card-weaving-msg - 4/15/09
਀ഊCard and tablet weaving. 
਀ഊNOTE: See also the files: weaving-msg, looms-msg, piled-fabrics-msg, lace-msg, weaving-lnks, embroidery-msg, mdvl-textiles-bib.
਀ഊ************************************************************************
਀一伀吀䤀䌀䔀 ⴀഊ
਀吀栀椀猀 昀椀氀攀 椀猀 愀 挀漀氀氀攀挀琀椀漀渀 漀昀 瘀愀爀椀漀甀猀 洀攀猀猀愀最攀猀 栀愀瘀椀渀最 愀 挀漀洀洀漀渀 琀栀攀洀攀 琀栀愀琀 䤀 栀愀瘀攀 挀漀氀氀攀挀琀攀搀 昀爀漀洀 洀礀 爀攀愀搀椀渀最 漀昀 琀栀攀 瘀愀爀椀漀甀猀 挀漀洀瀀甀琀攀爀 渀攀琀眀漀爀欀猀⸀ 匀漀洀攀 洀攀猀猀愀最攀猀 搀愀琀攀 戀愀挀欀 琀漀 ㄀㤀㠀㤀Ⰰ 猀漀洀攀 洀愀礀 戀攀 愀猀 爀攀挀攀渀琀 愀猀 礀攀猀琀攀爀搀愀礀⸀ഊ
਀吀栀椀猀 昀椀氀攀 椀猀 瀀愀爀琀 漀昀 愀 挀漀氀氀攀挀琀椀漀渀 漀昀 昀椀氀攀猀 挀愀氀氀攀搀 匀琀攀昀愀渀✀猀 䘀氀漀爀椀氀攀最椀甀洀⸀ 吀栀攀猀攀 昀椀氀攀猀 愀爀攀 愀瘀愀椀氀愀戀氀攀 漀渀 琀栀攀 䤀渀琀攀爀渀攀琀 愀琀㨀 栀琀琀瀀㨀⼀⼀眀眀眀⸀昀氀漀爀椀氀攀最椀甀洀⸀漀爀最ഊ
਀䤀 栀愀瘀攀 搀漀渀攀 愀 氀椀洀椀琀攀搀 愀洀漀甀渀琀 漀昀 攀搀椀琀椀渀最⸀ 䴀攀猀猀愀最攀猀 栀愀瘀椀渀最 琀漀 搀漀 眀椀琀栀 猀攀瀀愀爀愀琀攀 琀漀瀀椀挀猀 眀攀爀攀 猀漀洀攀琀椀洀攀猀 猀瀀氀椀琀 椀渀琀漀 搀椀昀昀攀爀攀渀琀 昀椀氀攀猀 愀渀搀 猀漀洀攀琀椀洀攀猀 攀砀琀爀愀渀攀漀甀猀 椀渀昀漀爀洀愀琀椀漀渀 眀愀猀 爀攀洀漀瘀攀搀⸀ 䘀漀爀 椀渀猀琀愀渀挀攀Ⰰ 琀栀攀 洀攀猀猀愀最攀 䤀䐀猀 眀攀爀攀 爀攀洀漀瘀攀搀 琀漀 猀愀瘀攀 猀瀀愀挀攀 愀渀搀 爀攀洀漀瘀攀 挀氀甀琀琀攀爀⸀ഊ
਀吀栀攀 挀漀洀洀攀渀琀猀 洀愀搀攀 椀渀 琀栀攀猀攀 洀攀猀猀愀最攀猀 愀爀攀 渀漀琀 渀攀挀攀猀猀愀爀椀氀礀 洀礀 瘀椀攀眀瀀漀椀渀琀猀⸀ 䤀 洀愀欀攀 渀漀 挀氀愀椀洀猀 愀猀 琀漀 琀栀攀 愀挀挀甀爀愀挀礀 漀昀 琀栀攀 椀渀昀漀爀洀愀琀椀漀渀 最椀瘀攀渀 戀礀 琀栀攀 椀渀搀椀瘀椀搀甀愀氀 愀甀琀栀漀爀猀⸀ഊ
਀倀氀攀愀猀攀 爀攀猀瀀攀挀琀 琀栀攀 琀椀洀攀 愀渀搀 攀昀昀漀爀琀猀 漀昀 琀栀漀猀攀 眀栀漀 栀愀瘀攀 眀爀椀琀琀攀渀 琀栀攀猀攀 洀攀猀猀愀最攀猀⸀ 吀栀攀 挀漀瀀礀爀椀最栀琀 猀琀愀琀甀猀 漀昀 琀栀攀猀攀 洀攀猀猀愀最攀猀 椀猀 甀渀挀氀攀愀爀 愀琀 琀栀椀猀 琀椀洀攀⸀ 䤀昀 椀渀昀漀爀洀愀琀椀漀渀 椀猀 瀀甀戀氀椀猀栀攀搀 昀爀漀洀 琀栀攀猀攀 洀攀猀猀愀最攀猀Ⰰ 瀀氀攀愀猀攀 最椀瘀攀 挀爀攀搀椀琀 琀漀 琀栀攀 漀爀椀最椀渀愀琀漀爀⠀猀⤀⸀ഊ
਀吀栀愀渀欀 礀漀甀Ⰰഊ    Mark S. Harris                  AKA:  THLord Stefan li Rous
਀                                          匀琀攀昀愀渀 愀琀 昀氀漀爀椀氀攀最椀甀洀⸀漀爀最ഊ************************************************************************
਀ഊNewsgroups: rec.org.sca
਀䘀爀漀洀㨀 栀眀琀 愀琀 戀挀愀爀栀㄀㄀愀⸀戀渀爀⸀挀愀 ⠀䠀攀渀爀礀 吀爀漀甀瀀⤀ഊSubject: Re: Weaving
਀伀爀最愀渀椀稀愀琀椀漀渀㨀 䈀攀氀氀ⴀ一漀爀琀栀攀爀渀 刀攀猀攀愀爀挀栀 䰀琀搀⸀Ⰰ 伀琀琀愀眀愀Ⰰ 䌀愀渀愀搀愀ഊDate: Fri, 20 Aug 1993 17:33:59 GMT
਀ഊmotto at cbnewsf.cb.att.com (mary.rita.otto) writes:
਀簀㸀 䤀 眀愀猀 眀漀渀搀攀爀椀渀最 椀昀 愀渀礀漀渀攀 眀愀猀 椀渀琀攀爀攀猀琀攀搀 椀渀 䌀愀爀搀 圀攀愀瘀椀渀最⸀ ഊ...
਀簀㸀 䠀愀猀 愀渀礀漀渀攀 猀漀洀攀 瀀愀琀琀攀爀渀猀 漀爀 琀攀挀栀渀椀焀甀攀猀 琀漀 猀栀愀爀攀㼀  伀爀 愀渀 椀渀琀攀爀攀猀琀 椀渀ഊ|> getting the patterns I've made?  Or suggestions for the uses for the
਀簀㸀 眀漀瘀攀渀 戀愀渀搀猀 ⠀漀琀栀攀爀 琀栀愀渀 琀爀椀洀 漀渀 最愀爀戀⤀㼀ഊ
਀䜀爀攀愀琀 猀琀甀昀昀℀ഊ
਀吀栀攀 挀愀爀搀眀攀愀瘀椀渀最 椀渀琀攀爀攀猀琀 氀椀猀琀 眀愀猀 爀甀渀渀椀渀最 昀爀漀洀 挀眀 愀琀 攀渀瘀礀⸀欀眀愀渀琀氀攀渀⸀戀挀⸀挀愀 愀渀搀 ഊadministered by:
਀ഊElizabeth "E.B." Braidwood                Donna Hrynkiw
਀䰀椀漀渀猀 䜀愀琀攀Ⰰ 䄀渀 吀椀爀                        䬀眀愀渀琀氀攀渀 䌀漀氀氀攀最攀ഊdonna at envy.kwantlen.bc.ca                 Surrey, B.C.
਀ഊI use cardwoven bands as tie-and-carry straps, and as drawstrings. I find this a great use for the samples of learning techniques. One of my banners is hung on cardwoven tape.
਀ഊHave you done any of the two-and-two threading? You thread all the cards with two adjacent holes in one colour and the other two in a different colour. By manipulating the cards you can get all kinds of things from plain to stripes to diagonal stripes. It's in Collingwood, and looks really spiffy.
਀ഊ*Peter Collingwood, "The Techniques of Card Weaving", out of print.
਀ⴀⴀ ഊHenry Troup - H.Troup at BNR.CA (Canada) - BNR owns but does not share my opinions
਀ഊ
਀䘀爀漀洀㨀 瀀愀氀洀攀爀 愀琀 挀椀猀⸀漀栀椀漀ⴀ猀琀愀琀攀⸀攀搀甀 ⠀猀栀愀爀漀渀 愀渀渀 瀀愀氀洀攀爀⤀ഊNewsgroups: rec.org.sca
਀匀甀戀樀攀挀琀㨀 刀攀㨀 圀攀愀瘀椀渀最ഊDate: 22 Aug 1993 01:54:20 -0400
਀伀爀最愀渀椀稀愀琀椀漀渀㨀 吀栀攀 伀栀椀漀 匀琀愀琀攀 唀渀椀瘀攀爀猀椀琀礀 䐀攀瀀琀⸀ 漀昀 䌀漀洀瀀甀琀攀爀 愀渀搀 䤀渀昀漀⸀ 匀挀椀攀渀挀攀ഊ
਀䠀攀渀爀礀⸀吀爀漀甀瀀 愀琀 䈀一刀⸀䌀䄀 眀爀椀琀攀猀㨀ഊ>Have you done any of the two-and-two threading? You thread all the cards with two adjacent holes in one colour and the other two in a different colour. By manipulating the cards you can get all kinds of things from plain to stripes to diagonal stripes. It's in Collingwood, and looks really spiffy.
਀ഊI made a sash threaded each card alike, with a shade in each hole:
਀圀栀椀琀攀Ⰰ 戀氀甀攀Ⰰ 渀愀瘀礀Ⰰ 戀氀愀挀欀⸀  䤀琀 栀愀猀 眀漀渀搀攀爀昀甀氀 戀愀爀最攀氀氀漀ⴀ氀椀欀攀 瀀愀琀琀攀爀渀猀⸀ഊI use crochet cotton for sashes and cords, it comes in many colors
਀愀渀搀 椀猀 猀洀漀漀琀栀 愀渀搀 猀琀爀漀渀最⸀  ഊ
਀刀愀渀瘀愀椀最  猀愀瀀愀氀洀攀爀 愀琀 洀愀最渀甀猀甀最⸀愀挀猀⸀漀栀椀漀ⴀ猀琀愀琀攀⸀攀搀甀ഊ
਀ഊNewsgroups: rec.org.sca
਀䘀爀漀洀㨀 洀漀琀琀漀 愀琀 挀戀渀攀眀猀昀⸀挀戀⸀愀琀琀⸀挀漀洀 ⠀洀愀爀礀⸀爀椀琀愀⸀漀琀琀漀⤀ഊSubject: Re: Weaving
਀伀爀最愀渀椀稀愀琀椀漀渀㨀 䄀吀☀吀ഊDate: Sun, 22 Aug 1993 06:37:40 GMT
਀ഊHenry.Troup at BNR.CA writes:
਀ഊGreetings Henry!
਀ഊI'm so glad to hear you are interested in talking about weaving.  I have
਀眀爀椀琀琀攀渀 琀漀 䔀氀椀稀愀戀攀琀栀Ⰰ 愀猀 礀漀甀✀瘀攀 猀甀最最攀猀琀攀搀⸀  䈀甀琀 栀漀眀 渀椀挀攀 琀漀 攀砀挀栀愀渀最攀 愀ഊfew ideas.
਀ഊYour suggestions of tie-and-carry straps and drawstrings are good.  And also
਀昀漀爀 琀栀攀 栀愀渀最椀渀最 漀昀 戀愀渀渀攀爀猀⸀  匀漀洀攀漀渀攀 攀氀猀攀 猀甀最最攀猀琀攀搀 渀愀爀爀漀眀 爀椀戀戀漀渀猀 昀漀爀ഊthe hanging of pendants.  Another person suggested narrow ribbons for the
਀猀攀愀氀椀渀最 漀昀 猀挀爀漀氀氀猀Ⰰ 眀栀椀挀栀 漀瀀攀渀猀 愀 搀漀漀爀 漀昀 漀瀀瀀漀爀琀甀渀椀琀礀 琀漀 琀爀愀搀攀 眀椀琀栀 琀栀攀ഊscribes for all manner of interesting things.
਀ഊHave I done the 2+2 threading?  Why, yes.  My first sampler band was woven
਀椀渀 樀甀猀琀 琀栀椀猀 琀攀挀栀渀椀焀甀攀Ⰰ 愀渀搀 猀栀漀眀猀 猀琀爀椀瀀攀猀Ⰰ 猀漀氀椀搀猀Ⰰ 挀栀攀挀欀猀Ⰰ 搀椀愀最漀渀愀氀猀Ⰰ 愀渀搀ഊletters.  It is a very useful technique.
਀ഊI have done an interesting variation on this technique, based on research
਀椀渀琀漀 愀渀挀椀攀渀琀 瀀椀攀挀攀猀 椀渀 洀甀猀攀甀洀猀⸀  䤀 挀愀氀氀 椀琀 琀栀攀 ㈀⬀㈀ⴀ瘀愀爀礀椀渀最  瀀愀琀琀攀爀渀⸀ഊEssentially, it is like the 2+2 technique.  The first two threads of
਀攀愀挀栀 挀愀爀搀 愀爀攀 琀栀爀攀愀搀攀搀 眀椀琀栀 琀栀攀 猀愀洀攀 挀漀氀漀爀 昀漀爀 愀氀氀 琀栀攀 挀愀爀搀猀⸀  䘀漀爀 攀砀愀洀瀀氀攀Ⰰഊwhite.  Then the other two threads, while matching each other, vary across
਀琀栀攀 眀愀爀瀀 琀漀 挀爀攀愀琀攀 猀琀爀椀瀀攀猀 漀昀 搀椀昀昀攀爀攀渀琀 挀漀氀漀爀猀⸀  䈀礀 挀栀漀漀猀椀渀最 猀琀爀椀瀀攀 挀漀氀漀爀猀ഊwhich are of similar color values, the non-varying color becomes the
਀∀昀漀爀攀最爀漀甀渀搀∀ 愀渀搀 琀栀攀 瘀愀爀礀椀渀最 挀漀氀漀爀 戀攀挀漀洀攀猀 琀栀攀 ∀戀愀挀欀最爀漀甀渀搀∀⸀  吀栀攀 漀瘀攀爀愀氀氀ഊeffect is quite striking.  Using Kountry Kabled Kotton (brand) yarn, I
਀眀漀瘀攀 愀 爀愀琀栀攀爀 椀渀琀攀爀攀猀琀椀渀最 瀀椀攀挀攀 眀椀琀栀 琀栀椀猀 琀攀挀栀渀椀焀甀攀Ⰰ 甀猀椀渀最 琀栀攀 昀漀氀氀漀眀椀渀最ഊdraft pattern (although with more cards than shown below, but you get the
਀椀搀攀愀⤀⸀ഊ
਀䄀ऀ眀栀椀琀攀ऀ眀栀椀琀攀ऀ眀栀椀琀攀ऀ眀栀椀琀攀ऀ眀栀椀琀攀ऀ眀栀椀琀攀ऀ眀栀椀琀攀ऀ眀栀椀琀攀ഊB	white	white	white	white	white	white	white	white
਀䌀ऀ眀栀椀琀攀ऀ爀攀搀ऀ爀攀搀ऀ戀氀甀攀ऀ戀氀甀攀ऀ最爀攀攀渀ऀ最爀攀攀渀ऀ眀栀椀琀攀ഊD	white	red	red	blue	blue	green	green	white
਀䈀攀挀愀甀猀攀 琀栀攀 挀漀氀漀爀 瘀愀氀甀攀猀 愀爀攀 猀漀 猀椀洀椀氀愀爀Ⰰ 琀栀攀 猀琀爀椀欀椀渀最氀礀 搀椀昀昀攀爀攀渀琀 挀漀氀漀爀猀ഊstill blend together into a background for the dominant white pattern.
਀䤀琀 椀猀 栀愀爀搀 琀漀 椀洀愀最椀渀攀 琀栀椀猀 眀椀琀栀 愀 昀椀爀攀 爀攀搀Ⰰ 戀爀椀氀氀椀愀渀琀 爀漀礀愀氀 戀氀甀攀Ⰰ 愀渀搀ഊdeep emerald green, but it is so.  Perhaps you can experiment with this
਀礀漀甀爀猀攀氀昀⸀  䤀 琀栀椀渀欀 琀栀攀 攀昀昀攀挀琀 椀猀 爀攀愀氀氀礀 愀洀愀稀椀渀最Ⰰ 眀栀椀挀栀 椀猀 瀀爀漀戀愀戀氀礀ഊwhy it was a common technique.
਀ഊAre there many card weavers where you live?  I have found a number of
਀䤀渀欀氀攀 眀攀愀瘀攀爀猀Ⰰ 戀甀琀 渀漀 挀愀爀搀 眀攀愀瘀攀爀猀 渀攀愀爀 洀攀⸀  匀漀Ⰰ 琀漀 琀爀礀 琀漀 椀渀琀攀爀攀猀琀 琀栀攀洀ഊI've woven a puzzle belt that in sections can not be distinquished from
਀愀渀 䤀渀欀氀攀 眀攀愀瘀攀Ⰰ 愀渀搀 椀渀 漀琀栀攀爀 猀攀挀琀椀漀渀猀 挀漀甀氀搀 渀漀琀 瀀漀猀猀椀戀氀礀 栀愀瘀攀 戀攀攀渀 搀漀渀攀ഊusing Inkle weaving (just how hard would it be to take the center 12
਀眀愀爀瀀 琀栀爀攀愀搀猀Ⰰ 猀瀀氀椀琀 琀栀攀洀 椀渀 琀眀漀 最爀漀甀瀀猀Ⰰ 愀渀搀 洀漀瘀攀 琀栀攀洀 猀椀砀 琀栀爀攀愀搀猀 挀氀漀猀攀爀ഊto the boarder, crossing the threads over each other?)  I hope it will
਀挀愀甀猀攀 猀漀洀攀 猀瀀椀爀椀琀攀搀 搀椀猀挀甀猀猀椀漀渀 愀渀搀 椀渀琀攀爀攀猀琀 椀渀 琀栀攀 瘀攀爀猀愀琀椀氀椀琀礀 漀昀 挀愀爀搀ഊweaving and the interesting things that can only be done with card
਀眀攀愀瘀椀渀最 愀渀搀 渀漀 漀琀栀攀爀 琀攀挀栀渀椀焀甀攀猀⸀ഊ>*Peter Collingwood, "The Techniques of Card Weaving", out of print.
਀䄀栀Ⰰ 礀攀猀⸀  䤀✀瘀攀 琀爀椀攀搀 琀漀 最攀琀 洀礀 栀愀渀搀猀 漀渀 愀 挀漀瀀礀 眀椀琀栀 渀漀 猀甀挀挀攀猀猀 礀攀琀⸀ഊI have the books by Mary Atwater and by Candace Crockett, and have
਀戀漀爀爀漀眀攀搀 琀栀攀 氀椀戀爀愀爀礀✀猀 挀漀瀀礀 漀昀 䔀椀氀攀攀渀 䈀椀爀搀✀猀 戀漀漀欀Ⰰ 眀栀椀挀栀 䤀 昀攀攀氀 最椀瘀攀猀ഊthe best description of the structure but is woefully short on
਀栀椀猀琀漀爀礀 愀渀搀 瀀愀琀琀攀爀渀猀⸀  䤀 愀氀猀漀 栀愀瘀攀 愀 戀漀漀欀 戀礀 刀甀猀猀 䜀漀昀昀Ⰰ 猀攀氀昀 瀀甀戀氀椀猀栀攀搀ഊby Robin and Russ Handweavers, which is a collection of patterns.
਀䈀甀琀 䤀✀搀 猀琀椀氀氀 氀椀欀攀 琀漀 最攀琀 愀 栀漀氀搀 漀昀 䌀漀氀氀椀渀最眀漀漀搀✀猀 戀漀漀欀⸀ഊ
਀圀漀甀氀搀 礀漀甀 戀攀 椀渀琀攀爀攀猀琀攀搀 椀渀 攀砀挀栀愀渀最椀渀最 瀀愀琀琀攀爀渀猀㼀ഊ
਀刀漀猀愀氀椀渀攀ഊShire of Rokkehealdon, MK
਀⠀䴀愀爀礀⤀ഊ>Henry Troup - H.Troup at BNR.CA (Canada) 
਀ഊ
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊFrom: motto at cbnewsf.cb.att.com (mary.rita.otto)
਀匀甀戀樀攀挀琀㨀 刀攀㨀 圀攀愀瘀椀渀最ഊOrganization: AT&T
਀䐀愀琀攀㨀 匀甀渀Ⰰ ㈀㈀ 䄀甀最 ㄀㤀㤀㌀ 　㘀㨀㐀㐀㨀㄀㜀 䜀䴀吀ഊ
਀䤀渀 愀爀琀椀挀氀攀 㰀㈀㔀㜀㄀洀挀䤀一一漀搀戀 愀琀 椀最甀愀渀愀⸀挀椀猀⸀漀栀椀漀ⴀ猀琀愀琀攀⸀攀搀甀㸀 瀀愀氀洀攀爀 愀琀 挀椀猀⸀漀栀椀漀ⴀ猀琀愀琀攀⸀攀搀甀 ⠀猀栀愀爀漀渀 愀渀渀 瀀愀氀洀攀爀⤀ 眀爀椀琀攀猀㨀ഊ>In article <1993Aug20.173359.18685 at bcars6a8.bnr.ca> Henry.Troup at BNR.CA writes:
਀㸀ഊ>>Have you done any of the two-and-two threading? You thread all the cards with two adjacent holes in one colour and the other two in a different colour. By manipulating the cards you can get all kinds of things from plain to stripes to diagonal stripes. It's in Collingwood, and looks really spiffy.
਀㸀ഊ>I made a sash threaded each card alike, with a shade in each hole:
਀㸀圀栀椀琀攀Ⰰ 戀氀甀攀Ⰰ 渀愀瘀礀Ⰰ 戀氀愀挀欀⸀  䤀琀 栀愀猀 眀漀渀搀攀爀昀甀氀 戀愀爀最攀氀氀漀ⴀ氀椀欀攀 瀀愀琀琀攀爀渀猀⸀ഊ>I use crochet cotton for sashes and cords, it comes in many colors
਀㸀愀渀搀 椀猀 猀洀漀漀琀栀 愀渀搀 猀琀爀漀渀最⸀  ഊ>
਀㸀刀愀渀瘀愀椀最  猀愀瀀愀氀洀攀爀 愀琀 洀愀最渀甀猀甀最⸀愀挀猀⸀漀栀椀漀ⴀ猀琀愀琀攀⸀攀搀甀ഊ
਀䜀爀攀攀琀椀渀最猀Ⰰ 刀愀渀瘀愀椀最℀ഊ
਀夀漀甀爀 戀氀甀攀 眀栀椀琀攀 愀渀搀 戀氀愀挀欀 戀攀氀琀 猀漀甀渀搀猀 瘀攀爀礀 渀椀挀攀⸀  䤀 眀愀猀 攀砀瀀攀爀椀洀攀渀琀椀渀最ഊwith a four color threading pattern of green, red, blue and black.
਀圀椀琀栀 猀椀渀最氀攀 挀愀爀搀 爀漀琀愀琀椀漀渀猀Ⰰ 琀漀 瘀愀爀礀 琀栀攀 瀀愀琀琀攀爀渀Ⰰ 攀瘀攀爀礀琀栀椀渀最 昀爀漀洀 搀椀愀最漀渀愀氀猀ഊto houndstooth is possible.  And quite fun.  If you flip the cards, then
਀礀漀甀 最攀琀 琀栀攀 爀攀瘀攀爀猀攀 漀爀搀攀爀 漀渀 栀愀氀昀 琀栀攀 戀攀氀琀 愀猀 眀攀氀氀Ⰰ 愀搀搀椀渀最 琀漀 琀栀攀 瘀愀爀椀攀琀礀⸀ഊ
਀䤀✀瘀攀 搀漀渀攀 愀 渀甀洀戀攀爀 漀昀 戀爀愀椀搀猀 椀渀 挀爀漀挀栀攀琀 挀漀琀琀漀渀Ⰰ 戀甀琀 琀栀攀 漀渀攀猀 搀漀渀攀 眀椀琀栀ഊheavier yarns tend to be more "popular". ?
਀ഊRosaline
਀⠀䴀愀爀礀⤀ഊ
਀ഊFrom: palmer at cis.ohio-state.edu (sharon ann palmer)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Re: Weaving
਀䐀愀琀攀㨀 ㈀㈀ 䄀甀最 ㄀㤀㤀㌀ ㄀㄀㨀㄀　㨀㄀㜀 ⴀ　㐀　　ഊOrganization: The Ohio State University Dept. of Computer and Info. Science
਀ഊGreetings to Rosaline and the other card weavers on the net.  
਀ഊWe are just back from Pennsic, where I saw some *wonderful* card
਀眀攀愀瘀椀渀最℀  䤀 栀愀搀 琀栀攀 戀愀戀礀 愀氀漀渀最 愀渀搀 搀椀搀渀琀 洀愀欀攀 椀琀 琀漀 愀渀礀 挀氀愀猀猀猀攀猀⸀ഊBut I met Thora Sharptooth briefly, who was wearing a belt by
਀䴀椀猀琀爀攀猀猀 刀漀眀攀渀愀 搀✀䔀爀眀愀氀琀 ⠀猀瀀㼀⤀ 椀渀 匀渀愀爀琀攀洀漀 琀攀挀栀渀椀焀甀攀Ⰰ 眀栀攀爀攀ഊeach card is threaded alike with four colors, for instance
਀爀攀搀Ⰰ 戀氀甀攀Ⰰ 最爀攀攀渀Ⰰ 礀攀氀氀漀眀⸀  愀渀搀 攀愀挀栀 挀愀爀搀 椀猀 琀甀爀渀攀搀 猀攀瀀愀爀愀琀攀氀礀ഊto make interlocking geometric patterns.  Gorgeous!!
਀ഊ_Tablet Weaving_ by Egon Hansen, dist by Books for Craftsmen
਀㄀㌀　㐀 匀挀漀琀琀 匀琀爀攀攀琀Ⰰ 倀攀琀愀氀甀洀愀 䌀䄀 㤀㐀㤀㔀㐀 唀匀䄀Ⰰ 栀愀猀 爀攀瀀爀漀搀甀挀琀椀漀渀猀 ഊand patterns for this and other Viking bands.  It is
਀␀㔀　 昀漀爀 愀 猀氀椀洀 瀀愀瀀攀爀戀愀挀欀 瘀漀氀甀洀攀Ⰰ 眀椀琀栀 开氀漀琀猀开 漀昀 琀礀瀀漀猀⸀ഊBut very useful.
਀ഊIf you are card weaving on an inkle loom with all cards threaded
਀愀氀椀欀攀Ⰰ 礀漀甀 挀愀渀 猀愀瘀攀 氀漀琀猀 漀昀 琀椀洀攀 眀愀爀瀀椀渀最Ⰰ 戀礀 琀栀椀猀 洀攀琀栀漀搀⸀  ഊPut the cards in a pack and thread all of them at once, one ball 
਀昀漀爀 攀愀挀栀 挀漀氀漀爀⸀  吀椀攀 琀栀攀 攀渀搀猀 琀漀 琀栀攀 戀攀愀洀Ⰰ 氀攀愀瘀攀 漀渀攀 挀愀爀搀 戀攀栀椀渀搀Ⰰ ഊand warp the four threads on the pegs, back to the breast beam, 
਀氀攀愀瘀攀 愀渀漀琀栀攀爀 挀愀爀搀 戀攀栀椀渀搀 愀渀搀 挀漀渀琀椀渀甀攀⸀  圀栀攀渀 愀氀氀 挀愀爀搀猀 愀爀攀 眀愀爀瀀攀搀Ⰰഊtie the beggining to the end for a continuous warp, like in inkle
਀眀攀愀瘀椀渀最⸀  圀栀攀渀 䤀 猀琀愀爀琀攀搀 琀栀椀猀 猀攀攀洀攀搀 琀栀攀 漀戀瘀椀漀甀猀 眀愀礀 琀漀 搀漀 椀琀Ⰰഊbut it doesnt seem to be generally done.
਀ഊ> I've done a number of braids in crochet cotton, but the ones done with
਀栀攀愀瘀椀攀爀 礀愀爀渀猀 琀攀渀搀 琀漀 戀攀 洀漀爀攀 ∀瀀漀瀀甀氀愀爀∀⸀ 㼀ഊ
਀䌀爀漀挀栀攀琀 挀漀琀琀漀渀 椀猀 琀栀攀 栀攀愀瘀椀攀猀琀 䤀 栀愀瘀攀 甀猀攀搀Ⰰ 琀栀攀 昀椀渀攀猀琀 眀愀猀 猀攀眀椀渀最ഊthread.
਀ഊI want to do some weaving again.  While I was pregnant, my 
਀愀爀琀栀爀椀琀椀猀 眀愀猀 琀漀漀 戀愀搀Ⰰ 愀渀搀 䤀 栀愀瘀攀 樀甀猀琀 戀攀攀渀 琀漀漀 戀甀猀礀 猀椀渀挀攀ഊthen.  But Pennsic is over and I can stop sewing garb for
਀愀 眀栀椀氀攀⸀ 㨀ⴀ⤀ഊ
਀刀愀渀瘀愀椀最  ഊ
਀ഊFrom: motto at cbnewsf.cb.att.com (mary.rita.otto)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Re: Weaving
਀䐀愀琀攀㨀 ㈀㔀 䄀甀最 㤀㌀ ㄀㠀㨀　㤀㨀㔀　 䜀䴀吀ഊOrganization: AT&T
਀ഊGreetings, Ranvaig!
਀ഊHow interesting!  What four colors were in Thora Sharptooth's belt?
਀䤀 栀愀瘀攀 渀攀瘀攀爀 栀攀愀爀搀 琀栀攀 琀攀挀栀渀椀焀甀攀 漀昀 椀渀搀椀瘀椀搀甀愀氀 挀愀爀搀 爀漀琀愀琀椀漀渀 爀攀昀攀爀爀攀搀ഊto a Snartemo before.  I'd actually never heard a particular name
਀愀猀猀椀最渀攀搀 琀漀 琀栀攀 琀攀挀栀渀椀焀甀攀⸀ഊ
਀一攀椀琀栀攀爀 栀愀搀 䤀 栀攀愀爀搀 漀昀 琀栀攀 戀漀漀欀 戀礀 䔀最漀渀 䠀愀渀猀攀渀⸀  吀栀愀渀欀 礀漀甀 昀漀爀 琀栀攀 氀攀愀搀⸀ഊ
਀䤀 愀最爀攀攀 栀攀愀爀琀椀氀礀 眀椀琀栀 礀漀甀爀 猀琀愀琀攀洀攀渀琀猀 愀戀漀甀琀 挀漀渀琀椀渀甀漀甀猀 眀愀爀瀀椀渀最⸀  䤀 甀猀攀ഊit whenever possible because of the increase in speed it provides in
਀眀愀爀瀀椀渀最⸀ഊ
਀䤀 栀愀瘀攀 戀攀攀渀 搀漀椀渀最 洀礀 挀愀爀搀 眀攀愀瘀椀渀最 漀渀 愀渀 䤀渀欀氀攀 氀漀漀洀 猀椀渀挀攀 䨀愀渀甀愀爀礀Ⰰ 眀栀攀渀ഊmy husband and some loving friends gave me the loom for my birthday.
਀圀栀椀氀攀 椀琀 椀猀 渀漀琀 焀甀椀琀攀 愀猀 猀椀洀瀀氀攀 愀渀搀 瘀攀爀猀愀琀椀氀攀 愀猀 挀愀爀搀 眀攀愀瘀椀渀最 漀昀昀 琀栀攀ഊloom, it has the advantage of being easily interruptible.  In my
਀栀漀甀猀攀栀漀氀搀Ⰰ 琀栀攀爀攀 椀猀 瀀爀攀挀椀漀甀猀 氀椀琀琀氀攀 琀椀洀攀 昀漀爀 眀攀愀瘀椀渀最Ⰰ 愀昀琀攀爀 琀攀渀搀椀渀最ഊto my children, and the housework, and, of course, the day job that
਀瀀愀礀猀 琀栀攀 戀椀氀氀猀 愀渀搀 最椀瘀攀猀 洀攀 渀攀琀 愀挀挀攀猀猀⸀  䈀攀椀渀最 愀戀氀攀 琀漀 氀攀愀瘀攀 琀栀攀 眀攀愀瘀椀渀最ഊset up so that I can weave for a few minutes whenever I get a chance
਀洀愀欀攀猀 琀栀攀 搀椀昀昀攀爀攀渀挀攀 戀攀琀眀攀攀渀 最攀琀琀椀渀最 猀漀洀攀琀栀椀渀最 搀漀渀攀 椀渀 眀栀愀琀 愀瀀瀀攀愀爀猀 琀漀ഊbe no-time versus being ever frustrated that there are no blocks of time
਀琀漀 最攀琀 猀攀琀 甀瀀 愀渀搀 眀攀愀瘀攀⸀ഊ
਀䄀渀漀琀栀攀爀 琀栀椀渀最 䤀 愀氀眀愀礀猀 搀漀 椀猀 眀愀爀瀀 琀栀攀 氀漀漀洀 昀漀爀 琀栀攀 洀愀砀椀洀甀洀 氀攀渀最琀栀⸀ഊThis allows me to make about a 9 foot length of weaving if I make it one
਀瀀椀攀挀攀⸀  䈀甀琀 洀漀爀攀 挀漀洀洀漀渀氀礀 䤀 渀漀眀 洀愀欀攀 椀琀 椀渀琀漀 猀攀瘀攀爀愀氀 瀀椀攀挀攀猀⸀  䘀椀爀猀琀 䤀ഊwill make a wearable belt or band.  Then I will make a sample piece with
਀琀栀攀 猀愀洀攀 瀀愀琀琀攀爀渀 愀猀 琀栀攀 戀愀渀搀Ⰰ 愀戀漀甀琀 㤀ⴀ㄀㈀ 椀渀挀栀攀猀 氀漀渀最Ⰰ 琀漀 猀栀漀眀 琀栀攀 瀀愀琀琀攀爀渀ഊand colors.  It makes it easier to part with a band if I have a piece to
਀欀攀攀瀀 昀漀爀 洀礀猀攀氀昀⸀  吀栀攀渀 䤀 挀愀渀 甀猀攀 琀栀攀 爀攀洀愀椀渀椀渀最 氀攀渀最琀栀 琀漀 攀砀瀀攀爀椀洀攀渀琀 眀椀琀栀ഊdifferent weavings of the warp.  For example, after making a very striking
਀戀攀氀琀 眀椀琀栀 愀 ㄀㈀ 昀漀爀眀愀爀搀Ⰰ ㄀㈀ 爀攀瘀攀爀猀攀 眀攀愀瘀攀 瀀愀琀琀攀爀渀Ⰰ 䤀 眀漀瘀攀 椀琀 眀椀琀栀 愀 㐀 昀漀爀眀愀爀搀ഊand 4 reverse pattern for an entirely different effect.  Another woven with
਀琀栀攀 㐀 昀漀爀眀愀爀搀Ⰰ 㐀 爀攀瘀攀爀猀攀 䤀 眀漀瘀攀 攀渀琀椀爀攀氀礀 椀渀 漀渀攀 搀椀爀攀挀琀椀漀渀 眀椀琀栀 愀 猀椀渀最氀攀ഊreverse -- the effect changed particolored diamonds into triangles and
਀眀愀猀 猀琀爀椀欀椀渀最氀礀 搀椀昀昀攀爀攀渀琀 琀栀愀渀 琀栀攀 漀爀椀最椀渀愀氀 瀀愀琀琀攀爀渀⸀  䤀 昀椀渀搀 琀栀攀 攀砀瀀攀爀椀洀攀渀琀椀渀最ഊto be the most satisfying part of the weaving.
਀ഊI am fortunate that there are excellent sources of materials in my shire
਀愀渀搀 椀渀 琀栀攀 渀攀椀最栀戀漀爀椀渀最 猀栀椀爀攀⸀  圀栀椀氀攀 䤀 昀椀渀搀 琀栀攀 愀瘀愀椀氀愀戀氀攀 挀漀氀漀爀猀 漀昀ഊcrochet cotton to be very limited, there is a weaving workshop in the
਀愀爀攀愀 眀栀椀挀栀 挀愀爀爀椀攀猀 愀 昀甀氀氀 愀爀爀愀礀 漀昀 挀漀氀漀爀猀 椀渀 挀愀爀瀀攀琀 眀愀爀瀀⸀  䔀洀戀爀漀椀搀攀爀礀ഊthreads such as pearl cotton and stranded cotton floss are also both
਀挀栀攀愀瀀 愀渀搀 愀戀甀渀搀愀渀琀⸀  䈀甀琀 洀漀猀琀 攀砀挀椀琀椀渀最 眀攀爀攀 猀漀洀攀 爀攀挀攀渀琀 挀氀漀猀攀漀甀琀猀 漀昀ഊ"odd lots" of yarns in fine wools, rich, heavy cottons, and some amazing
਀猀椀氀欀礀 爀愀礀漀渀 挀栀愀椀渀攀搀 挀漀爀搀⸀  䴀礀 戀椀渀猀 愀爀攀 漀瘀攀爀昀氀漀眀椀渀最℀  圀栀椀氀攀 琀栀攀 猀椀渀最氀攀ഊ4-oz balls of cotton yarn in a dozen colors would seem a lost cause to
਀愀 欀渀椀琀琀攀爀Ⰰ 昀漀爀 挀愀爀搀 眀攀愀瘀椀渀最 椀琀 椀猀 爀愀眀 洀愀琀攀爀椀愀氀 昀漀爀 愀琀 氀攀愀猀琀 琀眀漀 搀漀稀攀渀 栀攀愀瘀礀ഊbelts.  Belts that can hold up swords.  Belts that are up to
਀㔀 椀渀挀栀攀猀 眀椀搀攀 愀渀搀 挀愀渀 戀攀 眀漀爀渀 愀猀 猀愀猀栀攀猀⸀  䈀攀氀琀猀 琀栀愀琀 愀爀攀 戀漀氀搀 戀愀渀搀猀 漀昀 挀漀氀漀爀ഊacross a garment.  (ah.... getting a little carried away -- forgive me)
਀ഊThere's just this artistic vision I get when I see a bin full of yarn,
਀琀栀攀 挀漀氀漀爀猀 挀爀礀椀渀最 漀甀琀 琀漀 戀攀 瀀愀椀爀攀搀 愀渀搀 琀眀椀猀琀攀搀 琀漀最攀琀栀攀爀 椀渀琀漀 愀 琀栀椀渀最ഊof beauty and grace.  Kinda makes it all worthwhile, somehome.
਀ഊRosaline
਀匀栀椀爀攀 漀昀 刀漀欀欀攀栀攀愀氀搀愀渀Ⰰ 䴀䬀ഊ(Mary)
਀ഊ
਀䘀爀漀洀㨀 猀挀漀琀栀 愀琀 挀礀戀攀爀猀瀀愀挀攀⸀挀漀洀 ⠀匀挀漀琀 䠀愀爀欀椀渀猀⤀ഊNewsgroups: rec.org.sca
਀匀甀戀樀攀挀琀㨀 圀攀愀瘀椀渀最ഊDate: 25 Aug 1993 09:23:31 -0700
਀伀爀最愀渀椀稀愀琀椀漀渀㨀 ⠀䌀夀䈀䔀刀匀倀䄀䌀䔀⤀ 倀甀戀氀椀挀 䤀渀琀攀爀渀攀琀 ㈀　㘀⸀㈀㠀㘀⸀㄀㘀　　ഊ
਀匀椀渀挀攀 礀漀甀 洀攀渀琀椀漀渀 眀攀愀瘀椀渀最Ⰰ 洀礀 氀愀搀礀Ⰰ 䠀䰀 䄀氀愀猀琀爀椀渀愀 䴀挀䬀攀愀爀礀Ⰰ 栀愀猀 愀 欀渀漀琀琀礀ഊproblem in the card weaving area.  She is going to produce about fifteen
਀礀愀爀搀猀 漀昀 琀爀椀洀 搀椀猀瀀氀愀礀椀渀最 愀 戀愀搀最攀Ⰰ 猀漀洀攀眀栀愀琀 猀礀洀攀琀爀椀挀愀氀Ⰰ 爀攀瘀攀爀猀椀戀氀攀 椀渀 猀甀挀栀ഊa way that one side will display vertically and the other horizontally.
਀吀漀 搀漀 琀栀椀猀Ⰰ 眀攀 愀爀攀 昀愀戀爀椀挀愀琀椀渀最 ⨀攀椀最栀琀⨀ 猀椀搀攀搀 挀愀爀搀猀 ⠀㔀㈀ 漀昀 琀栀攀洀⤀ 昀漀爀 琀栀攀ഊpurpose.  We are only in the conceptual stage right now; pricing supplies
਀愀渀搀 最爀愀瀀栀椀渀最 琀栀攀 瀀愀琀琀攀爀渀⸀  圀攀 愀爀攀 戀攀椀渀最 挀愀爀攀昀甀氀 琀漀 搀漀挀甀洀攀渀琀 瀀爀漀最爀攀猀猀 昀漀爀ഊfuture entry in competitions/tourneys.  All of this by Christ's Mass or
਀吀眀攀氀昀琀栀 一椀最栀琀⸀  䤀昀 愀渀礀漀渀攀 椀猀 椀渀琀攀爀攀猀琀攀搀 漀爀 栀愀猀 椀渀瀀甀琀Ⰰ 氀攀琀 洀攀 欀渀漀眀 漀爀ഊreply.
਀ഊHL Scot MacFin
਀圀攀猀琀攀爀渀 刀䠀Ⰰ 䄀渀吀椀爀ഊ
਀ഊFrom: jab2 at stl.stc.co.uk (Jennifer Ann Bray)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: tablet woven borders
਀䐀愀琀攀㨀 ㈀㘀 䄀甀最 㤀㌀ ㄀㈀㨀㄀㤀㨀㐀　ഊOrganization: STC Technology Ltd., London Road, Harlow, UK.
਀ഊI don't know if anyone else has tried this, but tablet weaving was
਀漀渀挀攀 甀猀攀搀 愀猀 愀 猀琀愀爀琀椀渀最 戀漀爀搀攀爀 昀漀爀 氀漀漀洀 眀攀愀瘀椀渀最⸀ 琀栀攀 眀愀爀瀀 漀昀 琀栀攀 洀愀椀渀ഊcloth is the weft of the tablet weaving. you produce a piece of tablet
਀眀攀愀瘀椀渀最 眀椀琀栀 琀栀攀 眀攀昀琀 瀀甀氀氀攀搀 漀甀琀 漀渀 漀渀攀 猀椀搀攀 愀爀漀甀渀搀 愀 挀漀甀瀀氀攀 漀昀 猀栀漀爀琀ഊposts (the posts are hammered into the ground or fixed to one side of
਀愀 昀爀愀洀攀 礀漀甀 愀爀攀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 漀渀⤀ 䴀愀爀琀愀 䠀漀昀昀洀愀渀 最椀瘀攀猀 愀渀 攀砀挀攀氀氀攀渀琀ഊdescription in her book on the warp weighted loom.
਀䤀 琀爀椀攀搀 琀栀椀猀 愀猀 愀 猀琀愀爀琀椀渀最 戀漀爀搀攀爀 昀漀爀 愀 眀愀爀瀀 眀攀椀最栀琀攀搀 氀漀漀洀 愀渀搀 椀琀ഊworked fine, but I find the loom excrutiatingly slow to work on.
਀栀愀瘀椀渀最 樀甀猀琀 爀攀猀琀漀爀攀搀 愀 ㄀㤀㌀　猀 昀爀愀洀攀 氀漀漀洀 䤀 琀爀椀攀搀 甀猀椀渀最 愀 琀愀戀氀攀琀 眀漀瘀攀渀ഊheader on that. I was told by an expert it couldn't be done, but I
਀搀椀搀渀✀琀 爀攀愀氀氀礀 栀愀瘀攀 愀渀礀 瀀爀漀戀氀攀洀猀⸀ 䤀 樀甀猀琀 猀攀眀搀 琀栀攀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 琀漀 琀栀攀ഊrod I would have tied the end of the warp to. I suspect I threaded the
਀氀漀漀洀 甀瀀 戀愀挀欀 琀漀 昀爀漀渀琀 愀猀 䤀 栀愀搀 琀漀 搀漀 愀 氀漀琀 漀昀 眀椀渀搀椀渀最 琀漀 最攀琀 琀栀攀 眀愀爀瀀ഊeven on the back beam, but I wove a couple of inches last night and it
਀眀漀爀欀攀搀⸀ ഊthe loom will weave up to 40" so I fancy trying a square viking cape
਀漀渀 椀琀⸀ 吀栀攀 渀攀砀琀 猀琀愀最攀 椀猀 琀漀 昀椀最甀爀攀 漀甀琀 栀漀眀 琀漀 搀漀 琀愀戀氀攀琀 眀漀瘀攀渀 猀椀搀攀猀ഊas well. I think if I stick to two threads per card I might be able to
਀昀椀琀 琀栀攀洀 琀栀爀漀甀最栀 琀栀攀 爀攀攀搀Ⰰ 戀甀琀 䤀 眀漀渀✀琀 最攀琀 愀渀礀 爀攀愀氀氀礀 昀愀渀挀礀 瀀愀琀琀攀爀渀猀ഊthat way unless I use brocading.
਀䠀愀猀 愀渀礀漀渀攀 攀氀猀攀 漀甀琀 琀栀攀爀攀 琀爀椀攀搀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 椀渀 愀猀猀漀挀椀愀琀椀漀渀 眀椀琀栀ഊloom weaving? Has anyone got any suggestions?
਀䤀 琀栀椀渀欀 昀爀漀洀 洀礀 爀攀愀搀椀渀最 琀栀愀琀 洀漀猀琀 戀愀渀搀猀 琀栀愀琀 眀攀爀攀 椀渀琀攀最爀愀氀 眀椀琀栀 琀栀攀ഊcloth and not sewn on were pretty plain, (though the Thorsbjerg
਀挀氀漀愀欀猀 栀愀搀 瘀攀爀礀 眀椀搀攀 戀漀爀搀攀爀猀 琀栀攀礀 搀漀渀✀琀 猀攀攀洀 琀漀 栀愀瘀攀 戀攀攀渀 瀀愀琀琀攀爀渀攀搀⤀ഊdoes anyone know if this was the general rule, or know of any
਀攀砀挀攀瀀琀椀漀渀猀 琀漀 椀琀㼀ഊ
਀ഊFrom: PRIEST at vaxsar.vassar.EDU (CAROLYN PRIEST-DORMAN)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Weaving
਀䐀愀琀攀㨀 ㈀㜀 䄀甀最 ㄀㤀㤀㌀ ㄀㤀㨀㌀　㨀㌀㌀ ⴀ　㐀　　ഊ
਀唀渀琀漀 琀栀攀 䘀椀猀栀礀昀漀氀欀 漀昀 琀栀攀 刀椀愀氀琀漀Ⰰ 最爀攀攀琀椀渀最 昀爀漀洀 吀栀漀爀愀 匀栀愀爀瀀琀漀漀琀栀℀ഊ
਀匀琀攀瀀栀攀渀 漀昀 琀栀攀 䜀爀漀瘀攀 眀爀漀琀攀㨀ഊ
਀㸀䤀✀瘀攀 搀漀渀攀 洀甀挀栀 洀漀爀攀 眀椀琀栀 搀漀甀戀氀攀ⴀ昀愀挀攀 ⠀㈀⬀㈀⤀ 瀀愀琀琀攀爀渀猀 琀栀愀渀 琀栀攀ഊ>threaded in paterns.  The pictures of period tablet weaving I've
਀㸀猀攀攀渀 栀愀瘀攀 愀氀氀 戀攀攀渀 搀漀渀攀 眀椀琀栀 琀栀愀琀 洀攀琀栀漀搀⸀⸀⸀  一漀渀攀 琀栀愀琀 䤀✀瘀攀 昀漀甀渀搀ഊ>used the threaded in patterns.  Have any of you found documentation
਀㸀昀漀爀 琀栀爀攀愀搀攀搀 椀渀 瀀愀琀琀攀爀渀猀㼀ഊ
਀匀攀瘀攀爀愀氀 攀砀琀愀渀琀 洀攀搀椀攀瘀愀氀 瀀椀攀挀攀猀 栀愀瘀攀 戀漀爀搀攀爀 琀爀攀愀琀洀攀渀琀猀 琀栀愀琀 愀爀攀 猀洀愀氀氀ഊthreaded-in patterns.  The Coptic arrowhead motif discussed by Collingwood is
਀漀渀攀㬀 爀攀氀愀琀攀搀 猀椀洀瀀氀攀 琀栀爀攀愀搀攀搀ⴀ椀渀 瀀愀琀琀攀爀渀猀 眀攀爀攀 挀漀洀洀漀渀 琀漀 攀愀爀氀礀 瀀攀爀椀漀搀 䌀漀瀀琀椀挀ഊweaves.  Also, checkered selvedges are found on some tenth-century Anglo-Saxon
਀瀀椀攀挀攀猀 ⠀猀漀洀攀 漀昀 琀栀攀 爀攀氀椀挀猀 漀昀 匀琀⸀ 䌀甀琀栀戀攀爀琀⤀⸀ഊ
਀䄀 昀愀洀漀甀猀 琀栀爀攀愀搀攀搀ⴀ椀渀 瀀愀琀琀攀爀渀 椀猀 琀栀攀 匀愀砀漀渀 搀椀愀洀漀渀搀 瀀椀攀挀攀⸀  䤀琀✀猀 琀栀攀 爀攀洀渀愀渀琀猀 漀昀ഊa "late pagan" Anglo-Saxon belt in three colors.  The original write-up of it
਀椀猀 戀礀 䜀爀愀挀攀 䌀爀漀眀昀漀漀琀㬀 䌀漀氀氀椀渀最眀漀漀搀 愀氀猀漀 搀椀猀挀甀猀猀攀猀 椀琀 愀渀搀 䜀愀氀攀 伀眀攀渀ⴀ䌀爀漀挀欀攀爀✀猀ഊDRESS IN ANGLO-SAXON ENGLAND has a very good photo of the piece on page 100. 
਀圀栀椀氀攀 椀琀 搀椀猀瀀氀愀礀猀 琀栀攀 挀漀渀琀椀渀甀漀甀猀 昀漀爀眀愀爀搀 琀甀爀渀椀渀最 愀渀搀 猀椀洀瀀氀攀 搀攀猀椀最渀 漀昀 愀ഊthreaded-in pattern, the interesting thing about this weave is the turning
਀猀攀焀甀攀渀挀攀㨀  礀漀甀 琀甀爀渀 漀渀氀礀 琀栀攀 漀搀搀 琀愀戀氀攀琀猀 愀渀搀 琀栀爀漀眀 愀 眀攀昀琀Ⰰ 琀栀攀渀 琀甀爀渀 漀渀氀礀 琀栀攀ഊeven tablets and throw another weft, and like that.
਀ഊA Finnish woman's belt from the Eura graves (circa 1000 CE) has a small
਀猀攀洀椀ⴀ洀攀愀渀搀攀爀 搀攀猀椀最渀 琀栀愀琀 䤀 琀栀椀渀欀 椀猀 琀栀爀攀愀搀攀搀ⴀ椀渀⸀  䠀漀眀攀瘀攀爀Ⰰ 䤀 栀愀瘀攀渀✀琀 礀攀琀 戀攀攀渀ഊable to duplicate it; perhaps the book I found it in reproduces it oddly, or
਀瀀攀爀栀愀瀀猀 䤀 洀椀猀椀渀琀攀爀瀀爀攀琀攀搀 琀栀攀 搀攀猀椀最渀 眀栀攀渀 琀爀礀椀渀最 琀漀 眀攀愀瘀攀 椀琀⸀ഊ
਀䰀愀琀攀爀 椀渀 瀀攀爀椀漀搀 ⠀㄀㈀㤀㐀Ⰰ 琀漀 戀攀 瀀爀攀挀椀猀攀⤀Ⰰ 琀栀攀爀攀✀猀 愀 琀栀爀攀愀搀攀搀ⴀ椀渀 琀甀戀甀氀愀爀 猀椀氀欀ഊribbon used as a seal tag on a Scottish royal charter.  The pattern is worked
਀漀渀 攀椀最栀琀 琀愀戀氀攀琀猀㨀  琀眀漀 猀椀搀攀ⴀ戀礀ⴀ猀椀搀攀 猀焀甀愀爀攀猀 ⠀漀渀攀 戀氀甀攀Ⰰ 琀栀攀 漀琀栀攀爀 瀀椀渀欀⤀ 眀椀琀栀ഊgreen centers on a white background.  The effect is sort of psychedelic, as the
਀琀甀戀甀氀愀爀 眀攀愀瘀攀 洀愀欀攀猀 琀栀攀 猀焀甀愀爀攀猀 猀瀀椀爀愀氀 愀爀漀甀渀搀 琀栀攀 挀漀爀搀⸀ഊ
਀䴀愀渀礀 琀礀瀀攀猀 漀昀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 愀爀攀 瀀攀爀椀漀搀Ⰰ 栀漀眀攀瘀攀爀⸀  吀栀攀爀攀✀猀 搀椀愀最漀渀愀氀ഊdouble-turn, double-face double-turn, various twills, brocading, and shadow
਀瀀愀琀琀攀爀渀椀渀最Ⰰ 氀攀琀 愀氀漀渀攀 琀栀攀 洀漀爀攀 挀漀洀瀀氀椀挀愀琀攀搀 昀漀甀爀ⴀ挀漀氀漀爀 ∀匀渀愀爀琀攀洀漀∀ 琀攀挀栀渀椀焀甀攀⸀ ഊAnd a far greater proportion of the finds are plain weave than anyone would
਀栀愀瘀攀 礀漀甀 戀攀氀椀攀瘀攀⸀ 㬀㸀ഊ
਀䘀漀爀 猀漀甀爀挀攀猀Ⰰ 攀ⴀ洀愀椀氀 洀攀⸀  刀攀洀攀洀戀攀爀Ⰰ 洀礀 漀昀昀攀爀 漀昀 眀攀愀瘀椀渀最 琀眀漀 礀愀爀搀猀 漀昀 猀椀氀欀 琀爀椀洀ഊfor the first person to definitively document "stinkin' diamonds" in period
਀猀琀椀氀氀 猀琀愀渀搀猀⸀⸀⸀⸀ഊ**************************************************************************
਀䌀愀爀漀氀礀渀 倀爀椀攀猀琀ⴀ䐀漀爀洀愀渀ऀऀऀ吀栀漀爀愀 匀栀愀爀瀀琀漀漀琀栀ഊPoughkeepsie, NY			Frosted Hills ("where's that?")
਀瀀爀椀攀猀琀 愀琀 瘀愀猀猀愀爀⸀攀搀甀ऀऀऀ䔀愀猀琀 䬀椀渀最搀漀洀ഊ            Gules, three square weaver's tablets in bend Or
਀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀ഊ
਀ഊFrom: jab2 at stl.stc.co.uk (Jennifer Ann Bray)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Re: Weaving
਀䐀愀琀攀㨀 ㈀ 匀攀瀀 㤀㌀ ㄀㄀㨀㌀㠀㨀㔀㈀ഊOrganization: STC Technology Ltd., London Road, Harlow, UK.
਀ഊThora Sharptooth wrote of a Finnish woman's belt from the Eura graves
਀眀椀琀栀愀 琀栀爀攀愀搀攀搀 椀渀 猀攀洀椀 洀攀愀渀搀攀爀 瀀愀琀琀攀爀渀⸀ 䤀 戀攀氀椀攀瘀攀 猀栀攀 椀猀 爀攀昀攀爀爀椀渀最 琀漀 ഊone described in "Ancient Finnish Costumes" by Pirkko-Liisa Lehtosalo-
਀䠀椀氀愀渀搀攀爀⸀ ഊIt looked to me as if the pattern was that given below:
਀ഊ% % % % % % % % % % % % % % % % % % % % % % % % % % % 
਀⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ⸀ ഊ% % % . % % % . % % % . % % % . % % % . % % % . % % % 
਀─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ഊ% , % . % , % . % , % . % , % . % , % . % , % . % , % 
਀Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ഊ% . % , % . % , % . % , % . % , % . % , % . % , % . % 
਀⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ഊ% , % . % , % . % , % . % , % . % , % . % , % . % , % 
਀Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ─ Ⰰ ─ ⸀ ഊ% % % , % % % , % % % , % % % , % % % , % % % , % % % 
਀Ⰰ ─ Ⰰ Ⰰ Ⰰ ─ Ⰰ Ⰰ Ⰰ ─ Ⰰ Ⰰ Ⰰ ─ Ⰰ Ⰰ Ⰰ ─ Ⰰ Ⰰ Ⰰ ─ Ⰰ Ⰰ Ⰰ ─ Ⰰ ഊ, , , , , , , , , , , , , , , , , , , , , , , , , , , 
਀─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ─ ഊ
਀─ 爀攀瀀爀攀猀攀渀琀猀 昀椀爀猀琀 搀愀爀欀攀猀琀 挀漀氀漀甀爀ഊ, and . are the two lighter colours
਀猀漀 琀栀攀 琀漀瀀 氀椀渀攀 椀猀 搀漀渀攀 戀礀 愀 挀愀爀搀 琀栀爀攀愀搀攀搀 愀氀氀 眀椀琀栀 ─ഊthe next line is threaded all .
਀琀栀攀 渀攀砀琀 氀椀渀攀 椀猀 琀栀爀攀攀 挀漀爀渀攀爀猀 眀椀琀栀 ─ 愀渀搀 琀栀攀 昀漀甀爀琀栀 眀椀琀栀 ⸀ഊand so forth
਀䤀昀 礀漀甀 猀焀甀椀渀琀 愀琀 琀栀攀 搀椀愀最爀愀洀 愀戀漀瘀攀 礀漀甀 洀椀最栀琀 最攀琀 琀栀攀 椀搀攀愀ഊbut its a lot clearer if you copy it onto squared paper
਀愀渀搀 挀漀氀漀甀爀 椀琀 椀渀⸀ഊ
਀䨀攀渀渀椀昀攀爀ഊVanaheim Vikings
਀⠀渀漀琀 匀䌀䄀 戀甀琀 䤀 眀愀猀 瀀愀猀猀椀渀最 琀栀攀 刀椀愀氀琀漀 ☀ 琀栀漀甀最栀琀 䤀✀搀 猀琀漀瀀 昀漀爀 愀 挀栀愀琀⤀ഊ
਀ഊFrom: priest at vaxsar.vassar.edu (Carolyn Priest-Dorman)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Re: Weaving
਀䐀愀琀攀㨀 ㄀　 匀攀瀀 㤀㌀ 　㜀㨀㐀　㨀㌀㄀ ⬀㄀　　　ഊ
਀唀渀琀漀 琀栀攀 䘀椀猀栀礀昀漀氀欀 漀昀 琀栀攀 刀椀愀氀琀漀Ⰰ 瀀愀爀琀椀挀甀氀愀爀氀礀 椀琀猀 圀攀愀瘀攀爀猀Ⰰ 最爀攀攀琀椀渀最 昀爀漀洀 吀栀漀爀愀ഊSharptooth!
਀ഊRanvaig writes:
਀ഊ>>How interesting!  What four colors were in Thora Sharptooth's belt?
਀㸀㸀䤀 栀愀瘀攀 渀攀瘀攀爀 栀攀愀爀搀 琀栀攀 琀攀挀栀渀椀焀甀攀 漀昀 椀渀搀椀瘀椀搀甀愀氀 挀愀爀搀 爀漀琀愀琀椀漀渀 爀攀昀攀爀爀攀搀ഊ>>to a Snartemo before.  I'd actually never heard a particular name
਀㸀㸀愀猀猀椀最渀攀搀 琀漀 琀栀攀 琀攀挀栀渀椀焀甀攀⸀ഊ>I dont remember the colors.  At Red Dragon last year, Mistress Rowena 
਀㸀猀栀漀眀攀搀 洀攀 愀 猀椀洀椀氀椀愀爀 戀攀氀琀 ⠀漀爀 洀愀礀戀攀 琀栀攀 猀愀洀攀 漀渀攀⤀ 猀栀攀 栀愀搀 洀愀搀攀⸀  䔀愀挀栀 ഊ>repeat of ~ 3" took an entire day to weave.
਀㸀ഊ>Perhaps Thora would describe it better.
਀㸀ഊ>Snartemo refers to a specific piece described in Hansen.  I believe
਀㸀䴀椀猀琀爀攀猀猀 刀漀眀攀渀愀 甀猀攀搀 琀栀攀 瀀栀爀愀猀攀Ⰰ 匀渀愀爀琀攀洀漀 吀攀挀栀渀椀焀甀攀Ⰰ 戀甀琀 䤀 挀漀甀氀搀ഊ>have made it up myself. :-)
਀ഊMistress Rowena does indeed use the phrase "Snartemo technique."  I remember
਀眀栀攀渀 猀栀攀 挀愀洀攀 爀甀渀渀椀渀最 甀瀀 琀漀 洀攀 愀琀 倀攀渀渀猀椀挀 堀堀 愀渀搀 栀漀氀氀攀爀攀搀 ∀䤀 昀椀最甀爀攀搀 漀甀琀ഊSnartemo!" ;>
਀ഊSnartemo is the name of the Norwegian location at which a variety of
਀猀椀砀琀栀ⴀ挀攀渀琀甀爀礀 琀愀戀氀攀琀ⴀ眀漀瘀攀渀 瀀椀攀挀攀猀Ⰰ 愀洀漀渀最 漀琀栀攀爀 琀栀椀渀最猀Ⰰ 眀攀爀攀 昀漀甀渀搀⸀  ∀匀渀愀爀琀攀洀漀ഊtechnique" refers to the technique by which the most intricate of the Snartemo
਀瀀椀攀挀攀猀 ⠀愀猀 眀攀氀氀 愀猀 猀漀洀攀 漀琀栀攀爀 瀀椀攀挀攀猀⤀ 眀愀猀 眀漀瘀攀渀㨀  愀 昀漀甀爀ⴀ挀漀氀漀爀 琀栀爀攀愀搀椀渀最 昀漀爀ഊeach tablet (red, blue, yellow, and green for Snartemo V) and a weaving method
਀爀攀氀礀椀渀最 ⠀氀椀欀攀 ∀䔀最礀瀀琀椀愀渀 搀椀愀最漀渀愀氀猀∀ 琀攀挀栀渀椀焀甀攀⤀ 漀渀 搀椀愀最漀渀愀氀 愀氀椀最渀洀攀渀琀 漀昀 挀漀氀漀爀猀ഊto make elaborate patterns.  Most of the pieces in this technique are early
਀瀀攀爀椀漀搀Ⰰ 戀甀琀 琀栀攀爀攀✀猀 愀渀 攀砀琀愀渀琀 琀眀攀氀昀琀栀ⴀ挀攀渀琀甀爀礀 一漀爀眀攀最椀愀渀 瀀椀攀挀攀 ⠀愀 挀氀漀愀欀 攀搀最椀渀最⤀ഊin what looks to be the same technique.  (Those of you who have seen
਀䌀漀氀氀椀渀最眀漀漀搀✀猀 眀爀椀琀攀ⴀ甀瀀 漀渀 琀栀攀 琀攀挀栀渀椀焀甀攀Ⰰ 戀攀 眀愀爀渀攀搀㨀  栀攀 最漀琀 琀栀椀猀 漀渀攀 䐀䔀䄀䐀ഊwrong.  It's much less bizarre than he claims it is.  Of course, Hansen's
਀攀砀瀀氀愀渀愀琀椀漀渀 椀猀渀✀琀 洀甀挀栀 攀愀猀椀攀爀 琀漀 昀漀氀氀漀眀Ⰰ 愀琀 昀椀爀猀琀 最氀愀渀挀攀℀⤀ഊ
਀吀栀攀 瀀椀攀挀攀 䴀椀猀琀爀攀猀猀 刀漀眀攀渀愀 洀愀搀攀 昀漀爀 洀攀 眀愀猀 愀 最椀昀琀⸀  圀攀 搀椀猀挀甀猀猀攀搀 琀栀攀 挀漀氀漀爀椀渀最ഊand patterning beforehand--it is actually woven in only three colors (my colors
਀漀昀 最甀氀攀猀 愀渀搀 伀爀 瀀氀甀猀 猀愀戀氀攀⤀⸀  䴀漀猀琀 漀昀 刀漀眀攀渀愀✀猀 匀渀愀爀琀攀洀漀 眀漀爀欀 栀愀猀 戀攀攀渀 椀渀 昀漀甀爀ഊcolors, like the Snartemo V piece; however, last year she wove a belt for
਀栀攀爀猀攀氀昀 椀渀 栀攀爀 挀漀氀漀爀猀 ⠀愀稀甀爀攀Ⰰ 瘀攀爀琀 愀渀搀 愀爀最攀渀琀⤀ 眀栀椀挀栀 氀漀漀欀攀搀 猀漀 渀椀挀攀 䤀 琀栀漀甀最栀琀ഊI'd ask for something with the same general three-color effect.  Mine has some
਀漀昀 琀栀攀 瀀愀琀琀攀爀渀猀 昀爀漀洀 琀栀攀 漀爀椀最椀渀愀氀 匀渀愀爀琀攀洀漀 昀椀渀搀猀 瀀氀甀猀 猀漀洀攀 漀爀椀最椀渀愀氀 瀀愀琀琀攀爀渀椀渀最ഊRowena devised that looks like little weaving tablets (the main charge in my
਀愀爀洀猀⤀⸀  䤀琀✀猀 眀漀漀氀Ⰰ 愀戀漀甀琀 ㄀⸀㔀∀ 眀椀搀攀 眀椀琀栀 猀漀氀椀搀 戀漀爀搀攀爀猀Ⰰ 愀 氀椀琀琀氀攀 漀瘀攀爀 ㈀ഊyards long with long tubular-braided ends.  (The only problem with this most
਀最漀爀最攀漀甀猀 漀昀 戀攀氀琀猀 椀猀 琀栀愀琀 洀愀渀礀 瀀攀漀瀀氀攀 琀栀椀渀欀 琀栀愀琀 椀琀 椀猀 愀 洀愀挀栀椀渀攀ⴀ瀀爀漀搀甀挀攀搀ഊlength of trim, at least until it is explained to them!)
਀ഊRowena has also woven several other pieces--trim for a Viking apron-dress,
਀漀琀栀攀爀 戀攀氀琀猀Ⰰ 攀琀挀⸀ⴀⴀ椀渀 琀栀椀猀 琀攀挀栀渀椀焀甀攀⸀  䈀甀琀 栀攀爀 ㌀⼀㄀ 戀爀漀欀攀渀 琀眀椀氀氀 昀椀最甀爀攀搀ഊdouble-cloth pieces (the "field belts" that she wears so casually!) are equally
਀猀琀甀渀渀椀渀最 愀渀搀 攀砀挀攀瀀琀椀漀渀愀氀⸀  匀栀攀 椀猀 眀椀琀栀漀甀琀 焀甀攀猀琀椀漀渀 琀栀攀 洀漀猀琀 愀甀琀栀攀渀琀椀挀 愀渀搀ഊtechnically perfect tablet-weaver I have ever seen or heard tell of in the
਀䬀渀漀眀渀 圀漀爀氀搀⸀  䤀琀✀猀 渀漀琀 昀漀爀 渀漀琀栀椀渀最 琀栀愀琀 愀氀氀 洀礀 猀琀甀搀攀渀琀猀 愀渀搀 䤀 挀愀氀氀 栀攀爀 琀栀攀ഊ"Tablet-weaving Goddess." 
਀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀ഊCarolyn Priest-Dorman			Thora Sharptooth
਀倀漀甀最栀欀攀攀瀀猀椀攀Ⰰ 一夀ऀऀऀ䘀爀漀猀琀攀搀 䠀椀氀氀猀 ⠀∀眀栀攀爀攀✀猀 琀栀愀琀㼀∀⤀ഊpriest at vassar.edu			East Kingdom
਀            䜀甀氀攀猀Ⰰ 琀栀爀攀攀 猀焀甀愀爀攀 眀攀愀瘀攀爀✀猀 琀愀戀氀攀琀猀 椀渀 戀攀渀搀 伀爀ഊ****************************************************************************
਀ഊ
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊFrom: motto at cbnewsf.cb.att.com (mary.rita.otto)
਀匀甀戀樀攀挀琀㨀 刀攀㨀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 椀渀昀漀 渀攀攀搀攀搀⸀ഊOrganization: AT&T
਀䐀愀琀攀㨀 吀甀攀Ⰰ ㈀㠀 匀攀瀀 ㄀㤀㤀㌀ 　㌀㨀㄀㌀㨀㈀　 䜀䴀吀ഊ
਀䤀渀 愀爀琀椀挀氀攀 㰀洀樀挀⸀㜀㐀㤀㄀㐀㐀　㘀㘀 愀琀 一䰀⸀䌀匀⸀䌀䴀唀⸀䔀䐀唀㸀 洀樀挀⬀ 愀琀 挀猀⸀挀洀甀⸀攀搀甀 ⠀䴀漀渀椀挀愀 䌀攀氀氀椀漀⤀ 眀爀椀琀攀猀㨀ഊ>>I've just started tablet-weaving hems for my tunics, and need some info.
਀㸀㸀圀栀愀琀 椀猀 琀栀攀 戀攀猀琀 眀愀礀 漀昀 攀渀搀椀渀最 琀栀攀 戀爀愀椀搀㼀 䤀昀 礀漀甀 挀甀琀 愀 氀漀渀最 戀愀渀搀 椀渀琀漀 猀攀瘀攀爀愀氀ഊ>>pieces (for sleeves), then how do you keep it from raveling?
਀㸀ഊ>The same way as for other woven trims -- fold the ends under if the threads
਀㸀愀爀攀 昀椀渀攀 攀渀漀甀最栀 琀栀愀琀 琀栀攀 戀甀氀欀 眀漀渀✀琀 戀攀 愀 瀀爀漀戀氀攀洀Ⰰ 漀爀 猀攀眀 琀栀攀 攀渀搀猀 椀渀琀漀 琀栀攀 ഊ>seams of the tunic.  (If you're really desperate I suppose you could apply
਀㸀䘀爀愀礀ⴀ䌀栀攀挀欀Ⰰ 愀瘀愀椀氀愀戀氀攀 愀琀 礀漀甀爀 昀愀戀爀椀挀⼀渀漀琀椀漀渀猀 猀琀漀爀攀Ⰰ 戀甀琀 䤀✀瘀攀 渀攀瘀攀爀 栀愀搀 洀甀挀栀 ഊ>success with that.)
਀㸀ഊ>Ellisif
਀ഊTightly woven tablet weaves are quite fray resistant.  Sew them together
਀眀椀琀栀 猀攀眀椀渀最 琀栀爀攀愀搀 眀椀琀栀 琀栀攀 攀渀搀 琀漀 琀栀攀 漀甀琀猀椀搀攀 琀漀 洀愀欀攀 愀 猀栀漀爀琀Ⰰ 搀攀挀漀爀愀琀椀瘀攀ഊfringe.  Make long strands between the pieces -- 6 inches of yarn ends at
਀攀愀挀栀 攀渀搀 琀漀 戀攀 樀漀椀渀攀搀Ⰰ 昀漀爀 攀砀愀洀瀀氀攀Ⰰ 愀渀搀 戀爀愀椀搀 琀栀攀洀 琀漀最攀琀栀攀爀Ⰰ 昀椀渀椀猀栀椀渀最 攀愀挀栀ഊbraid with an overhand knot for a luxurious fringe effect.  Be truly
਀漀戀猀攀猀猀椀瘀攀 愀渀搀 愀氀琀攀爀渀愀琀攀氀礀 眀攀愀瘀攀 琀栀攀洀 椀渀琀漀 攀愀挀栀 漀琀栀攀爀 愀氀漀渀最 琀栀攀 瀀愀琀琀攀爀渀 氀椀渀攀猀ഊto make it appear seamless.  Enclose the ends in a french seam finish on
਀琀栀攀 最愀爀洀攀渀琀 椀琀猀攀氀昀⸀ഊ
਀吀栀漀猀攀 愀爀攀 洀礀 椀搀攀愀猀Ⰰ 愀渀礀眀愀礀⸀ഊ
਀刀漀猀愀氀椀渀攀ഊ(Mary)
਀ഊ
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊFrom: mjc+ at cs.cmu.edu (Monica Cellio)
਀匀甀戀樀攀挀琀㨀 刀攀㨀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 椀渀昀漀 渀攀攀搀攀搀⸀ഊOrganization: School of Computer Science, Carnegie Mellon
਀䐀愀琀攀㨀 䴀漀渀Ⰰ ㈀㜀 匀攀瀀 ㄀㤀㤀㌀ ㄀㔀㨀㌀㐀㨀㈀㘀 䜀䴀吀ഊ
਀㸀䤀✀瘀攀 樀甀猀琀 猀琀愀爀琀攀搀 琀愀戀氀攀琀ⴀ眀攀愀瘀椀渀最 栀攀洀猀 昀漀爀 洀礀 琀甀渀椀挀猀Ⰰ 愀渀搀 渀攀攀搀 猀漀洀攀 椀渀昀漀⸀ഊ>What is the best way of ending the braid? If you cut a long band into several
਀㸀瀀椀攀挀攀猀 ⠀昀漀爀 猀氀攀攀瘀攀猀⤀Ⰰ 琀栀攀渀 栀漀眀 搀漀 礀漀甀 欀攀攀瀀 椀琀 昀爀漀洀 爀愀瘀攀氀椀渀最㼀ഊ
਀吀栀攀 猀愀洀攀 眀愀礀 愀猀 昀漀爀 漀琀栀攀爀 眀漀瘀攀渀 琀爀椀洀猀 ⴀⴀ 昀漀氀搀 琀栀攀 攀渀搀猀 甀渀搀攀爀 椀昀 琀栀攀 琀栀爀攀愀搀猀ഊare fine enough that the bulk won't be a problem, or sew the ends into the 
਀猀攀愀洀猀 漀昀 琀栀攀 琀甀渀椀挀⸀  ⠀䤀昀 礀漀甀✀爀攀 爀攀愀氀氀礀 搀攀猀瀀攀爀愀琀攀 䤀 猀甀瀀瀀漀猀攀 礀漀甀 挀漀甀氀搀 愀瀀瀀氀礀ഊFray-Check, available at your fabric/notions store, but I've never had much 
਀猀甀挀挀攀猀猀 眀椀琀栀 琀栀愀琀⸀⤀ഊ
਀䔀氀氀椀猀椀昀ഊ
਀ഊFrom: jab2 at stl.stc.co.uk (Jennifer Ann Bray)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Eura tablet weaving pattern
਀䐀愀琀攀㨀 ㈀㤀 匀攀瀀 㤀㌀ ㄀㄀㨀㐀㔀㨀㔀㈀ഊOrganization: STC Technology Ltd., London Road, Harlow, UK.
਀ഊI posted this before, but someone asked to see it, so maybe it never
਀最漀琀 漀甀琀 瀀爀漀瀀攀爀氀礀 栀攀爀攀 最漀攀猀 琀栀攀 猀攀挀漀渀搀 愀琀琀攀洀瀀琀⸀⸀⸀ഊ
਀吀栀椀猀 椀猀 洀礀 愀琀琀攀洀瀀琀 愀琀 愀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 瀀愀琀琀攀爀渀 昀爀漀洀 䔀甀爀愀⸀ 䤀琀 椀猀 椀渀 ㌀ഊcolours, I don't know exactly what they were or which went where. 
਀ഊ* represents one colour ' is another and / is the third
਀漀渀 琀栀攀 漀爀椀最椀渀愀氀 ⨀ 眀愀猀 搀愀爀欀 愀渀搀 琀栀攀 漀琀栀攀爀 琀眀漀 眀攀爀攀 氀椀最栀琀ഊAll tablets turn in the same direction given by the slope of the / and '
਀ഊ* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * 
਀⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ⨀ ഊ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' 
਀⨀ ⨀ ⨀ ✀ ⨀ ⨀ ⨀ ✀ ⨀ ⨀ ⨀ ✀ ⨀ ⨀ ⨀ ✀ ⨀ ⨀ ⨀ ✀ ⨀ ⨀ ⨀ ✀ ⨀ ⨀ ⨀ ✀ ⨀ ⨀ ⨀ ✀ ⨀ ഊ* / * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / * ' * 
਀⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ഊ/ * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / 
਀⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ഊ' * / * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / * ' 
਀⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ഊ/ * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / * ' * / 
਀⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ✀ ⨀ ⼀ ⨀ ഊ* * / * * * / * * * / * * * / * * * / * * * / * * * / * * * / * * 
਀⨀ ⼀ ⼀ ⼀ ⨀ ⼀ ⼀ ⼀ ⨀ ⼀ ⼀ ⼀ ⨀ ⼀ ⼀ ⼀ ⨀ ⼀ ⼀ ⼀ ⨀ ⼀ ⼀ ⼀ ⨀ ⼀ ⼀ ⼀ ⨀ ⼀ ⼀ ⼀ ⨀ ഊ/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / 
਀⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ⼀ ഊ* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * 
਀ഊTo use the pattern you would probably need to copy it onto a piece of
਀最爀愀瀀栀 瀀愀瀀攀爀 甀猀椀渀最 挀漀氀漀甀爀攀搀 瀀攀渀猀⸀ 琀栀攀渀 琀栀爀攀愀搀 甀瀀 礀漀甀爀 琀愀戀氀攀琀猀 眀椀琀栀 琀栀攀ഊfirst four colours in each row.
਀ഊRed from plants in the madder family was used on the textiles, as was
਀愀 搀礀攀 椀搀攀渀琀椀昀椀攀搀 愀猀 椀渀搀椀最漀 ⠀眀栀椀挀栀 瀀爀攀猀甀洀愀戀氀礀 挀漀甀氀搀 栀愀瘀攀 挀漀洀攀 昀爀漀洀 眀漀愀搀ഊaswell) There was also an unidentified yellow or green. the
਀爀攀挀漀渀猀琀爀甀挀琀漀爀猀 甀猀攀搀 栀攀愀琀栀攀爀 戀椀爀挀栀 氀攀愀瘀攀猀 愀渀搀 渀攀琀琀氀攀 昀漀爀 琀栀攀 礀攀氀氀漀眀 漀爀ഊgreen colour in their version.
਀吀栀攀 漀爀椀最椀渀愀氀 戀愀渀搀 眀愀猀 ∀渀漀 洀漀爀攀 琀栀愀渀 ㄀㄀洀洀 眀椀搀攀∀ഊ
਀䤀 洀愀搀攀 愀 挀漀瀀礀 眀椀琀栀 ✀ 愀猀 愀 搀愀爀欀 椀渀搀椀最漀 戀氀甀攀Ⰰ ✀ 愀猀 愀 猀琀爀漀渀最 眀攀氀搀ഊyellow and * as a bright madder orangey red.
਀吀栀攀 爀攀猀甀氀琀 挀愀洀攀 漀甀琀 氀椀欀攀 愀 猀攀爀椀攀猀 漀昀 昀氀愀洀攀猀Ⰰ 眀攀氀氀 䤀 琀栀漀甀最栀琀 椀琀 搀椀搀ഊanyway.
਀ഊI worked this pattern out from Ancient Finnish Costume by Pirkko-Liisa
਀䰀攀栀琀漀猀愀氀漀ⴀ䠀椀氀愀渀搀攀爀  ഊTheir interpretation of the pattern is "from the very beginning of 
਀琀栀攀 戀愀渀搀⸀ 眀栀攀爀攀 琀栀攀 瀀愀琀琀攀爀渀 栀愀搀 渀漀琀 礀攀琀 戀攀攀渀 昀漀爀洀攀搀∀ 猀漀 漀琀栀攀爀ഊpatterns based on the same threading are plausible.
਀䤀 眀漀甀氀搀 戀攀 最爀愀琀攀昀甀氀 昀漀爀 愀渀礀 挀漀爀爀攀挀琀椀漀渀猀Ⰰ 愀渀礀 椀渀昀漀爀洀愀琀椀漀渀 漀渀 眀栀愀琀 琀栀攀ഊoriginal clours were, or any ideas on better ways of sending
਀琀愀戀氀攀琀 眀攀愀瘀椀渀最 瀀愀琀琀攀爀渀猀 琀栀爀漀甀最栀 攀洀愀椀氀⸀ഊ
਀䨀攀渀渀椀昀攀爀ഊVanaheim Vikings
਀⠀一漀琀 匀䌀䄀Ⰰ 戀甀琀 䤀 眀愀猀 瀀愀猀猀椀渀最 琀栀攀 刀椀愀氀琀漀 ☀ 猀琀漀瀀瀀攀搀 昀漀爀 愀 挀栀愀琀⤀ഊ
਀ഊNewsgroups: rec.org.sca
਀䘀爀漀洀㨀 欀爀攀礀氀椀渀最 愀琀 氀搀猀⸀氀漀爀愀氀⸀挀漀洀 ⠀䔀搀 䬀爀攀礀氀椀渀最 㘀㤀㘀㘀⤀ഊSubject: Re: Table Weaving (was Truth and Beauty (was: A&S Competitions)
਀伀爀最愀渀椀稀愀琀椀漀渀㨀 䰀漀爀愀氀 䐀愀琀愀 匀礀猀琀攀洀猀ഊDate: Tue, 5 Oct 1993 02:52:30 GMT
਀ഊIn article <aliskyeCE8D5w.BIq at netcom.com> aliskye at netcom.com (Laura F. Jenkins) writes:
਀㸀䌀愀渀 猀漀洀攀漀渀攀 爀攀挀漀洀洀攀渀搀 猀漀洀攀 最漀漀搀 戀漀漀欀猀 漀渀 琀栀椀猀 琀漀瀀椀挀㼀  圀椀琀栀 瀀甀戀氀椀猀栀攀爀猀⸀ഊ>
਀倀攀琀攀爀 䌀漀氀氀椀渀最眀漀漀搀 椀猀 琀栀攀 搀攀昀椀渀椀琀椀瘀攀 愀甀琀栀漀爀 漀渀 琀愀戀氀攀琀 眀攀愀瘀椀渀最⸀ 䠀椀猀 ∀吀攀挀栀渀椀焀甀攀猀ഊon Tablet Weaving" is generally considered the best. It may be out of print.
਀䤀琀 䤀匀 栀愀爀搀 琀漀 昀椀渀搀⸀ ⠀圀愀琀猀漀渀ⴀ䜀甀瀀琀椀氀氀 倀甀戀氀椀挀愀琀椀漀渀猀Ⰰ 一攀眀 礀漀爀欀Ⰰ ㄀㤀㠀㈀⤀⸀        ഊRussell Groff's "Card Weaving" is a nice little how-to but has nothing about
਀瀀攀爀椀漀搀 眀攀愀瘀攀猀⸀ 吀栀攀爀攀 愀爀攀 愀氀漀琀 漀昀 瀀愀琀琀攀爀渀猀 瀀爀漀瘀椀搀攀搀Ⰰ 焀甀椀琀攀 愀 昀攀眀 漀昀 眀栀椀挀栀 愀爀攀ഊbasic geometrics. (Robin and Russ Handweavers, McMinnville, Ore.) Someone might
਀戀攀 愀戀氀攀 琀漀 猀攀渀搀 礀漀甀 愀渀 愀搀搀爀攀猀猀 ⠀䤀✀瘀攀 氀漀猀琀 洀礀 挀愀琀愀氀漀最⤀⸀ഊInterweave Press is the best publishing company for any weaving style  as a rule
਀                          䈀爀椀最椀琀     ഊ-----------------------------------------------------------------------
਀䔀搀 䬀爀攀礀氀椀渀最ऀऀऀ簀 䴀愀猀琀攀爀 䔀爀椀欀 漀昀 吀攀氀攀洀愀爀欀 伀⸀䰀⸀Ⰰ伀⸀倀⸀ഊkreyling at world.lds.loral.com	| Shire of Brineside Moor
਀匀愀爀愀猀漀琀愀Ⰰ䘀氀⸀ 唀匀䄀  ऀऀ簀 䬀椀渀最搀漀洀 漀昀 吀爀椀洀愀爀椀猀Ⰰ 匀䌀䄀ഊ-----------------------------------------------------------------------
਀ഊ
਀䘀爀漀洀㨀 瀀爀椀攀猀琀 愀琀 瘀愀砀猀愀爀⸀瘀愀猀猀愀爀⸀攀搀甀 ⠀䌀愀爀漀氀礀渀 倀爀椀攀猀琀ⴀ䐀漀爀洀愀渀⤀ഊNewsgroups: rec.org.sca
਀匀甀戀樀攀挀琀㨀 刀攀㨀 䌀愀爀搀 圀攀愀瘀椀渀最ഊDate: 29 Nov 93 08:06:32 +1000
਀伀爀最愀渀椀稀愀琀椀漀渀㨀 嘀椀欀椀渀最猀 刀 唀猀ഊ
਀唀渀琀漀 琀栀攀 䘀椀猀栀礀昀漀氀欀 漀昀 琀栀攀 刀椀愀氀琀漀Ⰰ 最爀攀攀琀椀渀最 昀爀漀洀 吀栀漀爀愀 匀栀愀爀瀀琀漀漀琀栀℀ഊ
਀䬀漀渀爀愀搀 瘀漀渀 䈀甀爀攀渀 愀猀欀猀㨀ഊ>I've been doing card weaving for awhile and I was wondering what type
਀㸀漀昀 琀爀椀洀 眀漀甀氀搀 戀攀 愀瀀瀀爀漀瀀椀愀琀攀 昀漀爀 愀 琀栀椀爀琀攀攀渀琀栀 挀攀渀琀甀爀礀 猀椀搀攀氀攀猀猀 猀甀爀挀漀愀琀㼀ഊ>What type of material would have been used for the thread (ie. wool, silk,
਀㸀氀椀渀攀渀⤀㼀 ഊ
਀圀攀氀氀Ⰰ 䤀✀洀 渀漀琀 愀 猀瀀攀挀椀愀氀椀猀琀 椀渀 琀栀椀爀琀攀攀渀琀栀ⴀ挀攀渀琀甀爀礀 最愀爀洀攀渀琀猀Ⰰ 猀漀 䤀 挀愀渀✀琀 琀攀氀氀 礀漀甀ഊif tablet weaving is appropriate trim for a sideless surcoat in that period. 
਀䠀漀眀攀瘀攀爀Ⰰ 琀栀攀爀攀 愀爀攀 猀攀瘀攀爀愀氀 猀甀爀瘀椀瘀椀渀最 瀀椀攀挀攀猀 漀昀 搀攀挀漀爀愀琀椀瘀攀 琀栀椀爀琀攀攀渀琀栀ⴀ挀攀渀琀甀爀礀ഊtablet weaving.  Plain weaves in silk (sometimes linen) brocaded in silk or
਀猀瀀甀渀 最漀氀搀 ⠀漀爀 猀椀氀瘀攀爀⤀ 琀栀爀攀愀搀 眀攀爀攀 甀猀攀搀 昀漀爀 攀挀挀氀攀猀椀愀猀琀椀挀愀氀 琀爀椀洀洀椀渀最猀Ⰰ 栀愀椀爀渀攀琀ഊedgings, and girdles; they were decorated in geometric or heraldic motifs. 
਀吀栀攀渀 琀栀攀爀攀✀猀 琀栀攀 䈀攀氀琀 漀昀 倀栀椀氀椀瀀 漀昀 匀眀愀戀椀愀 ⠀搀椀攀搀 ㄀㈀　㠀⤀Ⰰ 眀栀椀挀栀 椀猀 猀椀氀欀 愀渀搀ഊdecorated in a variety of ways:  brocading, soumaking, and shadow checks.
਀⠀匀栀愀搀漀眀 挀栀攀挀欀猀 愀爀攀 椀搀椀漀琀ⴀ猀椀洀瀀氀攀 琀漀 眀攀愀瘀攀Ⰰ 愀渀搀 椀渀 愀 昀椀渀攀 猀栀椀渀礀 琀栀爀攀愀搀 洀愀欀攀 愀ഊplain but gorgeously subtle band.)
਀ഊ>Does anyone know a good book on brocaded card weaving? 
਀ഊTo my knowledge, there is no book focusing on brocaded tablet weaving.  It is
਀挀漀瘀攀爀攀搀 椀渀 戀漀琀栀 䌀漀氀氀椀渀最眀漀漀搀✀猀 吀䠀䔀 吀䔀䌀䠀一䤀儀唀䔀匀 伀䘀 吀䄀䈀䰀䔀吀 圀䔀䄀嘀䤀一䜀 ⠀猀琀椀氀氀 漀甀琀 漀昀ഊprint, as far as I know) and in Egon Hansen's TABLET WEAVING (which is in print
਀戀甀琀 挀漀猀琀猀 ␀㔀㔀 椀昀 礀漀甀 挀愀渀 昀椀渀搀 椀琀⤀㬀 栀漀眀攀瘀攀爀Ⰰ 渀攀椀琀栀攀爀 猀漀甀爀挀攀 椀猀 瀀愀爀琀椀挀甀氀愀爀氀礀ഊsimple to absorb.  Other how-to books touch on it, but I've never found one of
਀琀栀攀洀 琀栀愀琀 猀栀攀搀猀 洀漀爀攀 氀椀最栀琀 漀渀 琀栀攀 猀甀戀樀攀挀琀 琀栀愀渀 䌀漀氀氀椀渀最眀漀漀搀 漀爀 䠀愀渀猀攀渀⸀  䤀昀 礀漀甀ഊcan't figure it out from books, try looking for someone to show you; this
਀琀攀挀栀渀椀焀甀攀 椀猀 攀愀猀椀攀猀琀 琀漀 氀攀愀爀渀 戀礀 戀攀椀渀最 琀愀甀最栀琀 戀礀 猀漀洀攀漀渀攀 眀栀漀✀猀 最漀漀搀 愀琀 椀琀⸀ഊ
਀䄀猀 愀氀眀愀礀猀Ⰰ 䤀 愀洀 栀愀瀀瀀礀 琀漀 搀椀猀挀甀猀猀 猀漀甀爀挀攀猀Ⰰ 攀琀挀⸀Ⰰ 瘀椀愀 瀀爀椀瘀愀琀攀 攀ⴀ洀愀椀氀⸀ഊ*************************************************************************
਀䌀愀爀漀氀礀渀 倀爀椀攀猀琀ⴀ䐀漀爀洀愀渀ऀऀऀ吀栀漀爀愀 匀栀愀爀瀀琀漀漀琀栀ഊPoughkeepsie, NY			Frosted Hills ("where's that?")
਀瀀爀椀攀猀琀 愀琀 瘀愀猀猀愀爀⸀攀搀甀ऀऀऀ䔀愀猀琀 䬀椀渀最搀漀洀ഊ            Gules, three square weaver's tablets in bend Or
਀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀ഊ
਀ഊFrom: sclark at epas.utoronto.ca (Susan Clark)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Re: Card Weaving
਀䐀愀琀攀㨀 ㈀㤀 一漀瘀 ㄀㤀㤀㌀ ㄀㘀㨀㔀　㨀㌀㄀ ⴀ　㔀　　ഊOrganization: EPAS Computing Facility, University of Toronto
਀ഊGreetings!
਀ऀ䴀漀猀琀 漀昀 琀栀攀 攀砀愀洀瀀氀攀猀 漀昀 琀栀攀椀爀琀攀攀渀琀栀 挀攀渀琀甀爀礀 挀氀漀琀栀椀渀最ഊI have seen do not show prominent trim.  A few of the early fourteenth
਀挀攀渀琀甀爀礀 攀砀愀洀瀀氀攀猀 䤀 栀愀瘀攀 渀漀琀攀搀 椀渀 猀漀甀爀挀攀猀 搀漀 栀愀瘀攀 愀 猀漀爀琀 漀昀ഊplain band trim along the neckline and armholes.
਀ऀ䤀昀 礀漀甀 眀愀渀琀攀琀攀搀 琀漀 琀爀椀洀 愀 琀栀椀爀琀攀攀渀琀栀 挀攀渀琀甀爀礀 猀氀攀攀瘀攀氀攀猀猀 ⠀渀漀琀ഊsideless--that's a mostly 14th century style, except in Spain) surcote,
਀䤀✀搀 猀甀最最攀猀琀 愀 猀洀愀氀氀Ⰰ 最攀漀洀攀琀爀椀挀ⴀ瀀愀琀琀攀爀渀攀搀 挀愀爀搀 眀攀愀瘀椀渀最ഊ(not too wide) of silk along the neckhole.
਀ഊ	Thirteen century clothing seems to have relied on
਀瀀愀琀琀攀爀攀渀搀 挀氀漀琀栀Ⰰ 爀愀琀栀攀爀 琀栀愀渀 氀漀琀猀 漀昀 琀爀椀洀Ⰰ 琀漀 最椀瘀攀 琀栀攀ഊooh-ah factor.  (Or really expensive cloth, or interesting weaves..etc.)
਀ഊCheers!
਀一椀挀漀氀愀愀⼀匀甀猀愀渀ഊCanton of Eoforwic
਀猀挀氀愀爀欀 愀琀 攀瀀愀猀⸀甀琀漀爀漀渀琀漀⸀挀愀ഊ
਀ഊFrom: habura at vccnw06.its.rpi.edu (Andrea Marie Habura)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Re: Card Weaving
਀䐀愀琀攀㨀 ㌀　 一漀瘀 ㄀㤀㤀㌀ ㄀㐀㨀㈀㔀㨀　㌀ 䜀䴀吀ഊOrganization: Rensselaer Polytechnic Institute, Troy NY
਀ഊOn trim: There are several fourteenth century funeral brasses that show 
਀戀愀渀搀猀 漀昀 搀攀挀漀爀愀琀椀瘀攀 琀爀椀洀 漀渀 琀栀攀 最愀爀洀攀渀琀猀⸀ 䘀愀瘀漀爀椀琀攀 氀漀挀愀琀椀漀渀猀 猀攀攀洀 琀漀 戀攀 琀栀攀ഊedges of mantles and sideless surcoats. (Other styles of trim and decoration--
਀挀愀爀瀀攀琀 瀀愀琀琀攀爀渀猀Ⰰ ∀昀漀氀椀愀琀攀搀∀ 猀琀甀昀昀ⴀⴀ愀瀀瀀攀愀爀 愀猀 眀攀氀氀Ⰰ 戀甀琀 眀攀✀爀攀 琀愀氀欀椀渀最 愀戀漀甀琀 ഊbands here.) A large percentage are alternating figures within a thin border,
਀氀椀欀攀 猀漀㨀ഊ
਀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀ഊ* <> * <> * <> * <> * <> * <> * <> * <> * <> * <> * <> * <> * <> * <> * 
਀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀ഊ
਀吀栀攀 瀀愀琀琀攀爀渀 䤀✀瘀攀 搀爀愀眀渀 椀猀 戀愀猀攀搀 漀渀 愀 爀攀愀氀 漀渀攀㬀 愀 洀椀搀ⴀ㄀㐀琀栀 挀⸀ 戀爀愀猀猀 栀愀猀ഊtrim with a pattern of alternating diamonds and dots. (My memory says this 
਀椀猀 昀爀漀洀 琀栀攀 戀爀愀猀猀 漀昀 䨀漀愀渀渀愀 搀攀 圀漀漀搀眀愀爀搀Ⰰ 戀甀琀 洀礀 渀漀琀攀猀 愀爀攀 愀琀 栀漀洀攀 愀渀搀 䤀 眀椀氀氀ഊnot swear to it.)
਀伀琀栀攀爀 愀氀琀攀爀渀愀琀椀渀最 瀀愀琀琀攀爀渀猀 甀猀攀搀 焀甀愀琀爀攀昀漀椀氀猀 漀爀 挀椀渀焀甀攀昀漀椀氀猀 愀氀琀攀爀渀愀琀椀渀最ഊwith dots, or hollow trefoil-like things in opposite orientations. 
਀ഊSince funeral brasses are not good sources for technique, I don't know
਀眀栀攀琀栀攀爀 琀栀攀猀攀 戀愀渀搀猀 眀攀爀攀 攀洀戀爀漀椀搀攀爀攀搀 漀爀 眀漀瘀攀渀⸀ 吀栀攀爀攀 ⨀愀爀攀⨀ 猀甀爀瘀椀瘀椀渀最 ഊembroideries that use similar patterns, but that doesn't necessarily mean
਀琀栀愀琀 攀洀戀爀漀椀搀攀爀礀 眀愀猀 琀栀攀 漀渀氀礀 眀愀礀 琀栀攀礀 眀攀爀攀 搀漀渀攀⸀ ഊ
਀䄀渀漀琀栀攀爀 渀漀琀攀㨀 愀 ㄀㌀琀栀 挀⸀ 挀栀愀猀甀戀氀攀 愀琀 䴀攀氀欀 猀栀漀眀猀 琀栀攀 嘀椀爀最椀渀 愀渀搀 匀琀⸀ 䨀漀栀渀 ഊat the Crucifixion, both wearing loose tunic-like garments with bands at the
਀渀攀挀欀 愀渀搀 猀氀攀攀瘀攀⸀ 吀栀攀 戀愀渀搀猀 愀爀攀ⴀⴀ氀攀猀猀攀攀ⴀⴀ眀栀椀琀攀 漀爀 椀瘀漀爀礀 戀愀挀欀最爀漀甀渀搀Ⰰ 最漀氀搀 ഊboundary and quatrefoils. On a human-sized garment they would be about 1" wide.
਀ഊAlison MacDermot
਀一攀攀搀氀攀 䨀漀挀欀ഊ
਀ഊFrom: vinwaluf2 at aol.com (VINWALUF2)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Re: tablet weaving patterns
਀䐀愀琀攀㨀 ㌀㄀ 䴀愀礀 ㄀㤀㤀㔀 ㈀㄀㨀㌀㈀㨀㐀㈀ ⴀ　㐀　　ഊOrganization: America Online, Inc. (1-800-827-6364)
਀ഊAnother book you may want to find is "Tablet Weaving" by Egon Hansen. (I
਀最漀琀 洀礀 挀漀瀀礀 昀爀漀洀 唀渀椀挀漀爀渀 吀攀砀琀椀氀攀 䈀漀漀欀猀⤀⸀  䤀琀✀猀 愀 戀椀琀 漀昀 愀 戀攀愀爀 琀漀 爀攀愀搀Ⰰ 愀猀ഊit was evidently (poorly) translated from the original Finnish, but the
਀戀甀氀欀 漀昀 琀栀攀 椀琀攀洀猀 栀攀 挀漀瘀攀爀猀 愀爀攀 昀爀漀洀 愀爀挀栀愀攀漀氀漀最椀挀愀氀 琀攀砀琀椀氀攀猀⸀  ഊ
਀䠀漀瀀攀 琀栀椀猀 椀猀 漀昀 栀攀氀瀀⸀  ഊGwennan ferch Gwydion O'Ddyved
਀䈀愀爀漀渀礀 漀昀 䄀渀䌀爀漀猀愀椀爀攀ഊTrimaris
਀ഊ
਀䘀爀漀洀㨀 瀀爀椀攀猀琀 愀琀 瘀愀砀猀愀爀⸀瘀愀猀猀愀爀⸀攀搀甀ഊNewsgroups: rec.org.sca
਀匀甀戀樀攀挀琀㨀 刀攀㨀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 瀀愀琀琀攀爀渀猀ഊDate: 1 Jun 95 07:22:24 +1000
਀伀爀最愀渀椀稀愀琀椀漀渀㨀 嘀愀猀猀愀爀 䌀漀氀氀攀最攀ഊ
਀䜀爀攀攀琀椀渀最 昀爀漀洀 吀栀漀爀愀 匀栀愀爀瀀琀漀漀琀栀℀ഊ
਀䜀眀攀渀渀愀渀 ⠀瘀椀渀眀愀氀甀昀㈀ 愀琀 愀漀氀⸀挀漀洀⤀ 眀爀漀琀攀㨀ഊ> Another book you may want to find is "Tablet Weaving" by Egon Hansen. (I
਀㸀 最漀琀 洀礀 挀漀瀀礀 昀爀漀洀 唀渀椀挀漀爀渀 吀攀砀琀椀氀攀 䈀漀漀欀猀⤀⸀  䤀琀✀猀 愀 戀椀琀 漀昀 愀 戀攀愀爀 琀漀 爀攀愀搀Ⰰ 愀猀ഊ> it was evidently (poorly) translated from the original Finnish, but the
਀㸀 戀甀氀欀 漀昀 琀栀攀 椀琀攀洀猀 栀攀 挀漀瘀攀爀猀 愀爀攀 昀爀漀洀 愀爀挀栀愀攀漀氀漀最椀挀愀氀 琀攀砀琀椀氀攀猀⸀  ഊ
਀䠀愀渀猀攀渀✀猀 眀漀爀欀猀栀漀瀀 眀漀爀欀攀搀 漀渀 爀攀瀀爀漀搀甀挀椀渀最 攀愀爀氀礀 瀀攀爀椀漀搀 琀愀戀氀攀琀 眀攀愀瘀攀猀 昀漀爀 甀猀攀 愀琀ഊthe Danish open-air museum at Moesgard.  (The original language was not
਀䘀椀渀渀椀猀栀Ⰰ 戀甀琀 䐀愀渀椀猀栀⸀⤀  匀漀洀攀 漀昀 琀栀攀 琀攀砀琀椀氀攀猀 挀漀瘀攀爀攀搀 椀渀 琀栀攀 戀漀漀欀 眀攀爀攀ഊarchaeological, some were relics.  Good photos of the reproductions are
਀椀渀挀氀甀搀攀搀⸀  倀栀漀琀漀猀 漀昀 猀漀洀攀 漀昀 琀栀攀猀攀 爀攀瀀爀漀搀甀挀琀椀漀渀猀 愀爀攀 愀氀猀漀 椀渀挀氀甀搀攀搀 漀渀 琀栀攀 圀漀爀氀搀ഊof the Vikings CD-ROM, including two Anglo-Saxon pieces.
਀ഊHansen's explanations take careful reading, and there are some printing errors
਀椀渀 猀漀洀攀 漀昀 琀栀攀 瀀愀琀琀攀爀渀猀⸀  一漀琀 愀 戀攀最椀渀渀攀爀✀猀 戀漀漀欀℀ഊ
਀䐀漀攀猀 愀渀礀戀漀搀礀 爀攀洀攀洀戀攀爀 眀栀漀 漀渀挀攀 琀漀氀搀 琀栀攀 刀椀愀氀琀漀 愀戀漀甀琀 琀栀椀猀 戀漀漀欀 琀栀愀琀 椀琀 眀愀猀ഊwritten by "Danes from Mars"?  I've quoted her often since then. ;>
਀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀ഊCarolyn Priest-Dorman			Thora Sharptooth
਀倀漀甀最栀欀攀攀瀀猀椀攀Ⰰ 一夀ऀऀऀ䘀爀漀猀琀攀搀 䠀椀氀氀猀 ⠀∀眀栀攀爀攀✀猀 琀栀愀琀㼀∀⤀ഊpriest at vassar.edu			East Kingdom
਀            䜀甀氀攀猀Ⰰ 琀栀爀攀攀 猀焀甀愀爀攀 眀攀愀瘀攀爀✀猀 琀愀戀氀攀琀猀 椀渀 戀攀渀搀 伀爀ഊ**************************************************************************
਀ഊ
਀䘀爀漀洀㨀 搀漀渀渀愀 愀琀 欀眀愀渀琀氀攀渀⸀戀挀⸀䌀䄀 ⠀䐀漀渀渀愀 䠀爀礀渀欀椀眀⤀ഊNewsgroups: rec.org.sca
਀匀甀戀樀攀挀琀㨀 吀愀戀氀攀琀 圀攀愀瘀椀渀最 渀攀眀猀℀℀ഊDate: 25 Oct 1995 16:37:37 -0400
਀ഊFor all you tablet-weavers/card-weavers out there.
਀ഊElizabeth Braidwood
਀搀漀渀渀愀 愀琀 欀眀愀渀琀氀攀渀⸀戀挀⸀挀愀ഊ
਀ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ 䘀漀爀眀愀爀搀攀搀 洀攀猀猀愀最攀 ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀഊDate: 25 Oct 95 16:19:05 EDT
਀䘀爀漀洀㨀 䰀䤀一䐀䄀 䨀⸀ 䠀䔀一䐀刀䤀䌀䬀匀伀一 㰀㄀　㈀㘀㄀㜀⸀㌀㘀㈀ 愀琀 挀漀洀瀀甀猀攀爀瘀攀⸀挀漀洀㸀ഊSubject: Tablet Weaving
਀ഊHi Donna,
਀ഊHere's a fact sheet on TWINE.  You will need to contact Linda Malan for
਀椀渀昀漀爀洀愀琀椀漀渀 漀渀 䴀愀爀椀樀欀攀 瘀愀渀 䔀瀀攀渀✀猀 眀漀爀欀猀栀漀瀀猀⸀ 䤀✀洀 愀爀爀愀渀最椀渀最 倀攀琀攀爀 ഊCollingwood's workshops, and there are no definite plans yet.
਀ഊTWINE
਀吀愀戀氀攀琀 圀攀愀瘀攀爀猀 䤀渀琀攀爀渀愀琀椀漀渀愀氀 一攀眀猀 䔀砀挀栀愀渀最攀ഊ
਀吀愀戀氀攀琀 眀攀愀瘀攀爀猀 漀昀 愀渀礀 氀攀瘀攀氀 漀昀 攀砀瀀攀爀椀攀渀挀攀 愀爀攀 攀渀挀漀甀爀愀最攀搀 琀漀 樀漀椀渀 吀圀䤀一䔀ⰀഊTablet Weavers International News Exchange.  Formed in July 1994, the
਀最爀漀甀瀀 渀漀眀 栀愀猀 愀瀀瀀爀漀砀椀洀愀琀攀氀礀 㘀　 洀攀洀戀攀爀猀 昀爀漀洀 琀栀攀 唀匀Ⰰ 䌀愀渀愀搀愀Ⰰ 吀栀攀 一攀琀栀攀爀氀愀渀搀猀ⰀഊDenmark, England, France, Israel, and Australia.
਀ഊPirkko Karvonen, a leading fiber craftsperson from Alberta, Canada, is
਀挀漀漀爀搀椀渀愀琀椀渀最 愀 渀攀眀猀氀攀琀琀攀爀⸀  䤀琀 挀漀渀猀椀猀琀猀 漀昀 洀愀琀攀爀椀愀氀 眀爀椀琀琀攀渀 戀礀 琀栀攀 洀攀洀戀攀爀猀Ⰰഊand is distributed three times per year.  Topics include letters, techniques,
਀琀攀挀栀渀椀挀愀氀 琀椀瀀猀Ⰰ 栀椀猀琀漀爀椀挀愀氀 愀爀琀椀挀氀攀猀Ⰰ 瀀爀漀搀甀挀琀 渀攀眀猀Ⰰ 愀渀搀 愀渀渀漀甀渀挀攀洀攀渀琀猀 漀昀ഊinterest to tablet weavers.
਀ഊTo join TWINE and receive the newsletter, send $ 9.00 if you live in the
਀唀⸀匀⸀ 漀爀 䌀愀渀愀搀愀Ⰰ 漀爀 ␀㄀㈀⸀　　 椀昀 礀漀甀 氀椀瘀攀 攀氀猀攀眀栀攀爀攀Ⰰ 琀漀㨀ഊ     Pirkko Karvonen
਀     ㌀㜀㌀  ⴀ ㈀㈀㔀㘀　 圀礀攀 刀搀ഊ     Sherwood Park, Alberta  T8A 4T6  Canada
਀     倀栀漀渀攀 ⠀㐀　㌀⤀ 㐀㘀㜀ⴀ㐀㈀㔀㐀ഊ
਀吀圀䤀一䔀 䌀唀刀刀䔀一吀 一䔀圀匀     ഊ     
਀吀圀䤀一䔀 椀猀 猀瀀漀渀猀漀爀椀渀最 愀 眀漀爀欀猀栀漀瀀 戀礀 琀栀攀 䐀甀琀挀栀 琀愀戀氀攀琀 眀攀愀瘀攀爀 䴀愀爀椀樀欀攀 瘀愀渀ഊEpen in July 1996, to be held in Seattle or Portland.  Marijke has written
਀戀漀漀欀猀 漀渀 䤀渀搀漀渀攀猀椀愀渀 琀愀戀氀攀琀 眀攀愀瘀椀渀最Ⰰ 愀渀搀 漀渀 琀栀攀 甀猀攀 漀昀 琀愀戀氀攀琀猀 琀漀 瀀爀漀搀甀挀攀ഊtraditional designs from Peru and Bolivia.  For information, contact:
਀     䰀椀渀搀愀 䴀愀氀愀渀ഊ     830 Olympic Avenue
਀     䔀搀洀漀渀搀猀Ⰰ 圀䄀  㤀㠀　㈀　  唀匀䄀ഊ     Phone (206) 771-8072
਀ഊTWINE is also planning a juried international tablet weaving exhibition,
਀琀漀 戀攀 栀攀氀搀 愀琀 琀栀攀 䘀椀爀猀琀 唀渀椀琀愀爀椀愀渀 䌀栀甀爀挀栀 椀渀 搀漀眀渀琀漀眀渀 倀漀爀琀氀愀渀搀 椀渀 䨀甀氀礀ഊ1996, to coincide with Convergence 96.  Additionally, Peter Collingwood,
਀䈀爀椀琀椀猀栀 愀甀琀栀漀爀 漀昀 吀栀攀 吀攀挀栀渀椀焀甀攀猀 漀昀 吀愀戀氀攀琀 圀攀愀瘀椀渀最Ⰰ 椀猀 渀漀眀 猀挀栀攀搀甀氀椀渀最ഊtablet weaving workshops to be held before and after Convergence 96 
਀愀挀琀椀瘀椀琀椀攀猀⸀ 䘀漀爀 椀渀昀漀爀洀愀琀椀漀渀 漀渀 琀栀攀 攀砀栀椀戀椀琀椀漀渀 愀渀搀 倀攀琀攀爀✀猀 眀漀爀欀猀栀漀瀀猀Ⰰ ഊcontact:
਀     䰀椀渀搀愀 䠀攀渀搀爀椀挀欀猀漀渀ഊ     140 SE 39th Avenue
਀     倀漀爀琀氀愀渀搀Ⰰ 伀刀  㤀㜀㈀㄀㐀ⴀ㈀　　㈀  唀匀䄀ഊ     Phone (503) 239-5016
਀ഊThe Techniques of Tablet Weaving, the most comprehensive reference ever written
਀漀渀 琀栀攀 猀甀戀樀攀挀琀Ⰰ 椀猀 挀甀爀爀攀渀琀氀礀 漀甀琀 漀昀 瀀爀椀渀琀⸀ 䄀 渀攀眀 瀀愀瀀攀爀戀愀挀欀 攀搀椀琀椀漀渀 椀猀 爀攀愀搀礀 琀漀ഊbe printed. To be sure you are on the mailing list to be notified when the
਀渀攀眀 攀搀椀琀椀漀渀 椀猀 愀瘀愀椀氀愀戀氀攀Ⰰ 瀀氀攀愀猀攀 眀爀椀琀攀 琀漀 䰀椀渀搀愀 䠀攀渀搀爀椀挀欀猀漀渀 ⠀愀搀搀爀攀猀猀 愀戀漀瘀攀⤀ 漀爀ഊsend supportive letters directly to:
਀     倀攀琀攀爀 䌀漀氀氀椀渀最眀漀漀搀ഊ     Old School, Nayland
਀     䌀漀氀挀栀攀猀琀攀爀  䌀　㘀 㐀䨀䠀   䔀渀最氀愀渀搀ഊ     Phone/Fax  011-44-1-206-262401
਀ഊBelow are the descriptions of the workshops Peter would like to teach: 
਀ഊLETTERING IN TABLET WEAVING (INTERMEDIATE)
਀吀愀戀氀攀琀ⴀ眀漀瘀攀渀 戀愀渀搀猀 栀愀瘀攀 琀爀愀搀椀琀椀漀渀愀氀氀礀 戀攀攀渀 甀猀攀搀 愀猀 愀 洀攀愀渀猀 昀漀爀 眀攀愀瘀椀渀最ഊinscriptions, which could be political, religious, commemorative, or even
਀愀洀漀爀漀甀猀 漀爀 栀甀洀漀爀漀甀猀⸀  吀栀椀猀 挀氀愀猀猀 眀椀氀氀 氀攀愀爀渀 琀栀爀攀攀 眀愀礀猀 漀昀 搀漀椀渀最 琀栀椀猀㬀ഊnamely using S- and Z-twining, the versatile double-faced weave, and plain
਀眀攀愀瘀攀 搀漀甀戀氀攀ⴀ挀氀漀琀栀 眀椀琀栀 漀渀氀礀 琀眀漀 琀栀爀攀愀搀猀 瀀攀爀 琀愀戀氀攀琀⸀  䈀甀琀 椀昀 礀漀甀 挀愀渀渀漀琀ഊthink of anything to say, you can concentrate on other motifs, either
਀琀爀愀搀椀琀椀漀渀愀氀 漀爀 猀攀氀昀ⴀ攀渀最攀渀搀攀爀攀搀⸀ഊ
਀匀甀椀琀愀戀氀攀 昀漀爀 猀琀甀搀攀渀琀猀 眀栀漀 栀愀瘀攀 愀氀爀攀愀搀礀 栀愀搀 愀琀 氀攀愀猀琀 漀渀攀 椀渀琀爀漀搀甀挀琀漀爀礀 挀氀愀猀猀ഊin tablet weaving and know how to make a continuous warp.
਀ഊADVANCED
਀吀栀攀爀攀 愀爀攀 猀漀洀攀 挀漀洀瀀氀攀砀 愀渀搀 氀椀琀琀氀攀 欀渀漀眀渀 昀漀爀洀猀 漀昀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 眀栀椀挀栀ഊinclude its use in a twill double-faced weave, in producing a two-sided
਀瘀攀氀瘀攀琀 昀愀戀爀椀挀Ⰰ 愀渀搀 椀渀 琀栀攀 瀀爀漀搀甀挀琀猀 戀愀猀攀搀 漀渀 愀 洀漀搀攀爀渀 昀漀爀洀 漀昀 琀栀攀 瀀愀猀愀欀愀Ⰰഊan Indonesian implement making two-layered warp twining possible. This
਀挀氀愀猀猀 眀椀氀氀 挀漀渀挀攀渀琀爀愀琀攀 漀渀 琀栀攀猀攀 愀渀搀 漀琀栀攀爀 琀攀挀栀渀椀焀甀攀猀⸀ഊ
਀匀甀椀琀愀戀氀攀 昀漀爀 猀琀甀搀攀渀琀猀 眀栀漀 栀愀瘀攀 琀栀攀 渀漀爀洀愀氀 搀漀甀戀氀攀ⴀ昀愀挀攀搀 眀攀愀瘀攀 甀渀搀攀爀 ⠀漀爀ഊon) their belt and want to make the next step into the many possibilities of
਀琀愀戀氀攀琀 眀攀愀瘀椀渀最⸀ഊ
਀䘀漀爀 戀漀琀栀 挀氀愀猀猀攀猀㨀  ഊDuration:  Three to five days, preferably the latter.
਀一甀洀戀攀爀㨀  唀瀀 琀漀 ㄀㔀 猀琀甀搀攀渀琀猀ഊEquipment:  Each student would need two C-clamps, suitable warp yarn, heavy
਀猀眀漀爀搀 漀爀 猀栀甀琀琀氀攀 昀漀爀 戀攀愀琀椀渀最 愀渀搀 愀戀漀甀琀 㐀　 琀愀戀氀攀琀猀 ⠀洀漀爀攀 猀栀漀甀氀搀 戀攀 愀瘀愀椀氀愀戀氀攀 椀渀ഊthe class).
਀ഊFee: 190 pounds sterling (you'll have to calculate what that comes to in
਀䌀愀渀愀搀椀愀渀 搀漀氀氀愀爀猀 嬀匀漀洀攀眀栀攀爀攀 漀瘀攀爀 ␀㐀　　䌀愀渀崀⤀ 瀀氀甀猀 氀漀搀最椀渀最 ☀ 琀爀愀瘀攀氀 攀砀瀀攀渀猀攀猀⸀ ഊ
਀吀栀愀渀欀猀 昀漀爀 礀漀甀爀 栀攀氀瀀Ⰰ 愀渀搀 氀攀琀 洀攀 欀渀漀眀 眀栀愀琀 栀愀瀀瀀攀渀猀⸀ഊ
਀䰀椀渀搀愀ഊ
਀ഊFrom: wdalt at wam.umd.edu (William Dalton)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Re:Painted Trim
਀䐀愀琀攀㨀 匀甀渀Ⰰ ㈀㄀ 䄀瀀爀 㤀㘀 ㄀㤀㨀㐀㤀㨀㄀㤀 䜀䴀吀ഊOrganization: University of Maryland College Park
਀ഊ>Number Four:  The reason I ask about painted trim is that I am allergic 
਀㸀琀漀 愀氀氀 琀栀攀 昀氀漀爀愀氀 琀爀椀洀 䤀✀瘀攀 猀攀攀渀 愀琀 琀栀攀 猀栀漀瀀猀Ⰰ 愀渀搀 琀栀攀 瀀猀攀甀搀漀ⴀ最爀攀攀欀 㸀琀礀瀀攀 ഊ>trim makes me retch, so I'm looking for alternatives.  I've tried >tablet 
਀㸀眀漀瘀攀渀 琀爀椀洀Ⰰ 戀甀琀 琀椀氀氀 䤀 最攀琀 洀礀猀攀氀昀 愀 氀漀漀洀 琀栀愀琀 挀愀渀 栀愀渀搀氀攀 氀漀渀最攀爀 氀攀渀琀最琀栀猀Ⰰ ഊ>I've put that on hold.  Or is trim even period for extreme northwest 
਀㸀䔀甀爀漀瀀攀  漀昀 琀栀愀琀 琀椀洀攀㼀  倀攀爀栀愀瀀猀 琀爀椀洀 琀栀攀渀 眀愀猀 洀漀爀攀 漀昀 愀 猀椀洀瀀氀攀 挀漀氀漀爀攀搀 ഊ>band?  Hmmm...
਀ഊ>Conmhara   <Phred>
਀ഊI realize you mention not wanting to pursue tablet weaving, but Egon 
਀䠀愀渀猀攀渀✀猀 戀漀漀欀 ∀吀愀戀氀攀琀 圀攀愀瘀椀渀最∀ ⠀䤀匀䈀一⌀㠀㜀ⴀ㜀㜀㌀㤀ⴀ　㐀㜀ⴀ㐀⤀ 栀愀猀 洀愀渀礀 攀砀愀洀瀀氀攀猀 愀渀搀 ഊrecreations of trims from the Viking Period.  Perhaps they can give you some 
਀猀甀最最攀猀琀椀漀渀猀 漀昀 眀栀愀琀 琀漀 氀漀漀欀 昀漀爀 椀渀 琀栀攀 琀爀椀洀 猀攀挀琀椀漀渀 漀昀 愀 昀愀戀爀椀挀 猀琀漀爀攀Ⰰ 漀爀 ഊinspire you to try tablet weaving again.
਀ഊNancy Dalton
਀愀欀愀 䔀愀爀渀眀礀渀渀 瘀愀渀 娀眀愀氀甀眀攀渀戀甀爀最ഊ
਀ഊFrom: brettwi at ix.netcom.com(Brett Williams)
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Collingwood's "Techniques of Tablet Weaving" back in print!
਀䐀愀琀攀㨀 ㄀㄀ 䨀甀渀 ㄀㤀㤀㘀 ㄀㘀㨀　㄀㨀㌀㌀ 䜀䴀吀ഊ
਀䤀 昀漀甀渀搀 愀渀 愀渀渀漀甀渀挀攀洀攀渀琀 漀渀 琀栀攀 眀攀愀瘀椀渀最 洀愀椀氀椀渀最 氀椀猀琀 琀栀愀琀 刀漀戀椀渀 ☀ 刀甀猀猀ഊHandweavers of McMinnville, Oregon, has reprinted Peter Collingwood's
਀∀吀攀挀栀渀椀焀甀攀猀 漀昀 吀愀戀氀攀琀 圀攀愀瘀椀渀最∀Ⰰ 琀栀攀 洀漀猀琀 搀攀昀椀渀椀琀椀瘀攀 戀漀漀欀 漀渀 琀栀攀ഊsubject.
਀ഊYou can email Robin & Russ directly at: robinruss at macnet.com for more
਀椀渀昀漀爀洀愀琀椀漀渀Ⰰ 漀爀 礀漀甀 挀愀渀 漀爀搀攀爀 愀 挀漀瀀礀 搀椀爀攀挀琀氀礀 昀爀漀洀 琀栀攀 栀攀愀搀 漀昀 吀圀䤀一䔀㨀ഊ
਀䰀椀渀搀愀 䠀攀渀搀爀椀欀猀漀渀ഊ140 SE 39th Avenue
਀倀漀爀琀氀愀渀搀Ⰰ 伀刀 㤀㜀㈀㄀㐀ⴀ㈀　　㈀ഊ
਀匀栀攀 猀愀礀猀 琀栀愀琀 椀琀✀猀 唀匀 ␀㐀　Ⰰ 眀栀椀挀栀 椀猀 最漀漀搀 昀漀爀 戀漀琀栀 唀匀 愀渀搀 䌀愀渀愀搀愀ⴀⴀ 愀渀搀ഊincludes shipping, however those outside the US should contact her
਀搀椀爀攀挀琀氀礀 ⠀㄀　㈀㘀㄀㜀⸀㌀㘀㈀ 愀琀 挀漀洀瀀甀猀攀爀瘀攀⸀挀漀洀⤀ 昀漀爀 椀渀昀漀 漀渀 椀渀琀攀爀渀愀琀椀漀渀愀氀 漀爀搀攀爀猀⸀ഊ
਀挀椀漀爀猀琀愀渀ഊ
਀ഊFrom: "Jennifer Kubenka" <jkubenka at post.cis.smu.edu>
਀吀漀㨀 愀渀猀琀攀漀爀爀愀 愀琀 攀搀攀渀⸀挀漀洀ഊDate: Thu, 1 Aug 1996 07:21:19 +0000
਀匀甀戀樀攀挀琀㨀 䌀漀氀氀椀渀最眀漀漀搀 吀愀戀氀攀琀 圀攀愀瘀椀渀最 䈀漀漀欀ഊ
਀倀攀琀攀爀 䌀漀氀氀椀渀最眀漀漀搀✀猀 开吀栀攀 吀攀挀栀渀椀焀甀攀猀 漀昀 吀愀戀氀攀琀 圀攀愀瘀椀渀最开 椀猀 戀愀挀欀 椀渀 ഊprint!  I received my copy in the mail yesterday, and it is a very 
਀渀椀挀攀 瀀愀瀀攀爀戀愀挀欀Ⰰ 眀椀琀栀 琀栀攀 瀀栀漀琀漀猀 搀椀最椀琀愀氀氀礀 攀渀栀愀渀挀攀搀Ⰰ 猀漀 琀栀愀琀 琀栀攀礀 愀爀攀 ഊclearer than in the original version.
਀ഊBibliographic details are:
਀ഊCollingwood, Peter.  The Techniques of Table Weaving.  McMinnville, 
਀伀爀攀最漀渀 㨀 刀漀戀椀渀 ☀ 刀甀猀猀 䠀愀渀搀眀攀愀瘀攀爀猀Ⰰ 䤀渀挀⸀Ⰰ ㄀㤀㤀㘀⸀  䤀匀䈀一  ㄀㔀㘀㘀㔀㤀　㔀㔀㠀⸀ഊ
਀䤀 漀爀搀攀爀攀搀 洀礀 挀漀瀀礀 昀爀漀洀㨀ഊ
਀䰀椀渀搀愀 䠀攀渀搀爀椀挀欀猀漀渀ഊ140 SE 39th Avenue
਀倀漀爀琀氀愀渀搀Ⰰ 伀爀攀最漀渀 㤀㜀㈀㄀㐀ⴀ㈀　　㈀ഊLinda  Hendrickson <102617.362 at CompuServe.COM>
਀ഊThe price was 40.00, and that includes the shipping and handling.
਀ഊYou can also order the book directly from Robin & Russ.  Their 
਀愀搀搀爀攀猀猀 椀猀㨀ഊ
਀刀漀戀椀渀 ☀ 刀甀猀猀 䠀愀渀搀眀攀愀瘀攀爀猀Ⰰ 䤀渀挀⸀ഊ533 North Adams Street
਀䴀挀䴀椀渀渀瘀椀氀氀攀Ⰰ 伀刀 㤀㜀㄀㈀㠀ഊrobinruss at macnet.com (Robin & Russ Handweavers, Inc.)
਀ഊI will say that both Linda and Robin & Russ were very courteous via 
਀攀洀愀椀氀Ⰰ 愀渀搀 爀攀猀瀀漀渀搀攀搀 焀甀椀挀欀氀礀 琀漀 洀礀 爀攀焀甀攀猀琀⸀ഊ
਀一漀眀Ⰰ 琀漀 洀愀欀攀 琀栀攀 琀椀洀攀 琀漀 爀攀愀搀 椀琀⸀⸀⸀⸀⸀ഊ
਀䔀洀栀攀爀 渀椀 䴀愀椀氀氀攀ഊ
਀ഊFrom: "Morgan E. Smith" <mesmith at freenet.calgary.ab.ca>
਀一攀眀猀最爀漀甀瀀猀㨀 爀攀挀⸀漀爀最⸀猀挀愀ഊSubject: Re: weaving
਀䐀愀琀攀㨀 圀攀搀Ⰰ ㈀ 䄀瀀爀 ㄀㤀㤀㜀 　㜀㨀㐀㈀㨀㈀㘀 ⴀ　㜀　　ഊOrganization: Calgary Free-Net
਀ഊOn Mon, 31 Mar 1997, Sean Daly wrote:
਀㸀 䤀✀洀 瀀漀猀琀椀渀最 琀栀椀猀 昀漀爀 愀 昀爀椀攀渀搀 戀甀琀 瀀氀攀愀猀攀 猀攀渀搀 愀渀礀 挀漀爀爀椀猀瀀漀渀搀攀渀挀攀猀 琀漀 洀攀ഊ> and I'll forward them onto her.  She is interested in knowing more about
਀㸀 ∀琀愀戀氀攀琀∀ 漀爀 ∀挀愀爀搀∀ 眀攀愀瘀椀渀最⸀  䤀昀 礀漀甀 欀渀漀眀 漀昀 愀渀礀 戀漀漀欀猀 眀椀琀栀 瀀椀挀琀甀爀攀猀 愀渀搀ഊ> descriptions of this weaving technique, please e-mail me since I don't
਀㸀 爀攀愀搀 琀栀椀猀 渀攀眀猀最爀漀甀瀀 漀昀琀攀渀⸀  吀栀愀渀欀猀 昀漀爀 愀氀氀 礀漀甀爀 栀攀氀瀀⸀⸀⸀䰀㠀刀⸀⸀⸀匀攀愀渀ഊ> 
਀㸀 刀攀椀渀洀愀爀 琀栀攀 䄀氀挀栀攀洀椀猀琀ഊ> Barony of Wurm Wald
਀ഊPeter Collingwood's "Techniques of Tablet Weaving" is considered the
਀∀戀椀戀氀攀∀Ⰰ 戀甀琀 愀渀漀琀栀攀爀 爀攀挀漀洀洀攀渀搀攀搀 戀漀漀欀 椀猀 ∀䌀愀爀搀 圀攀愀瘀椀渀最∀ 戀礀 䌀愀渀搀愀挀攀ഊCrockett (which comes with 24 cards) is easier to get. (Interweave Press).
਀䤀昀 礀漀甀 栀愀瘀攀 琀爀漀甀戀氀攀 漀戀琀愀椀渀椀渀最 琀栀攀猀攀 戀漀漀欀猀Ⰰ 攀洀愀椀氀 洀攀ഊprivately>mesmith at freenet.calgary.ab.ca.
਀⠀䤀 漀眀渀 愀 戀漀漀欀猀琀漀爀攀⤀ഊMorgan the Unknown
਀ഊ
਀䐀愀琀攀㨀 吀栀甀Ⰰ ㄀㐀 䄀甀最 ㄀㤀㤀㜀 ㄀㘀㨀㈀㌀㨀㔀㤀 ⴀ　㔀　　ഊFrom: Jenn Carlson <jenn at cliffs.com>
਀吀漀㨀 猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀ഊSubject: RE: inkle weaving & warp faced band weaving
਀ഊGreetings to the members of this grand list from Maerwynn of Holme.
਀ഊIn regards to the "inkle" weaving thread, I have forwarded a couple of
਀爀攀昀攀爀攀渀挀攀猀 昀爀漀洀 愀 琀愀戀氀攀琀ⴀ眀攀愀瘀椀渀最 瘀攀渀甀攀 琀漀 䄀椀氀攀渀攀 愀渀搀 猀栀攀 猀愀礀猀 䤀 猀栀漀甀氀搀ഊshare with everyone.
਀ഊThere are a couple of Anglo-Saxon bands that are done with a tabby weave
਀椀渀 琀栀攀 洀椀搀搀氀攀 猀攀挀琀椀漀渀 眀椀琀栀 琀眀漀 挀愀爀搀猀 漀昀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 漀渀 攀愀挀栀 猀椀搀攀⸀ 䤀ഊhave come upon them in my search for early tablet weaving (at least 2,
਀猀漀洀攀 琀栀椀渀欀 琀栀攀礀 眀攀爀攀 搀漀渀攀 眀椀琀栀 ㈀ 栀漀氀攀 挀愀爀搀猀 椀渀 琀栀攀 洀椀搀搀氀攀 猀攀挀琀椀漀渀⤀⸀ 䤀ഊhaven't yet done any rigid heddle stuff (though it is on my to do list),
਀猀漀 䤀 搀椀搀渀✀琀 最攀琀 琀漀 昀愀爀 椀渀琀漀 琀栀攀洀⸀ഊ
਀䄀椀氀攀渀攀 猀愀椀搀㨀ഊ> I did warp-faced weaving weaving with a rigid heddle
਀㸀 戀攀挀愀甀猀攀 椀琀 眀愀猀 攀愀猀椀攀爀 昀漀爀 洀攀 ⴀ 䤀 眀愀猀渀✀琀 最攀琀琀椀渀最 瘀攀爀礀 挀漀渀猀椀猀琀攀渀琀 攀搀最攀猀 椀渀 洀礀ഊ> (albeit brief) attempt at tabby weaving.
਀ഊI would think that adding cards to the edges might help with the
਀椀渀挀漀渀猀椀猀琀攀渀挀礀㼀ഊ
਀䠀攀爀攀 愀爀攀 琀栀攀 爀攀昀攀爀攀渀挀攀猀㨀ഊ
਀䄀渀琀椀焀甀愀爀椀攀猀 䨀漀甀爀渀愀氀 嘀漀氀⸀ 堀堀堀嘀䤀Ⰰ ㄀㤀㔀㘀Ⰰ 瀀瀀⸀ ㄀㠀㄀ⴀ㄀㤀㤀 ⠀攀猀瀀⸀ ㄀㠀㠀⤀ഊ"Anglo-Saxon Sites in Lincolnshire: Unpublished Material and Recent
਀䐀椀猀挀漀瘀攀爀椀攀猀Ⰰ∀ 䘀⸀䠀⸀ 吀栀漀洀瀀猀漀渀 ഊ
਀䄀渀琀椀焀甀愀爀椀攀猀 䨀漀甀爀渀愀氀 嘀漀氀⸀ 堀堀堀䤀嘀Ⰰ 一漀猀⸀ ㌀☀㐀Ⰰ ㄀㤀㔀㐀Ⰰ 瀀瀀⸀㈀㌀㐀ⴀ㔀ഊ"Tablet-woven braid from a thirteenth-century site," Grace Crowfoot
਀ഊThe first is a very interesting technique that uses two strings of
਀搀椀昀昀攀爀攀渀琀 挀漀氀漀爀猀 椀渀 攀愀挀栀 瀀漀猀椀琀椀漀渀 愀渀搀 氀漀渀最 昀氀漀愀琀猀 漀渀 琀栀攀 爀攀瘀攀爀猀攀 漀昀 琀栀攀ഊband to make patterns (by pulling up the alternate color) on the front
਀猀椀搀攀ⴀⴀ瘀攀爀礀 攀愀爀氀礀 瀀愀琀琀攀爀渀椀渀最⸀ 吀栀攀 愀甀琀栀漀爀 猀甀最最攀猀琀猀 愀 ∀氀愀稀攀 爀漀搀∀ 琀漀 愀挀栀椀攀瘀攀ഊthis, but might it be an interesting "inkle" project? (Says the tablet
਀眀攀愀瘀攀爀 眀栀漀 栀愀猀 渀攀瘀攀爀 搀漀渀攀 愀渀礀琀栀椀渀最 攀瘀攀渀 愀瀀瀀爀漀砀椀洀愀琀椀渀最 椀渀欀氀攀 眀攀愀瘀椀渀最⸀⤀ഊ
਀䴀愀攀爀眀礀渀渀 漀昀 䠀漀氀洀攀ഊMag Mor, Calontir
਀樀攀渀渀 愀琀 挀氀椀昀昀猀⸀挀漀洀ഊ
਀ഊDate: Thu, 09 Oct 1997 08:38:59 -0500
਀䘀爀漀洀㨀 䨀攀渀渀 䌀愀爀氀猀漀渀 㰀樀攀渀渀 愀琀 挀氀椀昀昀猀⸀挀漀洀㸀ഊTo: Arts & Sciences List <sca-arts at raven.cc.ukans.edu>
਀匀甀戀樀攀挀琀㨀 䘀椀渀椀猀栀椀渀最 戀愀渀搀猀ഊ
਀䤀渀 搀漀椀渀最 爀攀猀攀愀爀挀栀 漀渀 䄀渀最氀漀ⴀ匀愀砀漀渀 眀爀椀猀琀 挀氀愀猀瀀猀Ⰰ 䤀 爀愀渀 愀挀爀漀猀猀 愀 昀愀椀爀氀礀ഊwell-preserved piece of tablet weaving that has some interesting
਀瀀爀漀瀀攀爀琀椀攀猀 椀渀 䜀⸀ 䌀爀漀眀昀漀漀琀⸀ ∀䄀渀最氀漀ⴀ匀愀砀漀渀 吀愀戀氀攀琀 圀攀愀瘀椀渀最Ⰰ∀ 开䄀渀琀椀焀甀愀爀椀攀猀ഊJournal_ 32, nos. 3-4, 1952. (pp. 189-191)--I think this is the correct
਀爀攀昀攀爀攀渀挀攀Ⰰ 䤀✀氀氀 挀栀攀挀欀 琀漀渀椀最栀琀⸀ 䤀渀 愀渀愀氀礀稀椀渀最 琀栀攀 戀愀渀搀Ⰰ 䌀爀漀眀昀漀漀琀 渀漀琀攀猀ഊthat it has been "buttonhole stitched" at the end (which was then
਀挀漀瘀攀爀攀搀 戀礀 琀栀攀 眀爀椀猀琀 挀氀愀猀瀀猀⤀⸀ 䤀 栀愀搀 搀攀挀椀搀攀搀 琀漀 琀爀礀 椀琀 漀渀 洀礀 渀攀砀琀ഊproject--
਀ഊShe also mentions some extra transverse threads that might be brocading,
਀戀甀琀 琀栀愀琀 愀爀攀渀✀琀 瘀攀爀礀 ∀爀攀最甀氀愀爀∀⸀ഊ
਀䴀愀攀爀眀礀渀渀 漀昀 䠀漀氀洀攀ഊMag Mor, Calontir
਀樀攀渀渀 愀琀 挀氀椀昀昀猀⸀挀漀洀ഊ
਀ഊDate: Fri, 08 May 1998 22:42:37 -0700
਀䘀爀漀洀㨀 䈀爀攀琀琀 愀渀搀 䬀愀爀攀渀 圀椀氀氀椀愀洀猀 㰀戀爀攀琀琀眀椀 愀琀 椀砀⸀渀攀琀挀漀洀⸀挀漀洀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀攀㨀 䌀愀爀搀 圀攀愀瘀椀渀最 䤀搀椀漀琀㼀㼀㼀 嬀匀䌀䄀崀ഊ
਀䬀愀琀爀椀愀渀愀 眀爀漀琀攀㨀ഊ>
਀㸀 开䌀愀爀搀 圀攀愀瘀椀渀最开 戀礀 䌀愀渀搀愀挀攀 䌀爀漀挀欀攀琀琀⸀ 䤀渀琀攀爀眀攀愀瘀攀 倀爀攀猀猀ഊ>
਀㸀 䤀猀 椀渀 瀀爀椀渀琀 愀最愀椀渀⸀  吀栀攀 渀攀眀 攀搀椀琀椀漀渀 渀漀 氀漀渀最攀爀 挀漀洀攀猀 眀椀琀栀 挀愀爀搀猀 㨀 ⠀ഊ>
਀㸀 匀愀洀攀 瀀爀椀挀攀⸀⸀⸀ ⠀␀㈀㄀⸀㤀㔀⤀ഊ>
਀㸀 儀甀攀猀琀椀漀渀㨀  匀漀 渀漀眀 琀栀愀琀 琀栀椀猀 戀漀漀欀 渀漀 氀漀渀最攀爀 挀漀洀攀猀 眀椀琀栀 挀愀爀搀猀Ⰰ 椀猀 椀琀 戀攀琀琀攀爀ഊ> than other (cheaper) books?  Since Collingswood is only $35 in paperback,
਀㸀 愀渀搀 漀琀栀攀爀 挀愀爀搀眀攀愀瘀椀渀最 戀漀漀欀猀 愀爀攀 愀猀 挀栀攀愀瀀 愀猀 ␀㠀⸀　　Ⰰ 搀漀攀猀 琀栀椀猀 戀漀漀欀 栀愀瘀攀 猀琀甀昀昀ഊ> that makes it worth owning, especially for beginners?
਀㸀ഊ>   Katriana op den Dijk
਀㸀   匀栀椀爀攀 漀昀 䈀漀椀猀 搀✀䄀爀挀ഊ>   Kingdom of Calontir
਀ഊI bought them both. Think of Crockett as the owner's guide/recommended
਀猀攀爀瘀椀挀攀 洀愀渀甀愀氀Ⰰ 愀渀搀 䌀漀氀氀椀渀最眀漀漀搀 愀猀 琀栀攀 椀渀挀爀攀搀椀戀氀礀 搀攀琀愀椀氀攀搀ഊrepair-and-fix tomes one consults when a definitive authority is needed.
਀ഊciorstan
਀⠀愀 眀攀愀瘀攀爀 氀甀爀欀愀渀琀⤀ഊ
਀ഊDate: Tue, 12 May 1998 14:00:43 EDT
਀䘀爀漀洀㨀 匀一匀瀀椀攀猀 㰀匀一匀瀀椀攀猀 愀琀 愀漀氀⸀挀漀洀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀攀㨀 䌀愀爀搀 圀攀愀瘀椀渀最 愀甀琀栀攀渀琀椀挀椀琀礀 嬀匀䌀䄀崀ഊ
਀吀栀攀爀攀 椀猀 愀爀挀栀愀攀漀氀漀最椀挀愀氀 攀瘀椀搀攀渀挀攀 漀昀 戀漀渀攀 琀愀戀氀攀琀猀 昀爀漀洀 刀漀洀愀渀 䈀爀椀琀愀椀渀 ⠀㄀猀琀ⴀ㐀琀栀ഊcentury A.D., but whether the Celts of the same time period and place were
਀琀愀戀氀攀琀 眀攀愀瘀椀渀最 漀爀 甀猀椀渀最 椀琀 漀渀 琀栀攀椀爀 最愀爀戀Ⰰ 䤀 搀漀渀✀琀 欀渀漀眀⸀  吀栀攀 攀愀爀氀椀攀猀琀 琀愀戀氀攀琀猀ഊthat I know of from Ireland are dated to the 11th century, although the ones
਀昀漀甀渀搀 椀渀 琀栀攀 挀爀愀渀渀漀最猀 洀愀礀 搀愀琀攀 攀愀爀氀椀攀爀 ⠀琀栀攀礀 挀愀渀✀琀 搀愀琀攀 琀栀攀洀 挀氀漀猀攀氀礀 愀琀 愀氀氀Ⰰഊunfortunately).
਀ഊNancy (Ingvild)
਀ഊ
਀䘀爀漀洀㨀 䈀爀攀琀琀 圀椀氀氀椀愀洀猀 㰀戀爀攀琀琀眀椀 愀琀 椀砀⸀渀攀琀挀漀洀⸀挀漀洀㸀ഊNewsgroups: rec.org.sca
਀匀甀戀樀攀挀琀㨀 刀攀㨀 吀愀戀氀攀琀Ⰰ 挀愀爀搀 愀渀搀 椀渀欀氀攀 眀攀愀瘀椀渀最 戀漀漀欀猀ഊDate: Tue, 30 Jun 1998 23:26:34 -0700
਀ഊJulie M. Lehrman wrote:
਀㸀 匀椀渀挀攀 琀愀戀氀攀琀 眀攀愀瘀椀渀最 栀愀猀 挀漀洀攀 甀瀀 漀渀 琀栀椀猀 氀椀猀琀⸀⸀⸀ഊ> 
਀㸀 䌀漀甀氀搀 猀漀洀攀戀漀搀礀 瀀氀攀愀猀攀 最椀瘀攀 洀攀 愀 焀甀椀挀欀 搀攀猀挀爀椀瀀琀椀漀渀 漀昀 琀栀攀 ⠀洀漀搀攀爀渀⤀ഊ> technique called "speed warping."
਀㸀 ഊ> The time it took to get ready to weave my first project is slowing the
਀㸀 猀琀愀爀琀 漀昀 琀栀攀 猀攀挀漀渀搀⸀ഊ> 
਀㸀 䨀甀氀椀愀渀愀ഊ
਀䤀琀 挀愀渀 戀攀 搀漀渀攀 椀昀 礀漀甀 栀愀瘀攀 琀栀攀 猀愀洀攀 挀漀氀漀爀 椀渀 琀栀攀 猀愀洀攀 栀漀氀攀猀 漀昀 琀栀攀 瀀愀挀欀ഊthroughout. For example, if you're doing a two-color band with color 1
਀椀渀 栀漀氀攀猀 䄀ⴀ䈀 愀渀搀 挀漀氀漀爀 ㈀ 椀渀 䌀ⴀ䐀Ⰰ 琀栀攀渀 礀漀甀爀 洀攀琀栀漀搀 椀猀 猀甀挀栀㨀ഊ
਀匀琀愀挀欀 愀氀氀 礀漀甀爀 挀愀爀搀猀 眀椀琀栀 愀氀椀最渀洀攀渀琀 猀甀椀琀椀渀最 礀漀甀爀 椀渀搀椀瘀椀搀甀愀氀 昀愀渀挀礀⸀ഊObtain four thread sources (in my case, cones or spools-- I won't do
਀琀栀椀猀 眀椀琀栀 猀欀攀椀渀猀 戀攀挀愀甀猀攀 漀昀 琀愀渀最氀椀渀最 椀猀猀甀攀猀⤀⸀  吀栀爀攀愀搀 漀渀攀 䌀漀氀漀爀 ㄀ഊspool's end through all of Hole A in the stack; same with the second
਀猀瀀漀漀氀 漀昀 䌀漀氀漀爀 ㄀Ⰰ 琀栀爀漀甀最栀 愀氀氀 漀昀 䠀漀氀攀 䈀 椀渀 琀栀攀 猀琀愀挀欀⸀ 刀攀瀀攀愀琀 漀渀攀 猀瀀漀漀氀ഊof Color 2 through Hole C and second spool of Color 2 in Hole D of the
਀猀琀愀挀欀⸀ ഊ
਀䜀爀愀猀瀀 琀栀攀 攀渀琀椀爀攀 瀀愀挀欀 椀渀 漀渀攀 栀愀渀搀 愀渀搀 搀爀愀最 琀栀攀 猀琀愀挀欀 愀爀漀甀渀搀 礀漀甀爀ഊfavorite warp-holder (this can be two posts, two c-clamps on a table or
਀愀 猀洀愀氀氀 氀漀漀洀Ⰰ 眀栀愀琀 攀瘀攀爀 礀漀甀 栀愀瘀攀⤀⸀ 䔀愀挀栀 琀椀洀攀 礀漀甀 瀀愀猀猀 琀栀攀 瀀漀椀渀琀 眀栀攀爀攀ഊyou want your pack to end up, drop one card off. This means you end up
਀眀椀琀栀 愀 挀漀渀琀椀渀甀漀甀猀 眀愀爀瀀 昀爀漀洀 䌀愀爀搀 ㄀ 琀栀爀漀甀最栀 䌀愀爀搀 一 ⠀攀⼀最⼀Ⰰ 愀 瀀愀挀欀 漀昀 ㈀㔀ഊcards means 25 trips around the posts). A wise gentleman I know deploys
਀愀 礀愀爀渀ⴀ欀攀攀瀀攀爀 搀甀爀椀渀最 挀漀渀琀椀渀漀甀猀 眀愀爀瀀椀渀最 琀栀愀琀 挀漀渀猀椀猀琀猀 漀昀 昀漀甀爀 瀀氀愀猀琀椀挀ഊsoda bottles with the yarn threaded up through the small end, bottom cut
਀漀昀昀 昀漀爀 椀渀猀攀爀琀椀漀渀 漀昀 礀愀爀渀 挀漀渀攀 漀爀 戀愀氀氀⸀ 䠀攀 琀椀攀猀 愀 爀甀戀戀攀爀 戀愀渀搀 愀爀漀甀渀搀 琀栀攀ഊset of four for keeping the bottles/yarn sources in submission.
਀ഊThis method, while fast, only works for certain warps. If your project
਀栀愀猀 搀椀爀攀挀琀椀漀渀猀 昀漀爀 猀瀀攀挀椀昀椀挀 挀漀氀漀爀 琀栀爀攀愀搀椀渀最猀 椀渀 猀瀀攀挀椀昀椀挀 挀愀爀搀猀 椀渀ഊspecific places (pretty much a modern method, used minimally in period
਀挀漀洀瀀愀爀攀搀 眀椀琀栀 琀栀攀 搀漀甀戀氀攀昀愀挀攀搀 愀渀搀⼀漀爀 戀爀漀挀愀搀攀搀 洀攀琀栀漀搀猀 漀昀 瀀愀琀琀攀爀渀椀渀最⤀Ⰰഊthen you're outta luck and have to thread 'em one at a time. On the
਀漀琀栀攀爀 栀愀渀搀Ⰰ 椀昀 礀漀甀✀爀攀 搀漀椀渀最 愀 猀漀氀椀搀 挀漀氀漀爀 戀愀渀搀 ⠀昀漀爀 戀爀漀挀愀搀攀℀ 娀漀眀椀攀℀℀⤀Ⰰഊor a striped band, or even Snartnemo-style, you're all set to go for
਀猀瀀攀攀搀 眀愀爀瀀椀渀最⸀ഊ
਀䠀漀瀀攀 琀栀攀 攀砀瀀氀愀渀愀琀椀漀渀 栀攀氀瀀猀⸀ 䄀渀搀 搀漀渀✀琀 最攀琀 愀氀氀 愀渀砀椀漀甀猀 愀戀漀甀琀 琀栀爀攀愀搀椀渀最ⴀⴀഊwhen it comes to weaving, the time and quality of effort put into the
਀猀攀琀 甀瀀 ⠀眀愀爀瀀椀渀最 愀渀搀 琀栀爀攀愀搀椀渀最⤀ 椀猀 愀洀瀀氀礀 攀瘀椀搀攀渀琀 椀渀 琀栀攀 焀甀愀氀椀琀礀 漀昀 琀栀攀ഊfinished product.
਀ഊciorstan
਀⠀眀栀漀 眀椀氀氀 愀搀洀椀琀 琀漀 栀愀瘀椀渀最 琀愀欀椀渀最 愀 洀漀渀琀栀 琀漀 琀栀爀攀愀搀 愀渀 攀椀最栀琀 猀栀愀昀琀ഊpattern 18 inches wide and 36 ends per inch on the floor loom through
਀爀攀攀搀 愀渀搀 栀攀搀搀氀攀猀 猀椀渀挀攀 猀栀攀 开搀攀猀瀀椀猀攀猀开 琀栀爀攀愀搀椀渀最⤀ഊ
਀ഊDate: Sat, 26 Sep 1998 05:06:26 -0400
਀䘀爀漀洀㨀 䴀攀氀愀渀椀攀 圀椀氀猀漀渀 㰀䴀攀氀愀渀椀攀圀椀氀猀漀渀 愀琀 挀漀洀瀀甀猀攀爀瘀攀⸀挀漀洀㸀ഊTo: "INTERNET:sca-arts at raven.cc.ukans.edu" <sca-arts at raven.cc.ukans.edu>
਀匀甀戀樀攀挀琀㨀 吀愀戀氀攀琀 圀攀愀瘀椀渀最ⴀ洀愀欀椀渀最 挀愀爀搀猀ഊ
਀夀漀甀 眀椀氀氀 昀椀渀搀 愀渀 愀爀琀椀挀氀攀 漀渀 洀愀欀椀渀最 琀愀戀氀攀琀猀 昀爀漀洀 圀漀漀搀Ⰰ 戀漀渀攀Ⰰ 栀漀爀渀 愀渀搀ഊleather on my web pages:
਀ഊMain Anglian Page
਀栀琀琀瀀㨀⼀⼀漀甀爀眀漀爀氀搀⸀挀漀洀瀀甀猀攀爀瘀攀⸀挀漀洀⼀栀漀洀攀瀀愀最攀猀⼀䴀攀氀愀渀椀攀圀椀氀猀漀渀⼀愀渀最氀椀愀渀洀⸀栀琀洀ഊ
਀䠀漀眀 琀漀 瀀愀最攀㨀ഊhttp://ourworld.compuserve.com/homepages/MelanieWilson/howto.htm
਀ഊTablet making Page:
਀ഊhttp://ourworld.compuserve.com/homepages/MelanieWilson/tabmake.htm
਀ഊIf you can't get horn flat plates in the US I supply various Period
਀倀爀漀瘀椀猀椀漀渀猀 椀渀挀氀甀搀椀渀最 琀栀攀猀攀Ⰰ 搀攀琀愀椀氀猀 愀爀攀 漀渀ഊhttp://ourworld.compuserve.com/homepages/LCVInternational/periodpr.htm
਀ഊHope this is some help.
਀ഊMel
਀ഊ
਀䐀愀琀攀㨀 匀愀琀Ⰰ ㈀㘀 匀攀瀀 ㄀㤀㤀㠀 ㄀㌀㨀㈀㌀㨀㄀㄀ ⴀ　㐀　　ഊFrom: rmhowe <magnusm at ncsu.edu>
਀吀漀㨀 猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀ഊSubject: Re: Speaking of Tablet Weaving
਀ഊJeane Watson wrote:
਀㸀 䄀渀礀漀渀攀 欀渀漀眀 漀昀 愀 最漀漀搀 猀漀甀爀挀攀 昀漀爀 挀愀爀搀猀⸀⸀⸀洀愀搀攀 漀昀 眀漀漀搀Ⰰ 漀爀 戀漀渀攀㼀㼀ഊ>
਀㸀 吀䠀䰀 䌀漀渀猀琀愀渀稀愀 䌀⸀堀⸀ 搀攀 嘀愀氀攀渀挀椀愀ഊ
਀栀琀琀瀀㨀⼀⼀眀眀眀⸀爀愀搀椀砀⸀渀攀琀⼀縀栀攀爀瘀攀甀猀⼀  眀漀漀搀攀渀 琀愀戀氀攀琀猀ഊ
਀䴀愀最渀甀猀ഊ
਀ഊDate: Sat, 26 Sep 1998 23:16:31 EDT
਀䘀爀漀洀㨀 㰀匀一匀瀀椀攀猀 愀琀 愀漀氀⸀挀漀洀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀攀㨀 匀瀀攀愀欀椀渀最 漀昀 吀愀戀氀攀琀 圀攀愀瘀椀渀最ഊ
਀㰀㰀 䄀渀礀漀渀攀 欀渀漀眀 漀昀 愀 最漀漀搀 猀漀甀爀挀攀 昀漀爀 挀愀爀搀猀⸀⸀⸀洀愀搀攀 漀昀 眀漀漀搀 㸀㸀ഊ
਀吀爀礀 䰀愀甀爀愀 䴀漀爀最愀渀Ⰰ ㄀㘀㌀㌀ 匀琀漀渀攀礀 䌀爀攀攀欀 䐀爀椀瘀攀Ⰰ 䌀栀愀爀氀漀琀琀攀猀瘀椀氀氀攀Ⰰ 嘀䄀  ㈀㈀㤀　㈀Ⰰ 琀攀氀⸀ഊ(804) 984-0537.
਀ഊNancy (Ingvild)
਀ഊ
਀䐀愀琀攀㨀 匀甀渀Ⰰ 㘀 䐀攀挀 ㄀㤀㤀㠀 ㄀㄀㨀㄀㈀㨀　㌀ 䔀匀吀ഊFrom: <SNSpies at aol.com>
਀吀漀㨀 猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀ഊSubject: Re: Ivory bibilography and more
਀ഊThank you to everyone for all the information and references on ivory!  What
਀愀 琀爀攀愀猀甀爀攀℀ 嬀一伀吀䔀 ⴀ 匀攀攀 琀栀攀 䘀氀漀爀椀氀攀最椀甀洀 昀椀氀攀㨀 椀瘀漀爀礀ⴀ戀椀戀崀ഊ
਀䴀愀礀 䤀 爀攀琀甀爀渀 琀栀攀 昀愀瘀漀爀 椀渀 愀 瘀攀爀礀 猀洀愀氀氀 眀愀礀 戀礀 搀椀爀攀挀琀椀渀最 瀀攀漀瀀氀攀 眀栀漀 愀爀攀ഊinterested to a site that carries a rather definitive bibilography of
਀爀攀昀攀爀攀渀挀攀猀 漀渀 琀愀戀氀攀琀 眀攀愀瘀椀渀最㼀  䤀琀 椀猀 愀 挀漀洀戀椀渀愀琀椀漀渀 漀昀 倀攀琀攀爀 䌀漀氀氀椀渀最眀漀漀搀✀猀 愀渀搀ഊmy bibliographies.  It is not quite complete, I believe, but hopefully soon
਀眀椀氀氀 戀攀⸀  䤀琀 挀愀渀 戀攀 昀漀甀渀搀 瘀椀愀 琀栀攀 昀漀氀氀漀眀椀渀最 猀椀琀攀㨀ഊ http://w3.thegroup.net/~janis/
਀ഊNancy (Ingvild)
਀ഊ
਀䐀愀琀攀㨀 吀栀甀Ⰰ ㄀㜀 䐀攀挀 ㄀㤀㤀㠀 ㄀㄀㨀㈀㤀㨀㈀㄀ 䔀匀吀ഊFrom: <SNSpies at aol.com>
਀吀漀㨀 猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀ഊSubject: Re: Dublin Viking Cap documentation
਀ഊSlaine asked about documentation for tablet weaving in Viking-age Dublin.  I
਀琀栀椀渀欀 琀栀椀猀 洀椀最栀琀 栀攀氀瀀 ⸀⸀⸀ഊ
਀吀栀攀爀攀 愀爀攀 㜀 戀爀漀挀愀搀攀搀 琀愀戀氀攀琀眀漀瘀攀渀 戀愀渀搀猀 椀渀 琀栀攀 一愀琀椀漀渀愀氀 䴀甀猀攀甀洀 漀昀 䤀爀攀氀愀渀搀ⰀഊDublin, which were found in Viking-age urban deposits in Dublin dating from
਀琀栀攀 ㄀　琀栀 琀漀 ㄀㈀琀栀 挀攀渀琀甀爀礀⸀ ⠀䔀⸀ 㜀㄀㨀㄀㄀㄀㈀㐀Ⰰ 䔀⸀ ㄀㈀㈀㨀㄀㌀㈀㜀㈀Ⰰ 䔀⸀ ㄀㈀㈀㨀㄀㌀㐀㐀㠀Ⰰ 䔀⸀ഊ172:10679, E. 172:14373,
਀䔀⸀ ㄀㜀㌀㨀㄀㔀㠀Ⰰ 愀渀搀 䔀⸀ ㄀㤀　㨀㄀㄀㤀㐀⤀⸀  䄀氀氀 漀昀 琀栀攀洀 栀愀瘀攀 猀椀氀欀 眀愀爀瀀猀 愀渀搀 愀爀攀 戀爀漀挀愀搀攀搀ഊvariously with "spun-gold", "spun-silver", and wools.  Further echnical
਀椀渀昀漀爀洀愀琀椀漀渀 挀愀渀 戀攀 昀漀甀渀搀 椀渀 琀栀攀 昀漀氀氀漀眀椀渀最 愀爀琀椀挀氀攀猀⸀ഊ
਀倀爀椀琀挀栀愀爀搀Ⰰ 䘀爀愀渀挀攀猀⸀  ∀䄀猀瀀攀挀琀猀 漀昀 琀栀攀 圀漀漀氀 吀攀砀琀椀氀攀猀 昀爀漀洀 嘀椀欀椀渀最 䄀最攀 䐀甀戀氀椀渀⸀∀ഊIn "Archaeological Textiles in Northern Europe" (NESAT IV), edited by Lise
਀䈀攀渀搀攀爀 䨀漀爀最攀渀猀攀渀 愀渀搀 䔀氀椀猀愀戀攀琀栀 䴀甀渀欀猀最愀愀爀搀Ⰰ 㤀㌀ⴀ㄀　㐀⸀  䌀漀瀀攀渀栀愀最攀渀㨀  䐀攀琀 䬀漀渀最攀氀椀最攀ഊDanske Kunstakademi, 1992.
਀ഊPritchard, Frances.  "Silk Braids and Textiles of the Viking Age from Dublin."
਀䤀渀 ∀䄀爀挀栀愀攀漀氀漀最椀挀愀氀 吀攀砀琀椀氀攀猀∀ ⠀一䔀匀䄀吀 䤀䤀⤀Ⰰ 攀搀椀琀攀搀 戀礀 䰀椀猀攀 䈀攀渀搀攀爀 䨀漀爀最攀渀猀攀Ⰰ 䈀攀渀琀攀ഊMagnus, and Elisabeth Munksgaard, 149-156.  Copenhagen:  Arkaeologisk
਀䤀渀猀琀椀琀甀琀Ⰰ ㄀㤀㠀㠀⸀ഊ
਀一愀渀挀礀 ⠀䤀渀最瘀椀氀搀⤀ഊ
਀ഊDate: Tue, 23 Feb 1999 01:58:02 EST
਀䘀爀漀洀㨀 㰀䔀愀氀愀猀愀椀搀匀 愀琀 愀漀氀⸀挀漀洀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀攀㨀 䌀愀爀搀 圀攀愀瘀椀渀最ഊ
਀䘀愀氀愀渀䴀愀挀䘀 愀琀 愀漀氀⸀挀漀洀 眀爀椀琀攀猀㨀ഊ<< Does anyone know where I can order some Cards so I can start Cardweaving?
਀䤀 愀洀 琀爀礀椀渀最 琀漀 最攀琀 愀 戀漀漀欀 漀渀 椀琀 戀礀 䌀愀渀搀愀渀挀攀 䌀爀甀挀欀攀琀琀⠀猀瀀⤀ 眀栀椀挀栀 椀猀 猀甀瀀瀀漀猀攀 琀漀ഊ have cards in the back.  But, since I am having to find an used one, I dont
਀ 猀甀猀瀀攀挀琀 琀栀攀 挀愀爀搀猀 眀椀氀氀 戀攀 愀琀琀琀愀挀栀攀搀⸀ഊ  >>
਀ഊRobin & Russ Handweavers
਀㔀㌀㌀ 一⸀ 䄀搀愀洀猀ഊMcMinnville, Oregon  97128
਀ഊI'm afraid I don't have a phone number or web site - I only have a few cards
਀氀攀昀琀 眀椀琀栀 琀栀攀椀爀 愀搀搀爀攀猀猀⸀  吀栀攀 氀愀猀琀 琀椀洀攀 䤀 漀爀搀攀爀攀搀 昀爀漀洀 琀栀攀洀Ⰰ 䤀 戀攀氀椀攀瘀攀 椀琀 眀愀猀ഊaround $12 for 100 cards.  I give the cards away when I teach card weaving,
਀猀漀 䤀 氀椀欀攀 戀攀椀渀最 愀戀氀攀 琀漀 最攀琀 琀栀攀洀 椀渀 瀀愀挀欀猀 漀昀 ㄀　　⸀ഊ
਀䄀琀 䔀猀琀爀攀氀氀愀Ⰰ 䤀 渀漀琀椀挀攀搀 琀栀愀琀 吀栀攀 䜀爀攀攀渀 䐀甀挀欀 栀愀搀 挀愀爀搀猀⸀  吀栀攀椀爀 眀攀戀猀椀琀攀 椀猀㨀ഊ http://www.greenduck.com
਀ഊI didn't look at the price, since I didn't need more cards at the time...
਀ഊEalasaid
਀ഊ
਀䐀愀琀攀㨀 吀甀攀Ⰰ ㈀㌀ 䘀攀戀 ㄀㤀㤀㤀 ㄀　㨀　㤀㨀㌀㘀 ⬀　㄀　　ഊFrom: Anna Troy <Anna.Troy at bibks.uu.se>
਀吀漀㨀 猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀ഊSubject: Re: Card Weaving
਀ഊ>Does anyone know where I can order some Cards so I can start Cardweaving?
਀ഊ>Faolan MacFarland
਀ഊCards are very easy to make your self. I've seen some made out of playing
਀挀愀爀搀猀 挀氀椀瀀瀀攀搀 椀渀 栀愀氀昀Ⰰ 琀栀攀 攀搀最攀猀 爀漀甀渀搀攀搀 眀椀琀栀 琀栀攀 栀漀氀攀猀 樀甀猀琀 洀愀搀攀 眀椀琀栀 愀ഊleather punch. :-)
਀ഊAnna de Byxe
਀ഊ
਀䐀愀琀攀㨀 吀甀攀Ⰰ ㈀㌀ 䘀攀戀 ㄀㤀㤀㤀 　㤀㨀㈀㌀㨀㈀㈀ ⴀ　㔀　　ഊFrom: "Gregory Stapleton" <gregsta at perigee.net>
਀吀漀㨀 㰀猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀㸀ഊSubject: RE: Card Weaving
਀ഊTry Lark Books Publishing.  http://www.larkbooks.com They sell both the set
਀漀昀 戀漀漀欀 愀渀搀 挀愀爀搀猀 愀渀搀 樀甀猀琀 琀栀攀 挀愀爀搀猀⸀  吀栀攀礀 愀爀攀 氀漀挀愀琀攀搀 椀渀 䄀猀栀攀瘀椀氀氀攀Ⰰ 一䌀⸀ഊ
਀䜀愀眀愀椀渀 䬀椀氀最漀爀攀ഊ
਀ഊDate: Tue, 23 Feb 1999 09:24:30 -0600
਀䘀爀漀洀㨀 刀漀戀攀爀琀愀 刀 䌀漀洀猀琀漀挀欀 㰀昀爀漀最最攀猀琀漀眀 愀琀 樀甀渀漀⸀挀漀洀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀攀㨀 䌀愀爀搀 圀攀愀瘀椀渀最 ⴀⴀ 匀漀甀爀挀攀猀 昀漀爀 挀愀爀搀猀ഊ
਀伀渀 吀甀攀Ⰰ ㈀㌀ 䘀攀戀 ㄀㤀㤀㤀 　　㨀㈀㄀㨀㌀㄀ ⴀ　㜀　　 䘀爀攀搀 夀漀搀攀爀ഊ<fyoder at mesa5.mesa.colorado.edu> writes:
਀㸀       䈀礀 栀愀瀀瀀礀 挀漀椀渀挀椀搀攀渀挀攀Ⰰ 䤀 栀愀搀 猀漀洀攀 挀愀爀搀猀 渀攀砀琀 琀漀 琀栀攀 挀漀洀瀀甀琀攀爀ഊ>desk and there are addresses on them, so...
਀㸀ഊ>Earth Guild
਀㸀䄀猀栀攀瘀椀氀氀攀Ⰰ 一漀爀琀栀 䌀愀爀漀氀椀渀愀ഊ>1-800-327-8448
਀㸀ഊ>And
਀㸀ഊ>Freouwebbe
਀㸀吀栀攀 倀攀愀挀攀 圀攀愀瘀攀爀ഊ>5318 Stillhouse
਀㸀伀愀欀 䜀爀漀瘀攀Ⰰ 䴀椀猀猀漀甀爀椀 㘀㐀　㜀㔀ഊ>(816) 625-8008
਀㸀⠀㠀㄀㘀⤀ 㘀㈀㔀ⴀ㜀㈀㠀㠀ഊ>
਀㸀䠀漀瀀攀昀甀氀氀礀 漀渀攀 漀爀 戀漀琀栀 愀爀攀 猀琀椀氀氀 椀渀 戀甀猀椀渀攀猀猀⸀⸀⸀ഊ>
਀㸀䜀漀漀搀 䰀甀挀欀℀ഊ>Phred
਀ഊFreouwebbe's address has changed:
਀ഊFreouwebbe, the Peace Weaver
਀刀漀戀攀爀琀愀 䈀爀愀最最ഊ514 Walnut
਀䜀爀愀椀渀 嘀愀氀氀攀礀Ⰰ 䴀伀  㘀㐀　㈀㤀ഊ(816) 847-7737
਀ഊOr email her at:  Freouwebbe at msn.com
਀ഊI believe she used to carry several varieties of weaving cards - 4-hole,
਀㘀ⴀ栀漀氀攀Ⰰ 䴀愀礀戀攀 ㌀ⴀ栀漀氀攀㼀ഊI'm not sure what all she has these days.
਀ഊIf she isn't selling cards now, there should be some available at The
਀夀愀爀渀 䈀愀爀渀 椀渀 䰀愀眀爀攀渀挀攀Ⰰ 䬀匀⸀  吀栀攀礀 栀愀瘀攀 愀渀 㠀　　 渀甀洀戀攀爀Ⰰ 戀甀琀 䤀 搀漀渀✀琀 栀愀瘀攀 椀琀⸀ഊ You should be able to get it from directory assistance.
਀ഊHertha
਀ഊ
਀䐀愀琀攀㨀 吀甀攀Ⰰ ㈀㌀ 䘀攀戀 ㄀㤀㤀㤀 ㄀　㨀　　㨀㐀㜀 ⴀ　㘀　　ഊFrom: Gunnora Hallakarva <gunnora at bga.com>
਀吀漀㨀 猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀ഊSubject: Beginning Cards for Cardweaving
਀ഊFaolan MacFarland asked:
਀㸀 䐀漀攀猀 愀渀礀漀渀攀 欀渀漀眀 眀栀攀爀攀 䤀 挀愀渀 漀爀搀攀爀 猀漀洀攀 䌀愀爀搀猀ഊ> so I can start Cardweaving?   I am trying to
਀㸀 最攀琀 愀 戀漀漀欀 漀渀 椀琀 戀礀 䌀愀渀搀愀渀挀攀 䌀爀甀挀欀攀琀琀⠀猀瀀⤀ 眀栀椀挀栀ഊ> is suppose to have cards in the back.  But,
਀㸀 猀椀渀挀攀 䤀 愀洀 栀愀瘀椀渀最 琀漀 昀椀渀搀 愀渀 甀猀攀搀 漀渀攀Ⰰ 䤀 搀漀渀琀ഊ> suspect the cards will be atttached.
਀ഊFaolan, the easiest way to get cards is to go purchase a packet of beer
਀挀漀愀猀琀攀爀猀 ⴀⴀ 琀栀攀 挀愀爀搀戀漀愀爀搀 漀渀攀猀 礀漀甀 昀椀渀搀 椀渀ഊbars.  I"ve found that Sam's Wholesale usually carries them, and a lot of
਀琀椀洀攀猀 琀栀攀 氀漀挀愀氀 戀攀攀爀 搀椀猀琀爀椀戀甀琀漀爀猀 眀椀氀氀 最椀瘀攀 琀栀攀洀 愀眀愀礀 愀猀 眀攀氀氀⸀ഊ
਀吀愀欀攀 琀栀攀 眀栀漀氀攀 瀀愀挀欀攀琀 漀昀 挀愀爀搀猀 愀渀搀 䌀ⴀ挀氀愀洀瀀 琀栀攀洀 昀椀爀洀氀礀 搀漀眀渀Ⰰ 琀栀攀渀 甀猀攀 愀 ㄀⼀㐀∀ഊdrill bit to drill a hole in each of the
਀昀漀甀爀 挀漀爀渀攀爀猀 爀椀最栀琀 琀栀爀漀甀最栀 琀栀攀 眀栀漀氀攀 瀀愀挀欀 愀琀 漀渀挀攀⸀ഊ
਀吀栀攀渀 甀渀挀氀愀洀瀀 愀渀搀 琀椀攀 琀栀攀 瀀愀挀欀攀琀 琀漀最攀琀栀攀爀 眀椀琀栀 猀琀爀椀渀最Ⰰ 愀渀搀 瀀愀椀渀琀 攀愀挀栀 漀昀 琀栀攀ഊfour corners of the packet a different
਀挀漀氀漀爀 漀渀 琀栀攀 攀搀最攀 ⴀⴀ 䤀 昀椀渀搀 琀栀椀猀 椀猀 瘀攀爀礀 栀攀氀瀀昀甀氀 氀愀琀攀爀 眀栀攀渀 眀漀爀欀椀渀最 眀椀琀栀ഊmore complicated patterns.
਀ഊSome folks use thin plastic to make their cards out of because it holds up
਀戀攀琀琀攀爀⸀  䴀攀Ⰰ 䤀 猀琀椀氀氀 栀愀瘀攀 猀漀洀攀 戀攀攀爀 挀漀愀猀琀攀爀ഊcards that I've used for almost ten years.  I occasionally get one bent or
਀戀攀愀琀 甀瀀Ⰰ 愀渀搀 䤀 樀甀猀琀 琀栀爀漀眀 椀琀 愀眀愀礀 愀渀搀 洀愀欀攀 渀攀眀 漀渀攀猀 愀猀 渀攀攀搀攀搀⸀ഊ
਀䜀甀渀渀漀爀愀 䠀愀氀氀愀欀愀爀瘀愀Ⰰ 伀䰀ഊBjornsborg and Bryn Gwlad
਀䄀渀猀琀攀漀爀爀愀ഊ
਀ഊDate: Tue, 23 Feb 1999 12:36:11 -0500
਀䘀爀漀洀㨀 爀洀栀漀眀攀 㰀洀愀最渀甀猀洀 愀琀 渀挀猀甀⸀攀搀甀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀攀㨀 䌀愀爀搀 圀攀愀瘀椀渀最ഊ
਀䘀愀氀愀渀䴀愀挀䘀 愀琀 愀漀氀⸀挀漀洀 眀爀漀琀攀㨀ഊ> Does anyone know where I can order some Cards so I can start Cardweaving?
਀ഊ> Faolan MacFarland
਀ഊTry:
਀ഊHerveus d'Ormonde / Michael Houghton <herveus at radix.net>
਀        䈀漀眀椀攀Ⰰ 䴀䐀Ⰰ 唀匀䄀     吀愀戀氀攀琀 愀渀搀 䤀渀欀氀攀 戀愀渀搀猀Ⰰ 愀渀搀 漀琀栀攀爀 猀琀甀昀昀ഊ        http://www.radix.net/~herveus/
਀ഊHe makes looms too. And She does custom favors, belts, bands in many
਀搀攀猀椀最渀猀 漀爀 琀漀 挀甀猀琀漀洀 漀爀搀攀爀⸀ 吀栀攀礀 爀攀愀氀氀礀 愀爀攀 焀甀椀琀攀 渀椀挀攀 愀渀搀 爀攀愀猀漀渀愀戀氀礀ഊpriced.
਀ഊMagnus, unaffiliated, but impressed.
਀ഊ
਀䐀愀琀攀㨀 䴀漀渀Ⰰ ㄀ 䴀愀爀 ㄀㤀㤀㤀 　㘀㨀㔀　㨀㄀㜀 ⴀ　㠀　　 ⠀倀匀吀⤀ഊFrom: Zaida <zaida424 at yahoo.com>
਀吀漀㨀 猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀ഊSubject: Re: card weaving
਀ഊ>>Faolan MacFarland asked:
਀䐀漀攀猀 愀渀礀漀渀攀 欀渀漀眀 眀栀攀爀攀 䤀 挀愀渀 漀爀搀攀爀 猀漀洀攀 䌀愀爀搀猀 猀漀 䤀 挀愀渀 猀琀愀爀琀ഊCardweaving? <<
਀ഊHi, You can order cards from 
਀䔀愀爀琀栀 䜀甀椀氀搀      栀琀琀瀀㨀⼀⼀眀眀眀⸀攀愀爀琀栀最甀椀氀搀⸀挀漀洀⼀     漀爀ഊLacis            http://www.lacis.com/          or
਀匀挀栀漀漀氀 倀爀漀搀甀挀琀猀  栀琀琀瀀㨀⼀⼀眀眀眀⸀氀愀挀椀猀⸀挀漀洀⼀ഊ
਀䤀 瀀攀爀猀漀渀愀氀氀礀 戀甀礀 洀椀渀攀 昀爀漀洀 䔀愀爀琀栀 䜀甀椀氀搀Ⰰ 戀甀琀 琀栀愀琀 椀猀 樀甀猀琀 戀攀挀愀甀猀攀 琀栀攀礀ഊused to be a supplier of ours when we were building inkle looms. They
਀猀攀氀氀 愀 最漀漀搀 猀琀甀爀搀礀 挀愀爀搀戀漀愀爀搀 挀愀爀搀 愀渀搀 愀 渀椀挀攀 猀椀搀攀 戀攀氀琀 猀栀甀琀琀氀攀 琀栀愀琀ഊworks well with them.
਀ഊZaida
਀ഊ
਀匀甀戀樀攀挀琀㨀 䄀一匀吀 ⴀ 倀攀爀椀漀搀 䤀爀椀猀 刀椀戀戀漀渀㼀ഊDate: Mon, 19 Jul 1999 09:25:07 MST
਀䘀爀漀洀㨀 ∀䌀⸀ 䰀⸀ 圀愀爀搀∀ 㰀最甀渀渀漀爀愀 愀琀 戀最愀⸀挀漀洀㸀ഊTo: ansteorra at Ansteorra.ORG
਀ഊI just received the following information from Mistress Tangwystyl that I
਀琀栀漀甀最栀琀 漀甀爀 眀攀愀瘀攀爀猀 洀椀最栀琀 昀椀渀搀 椀渀琀攀爀攀猀琀椀渀最㨀ഊ
਀ⴀⴀⴀⴀⴀⴀⴀⴀ昀爀漀洀 吀愀渀最眀礀猀琀礀氀ⴀⴀⴀⴀⴀⴀⴀⴀⴀഊIn the cathedral museum in Sens (France) there is a silk tunic attributed
਀琀漀 匀愀椀渀琀 䔀戀戀漀渀 ⠀㠀琀栀 挀⸀⤀Ⰰ 琀爀椀洀洀攀搀 眀椀琀栀 挀氀愀瘀椀椀Ⰰ 渀攀挀欀 愀渀搀 猀氀攀攀瘀攀 攀搀最椀渀最猀 漀昀 愀ഊtabby-weave silk ribbon (ca. 7/8" wide) colored in longitudinal stripes of
਀爀攀搀Ⰰ 戀氀愀挀欀Ⰰ 眀栀椀琀攀Ⰰ 最爀攀攀渀Ⰰ 戀氀甀攀Ⰰ 礀攀氀氀漀眀Ⰰ 瀀椀渀欀 ⠀瀀漀猀猀椀戀氀礀 昀愀搀攀搀 爀攀搀Ⰰ 戀愀猀攀搀 漀渀ഊthe repeat pattern), black, white, green, and blue. Each stripe comprises
਀愀瀀瀀爀漀砀椀洀愀琀攀氀礀 㠀 眀愀爀瀀 攀渀搀猀Ⰰ 攀砀挀攀瀀琀 昀漀爀 琀栀攀 礀攀氀氀漀眀 ⠀挀攀渀琀爀愀氀⤀ 漀渀攀Ⰰ 眀栀椀挀栀 洀愀礀ഊbe 12 ends.
਀ഊTangwystyl <hrjones at socrates.berkeley.edu>
਀ⴀⴀⴀⴀⴀⴀⴀⴀ昀爀漀洀 吀愀渀最眀礀猀琀礀氀ⴀⴀⴀⴀⴀⴀⴀⴀⴀഊ
਀吀栀椀猀 椀猀 渀漀琀Ⰰ 漀昀 挀漀甀爀猀攀Ⰰ 瀀爀攀挀椀猀攀氀礀 眀栀愀琀 眀攀 甀猀攀 昀漀爀 愀眀愀爀搀 椀渀猀椀最渀椀 昀漀爀 琀栀攀ഊOrder of the Iris, but it gives a good documentation lead for very similar
਀渀愀爀爀漀眀ⴀ戀愀渀搀 琀礀瀀攀 琀爀椀洀 眀攀愀瘀椀渀最⸀ഊ
਀圀猀⃻Ā甀 䠀氀 ⠀圀愀攀猀 吀栀甀 䠀愀攀氀⤀ഊ
਀㨀㨀䜀唀一一伀刀䄀㨀㨀ഊ
਀䜀甀渀渀漀爀愀 䠀愀氀氀愀欀愀爀瘀愀Ⰰ 伀䰀ഊBaroness to the Court of Ansteorra
਀ഊ
਀䐀愀琀攀㨀 匀甀渀Ⰰ ㈀㔀 䨀甀氀 ㄀㤀㤀㤀 　㐀㨀　　㨀㔀　 䔀䐀吀ഊFrom: <EalasaidS at aol.com>
਀吀漀㨀 猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀ഊSubject: Re: Card Weaving Questions
਀ഊFirst, crochet cotton is a good choice for a first card weaving.  Cordonet
਀愀渀搀 倀攀愀爀氀 䌀漀琀琀漀渀 愀爀攀 愀氀猀漀 最漀漀搀⸀  夀漀甀 眀愀渀琀 愀 渀椀挀攀 猀洀漀漀琀栀 琀栀爀攀愀搀Ⰰ 琀栀愀琀 椀猀渀✀琀ഊtoo fuzzy.  Fuzzy thread makes turning the cards difficult, and adds way too
਀洀甀挀栀 昀爀甀猀琀爀愀琀椀漀渀 琀漀 琀栀攀 氀攀愀爀渀椀渀最 瀀爀漀挀攀猀猀⸀ 㰀最爀椀渀㸀ഊ
਀䄀猀 昀愀爀 愀猀 眀椀渀搀椀渀最 琀栀攀 琀栀爀攀愀搀 椀渀琀漀 愀 戀甀琀琀攀爀昀氀礀⸀⸀⸀ 䤀✀瘀攀 甀猀攀搀 琀眀漀 䌀 挀氀愀洀瀀猀ഊclamped upside down on a table (so that the handles are sticking up), and
਀樀甀猀琀 眀椀渀搀 礀漀甀爀 戀甀琀琀攀爀昀氀礀 漀渀 琀栀愀琀⸀  䄀渀礀琀栀椀渀最 琀栀愀琀 栀愀猀 琀漀 瀀爀漀樀攀挀琀椀漀渀猀 眀栀椀挀栀ഊwill allow you slide the finished butterfly off will do.  Pass a thread
਀琀栀爀漀甀最栀 琀栀攀 氀漀漀瀀猀 琀栀愀琀 昀爀漀洀 琀栀攀 ∀眀椀渀最猀∀  愀渀搀 琀椀攀 椀琀 氀漀漀猀攀氀礀 愀爀漀甀渀搀 琀栀攀ഊcrossed threads in the center.  I'd also add a loose tie at the apex of each
਀漀昀 琀栀攀 ∀眀椀渀最猀∀⸀   䄀 氀漀漀瀀 昀漀甀爀 琀漀 猀椀砀 椀渀挀栀攀猀 愀挀爀漀猀猀 眀漀爀欀猀 眀攀氀氀 昀漀爀 昀椀渀攀ഊthread.  Tie the threads tight enough that your tie doesn't slide around, but
਀礀漀甀 猀栀漀甀氀搀 戀攀 愀戀氀攀 琀漀 猀氀椀搀攀 礀漀甀爀 昀椀渀最攀爀 愀琀 氀攀愀猀琀 愀 氀椀琀琀氀攀 戀椀琀 甀渀搀攀爀 琀栀攀 欀渀漀琀⸀ഊ
਀伀爀Ⰰ 樀甀猀琀 眀爀愀瀀 琀栀攀 琀栀爀攀愀搀 愀爀漀甀渀搀 愀 猀洀愀氀氀椀猀栀 戀漀漀欀 漀爀 瘀椀搀攀漀 挀愀猀猀攀琀琀攀 戀漀砀Ⰰ 愀渀搀ഊwhen you pull it off, tie the circle of thread in four places - just firm
਀攀渀漀甀最栀 琀漀 挀愀甀猀攀 愀渀 椀渀搀攀渀琀愀琀椀漀渀 椀渀 琀栀攀 猀欀攀椀渀Ⰰ 戀甀琀 渀漀琀 愀猀 琀椀最栀琀 愀猀 礀漀甀 挀愀渀 最攀琀ഊit.  You want the water and dye to be able to reach every thread.  This is
਀栀漀眀 䤀 猀攀琀 琀栀攀 猀瀀椀渀 椀渀 洀礀 眀漀漀氀 眀栀攀渀 䤀 琀愀欀攀 椀琀 漀昀昀 琀栀攀 猀瀀椀渀搀氀攀 愀渀搀 挀愀渀✀琀 昀椀渀搀ഊmy niddy noddy (I swear it grows legs...)
਀ഊ"Card Weaving" by ??? Crockett is a good book (it might be Elizabeth or
਀䌀愀琀栀攀爀椀渀攀 䌀爀漀挀欀攀琀琀Ⰰ 䤀 挀愀渀✀琀 猀攀攀洀 琀漀 昀椀渀搀 洀礀 挀漀瀀礀 愀琀 琀栀攀 洀漀洀攀渀琀⤀⸀  ∀吀愀戀氀攀琀ഊWeaving" by Egon Hansen is also good, but I find their method of drafting out
਀琀栀攀 瀀愀琀琀攀爀渀 搀椀昀昀椀挀甀氀琀 琀漀 昀漀氀氀漀眀⸀ഊ
਀䤀琀 愀氀猀漀 洀愀欀攀猀 眀攀愀瘀椀渀最 攀愀猀椀攀爀 椀昀 礀漀甀 猀攀琀 甀瀀 猀漀洀攀 洀攀琀栀漀搀 琀漀 欀攀攀瀀 琀爀愀挀欀 漀昀 眀栀愀琀ഊdirection you are turning in and how many turns you've made.  I added six
਀瀀攀最猀 琀漀 琀栀攀 戀漀琀琀漀洀 猀甀瀀瀀漀爀琀 漀昀 洀礀 氀漀漀洀Ⰰ 愀 猀攀琀 漀昀 昀漀甀爀 愀渀搀 愀 猀攀琀 漀昀 琀眀漀Ⰰ 甀猀椀渀最ഊtooth picks and a VERY small drill bit.  I  have two wooden beads.  When I am
਀琀甀爀渀椀渀最 愀眀愀礀Ⰰ 琀栀攀 瀀甀琀 漀渀攀 戀攀愀搀 漀渀 琀栀攀 昀愀爀琀栀攀猀琀 瀀攀最 漀昀 琀栀攀 琀眀漀 猀攀琀Ⰰ 愀渀搀 眀栀攀渀ഊI'm turning towards me, I move the bead to the nearer peg of the two set.  If
਀䤀✀洀 椀渀 愀 猀椀琀甀愀琀椀漀渀 眀栀攀爀攀 䤀 洀愀礀 戀攀 椀渀琀攀爀爀甀瀀琀攀搀 愀琀 愀渀礀 洀漀洀攀渀琀 ⠀氀椀欀攀 愀琀 愀 搀攀洀漀ഊwhere people want me to talk and explain what I'm doing <grin>), I move the
਀猀攀挀漀渀搀 戀攀愀搀 眀椀琀栀 攀瘀攀爀礀 琀甀爀渀 漀昀 琀栀攀 挀愀爀搀猀 昀爀漀洀 瀀攀最 琀漀 瀀攀最 椀渀 琀栀攀 猀攀琀 漀昀 昀漀甀爀ഊpegs.  That way I can always tell at a glance exactly where I was in the
਀琀甀爀渀椀渀最 猀攀焀甀攀渀挀攀⸀  䤀 爀甀椀渀攀搀 猀攀瘀攀爀愀氀 眀攀愀瘀椀渀最猀 愀琀 搀攀洀漀猀 戀攀昀漀爀攀 䤀 挀愀洀攀 甀瀀 眀椀琀栀ഊthat method - I'd answer a question and then realize that I had no idea how
਀洀愀渀礀 琀甀爀渀猀 䤀 栀愀搀 搀漀渀攀Ⰰ 漀爀 眀栀椀挀栀 搀椀爀攀挀琀椀漀渀 䤀 眀愀猀 最漀椀渀最℀ഊ
਀䴀椀猀琀爀攀猀猀 䔀愀氀愀猀愀椀搀 渀椀挀 匀栀甀椀戀栀渀攀ഊ
਀ഊDate: Sun, 25 Jul 1999 21:13:51 +0000
਀䘀爀漀洀㨀 ∀倀氀愀猀琀椀挀 昀漀爀 戀攀琀琀攀爀 琀愀猀琀攀⸀ 㰀瀀氀愀猀琀椀挀 愀琀 挀漀搀攀渀攀琀⸀渀攀琀㸀∀ 㰀瀀氀愀猀琀椀挀 愀琀 挀漀搀攀渀攀琀⸀渀攀琀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀攀㨀 䌀愀爀搀 圀攀愀瘀椀渀最 儀甀攀猀琀椀漀渀猀ഊ
਀㸀 ∀䌀愀爀搀 圀攀愀瘀椀渀最∀ 戀礀 㼀㼀㼀 䌀爀漀挀欀攀琀琀 椀猀 愀 最漀漀搀 戀漀漀欀 ⠀椀琀 洀椀最栀琀 戀攀 䔀氀椀稀愀戀攀琀栀 漀爀ഊ> Catherine Crockett, I can't seem to find my copy at the moment).  "Tablet
਀㸀 圀攀愀瘀椀渀最∀ 戀礀 䔀最漀渀 䠀愀渀猀攀渀 椀猀 愀氀猀漀 最漀漀搀Ⰰ 戀甀琀 䤀 昀椀渀搀 琀栀攀椀爀 洀攀琀栀漀搀 漀昀 搀爀愀昀琀椀渀最 漀甀琀ഊ> the pattern difficult to follow.
਀ഊ"Card Weaving" by Candace Crockett is the best book I've seen, and have, on the
਀猀甀戀樀攀挀琀⸀  䤀 樀甀猀琀 猀愀眀 愀 挀漀瀀礀 漀昀 椀琀 愀琀 䈀漀爀搀攀爀猀 琀漀搀愀礀⸀  䤀 愀氀猀漀 栀愀瘀攀 ∀䌀愀爀搀 圀攀愀瘀椀渀最∀ഊby Lois Clifford (1947) and "Card Weaving" by Russell Groff (1969).  These two
਀戀漀漀欀猀 眀攀爀攀 愀 戀椀琀 洀漀爀攀 搀椀昀昀椀挀甀氀琀 琀漀 甀渀搀攀爀猀琀愀渀搀 甀渀琀椀氀 䤀 最漀琀 䌀愀渀搀愀挀攀✀猀 戀漀漀欀 眀栀椀挀栀ഊwas published more recently.  Russell's book does have 50 some odd patterns, but
਀栀椀猀 搀爀愀昀琀猀 愀爀攀 愀 氀椀琀琀氀攀 搀椀昀昀椀挀甀氀琀 琀漀 爀攀愀搀⸀ഊ
਀夀漀甀 洀椀最栀琀 挀栀攀挀欀 漀甀琀 琀栀攀 挀愀爀搀 眀攀愀瘀椀渀最 氀椀猀琀  洀愀椀氀琀漀㨀 氀椀猀琀瀀爀漀挀 愀琀 昀爀愀渀欀⸀洀琀猀甀⸀攀搀甀 眀椀琀栀ഊ"sub cards-l <your name> in the body of the message.
਀ഊBruno
਀伀甀琀氀愀渀搀猀ഊ
਀ഊDate: Mon, 26 Jul 1999 10:47:33 EDT
਀䘀爀漀洀㨀 ∀䐀 䠀甀洀戀攀爀猀漀渀∀ 㰀搀栀甀洀戀攀爀猀 愀琀 栀漀琀洀愀椀氀⸀挀漀洀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀䔀㨀 䌀愀爀搀 圀攀愀瘀椀渀最 儀甀攀猀琀椀漀渀猀ഊ
਀圀攀氀挀漀洀攀 琀漀 愀 最爀攀愀琀Ⰰ 椀昀 漀戀猀挀甀爀攀Ⰰ 栀漀戀戀礀⸀  䴀攀爀挀攀爀椀稀攀搀 挀漀琀琀漀渀 猀栀漀甀氀搀 渀漀琀 猀栀爀椀渀欀ഊmuch, if at all, in a tablet weave.  If you are beating each shot properly,
਀琀栀攀 眀攀愀瘀攀 眀椀氀氀 戀攀 瘀攀爀礀 琀椀最栀琀 琀漀 猀琀愀爀琀Ⰰ 愀猀 眀攀氀氀⸀ഊ
਀䄀猀 昀漀爀 挀漀氀漀爀 昀愀猀琀渀攀猀猀Ⰰ 䤀 甀猀攀 㠀⼀㐀 䴀愀礀猀瘀椀氀氀攀 挀愀爀瀀攀琀 眀愀爀瀀 昀漀爀 洀礀 ✀甀琀椀氀椀琀礀✀ഊprojects, and that is guaranteed color fast.
਀ഊI wasn't real clear on why you'd want to wind butterflys for weaving - once
਀礀漀甀 眀愀爀瀀 漀渀 琀漀 琀栀攀 挀愀爀搀猀Ⰰ 礀漀甀 眀愀渀琀 琀漀 欀攀攀瀀 琀栀攀 眀愀爀瀀 愀猀 猀琀爀愀椀最栀琀 愀渀搀 攀瘀攀渀 愀猀ഊpossible.  You could use a butterfly to hold your weft, but I use an Inkle
਀氀漀漀洀 猀栀甀琀琀氀攀 眀栀漀猀攀 攀搀最攀 䤀✀瘀攀 戀攀瘀攀氀攀搀⸀  吀栀攀 猀栀甀琀琀氀攀 猀攀爀瘀攀猀 愀猀 愀 戀攀愀琀攀爀 琀漀漀Ⰰഊthat way.
਀ഊIf you are a beginner, get Candace Crockett's book.  For a blue sky, some
਀搀愀礀Ⰰ 攀瘀攀渀琀甀愀氀氀礀 琀礀瀀攀 眀椀猀栀 戀漀漀欀 最攀琀 倀攀琀攀爀 䌀漀氀氀椀渀最猀眀漀漀搀✀猀 洀愀猀猀椀瘀攀 戀漀漀欀⸀  伀渀挀攀ഊagain though, start wwith Crockett.
਀ഊRagnar Ketilsson,
਀䈀䴀䐀䰀Ⰰ 䄀攀琀栀攀氀洀攀愀爀挀ഊ
਀ഊFrom: Gwynafwy Sinclaire <gwynafwy26 at yahoo.com>
਀䐀愀琀攀㨀 䨀甀氀礀 ㄀　Ⰰ ㈀　　㜀 㐀㨀㌀㈀㨀㄀㐀 倀䴀 䌀䐀吀ഊTo: "Kingdom of Ansteorra - SCA, Inc." <ansteorra at lists.ansteorra.org>
਀匀甀戀樀攀挀琀㨀 刀攀㨀 嬀䄀渀猀琀攀漀爀爀愀崀 儀甀攀猀琀椀漀渀 漀渀㨀 眀攀愀瘀椀渀最 昀椀渀椀猀栀攀猀ഊ
਀吀栀愀渀欀 礀漀甀 瘀攀爀礀 洀甀挀栀 昀漀爀 琀栀攀 猀甀最最攀猀琀椀漀渀猀⸀  䤀琀 椀猀 昀漀爀 吀愀戀氀攀琀⼀䌀愀爀搀  ഊweaving and inkle.
਀ഊ   Gwyn
਀ഊ"Haraldr Bassi (Ansteorra lists)" <ansteorra at haraldr.drakkar.org> wrote:
਀   夀漀甀 搀漀渀✀琀 洀攀渀琀椀漀渀 琀栀攀 猀琀礀氀攀 漀昀 眀攀愀瘀椀渀最⸀ 䤀昀 椀琀 椀猀 琀愀戀氀攀琀 眀漀瘀攀渀Ⰰ 礀漀甀 挀愀渀ഊuse a technique of dropping cards every few turns, weaving normally.
਀吀栀椀猀 挀爀攀愀琀攀猀 愀 渀愀爀爀漀眀椀渀最 琀愀瀀攀爀攀搀 琀漀渀最甀攀 愀琀 琀栀攀 攀渀搀 漀昀 琀栀攀 戀攀氀琀⸀ഊDepending on the style of the threading would determine where in the
਀瀀愀挀欀 漀昀 挀愀爀搀猀 礀漀甀 眀漀甀氀搀 戀攀 搀爀漀瀀瀀椀渀最 琀栀攀 挀愀爀搀猀 漀甀琀⸀ 夀漀甀 眀漀甀氀搀 眀愀渀琀 琀漀ഊeither cut the ends of the warp at the fell or bring them out and back
਀愀挀爀漀猀猀 愀猀 琀栀攀 眀攀昀琀 搀甀爀椀渀最 琀栀攀 琀愀瀀攀爀椀渀最⸀ 䤀 搀漀渀✀琀 欀渀漀眀 琀栀攀爀攀 椀猀 愀渀礀 漀渀攀ഊtrue way to finish a belt, however cutting things as you go doesn't
਀氀攀愀瘀攀 礀漀甀 洀甀挀栀 爀漀漀洀 琀漀 挀栀愀渀最攀 礀漀甀爀 洀椀渀搀 猀栀漀甀氀搀 礀漀甀 渀漀琀 氀椀欀攀 琀栀攀 爀攀猀甀氀琀猀Ⰰഊplease think it through before cutting things.
਀ഊIn contrast you can always end the weaving, cut it, hem stitch it to
਀栀漀氀搀 琀栀攀 攀渀搀猀 琀漀最攀琀栀攀爀 愀渀搀 甀猀攀 愀 洀攀琀愀氀 戀攀氀琀 攀渀搀 琀漀 瀀爀漀琀攀挀琀 琀栀攀 挀甀琀 攀渀搀⸀ഊ
਀䤀昀 椀琀✀猀 愀 昀氀愀琀 眀攀愀瘀椀渀最 渀愀爀爀漀眀 眀漀爀欀 瀀爀漀樀攀挀琀Ⰰ 氀椀欀攀 洀漀搀攀爀渀 椀渀欀氀攀 眀攀愀瘀椀渀最 漀爀ഊsome other form of rigid heddle style weaving, you could use a similar
਀琀愀瀀攀爀 戀甀琀 眀漀甀氀搀 眀愀渀琀 琀漀 椀渀挀漀爀瀀漀爀愀琀攀 琀栀攀 攀搀最攀 眀愀爀瀀猀 愀猀 琀栀攀 眀攀昀琀猀 漀昀 琀栀攀ഊtaper, bringing them in from both sides simultaneously, trimming them
਀挀愀渀 眀愀椀琀 甀渀琀椀氀 愀昀琀攀爀 礀漀甀 愀爀攀 搀漀渀攀 眀椀琀栀 琀栀攀 琀愀瀀攀爀 戀甀琀 渀漀 猀漀漀渀攀爀 琀栀愀渀ഊafter they have passed through at least one to three weft throws.
਀ഊThe taper thing can be practiced on scrap warp before you do it for real
਀愀琀 琀栀攀 攀渀搀 漀昀 愀 氀漀渀最 戀攀氀琀 瀀爀漀樀攀挀琀 㨀⤀ഊ
਀䠀愀爀愀氀搀爀 䈀愀猀猀椀Ⰰ 䈀樀漀爀渀猀戀漀爀最 ⠀昀漀爀洀攀爀氀礀 䘀爀漀猀琀攀搀 䠀椀氀氀猀Ⰰ 䔀愀猀琀⤀ഊ
਀䜀眀礀渀愀昀眀礀 匀椀渀挀氀愀椀爀攀 眀爀漀琀攀㨀ഊ> I know that we all have many great ideas. I need a few... I am  
਀㸀 氀漀漀欀椀渀最 昀漀爀 猀漀洀攀 搀椀昀昀攀爀攀渀琀 眀愀礀猀 漀昀 昀椀渀椀猀栀椀渀最 愀 眀漀瘀攀渀 戀攀氀琀⸀ 䤀 栀愀瘀攀  ഊ> done the knots, the wrapping and the "net makers" design. I would  
਀㸀 氀椀欀攀 琀漀 琀爀礀 猀漀洀攀琀栀椀渀最 渀攀眀⸀ 䐀漀 礀漀甀 栀愀瘀攀 愀渀礀 椀搀攀愀猀㼀ഊ>
਀㸀 䜀眀礀渀愀昀眀礀ഊ
਀ഊFrom: betsy <betsy at softwareinnovation.com>
਀䐀愀琀攀㨀 䴀愀爀挀栀 ㈀㘀Ⰰ ㈀　　㤀 ㌀㨀㄀㄀㨀㄀㌀ 倀䴀 䌀䐀吀ഊTo: "'Kingdom of Ansteorra - SCA, Inc.'" <ansteorra at lists.ansteorra.org>
਀匀甀戀樀攀挀琀㨀 刀攀㨀 嬀䄀渀猀琀攀漀爀爀愀崀 䌀愀爀搀 圀攀愀瘀椀渀最ഊ
਀䘀椀漀渀愀 琀栀攀 一攀攀搀氀攀眀漀爀欀攀爀 眀爀漀琀攀㨀ഊ<<< Can anyone point me to someone or a website that can easily show me  
਀栀漀眀 琀漀 猀攀琀 甀瀀 瀀愀琀琀攀爀渀猀⼀挀爀攀愀琀攀 琀栀攀洀Ⰰ 愀渀搀 猀攀琀 甀瀀 洀礀 氀漀漀洀 昀漀爀 搀漀椀渀最 挀愀爀搀  ഊweaving? >>>
਀ഊBest site I've seen:
਀栀琀琀瀀㨀⼀⼀眀眀眀⸀最甀渀琀爀愀洀⸀挀漀⸀稀愀⼀琀愀戀氀攀琀眀攀愀瘀椀渀最⼀ഊ
਀洀愀渀礀 瀀愀琀琀攀爀渀猀 愀渀搀 猀愀洀瀀氀攀猀℀ 䠀攀 愀氀猀漀 栀愀搀 ⠀洀愀礀 猀琀椀氀氀 ⴀ搀椀搀 渀漀琀 爀攀瘀椀攀眀ഊextensively) a downloadable program for designing new patterns. (GTT)
਀䠀漀瀀攀 琀栀椀猀 栀攀氀瀀猀Ⰰ 倀礀爀漀ഊ
਀ഊFrom: Haraldr Bassi <ansteorra at haraldr.drakkar.org>
਀䐀愀琀攀㨀 䴀愀爀挀栀 ㈀㘀Ⰰ ㈀　　㤀 ㄀㄀㨀㄀㌀㨀㐀㔀 倀䴀 䌀䐀吀ഊTo: "Kingdom of Ansteorra - SCA, Inc." <ansteorra at lists.ansteorra.org>
਀匀甀戀樀攀挀琀㨀 刀攀㨀 嬀䄀渀猀琀攀漀爀爀愀崀 䌀愀爀搀 圀攀愀瘀椀渀最ഊ
਀圀栀愀琀 琀礀瀀攀猀 漀昀 瀀愀琀琀攀爀渀猀 愀爀攀 礀漀甀 氀漀漀欀椀渀最 昀漀爀㼀ഊ
਀圀栀愀琀 䤀 渀漀爀洀愀氀氀礀 甀猀攀 昀漀爀 戀攀最椀渀渀椀渀最 眀攀愀瘀椀渀最 氀攀猀猀漀渀猀 椀猀 琀漀 栀愀瘀攀 瀀攀漀瀀氀攀 洀愀欀攀 愀 琀眀漀 挀漀氀漀爀 眀愀爀瀀⸀ 夀漀甀 眀漀甀氀搀 搀漀 琀栀愀琀 眀椀琀栀 ㈀ 猀瀀漀漀氀猀 漀昀 琀栀爀攀愀搀 漀昀 琀眀漀 挀漀氀漀爀猀⸀ 吀愀欀攀 愀氀氀 漀昀 礀漀甀爀 挀愀爀搀猀 愀猀 愀 猀椀渀最氀攀 瀀愀挀欀Ⰰ 瀀甀氀氀 漀渀攀 琀栀爀攀愀搀 漀昀 攀愀挀栀 挀漀氀漀爀 琀栀爀漀甀最栀 愀 栀漀氀攀 眀椀琀栀 琀栀攀 挀漀氀漀爀 瀀愀椀爀猀 渀攀砀琀 琀漀 攀愀挀栀 漀琀栀攀爀⸀ 一漀眀 琀栀愀琀 礀漀甀 栀愀瘀攀 琀栀攀 昀漀甀爀 琀栀爀攀愀搀猀Ⰰ 琀椀攀 愀 欀渀漀琀 椀渀 琀栀攀 攀渀搀 漀昀 琀栀攀 昀漀甀爀 琀栀爀攀愀搀猀 愀渀搀 琀栀攀渀 愀琀琀愀挀栀 琀栀愀琀 琀漀 礀漀甀爀 氀漀漀洀⸀ 吀栀攀渀Ⰰ 猀椀洀瀀氀礀 眀椀渀搀 礀漀甀爀 眀愀爀瀀 愀爀漀甀渀搀 礀漀甀爀 氀漀漀洀Ⰰ 搀爀漀瀀瀀椀渀最 漀昀昀 愀 挀愀爀搀 椀渀 琀栀攀 猀愀洀攀 氀漀挀愀琀椀漀渀 愀猀 礀漀甀 眀椀渀搀⸀ 䤀 愀猀猀甀洀攀 礀漀甀 愀爀攀 甀猀椀渀最 攀椀琀栀攀爀 愀渀 甀瀀爀椀最栀琀 氀漀漀洀 漀爀 愀 洀漀搀攀爀渀 椀渀欀氀攀 氀漀漀洀⸀ 䔀愀挀栀 琀椀洀攀 礀漀甀 瀀愀猀猀 琀栀爀漀甀最栀 眀栀攀爀攀 礀漀甀 搀爀漀瀀瀀攀搀 琀栀攀 昀椀爀猀琀 挀愀爀搀Ⰰ 搀爀漀瀀 愀渀漀琀栀攀爀⸀ 圀栀攀渀 礀漀甀 甀猀攀 甀瀀 愀氀氀 漀昀 琀栀攀 挀愀爀搀猀Ⰰ 琀椀攀 琀漀 琀眀漀 攀渀搀猀 漀昀 琀栀攀 眀愀爀瀀 琀漀 攀愀挀栀 漀琀栀攀爀⸀ഊ
਀一漀眀 琀栀愀琀 礀漀甀 栀愀瘀攀 愀 昀漀甀爀 挀漀氀漀爀 挀漀渀琀椀渀甀漀甀猀 眀愀爀瀀Ⰰ 礀漀甀爀 挀栀漀椀挀攀猀 漀昀 眀栀愀琀 琀漀 眀攀愀瘀攀 愀爀攀 攀渀搀氀攀猀猀⸀ 吀栀攀 猀椀洀瀀氀攀猀琀 戀愀猀椀挀 眀攀愀瘀攀 眀漀甀氀搀 戀攀 琀漀 椀渀椀琀椀愀氀氀礀 琀甀爀渀 猀甀挀挀攀猀猀椀瘀攀 挀愀爀搀猀 猀漀 琀栀愀琀 琀栀攀 挀漀氀漀爀 瀀愀琀琀攀爀渀 愀搀瘀愀渀挀攀猀 愀爀漀甀渀搀 琀栀攀 昀漀甀爀 栀漀氀攀猀 漀昀 琀栀攀 挀愀爀搀猀⸀ 匀瀀氀椀琀 礀漀甀爀 眀愀爀瀀 椀渀 栀愀氀昀 愀渀搀 栀愀瘀攀 琀栀攀 氀攀昀琀 栀愀氀昀 琀栀爀攀愀搀攀搀 椀渀 漀渀攀 搀椀爀攀挀琀椀漀渀 愀渀搀 琀栀攀 爀椀最栀琀 栀愀渀搀 猀椀搀攀 琀栀爀攀愀搀攀搀 琀栀攀 漀琀栀攀爀 搀椀爀攀挀琀椀漀渀⸀ഊ
਀夀漀甀 猀栀漀甀氀搀 攀渀搀 甀瀀 眀椀琀栀 愀 眀愀爀瀀 琀栀愀琀 眀椀氀氀 洀愀欀攀 挀栀攀瘀爀漀渀猀⸀ 䤀昀 琀栀攀 愀渀最氀攀猀 搀漀渀✀琀 洀愀琀挀栀Ⰰ 氀漀漀欀 甀渀搀攀爀 琀栀攀 眀攀愀瘀椀渀最 愀渀搀 礀漀甀 猀栀漀甀氀搀 猀攀攀 琀栀攀 愀渀最氀攀 氀椀渀攀猀 瀀爀漀瀀攀爀氀礀⸀ 䤀昀 琀栀愀琀 栀愀瀀瀀攀渀猀Ⰰ 礀漀甀 挀愀渀 猀眀愀瀀 琀栀攀 琀栀爀攀愀搀椀渀最 搀椀爀攀挀琀椀漀渀 漀昀 琀栀攀 琀眀漀 栀愀氀瘀攀猀⸀ഊ
਀䄀渀漀琀栀攀爀 猀琀礀氀攀 礀漀甀 挀愀渀 甀猀攀 眀椀琀栀 愀 琀眀漀 挀漀氀漀爀 猀椀渀最氀攀 瀀愀挀欀 眀愀爀瀀 椀猀 琀栀攀 搀漀甀戀氀攀 昀愀挀攀搀 搀漀甀戀氀攀 琀甀爀渀⸀ 吀栀椀猀 琀攀挀栀渀椀焀甀攀 甀猀攀猀 愀氀氀 琀栀攀 挀愀爀搀猀 氀椀渀攀搀 甀瀀 眀椀琀栀 琀栀攀 猀愀洀攀 挀漀氀漀爀猀 愀爀漀甀渀搀 琀栀攀 昀漀甀爀 挀漀爀渀攀爀猀 椀渀 攀瘀攀爀礀 挀愀爀搀⸀ഊ
਀吀栀攀 戀愀猀攀 甀渀搀攀爀猀琀愀渀搀椀渀最猀 漀昀 愀氀氀 琀攀挀栀渀椀焀甀攀猀 椀猀 琀栀愀琀 眀栀愀琀攀瘀攀爀 挀漀氀漀爀 瀀愀猀猀攀猀 漀瘀攀爀 琀栀攀 琀漀瀀 椀猀 眀栀愀琀 眀椀氀氀 愀瀀瀀攀愀爀 愀琀 琀栀攀 挀氀漀琀栀 氀椀渀攀⸀ 䘀漀爀 愀 搀漀甀戀氀攀 昀愀挀攀搀 搀漀甀戀氀攀 琀甀爀渀 礀漀甀 眀漀甀氀搀 猀琀愀爀琀 眀椀琀栀 琀栀攀 琀眀漀 挀漀氀漀爀猀 椀渀 琀栀攀 瘀攀爀琀椀挀愀氀 瀀漀猀椀琀椀漀渀⸀ 䈀礀 琀愀欀椀渀最 琀眀漀 琀甀爀渀猀 昀漀爀眀愀爀搀 愀渀搀 琀眀漀 琀甀爀渀猀 戀愀挀欀眀愀爀搀 礀漀甀 眀椀氀氀 栀愀瘀攀 琀栀攀 挀漀氀漀爀 琀栀愀琀 猀琀愀爀琀攀搀 挀氀漀猀攀猀琀 琀漀 礀漀甀 漀渀 琀漀瀀 愀渀搀 琀栀攀 漀琀栀攀爀 挀漀氀漀爀 漀渀 琀栀攀 戀漀琀琀漀洀⸀ 䈀礀 挀漀渀琀椀渀甀椀渀最 猀漀洀攀 挀愀爀搀猀 昀漀爀眀愀爀搀 眀栀攀渀 琀栀攀 爀攀猀琀 琀甀爀渀 戀愀挀欀眀愀爀搀猀 礀漀甀 眀椀氀氀 戀爀椀渀最 琀栀攀 漀琀栀攀爀 挀漀氀漀爀 甀瀀 琀漀 琀栀攀 猀甀爀昀愀挀攀 昀漀爀 琀栀愀琀 瀀漀猀椀琀椀漀渀⸀ 吀栀椀猀 眀椀氀氀 愀氀氀漀眀 礀漀甀 琀漀 甀猀攀 琀栀攀 挀漀氀漀爀 挀栀愀渀最攀猀 琀漀 洀愀欀攀 氀攀琀琀攀爀猀 漀爀 愀渀椀洀愀氀 漀爀 愀戀猀琀爀愀挀琀 搀攀猀椀最渀猀⸀ 夀漀甀 挀愀渀 瀀氀漀琀 琀栀椀渀最猀 漀甀琀 漀渀 最爀愀瀀栀 瀀愀瀀攀爀 漀爀 樀甀猀琀 眀椀渀最 椀琀⸀ഊ
਀吀栀攀 昀椀渀愀氀 琀攀挀栀渀椀焀甀攀 昀漀爀 琀眀漀 挀漀氀漀爀 眀愀爀瀀 椀猀 愀 洀甀挀栀 洀漀爀攀 愀搀瘀愀渀挀攀搀 琀攀挀栀渀椀焀甀攀 挀愀氀氀攀搀 ㌀ⴀ㄀ 戀爀漀欀攀渀 琀眀椀氀氀⸀ 䤀✀搀 瀀爀攀昀攀爀 琀漀 眀漀爀欀 眀椀琀栀 瀀攀漀瀀氀攀 搀椀爀攀挀琀氀礀Ⰰ 愀昀琀攀爀 琀栀攀礀 栀愀瘀攀 眀漀爀欀攀搀 猀漀洀攀 漀昀 琀栀攀 氀攀猀猀 挀漀洀瀀氀椀挀愀琀攀搀 琀攀挀栀渀椀焀甀攀猀⸀ഊ
਀䄀猀 昀漀爀 眀攀戀猀椀琀攀猀Ⰰ 最漀漀最氀攀 眀椀氀氀 戀爀椀渀最 甀瀀 洀愀渀礀 瘀攀爀礀 最漀漀搀 焀甀愀氀椀琀礀 瀀愀最攀猀 昀漀爀 猀攀愀爀挀栀攀猀 漀昀 ∀琀愀戀氀攀琀 眀攀愀瘀椀渀最∀ 漀爀 ∀挀愀爀搀 眀攀愀瘀椀渀最∀⸀ഊ
਀䠀愀爀愀氀搀爀ഊ
਀ഊFrom: L T <ldeerslayer at yahoo.com>
਀䐀愀琀攀㨀 䴀愀爀挀栀 ㈀㜀Ⰰ ㈀　　㤀 ㌀㨀㌀㄀㨀　㌀ 倀䴀 䌀䐀吀ഊTo: " Inc.Kingdom of Ansteorra - SCA" <ansteorra at lists.ansteorra.org>
਀匀甀戀樀攀挀琀㨀 刀攀㨀 嬀䄀渀猀琀攀漀爀爀愀崀 䌀愀爀搀 圀攀愀瘀椀渀最ഊ
਀䄀氀猀漀⸀⸀⸀ 琀栀攀爀攀 椀猀 愀 最漀漀搀 氀椀猀琀⸀⸀⸀⸀  匀䌀䄀ⴀ䌀愀爀搀ⴀ圀攀愀瘀椀渀最 愀琀 礀愀栀漀漀最爀漀甀瀀猀⸀挀漀洀ഊ 
਀䤀 眀漀甀氀搀 猀甀最最攀猀琀 爀攀瘀椀攀眀椀渀最 琀栀攀 愀爀挀栀椀瘀攀猀 愀渀搀 氀椀渀欀猀 戀攀昀漀爀攀 愀猀欀椀渀最 焀甀攀猀琀椀漀渀猀⸀⸀⸀ഊ 
਀匀攀瘀攀爀愀氀 漀昀 琀栀攀 漀眀渀攀爀猀 漀昀 琀栀攀 戀攀猀琀 琀愀戀氀攀琀⼀挀愀爀搀 眀攀愀瘀椀渀最 猀椀琀攀猀⼀戀漀漀欀猀 愀爀攀 漀渀 琀栀椀猀 氀椀猀琀 愀猀 眀攀氀氀 愀猀 猀漀洀攀 愀洀愀稀椀渀最 渀漀渀ⴀ瀀甀戀氀椀猀栀攀搀 爀攀猀攀愀爀挀栀攀爀猀 愀渀搀 爀愀渀欀 渀攀眀戀椀攀猀 㬀⤀ഊ 
਀䰀漀爀爀愀椀渀攀 䐀攀攀爀匀氀愀礀攀爀ഊ
਀㰀琀栀攀 攀渀搀㸀ഊEdited by Mark S. Harris	card-weaving-msg	Page 32 of 32
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