to be rivetted on the way the Sutton

Hoo lyre's is.

 

It would be interesting to get more information on it, and I'll try to

correspond. But what I really want at this point, having done four lyres

based on the Sutton Hoo, is the Lupfenberg lyre, which is the only

complete one ever excavated and looks like a somewhat different design.

--

David/Cariadoc

www.daviddfriedman.com

 

 

From: peerlady at hotmail.com

Newsgroups: rec.org.sca

Subject: Re: Germanic lyre query

Date: 23 Nov 2004 14:43:49 -0800

 

David Friedman <ddfr at daviddfriedman.com> wrote:

> ... the Lupfenberg lyre, which is the only

> complete one ever excavated and looks like a somewhat different design.

 

  I don't have these in front of me, but you may be able to find more

information in these two pre-WWII publications:

Panum, Hortense, "Harfe und Lyra im alten Nordeuropa," (1905), in

Sammelbaende der Internationalen Musikgesellschaft

 

Panum, Hortense, Stringed Instruments of the Middle Ages (1940)

 

-- Signy

 

 

Newsgroups: rec.org.sca

From: djheydt at kithrup.com (Dorothy J Heydt)

Subject: Re: Germanic lyre query

Organization: Kithrup Enterprises, Ltd.

Date: Tue, 23 Nov 2004 05:35:09 GMT

 

James Koch <alchem at en.com> wrote:

>I am certainly no expert on musical instruments, but some years ago

>Benjamin(sp?) Bagby performed Beowulf at Harkness Chapel on the CWRU

 

yes. also in Berkeley.

 

>campus here in Cleveland.  He accompanied himself on a reproduction of

>an Anglo Saxon period lyre which was tuned in some strange scale

>(pentatonic?).

 

From the webpage: "Although several possible tunings present

themselves, the six tones used tonight were arrived upon through

a careful study of early medieval modal theory, yielding an

octave, three perfect 5ths, two perfect 4ths and two minor 3rds."

 

I believe he may still be associated with the

>university. You may want to contact him or stop at CWRU the next time

>you are in town.

 

He belongs to Sequentia, which is based in Cologne, Germany.

They've made a lot of recordings, including a just-released set

of readings from the Eddas.  But not the Beowulf yet, dammit.

 

http://www.bagbybeowulf.com/background.html

 

Dorothy J. Heydt

Albany, California

djheydt at kithrup.com   

 

 

From: David Friedman <ddfr at daviddfriedman.com>

Newsgroups: rec.org.sca

Subject: Re: Germanic lyre query

Date: Tue, 23 Nov 2004 17:47:49 -0800

 

I followed up the suggestion and got a friendly and helpful reply from

Bagby. They've found another complete lyre in Germany! Next time I drop

by Konstanz ...  .

 

I've emailed the museum I think it's in.

 

If anyone on this list happens to be in Konstanz with a camera ...  .

--

David/Cariadoc

www.daviddfriedman.com

 

 

From: David Friedman <ddfr at daviddfriedman.com>

Newsgroups: rec.org.sca

Subject: Re: Germanic lyre query

Date: Thu, 25 Nov 2004 19:27:13 -0800

 

jk <klessig at cox.net> wrote:

> David Friedman <ddfr at daviddfriedman.com> wrote:

> >I followed up the suggestion and got a friendly and helpful reply from

> >Bagby. They've found another complete lyre in Germany! Next time I drop

> >by Konstanz ...  .

>

> Where, and When?

 

To continue the story.

 

I found the Konstanz archaeological museum on the web, emailed them a

query, got back a friendly response from the person at the museum

dealing with the lyre--including cites to the two preliminary articles

she has published on it in two German archaeological journals. I went to

Amazon.de and ordered the relevant copy of one of the journals.

 

Isn't the net wonderful?

 

To answer your question, quoting from her email:

 

"a complete  wooden lyre from the 6th century was discovered in the

merovingian cemetery of Trossingen in 2002."

 

She has also sent me the cites for two German books containing

information on the lyre I was actually looking for (an earlier find

destroyed during WWII). The next problem is finding them. I'm going to

be in Chicago and in the Boston area during our New Year's trip--I

wonder what rules Regenstein and Widener have for access by alumni?

 

The information, if anyone else is looking:

 

The earlier find is registered in Oberflacht grave 84 and published in:

 

Siegwalt Schiek, Das Graberfeld der Merowingerzeit von Oberflacht

(Stuttgart 1992) 55f. Taf. 61B,3.

Peter Paulsen, Die Holzfunde aus dem Graberfeld bei Oberflacht und und

ihre kulturhistorische Bedeutung (Stuttgart 1992)147.

 

Two provisional reports on the recent find are published:

Archaologische Ausgrabungen in Baden-Wurttemberg 2002 (Stuttgart 2003)

148 -157.

Barbara Theune-Grosskopf, Krieger auf der Leier In: Archaologie in

Deutschland 3/2004, 8-13.

--

David/Cariadoc

www.daviddfriedman.com

 

 

From: mmagnusol <mmagnusol at nc.rr.com>

Date: April 4, 2007 1:11:25 PM CDT

To: - Authenticity List <authenticity at yahoogroups.com>, - BARONY of WINDMASTERS' HILL <keep at windmastershill.org>, - IrgenTLA <IrgenTLA at yahoogroups.com>, - Manx <TheManx at yahoogroups.com>, - Medieval Sawdust <medievalsawdust at yahoogroups.com>

Subject: Anglo_Saxon_Lyres : Anglo Saxon Lyres

 

http://launch.groups.yahoo.com/group/Anglo_Saxon_Lyres/

 

http://michaeljking.com/Sutton_Hoo_Lyre.htm Sutton Hoo and Taplow Lyres Pages.

The guy makes and sells them too.  4/07

 

http://commons.wikimedia.org/wiki/Image:ALM_02_Leier.jpg

 

<the end>



Formatting copyright © Mark S. Harris (THLord Stefan li Rous).
All other copyrights are property of the original article and message authors.

Comments to the Editor: stefan at florilegium.org