woad-msg - 1/30/08
The history of woad. Using woad to dye plants, animals and humans. Making dyes from woad.
NOTE: See also these files: dyeing-msg, tattoos-msg, Picts-msg, urine-uses-msg, mordants-msg, dye-list-art.
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Stefan at florilegium.org
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From: Chaz Butler
Re: Woad
Date: 25 Apr 91
Woad, the real stuff.
You should be able to get woad from almost any good herbal supply house; however, please remember that it is a PERMANENT STAIN. It does NOT wash off with soap and water but only through wear. If you want to PAINT A PICT that is fine, but remember only to paint those areas that will not show beyond mundane street clothes unless you work in a non-9 to 5 job.
* Origin: Aronson Consulting: TIDMADT 703-370-7054, voice x6508 (1:109/120)
From: winifred at trillium.soe.umich.EDU (Lee Katman)
Newsgroups: rec.org.sca
Subject: woad from seed to dye
Date: 14 Mar 1993 23:02:17 -0500
There is a book by Jamieson Hurry called Woad Plant and its Dye.
I have not read it, but it was recommended to me. Here's a quote
of a review:
"scholarly and fascinating study of the woad plant. chapters include
cultivation, manufacture of woad, the woad mill, the woad vat,
extraction of Indican from woad and more. 238 pages, illustrations."
2 years ago, it was $42.50 (US) from Creek Water Wool Works
PO Box 716, Salem Oregon, 97308, (503) 585-3302. No doubt you
can get it from a bookshop that special orders.
These folks also have a nice selection of other books on dyeing and
spinning and weaving. Their catalogue is $4.00.
Winifred
Newsgroups: rec.org.sca
Subject: Re: Cooking fires
From: bloodthorn at sloth.equinox.gen.nz (Jennifer Geard)
Date: Sun, 21 Mar 93 03:35:35 GMT
Organization: Lethargy Inc.
Fiacha wrote:
> Cooking sites are well known in Irish archeology. They consist of the
> firepit, a collection of fired stones, a cooking pit and access to water.
> The assumption is that the cooking pit was filled with water and the
> stones were heated in the fire. The hot stones were then placed in the
> cooking pit until the water was boiling. At this point the food was
> placed in the boiling water and more stones were added as necessary to
> keep the water boiling until the food was cooked.
This technique was also used in woad dyeing to keep the vessel warm enough
for fermentation but not so hot that it boiled. Interesting overlaps, but
what advantages did it have for cooking? Hmmm... I visited one of my
survivalist friends last month who told me how to use this technique to boil
water held in an animal skin when you didn't have a metal kettle, but if they
were putting the stones into a metal vessel it seems a bit unecessary. Any
ideas why the technique was used?
Thank you for the information.
Pagan
________________________________________________________________________
Jennifer Geard bloodthorn at sloth.equinox.gen.nz
Christchurch, New Zealand
From: meg at tinhat.stonemarche.org (meg)
Newsgroups: rec.org.sca
Subject: re:Woad
Date: Fri, 11 Mar 94 10:50:14 EST
Organization: Stonemarche Network Co-op
from Megan to all who sing the blues:
A good sourcebook for woad recipes is The Dyer's Companion, by Elijah
Bemiss, Dover books, ISBN 0-486-20601-6. Although it is OOP (1815) it
contains good workable recipes that have stood the test of time. The
field vat for woad has been reproduced sucessfully at Pennsic...if enough
people have an interest in it we can do it again this year. Let me know
in advance so I can bring my dye pot. We will need volunteers to sit it
and monitor the temperature for at least 2 days, around the clock. Ah,
those midnight woad revels..."is it soup yet, Mom?" "Wake up Gwennis,
time to stir the woad!" "Ah, excuse me, but I just happened to be passing
by...can you tell me what you are cooking in there? It smells like piss."
"It is."
Oh yes..the Order of the Blue Chemise.("Opps! Splashed some there. Oh
well, I'll just throw the whole chemise in the vat. I wonder, are blue
chemises period?" "For dyers, possibly" "Well, only the clumsy ones".
Woad is me.
Megan
==
In 1994: Linda Anfuso
In the Current Middle Ages: Megan ni Laine de Belle Rive
In the SCA, Inc: sustaining member # 33644
From: meg at tinhat.stonemarche.org (meg)
Newsgroups: rec.org.sca
Subject: Re: Looking for Woad in all the wrong places...
Date: Wed, 04 May 94 00:01:26 EDT
Organization: Stonemarche Network Co-op
slv3m at cc.usu.edu writes:
> In article <2pjsf9$pcf at pdq.coe.montana.edu>, michelle at xph029.oscs.montana.edu
> >
> > I've just been checking all my files, and noticed that my address for
> > get woad (Or the makings therof, the nonhallucinogenic kind as I don't wann
> > the Feds) got nuked along with some other mail of mine. I was hoping someo
> > Rialto would know where I can get some? (Preferably close to home, home bei
> > MT. But I'm willing to do mail order) Phah...just the time of year I actua
> > running around with blue spirals and not much else, I can't get the stuff!!
> > *Insert me bonking my head on the keyboard and cursing my stupidity...bonk!
> >
> > Magdalena Vladimirovna Krasnov, MoAS of the Shire of Silverkeep.
> > ("Whaddayamean, I'm MoAS? My butt isn't THAT big, is it? )
>
> Magdalena,
>
> I live in Utah. The place is inundated with Dyer's wode that was first
> brought over by the mornon settlers. I have no idea if this is the right
> kind, but can find out the genus and species name for you if this will help.
> This is the raw plant however, not the refined dye.
>
> In service,
> Gillian de Raveley
> Shire of Cote du Ciel
> Artemisia, Atenvelt
Megan the Woad monger here.
If you want to process your indiginous woad (gosh, what a great pun!) I
would refer you to The Dyer's Handbook, by Elijah Bemiss, from Dover
Books.
If you want to purchase some already processed woad, I import the real
thing from Scotland, and can sell it to you by mail. $ 4.00 per half
ounce, which when ground to a fine powder and mixed with rubbing alcohol
makes a fine body paint,NON HALLUCINIGENIC. One half ounce can do one
large person twice or two medium people once. I have been selling it for
over 10 years at Pennsic, with no complaints.
You can also use it for dyeing. :-)
Megan
==
In 1994: Linda Anfuso
In the Current Middle Ages: Megan ni Laine de Belle Rive
In the SCA, Inc: sustaining member # 33644
From: gwennis at infinet.com (Gwennis Mooncat)
Newsgroups: rec.org.sca
Subject: Re: Oh woad is me....
Date: 5 Nov 1994 03:19:26 GMT
Organization: dyes are us
Peter Rose (WISH at uriacc.uri.EDU) wrote:
: Since you've brought it up, what *IS* the process necesary to
: get dye from woad?
to begin with, only first year plants produce indigotin. the second year, it
all goes into producing flowers/seeds.
you collect the leaves from around the base of the plant. stuff them into a
jar. pack it in. pour boiling water over them. cover. leave about 45
minutes. carefully pour off the liquid [which should be brownish] squeeze
out the leaves and dispose of them.
after that, you need to pour the liquid back and forth between two jars or
whatever to develop the indigo. then you will need to process the bath as
for regular indigo, i.e., a fermentation process or a chemical tank. [stale
urine or sodium hydroxide and lye]
this is a complex process, and i would heartliy suggest to anyone
considering it to read up. there are several books on the market that have
the info. i would start with rita buchanan, "a weaver's garden". there is
also a booklet put out byt the brooklyn botanical gardens that has an
article by rita with useful info in it. only a few years old, but i don't
have it handy right nonw [i loaned it out]. also, look for j.n. liles, "the
art and craft of natural dyeing".
using woad and indigo is somewhat smellier and messier than other dyestuffs.
i recommend doing it outdoors.
gwennis
************************************************************************
mistress gwynydd ni gelligaer, ol, called gwennis
tarkhanum, khanate basking lizard, great darke horde
shire of tirnewydd, barony middle marches, midrealm, aka columbus, oh
member #34497, society for creative anachronism .sigfile v. 1.03
email: gwennis at infinet.com since the info was requested...8-)
From: gwennis at infinet.com (Gwennis Mooncat)
Newsgroups: rec.org.sca
Subject: Re: Oh woad is me....
Date: 8 Nov 1994 07:24:27 GMT
Michael A. Chance (mchance at crl.com) wrote:
: Something that I've yet to see anyone mention here: Before planting
: any woad seeds/plants, check with your local agricultural authorities.
: In many areas of the U.S., at least, woad is illegal to grow
: intentionally, having been declared a "pernicious weed".
yes, i had forgotten this. one way to prevent potential problems is to wrap
the seed heads in cheesecloth before they develop completely. catch all the
seeds for your next crop. if they can't blow away, they can't become a
pest.
gwennis
**************************************************************************
mistress gwynydd ni gelligaer, ol, called gwennis natural dyes maven
tarkhanum, khanate basking lizard, great darke horde i have 2 cats 8)
shire of tirnewydd, barony middle marches, midrealm columbus, ohio
member #34497 society for creative anachronism usenet: rec.org.sca
email: gwennis at infinet.com wizard at sanctuary: telnet 198.30.154.3 7200
From: gwennis at infinet.com (Gwennis Mooncat)
Newsgroups: rec.org.sca
Subject: Re: a woad question
Date: 13 May 1995 04:04:34 GMT
Emily Sue Pinnell (esp at cup.portal.com) wrote:
: Greetings gardeners & craftspeople!
: Has anyone worked with fresh woad? I have some in my garden, and
: tried the directions in Rita Buchanan's _A Weaver's Garden_ to dye
: some white wool, but have only gotten a lovely grey (not what I wanted).
: Any hints, clues, even failed experiences? Is it worth devoting a large
: chunk of plant space to these woad/weeds? If I can get blue without
: having to make woad balls first...
greetings: i suspect that perhaps you were using second year plants, that
had already flowered? the strength of the plant goes into making seed, not
dye the second year. you must use first year plants only for good color.
you should be able to get good color from rita's directions. i will add that
i have done urine tanks, and they are quite slow to dye. mine took almost a
week to get good color on my wool, with repeated dippings of up to 24 hours
with a similar airing inbetween dips. and woad is less strong than
concentrated indigo that you purchase. however, i have a friend growing
plants for me this year and i hope for a good crop. if you have the space,
try it. you should be able to get several harvests from it over the season.
good luck. hope this helps. please drop me a note if you need more help,
and let me know how it turns out.
gwennis
**************************************************************************
mistress gwynydd ni gelligaer, ol, called gwennis natural dyes maven
tarkhanum, khanate basking lizard, great darke horde i have 2 cats 8)
shire of tirnewydd, barony middle marches, midrealm columbus, ohio
member #34497 society for creative anachronism usenet: rec.org.sca
email: gwennis at infinet.com
From: cav at bnr.ca (Rick Cavasin)
Newsgroups: rec.org.sca
Subject: Re: Anyone seen Braveheart yet?
Date: 26 May 1995 17:39:03 GMT
Organization: Bell-Northern Research Ltd.
sclark at blues.epas.utoronto.ca (Susan Carroll-Clark) writes:
|> Someone was running around before the field battle the last time
|> I was at Pennsic painting woad trilliums on all the Ealdormerians. I
|> had one on my hand, and can confirm a dark, indigo-coloured blue.
The pure pigment in woad will indeed be a deep, indigo blue because,
coincidentally, the 'indigo' plants (there are a number of species)
and woad contain chemically identical pigments. Indigo displaced woad
in industrial dyeing because the indigo plant contains much higher
concentrations of the pigment, and so the extraction is less labourious.
However, once you extract the pigment from the plant, there is little to
no difference between indigo and woad.
Just to be nit-picky, and show off my recently acquired knowledge of dyestuffs,
it should be noted that technically, you don't really 'dye' your skin with
woad unless you are using a strong chemical reducing agent and
are working fast, or you actually immerse yourself in a working woad
vat. This is because indigo/woad works by a reduction/oxidation process.
The blue pigment is insoluble, and must be reduced (either chemically, or
by the period fermentation process). Once the indigo blue is reduced to
indigo white, the indigo white can be dissolved in a mild alkali. The
way you dye something is to carefully (so as not to introduce oxygen) immerse
the thing you want to dye into the vat so that the dissolved indigo white
can get on it. When you pull it out and it comes into contact with the
oxygen in the air, PRESTO CHANGO, the indigo white is oxydized back to
insoluble indigo blue and it is very difficult to get off. Woad works
the same way. It's alot of trouble when done the period way, but it gave
such a nice, fast blue (and it's about the only good blue) that it was
worth it.
Something that is painted on the skin would have to be just that, a paint
or stain, where the blue indigo/woad pigment is mixed with some sort of binder
and painted on, just like any other solid pigment. (if you were truly dyeing,
the dye would be greenish or yellowish until it got on you) So theoretically,
you should be able to get any colour of blue you want, just by adding other
pigments to the binder with your woad. A painter familiar with mixing
pigments might have a better guess, but I suspect that adding a bit of
chalk should give you a pale blue. Hmmmm.....since the indigo/woad
pigment is insoluble, it seems to me that it is highly unlikely that
it would have any psycho-active or anesthetic properties. How would your
body assimilate an insoluble substance?
Cheers, Balderik/Rick (who's currently reaching new heights of ollifactory
offensiveness by combining parchment making with indigo dyeing)
From: bbrisbane at aol.com (BBrisbane)
Newsgroups: rec.org.sca
Subject: Re: Need Woad Recpe: anyone????
Date: 18 Dec 1995 20:46:26 -0500
MiLord, I can probably can help you, but I need to know what you are
going to do with the woad???
First you get some woad plants and ferment them, the color develops in an
alkaline environment which turns blue when exposed to the air. Thats the
basics, I suggest you pick up a natural dye book that covers both Indigo &
woad dyes. Turning woad into a pigment for paints is a step or two
further. If you are looking to buy ready made Woad and need recipes for
it's use, see book above.
A good book is :
'The Art and craft of Natural Dyeing
-Traditional Recipes for Modern Use'
by J.N. Liles
the University of Tennessee Press
copyright 1990
isbn 0-87049-670-0 (pbk)
Good Luck, --- Lady Phillipia cupbreaker
Principality of AEthelmearc MOAS
From: mchance at crl.com (Michael A. Chance)
Newsgroups: rec.org.sca
Subject: Re: woad
Date: 19 Jan 1996 08:09:40 -0800
Cadwaladr Mac Fionbharr asks:
>where can i get woad plants, and a recipe for woad dye?
If you're looking for woad plants to put in your garden, check your
local environmental laws first. In many places in North America, woad
is classed as a "pernicious weed" and is illegal to plant
intentionally, often with steep fines for those that do.
Mikjal Annarbjorn
--
Michael A. Chance St. Louis, Missouri, USA "At play in the fields
Work: mc307a at sw1stc.sbc.com of St. Vidicon"
Play: mchance at crl.com
From: mgallehe at nova.umuc.edu (MJG)
Newsgroups: rec.org.sca
Subject: Re: woad
Date: 22 Jan 1996 16:11:43 -0500
Organization: University of Maryland University College
please see earlier posts on the potential dangers of woad before
proceeding.....however it grows wild in many places in NA particularly
anyplace with a history of Scottish immigration...it was prized as a
dye and brought with them when they came.... dyers woad is found wild all
over VA-Wva and S.C. for this reason...
Date: Thu, 09 Oct 1997 22:19:38 -0700
From: Brett and Karen Williams <brettwi at ix.netcom.com>
To: sca-arts at raven.cc.ukans.edu
Subject: Re: Natural Dyes-- Woad (was Kamala and Fustic)
SNSpies at aol.com wrote:
> Woad and weld are both very easy to grow. Seeds are available from Richter's
> in Canada (email: orderdesk at richters.com web site: www.richters.com
> phone: 1-905-640-6677).
>
> Dyeing with them are covered well in Rita Buchanan's A Weaver's Garden
> (Interweave Press, 1987) and Jill Goodwin's A Dyer's Manual (Pelham Books,
> 1982). If you can't find these, I would be happy to send you the pertinent
> pages.
>
> Cheers. Nancy (Ingvild)
However, there's a caveat attached to the growing of woad...
Back in the last century, woad was introduced into the northern Utah
ecosystem by settlers who brought it west to use as a dyestuff. It has
since turned into a pest that is to this day busily insinuating iself
into the local flora. The plant has a looong taproot and will regenerate
itself easily from a whacked-off base just like that common lawn pest,
the dandelion. There's a prohibition in Utah and, IIRC, other western
states on distribution of woad seeds and woad cultivation-- and I've
even heard tell of small bounties for bringin' in woad dead or alive. If
you're an Artemisian, feel free to eradicate any and all local wild woad
you can find to stock that dyebath! IIRC, it takes about a pound of woad
leaves to set up a blue dyebath for four ounces of wool in summer, when
indigotin is running rampant in the plant.
Please check with your local agricultural bunch before setting woad
loose in the garden. There are certain places in the West where one can
be fined for growing woad deliberately as it will efficiently and
prolifically set seed and attempt to broadcast 'children' everywhere. If
I were personally contemplating growing woad, I'd confine the creeps to
a container and carefully keep the plants from setting seed by cutting
off any sign of flower buds and/or cover any flowers with a little bag
to keep the seeds under control.
Incidentally, there's quite a lovely set of surprising colors that can
be obtained from woad depending on the time of year and the part of the
plant used, ranging from light salmon pinks, some warm beiges and
grey-brown neutrals in addition to the classic indigo blue
ranges. There's a very interesting pair of articles in the Summer, 1997
issue of Interweave Press' Spin.Off, which has some fascinating color
pictures of both Saxon green (weld with an over-dye of woad) and a range
of woad colors. The articles don't go into a whole lot of specific
detail with respect to precise recipes-- but they do offer the following
as further information:
Buchanan, Rita. _A Dyer's Garden : From Plant to Pot Growing Dyes for
Natural Fibers_, Interweave Press, ISBN: 1883010071
Austin, Carole. "Woad: A Medieval Dye," Fiberarts 13, No. 3 (May/June
1986): 29-30
Bliss, Anne. "Getting Woaded for Winter" Interweave 2, no. 1 (Fall
1976): 22-23
Buchanan, Rita. "Grown Your Own Colors-Plant a Dye Garden," Spin.Off XI,
no. 1 (Spring 1987): 35-40
Goodwin, Jill. A Dyer's Manual, ISBN: 0720713277
"True Blue," Spin.Off Quarterly Newsletter, Spetember 1982:16.
Please note that with the exception of the Rita Buchanan book,
everything else is out of print. At the risk of sounding a little
patronizing, which ain't the intent here-- as a pointer to a less
experienced researcher who might be reading this, the magazine articles
referenced above indicate a specific range of pages in the issue in
which the relevant article is located-- and observe the correlation in
author's name between the one longish magazine article and one of the
books. In this instance I personally wouldn't get hot under the ruff to
hunt down magazine articles for just one page of information, or
information that's probably duplicated elsewhere-- go for the two books
instead.
ciorstan
Date: Tue, 20 Jan 1998 15:59:13 -0600 (CST)
From: alysk at ix.netcom.com (Elise Fleming)
Subject: SC - Woad in Food
Greetings! Adamantius wrote:
>I'm not aware of woad being used in food. More likely tournesole, I'd
>say.
Actually, I believe it was. There is a reference to "ynde wawdeas" in
_Curye on Inglisch_ that when it is mixed with saffron and egg white it
will produce green; the more saffron, the lighter the green) My guess
is that this is "indigo wode." If memory serves (I'm not runnig off to
the book!) it was used to color a boiled sugar syrup for making "sugar
plate" or else for coloring sugar candy. I can provide the specific
recipe number if anyone really wants it.
Alys Katharine
Date: Tue, 20 Jan 1998 21:08:53 -0500
From: gar at eznet.net
Subject: Re: SC - Re: woad OT
Woad
Woad comes from Isatis tinctoria - an herbaceous plant
The primary use was as a blue dye. It was a popular dye until around
the 1630's when indigo began to be used.
The fermentation of woad gives of a very strong and foul smell.
As to Celtic use, they used woad, painted their bodies with woad, the
blue color was for effect in battle, the smell was also used to impress
the enemy. The Celtic use of woad is reported to be a mixture of many
ingredients which is mostly lost to time, however it was noted that some
hallucenogenic herbs were mixed into the woad blend which gave the
warriors an "edge". In addition, woad is a very strong astringent so
that they had an advantage in that cuts and wounds would not bleed for
very long. As an herb it also lowers fever and reduces inflammation.
So, all in all, being painted with woad before heading for battle had a
lot of benfits.
PaleoBot
Date: Thu, 22 Jan 1998 16:18:18 -0800
From: Irissa Mitchell <IrissaM at stlabs.com>
Subject: SC - RE: woad OT
I just found out from our local State Master Gardener that yes, woad is
edible. It tastes like the outer leaves of broccoli, very bitter.
However, it cannot be used to make food blue though. The process that
makes the blue dye causes it to become toxic. Also some states classify
woad as a noxious weed (hence - illegal to grow it.)
Irissa
Subject: WOAD Question
Date: Sat, 31 Jan 1998 10:21:20 -0500
From: Betty & David Eyer <Betty_and_David at compuserve.com>
To: Merry Rose <atlantia at atlantia.sca.org>
I am replying to the lady who was inquiring about growing woad. I
apologize, but I inadvertantly deleted the post from my pc and cannot
remember her name.
I planted woad last spring and it is doing well in my garden as we speak.
I tested it for dye last summer, and got a pleasant, but somewhat light
blue on wool and silk. I have posted to various fibercraft lists and found
my results to be fairly normal - it takes a LOT (10-12 full size plants?)
to get a deep blue on a pound of wool, and extracting it from a new plant
is not as easy as using purchased indigo.
It is good to start it fairly early in the spring or start it in the fall
and let it over winter. The latter is the method that it uses to self seed
and if the plant has a chance to get established, then it will do well over
the winter. It likes a rich, loose soil and it will exhaust any plot it is
put in after a few seasons. I put mine in a small elevated bed full of
composted soil and lots of mulch. That plot tends to stay rather damp, but
the woad doesnt seem to mind.
When it is very small, it looks like almost every other weed in your
garden, so I recommend that you start it indoors and move it to a well
weeded garden once it is large enough to recognize. It is slow to get
going. I planted mine in late March and in May, I thought it had been a
failure and started weeding the plot. When I noticed my gloves turning
blue-green, I decided that I was making a terrible mistake and stopped.
It sort of like a loose cabbage, with big, elongated leaves, somewhat
thicker on the ends than close to the root. It will get to be larger than
a dinner plate before it seeds. It seeds by sending up tall stalks with
little pods.
The plant is most potent in mid summer, but will give color throughout the
warm months. It is a biennial and self seeds on its second season.
CAUTION: it is a very prolific self seeder and is considered a noxious
weed! If left to itself, once established, it will TAKE OVER! When the
seeds begin to develop, wrap them in cheese cloth or similar and remove
them for later use once they are fully developed. Do not let them drop in
your garden or blow about your yard. 6 woad plants in full seed will
supply you and all of your friends with plenty of plants. I got my seeds
in the mail from an electronic friend on a fibercraft forum. It is illegal
to sell the seeds commercially in some states and I have never seen the
seeds for sale. I have a very few seeds, but should have plenty next fall.
There is a good description of using fresh indigo in the book 'A Weaver's
Garden' by Rita Buchanan. Her methods work very well for woad. She also
discusses woad's cultivation and a brief history. Although I have not
done enough experimentation to speak with real authority, I believe that a
fermentation vat will work better at getting the most out of woad than a
quick, chemical vat. I left some sample pieces in the mash left over from
my test and put it out on the patio for two months. I got better color
>from that sample than from the chemical vat.
I have never used fresh woad for er....ah.... ceremonial reasons. However,
crushing a fresh leaf in mid summer and rubbing it vigorously on the pulse
area of your wrist will convince you that its alleged mental effects are
not mythical.
Magdalena de Hazebrouck
From: cav at storm.ca (Rick Cavasin)
Newsgroups: rec.org.sca
Subject: Re: the making of Wode
Date: 18 Mar 1998 18:54:08 GMT
Organization: Handmade Parchment and Vellum
Mark Cantwell <cantwel at goodnet.com> writes:
|> Hmm, I'd have to suggest that you use theatrical greasepaint if you want
|> to wear blue battle marks. Woad is a transparent plant dye that is
|> semi-permanent (like black walnut juice or henna) and will take days or
|> weeks to come out of your skin.
This is true, except that woad/indigo is a 'vat dye'. The dyestuff, 'indigo
blue' is not soluble until it is chemically reduced to 'indigo white', which
is soluble in alkaline solutions. In period, this was typically achieved
using a vat of fermenting urine. The fermentation produced a reduction
enviroment (and the ammonia made it alkaline). You dip your textile into
the vat, and when you pull it up, the indigo white that has penetrated the
fibres oxidizes back to indigo blue and is fixed to the fibers.
Unless you reduce the woad/indigo using some form of fermentation, or using
a chemical reducing agent, it won't bind to your skin (I know, I've rubbed
powdered indigo into parchment with my bare hands and it only stained spots
where my skin had been abraded and it got into the pores).
You should be able to treat woad/indigo as an insoluble pigment. Mix it with
a binder and paint it on like any other pigment.
NB: I am not implying that I think it is a particularly period thing to do.
Cheers, Rick/Balderik
From: comac at webtv.net (Kathleen Coburn)
Newsgroups: rec.org.sca
Subject: Re: the making of Wode
Date: Mon, 23 Mar 1998 20:03:03 -0800
Check out "The Woad Page" at:
http://www.net-link.net/~rowan/woad.html
The woad plant is illegal in some places only because it is considered
to be a weed that will 'push out' native plants.
The site also gives instructions for making dye from the woad plant.
And, if not illegal in your area, places where seeds for growing the
plant can be purchased.
Lady Q
From: jen_guy at mindspring.com
Newsgroups: rec.org.sca
Subject: Re: Woad, again
Date: Thu, 23 Apr 1998 03:46:44 GMT
Morgan E. Smith wrote:
> I just got given a packet of woad seeds by a local gardener, which I'm
> going to try growing in pots on my balcony. Does anyone have any advice on
> the gardening end? Does woad require lots of sun? Since it grows well in
> Britain, should I assume that they need lots of watering? What kind of
> potting soil would suit them best? How close should they be planted?
> I'm known for my conspicuous lack of a green thumb, but I really want
> these to work...
> Morgan the Unknown
You might be interested in this site, if you haven't been there
already. They have some very step-by-step information on the subject.
The Woad Page
http://www.net-link.net/~rowan/woad.html
Hope those thumbs turn blue real soon!
Apollonia
mka
Jenny Guy
Date: Mon, 24 Aug 1998 17:46:25 -0400
From: "Gaylin Walli" <g.walli at infoengine.com>
Subject: SC - Buying (using & preparing) Woad
Micaylah asked:
>Can you tell me where I could possibly buy woad seeds. I would love to try
>growing this. Our climate is somewhat similar to Scotland so perhaps I'll
>have some luck.
Although you asked Mistress Christianna for this information, I
happen to have the following link to the Woad Page on the Web
that might help you out. It lists possible suppliers as well
as a variety of other information about the plant, including
processing instructions:
http://www.net-link.net/~rowan/woad.html
Jasmine
Date: Mon, 24 Aug 1998 15:31:17 -0700
From: "Anne-Marie Rousseau" <acrouss at gte.net>
Subject: Re: SC - Buying (using & preparing) Woad
Hey from Anne-Marie
we are asked:
>Can you tell me where I could possibly buy woad seeds. I would love to try
>growing this. Our climate is somewhat similar to Scotland so perhaps I'll
>have some luck.
In washington state, woad is a noxious weed and its against the law to
cultivate it. There's a master gardner here in the Seattle area though that
has a special dispensation and she's had some wodnerful results with it as
a dye. She says it tastes nasty though...
you can email her at avagard at halcyon.com. Her name is Leticia.
- --AM
From: Ferret <dnb105 at psu.edu>
Newsgroups: rec.org.sca
Subject: Woad isn't.... Period !
Date: Mon, 24 Aug 1998 16:43:14 -0400
In answer to the postings regarding Woad and my response, here is the
segment from my British history monograph ( available at
http://www.geocities.com/Athens/Delphi/7050 )
"Another item that separates these earlier inhabitants of Britain from
their Celtic neighbors in Gaul and Hibernia is the alleged use of body painting. Although there are many references to tattooing through out Europe, the Britons supposedly painted themselves blue. This attribute has also been ascribed to the Picts 300 years later. It is only based on Caesar's comment in Gallic Wars, "Omnes vero Se Britanni vitro inficiunt, quod caeruleum efficit colorem" (Edwards, 1917: 251) This is translated, even in current works, as "All the Brittani, indeed, dye themselves with woad, which produces a dark-blue coloring". Unfortunately this is not what Caesar says. He says " In fact, all the Britons infect themselves with glass." or "In fact, all the Britons dye themselves with glazes". Note that he does not mention woad at all, yet there is a continuous belief that woad is "the" agent used by the Britons and there is no basis for this belief. I comment on this to illustrate that even accepted works such as those of Wainwright and Henderson are suspect, especially when they transfer these alleged descriptions of the Brittons onto the Picts in Caledonia to try to explain the name Pict."
Ferret
From: hrjones at uclink.berkeley.edu (Heather Rose Jones)
Newsgroups: rec.org.sca
Subject: Re: Woad isn't.... Period !
Date: 27 Aug 1998 16:46:05 GMT
Organization: University of California, Berkeley
Having had a few minutes free in the library yesterday, I though I'd toss
out a little more data regarding the best interpretation of Caesar's
"vitrum" and "inficio".
Lewis & Short list four classical Latin authors as using "vitrum" in the
meaning "woad". One is the aforementioned Caesar, and one (Pomponius Mela
in his "De Situ Orbis" book 3, chapter 6 para. 5) has a very similar
passage to Caesar's, describing some group of people (I haven't deciphered
the whole passage and couldn't lay hands on a bilingual edition) as "vitro
corpora infecti" (i.e., bodies 'inficio' with 'vitrum').
A third author (Vitruvius Pollio in his "On Architecture", book 7 chapter
14) supplies a context that is neither ambiguous nor general in meaning:
"Item propter inopiam coloris indici cretam selinusiam aut anulariam
vitro, quot Graeci _isatin_ appellant, inficientes imitationem faciunt
indici coloris." That is, "Also, because of the scarcity of indigo they
make a dye of chalk from Selinus, or from broken beads, along with
'vitrum' which the Greeks call _isatis_, and obtain a substitute for
indigo." (The published translation but with 'vitrum' substituted for the
translator's 'woad'.) Here 'vitrum' is explicitly given as a substitute
for indigo, and as identical to Greek 'isatis' (which some may recognize
as the modern genus name of woad). Also worth noting is the use of
"inficientes" in "inficientes imitationem faciunt" which the translator
has rendered rather loosely as "[they] obtain a substitute" but more
literally becomes "they make imitation 'inficiens' (pl.)" where
"inficiens" is a noun related to the verb "inficio". The section this
passage appears in is related to the production of pigments for stucco
painting, and a wide variety of derivatives of "inficio" are used to refer
to the process of dying, staining, or painting.
The fourth author listed as using 'vitrum' for 'woad' is Pliny in his
Natural History. Unfortunately, the relevant volume wasn't on the shelf
when I was poking around, howver a passage that mentions 'isatis' in the
context of useful plants (book 20, chapter 25) is interesting for two
reasons. Several related plants are being described: "Tertium genus in
silvis nascens isatin vocant. Huius folia trita cum polenta vulneribus
prosunt. Quarto infectores lanarum utuntur." That is, "A third kind
growing in woods is called 'isatis'. Its leaves pounded up with barley are
good for wounds. A fourth kind is used by dyers of wools." That is,
"infectores" = "dyers", specifically of cloth. But note that the leaves of
'isatis' are said to be good for wounds (_not_ a processed woad dye, but a
poultice of the leaves). This may be the origin of the common folklore
about woad-based paint being antiseptic. Mind you, Pliny's got a lot of
medical advice that is pure bunk.
But put into the above context, the points to note are that we have
'vitrum' being used in a context where it is clearly equated to 'isatis'
and promoted as a substitute for indigo -- a pretty unambiguous and
specific reference to woad. And we find that one of the common and
standard uses of the verb 'inficio' and its derivatives is to refer to the
painting of surfaces and the dying of cloth.
Given this, the standard scholarly interpretation of Caesar's "'inficio'
with 'vitrum'" as "paint with woad" does not appear to clamor for any
alternate translation.
Tangwystyl verch Morgant Glasvryn
From: hrjones at uclink.berkeley.edu (Heather Rose Jones)
Newsgroups: rec.org.sca
Subject: Re: Woad isn't.... Period !
Date: 27 Aug 1998 21:06:23 GMT
Organization: University of California, Berkeley
Ferret (dnb105 at psu.edu) wrote:
: Heather Rose Jones wrote:
: > painting of surfaces and the dying of cloth.
: I have no arguement that woad/isatis (the plant) was known and used as a
: pigment in the times in question. Vitro has several meanings of which
: only one might be "woad". It seems to be similar to the modern usage of
"Vitrum" (I prefer to stick to citation forms when talking about words
abstractly) has _two_ basic meanings, not several, one of which clearly
_is_ "woad", not "might be".
: indigo as a plant, dye and color. Still to ambiguous to prove that
: Caesar's Britons painted themselves with woad. It certainly is a far cry
: from ever supporting woad Picts and certainly painted Scots is a pure
: fabrication cum hallucination :-).
Yes, but your argument appeared to be that it was erroneous to interpret
Caesar's phrase as "paint with woad" -- not that it was erroneous to claim
that medieval Scots splashed themselves with poster paints.
: > with 'vitrum'" as "paint with woad" does not appear to clamor for any
: > alternate translation.
: Only if you reject other reasonable alternatives (tatooing,
: scarification)
You have yet to demonstrate that there is a basis for believing that the
verb "inficio" can reasonably be interpreted in context as meaning "to
tattoo" or "to scarify". Given that, it isn't a matter of rejecting "other
reasonable alternatives" but rather of rejecting a reasonable alternative
for ones that have not yet been shown to be reasonable.
: Acccept that vitro has many alternative meanings and almost every single
No, I don't accept that it has "many" meanings. Please demonstrate what
meanings it had other than "glass" and "woad". (Which appear to be
unrelated homophones rather than one sense being extended to a different
usage.)
: document of the times refers to the celtic/gaulish/British cultures as
: tatooing _not_ painting. Caesar's description has at least three
: reasonable interpretations only one of which is body painting.
Which documents? I'm curious. What were the vocabulary items used? What is
the supporting evidence that those vocabulary items clearly mean "to
tattoo" or "to scarify"? You're the one who's done the research on this --
cite me something that will convince me.
Tangwystyl verch Morgant Glasvryn
From: Ferret <dnb105 at psu.edu>
Newsgroups: rec.org.sca
Subject: Re: Woad isn't.... Period !
Date: Wed, 26 Aug 1998 21:47:56 -0400
Heather Rose Jones wrote:
> "Vitrum" (I prefer to stick to citation forms when talking about words
> abstractly) has _two_ basic meanings, not several, one of which clearly
> _is_ "woad", not "might be".
Based on the two three examples you gave vitrum is easily translated as
dye _not_ woad. The plant usage is to me a forced definition.
1. Vitruvius refers to the substitute plant by its Greek name implying
that there is no Latin word for. My translation of him would be : "they
make a substitute made from Selinus chalk, broken beads and a dye from
the plant the Greeks call Isatis.
2. Pomponius is similar to Caesar's except that he claims the people in
question "do not make (infectus)" their bodies dyed. Or forcing your use
of woad, they don't dye their bodies with woad. Infectus _does not_
equate to inficio (v. dye,stain, tarnish, corrupt etc.).
3. Caesar has already been mentioned.
4. Pliny has the same problems as Vitruvius, in the passage you quote he
simply uses the greek name implying there is no Latin term for the
plant.
> Yes, but your argument appeared to be that it was erroneous to interpret
> Caesar's phrase as "paint with woad"
It is only one of several possibilities and to both ignore any other
interpretation and build a "woaded celt/Pict" upon it, is not history
but wild speculation.
> You have yet to demonstrate that there is a basis for believing that the
> verb "inficio" can reasonably be interpreted in context as meaning "to
> tattoo" or "to scarify".
Inficio cannot be interpretted as such, however the word is used in a
combination with others that can describe many things including tatooing
and scarification. I suppose if he said "the land was full of painted
ladies" you would conclude that the females were covered in Sherwin
Williams Exterior Latex :-). As it is Inficio means stain, tarnish, dye
etc. Would you argue that tatooing and ritual scarring do not stain, dye
and tarnish the body ? as well as have dark blue colouring (unless new)?
Ferret
From: Ferret <dnb105 at psu.edu>
Newsgroups: rec.org.sca
Subject: Re: Woad isn't.... Period !
Date: Thu, 27 Aug 1998 21:13:09 -0400
Lord Xbrew wrote:
> BUT! if you have documentation stating that woad was used in dyeing
> cloth...could you produce it?
Pliny refers to it by its Greek name (Isatis) as a medicinal plant,
Vitruvius also mentions it by the Greek name as part of an indigo
substitute for dyeing plaster.
Haven't seen any cites for dying fabrics yet (in period or earlier)
An ancient source in a medieval text would be a help in that the
information would have been available if not used.
Ferret
Subject: Re: Woad
Date: Wed, 16 Jun 1999 08:53:48 -0400 (EDT)
From: "H L. Falls" <hlf at holmes.acc.virginia.edu>
To: atlantia mailing list <atlantia at atlantia.sca.org>
> Poster: Betty Eyer <betty_eyer at yahoo.com>
>
> Are you looking to dye cloth, paint people, grow it, or what? I have
> done some of the above, and can point you to some references. But
> first, where did you get it?
>
> Magdalena
Milady, if you are inquiring as to a source for woad (or even if you're
not, but someone else may want to know! :) try Garden Medicinals and
Culinaries -- http://www.gardenmedicinals.com/ This is the herbal
division of Southern Exposure Seed Exchange in Earlysville, VA (near
Charlottesville), and they do list woad in their catalog.
--Landi
Date: Mon, 20 Sep 1999 01:40:28 EDT
From: <DianaFiona at aol.com>
To: sca-arts at raven.cc.ukans.edu
Subject: Re: HERB - Fwd: woad
I forwarded the queries about woad to the herb list, and a kind lady
there had this info to offer:
<< Subj: Re: HERB - Fwd: woad
Date: 09/19/1999 10:49:12 PM Eastern Daylight Time
From: earless at mail.sisna.com (Wendy Thompson)
To: DianaFiona at aol.com
I couldn't tell which address belonged to the person with the woad,
so please forward wherever appropriate.
>From Rita Buchanan's "A Dyer's Garden,":
*****
For dying, pick leaves from the first-year rosettes anytime from
midsummer until early fall. Use them immediately, following the
directions on pages 42-44. Woad leaves don't give much blue after
frost in fall, and they're useless the second year. Woad produces
the same blue pigment as indigo or Japanese indigo, but is less
concentrated (you'll need four times as much woad) and produces
dustier blues.
Woad does give a second color that is interesting and unusual. After
extracting the blue, you can use the same leaves to get shades of
pink or pinkish beige. Cover them with water, simmer for an hour,
and strain off the dyebath. Add mordanted wool, simmer for an hour,
and rinse.
*****
Now I'll summarize the directions on pp. 42-44.
You need a reducing agent, such as Spectralite (Rit color remover
also works). 32 ounces of woad will dye 2-4 ounces of fiber.
1. Pick fresh leaves and put them immediately into a clean,
heat-resistant container. A large glass jar or plastic pail will do.
2. Pour almost-boiling water over the leaves to scald them - just
enough to cover the leaves. Cover and let stand about an hour.
3. Strain off the dark, warm fluid into another pot. Wearing rubber
gloves, squeeze the fluid out of the leaves and add it to the
strained fluid. Save leaves if you want to use them for other
colors.
4. Add 1 tablespoon of baking soda or ammonia to the fluid to make
it alkaline, then pour the fluid back and forth from one container to
another. The indoxyl (precursor of indigo dye) reacts with oxygen in
the air, and the solution will change to a dark blue-green or
blue-brown. Keep pouring back and forth for a few minutes.
5. Dissolve 1 tablespoon spectralite in a jar of warm water (use
extra if the spectralite might be getting old). Pour it into the
dyebath and stir briefly. Cover container and set it in a larger
container of water just hot enough to keep the dyebath at a temp. of
100* - 120* without overheating it.
6. Meanwhile, put the yarn in hot water to soak. Yarn doesn't need
to be mordanted, but it does need to be clean.
7. After an hour or so, when the dyebath has turned yellow, add the
wet yarn, carefully lowering it down below the surface. Soak 20
minutes or more, then gently lift out of dyebath. It will turn from
yellow to blue as it interacts with oxygen in the air! Let the yarn
dry for as long as it soaked in the dyebath. You can repeat the
soaking and airing to intensify the color (or do more yarn - you will
get different shades). You can keep doing more batches until the
dyebath is exhausted, and when finished the dyebath can be poured
down the drain. Scrub stains out of pot.
There you go - there is a little more information in the book, such
as troubleshooting if it didn't work, etc. but if you follow these
instructions you should be fine. I know that this isn't a period
method - they would have taken more time and let leaves rot and then
extracted the indigo and I don't know any details on that method at
all but there are instructions around somewhere. I'm jealous that
you can grow woad - it is a noxious weed here and I can't have it in
my garden!
Wendy >>
Ldy Diana
Date: Mon, 20 Sep 1999 09:08:10 -0400
From: "Gray, Heather" <Heather at Quodata.Com>
To: "'sca-arts at raven.cc.ukans.edu'" <sca-arts at raven.cc.ukans.edu>
Subject: FW: FW: woad
From an friend offlist:
> ...woad is THE blue dye for cold climates. Woad has
> yellow flowers, but the only way I can think of to get yellow from woad is
> from an exhaust bath, and it's more of a mint green.
>
> According to Liles, the blue pigment in woad is chemically identical to that
> in indigo and can theoretically be dyed the same way. Unfortunately, woad
> is not nearly as potent as indigo, so you have to use approximately four times
> as much woad to produce the same results. However, this *was* the dye
> used in northern Europe for much of the SCA period.
>
> There are a couple of books with woad dyeing instructions. J.N. Liles's -The
> Art & Craft of Natural Dyeing- has instructions for a woad/indigo vat, and
> Rita Buchanan's -A Dyer's Garden- has instructions for a direct dyeing
> process. Both are available from Amazon.com.
>
> In this case I'd go with Buchanan simply because she describes a technique
> for basically dumping the leaves into a boiling dye pot and adding the cloth.
> I don't remember it off the top of my head, alas....
via Elwynne
Date: Tue, 21 Sep 1999 19:57:38 -0600
From: Sheron Buchele/Curtis Rowland <foxryde at verinet.com>
To: sca-arts at raven.cc.ukans.edu
Subject: Re: HERB - Fwd: woad
Nice picture! I wish I could figure out how to do that...
It looks like the woad I am growing. When we harvested it, it turned our
fingers blue for quite some time.
The leaves make a pattern called a rosette - as opposed to a stalk or
compound or whirled leaf formation.
We took a harvest earlier in the summer and the torn leaves are rotting
away nicely. We will take another harvest after the first frost - being of
the mustard family, woad should be fairly hardy to frost. I will then dig
out all but one or two of the plants and destroy them. Allowed to go to
seed the 20 some plants I have would, I have been lead to believe, take
over my garden.
good luck,
Leonora
From: kestrel42 at aol.com (Kestrel42)
Newsgroups: rec.org.sca
Subject: Re: Tidings of Woad....
Date: 05 Nov 1999 03:58:22 GMT
Here is a good webpage all about Woad. It has information on processing and
suppliers.
http://www.net-link.net/~rowan/crafts/woad/woadpage.html
Maura
From: "Mandy" <martin.mandy at ns.sympatico.ca>
Newsgroups: rec.org.sca
Subject: Re: woad/indigo
Date: Sun, 16 Jul 2000 18:02:46 GMT
> Does anyone know where I can purchase indigo or woad powder (indigotin)
for
> fabric dying? I've searched the internet up and down to no avail.
> Thank you,
> Ellice of the Misty Highlands
woad- http://www.net_link.net/~rowan/crafts/woad/woadpage.html#Sources
indego- http://www.dharmatrading.com/nd.html
indego- http://www.hillcreekfiberstudio.com/Dyes&;Mrdnts.html
indigo- http://www.user.dccnet.com/hemp/natdye.htm
indigo extract- http://www.maiwa.com/Maiwacat14.html
indigo extract- http://www.wildfiber.com/products/dyes5.html#natural
indigo sold in "cake" form-
http://www.woolery.com/fibers.html#MordantsandDyes
I hope I have the URLs written correctly. This was the best I could do on a
quick search.
Mandy
From: Eilidh na Tire Dharigh <elhewitt at ucsd.edu>
Newsgroups: rec.org.sca
Subject: Woad is Back!
Date: Wed, 25 Oct 2000 14:35:57 -0700
Organization: The Barony of Calafia
Cross-Posted from soc.history.medieval:
>From: d wilcox <dwilcox at lightage.demon.co.uk>
>Subject: Woad - It's coming soon near you!
>Date: Mon, 09 Oct 2000 19:29:10 +0100
>Newsgroups: soc.history.medieval
>Message-ID: <39E20E76.D2DF51B2 at lightage.demon.co.uk>
>
>According to the Guardian today, woad is making a comeback
>as a cash crop. It's being used - of all things - as an ink
>for ink-jet printers. Who said the Middle-Ages was dead? Did
>Braveheart die in vain?
>
>derek
Date: Fri, 30 Mar 2001 14:01:08 -0600
From: "Decker, Terry D." <TerryD at Health.State.OK.US>
Subject: RE: SC - Food dyes
This one got me wondering, so I took a few minutes to chase down a little
information.
The blue dye from indigo and woad is indigotin which is derived from the
glucoside indican. The fermentation process to extract indigotin from woad
is described at:
http://www.botgard.ucla.edu/html/botanytextbooks/economicbotany/Isatis/
A home ammonia-extraction process is described at:
http://www.net-link.net/~rowan/crafts/woad/woadpage.html#Top
The chemical structure suggests that part of the extraction process from
indican to indigotin is nitrogen-fixing, so uric acid from urine might be a
workable substitute for ammonia, in much the same manner urine is used in
primative tanning processes.
Just for fun, here's a look at a medieval woad mill:
http://www.erfurt-guide.de/se2.htm
From a few small references, it looks as though indigo began being used in
Europe toward the end of the 12th Century and gradual replaced woad.
I've found no reference to psychotropic properties.
Bear
From: "Peters, Rise J." <rise.peters at spiegelmcd.com>
To: "'sca-cooks at ansteorra.org'" <sca-cooks at ansteorra.org>
Subject: RE: [Sca-cooks] Re: Mel Gibson and indigo.
Date: Tue, 9 Oct 2001 08:51:54 -0400
I'm not sure how folks are getting woad to be permanent, unless they are
just reluctant to use soap. I paint people with woad on a fairly regular
basis, usually getting well coated with it myself in the process. It comes
off easily with soap and water, baby wipes, or even just plain water and a
tiny amount of elbow grease. If your skin is very heavily calloused and
thus porous, you can sometimes get it settled into cracks just like any
other kind of dirt (it can be hard to get out from under your fingernails,
for example) but other than that I've never had any problems.
=Cait
Subject: Re: [Bryn-gwlad] woad question...
Date: Fri, 25 Jan 2002 19:34:33
Reply-To: bryn-gwlad at ansteorra.org
To: <bryn-gwlad at ansteorra.org>
Hello Pug and Rebecca and anyone else interested,
When I lived in Michigan I had a woad patch. I found that it is _extremely easy to grow_ (once one gets seeds -- I don't have any left), so much so that it is legally deemed "a pernicious weed" and is _illegal to grow_ in a number of the lower 48 states. (Not Michigan, though. States where dairy cattle outnumber people tend to have this law, because eating woad makes the milk taste funny.) Woad dyes not only blue, but also yellow (depending on the process used). It looks a bit like wild mustard. Flowers are yellow. Seeds have a kind of gunmetal/blue sheen (look at them slantwise and you'll see it). I never got to the dyeing stage, but had plenty of friends who did. You have to let the leaves ferment (typically in little hand-rolled balls of chopped leaf bits).
It smells very bad. (I believe old urine works as a fine mordant for woad. That's another reason I didn't get to the dyeing stage. . .)
--brynhildr.
Subject: Re: [Bryn-gwlad] woad question...
Date: Fri, 25 Jan 2002 14:08:57 -0800
From: "Saar-rah Al-Sabbirah"<alsabbirah at hotmail.com>
To: <bryn-gwlad at ansteorra.org>
You can purchase woad (Isatis tinctoria) plants and seeds from a company
called Companion Plants:
https://www.frognet.net/~complants/secure/cart/ir-iz.htm#ISA10X
or
www.companionplants.com
-Saiida Saar-rah al-Sabbirah khaDraa' al-`ayn ad-Daar al-Libnee, called
Shu'la
From: Sandy Straubhaar [orchzis at hotmail.com]
Sent: Thursday, July 18, 2002 2:22 PM
To: bryn-gwlad at ansteorra.org
Subject: Re: [Bryn-gwlad] dyeing linen
Clare wrote:
>During the Elizabethan period, there were sumptuary laws prohibiting the
>planting of Woad because of the smell. Woad was used both for wool and
>linen and made a blue.
When I lived in Michigan I grew woad. It is _very_ easy to grow. It looks
quite a but like a mustard or cannola plant, with yellow flowers. The latin
name is Isatis tinctoria.
I found that it is illegal to grow woad in many states (Michigan not
included) because it is designated legally in those places as a "pernicious
weed" -- because it propagates so well and can take over whatever else
people are trying to grow. Particularly it's considered bad if it gets into
fields where dairy cows graze, because it makes their milk taste strange.
_Processing_ woad for dyeing in period ways is in fact _very_ smelly. I
never did this, but I had friends in Kalamazoo who did it a lot. They
eventually came up with a (non-period) method using Silverstone frypans
which eliminated having the fermenting balls of nasty vegetabilian matter
sitting around.
Anyway, I _think_ it might be these two reasons that are behind the
Elizabethan laws. The plants themselves are pleasant and nice-looking (my
having them in my garden never bothered anyone). (However, I met someone at
Pennsic once -- a Pennsylvanian if I recall correctly -- who had been cited
by his city for having a front yard planted in essentially nothing but
[unmowed] woad. Mine was in the back yard.)
I used to sell packets of my woad seeds through the mail all over the Known
World (I had literally buckets of the stuff!! So I advertised on the
Rialto, a decade ago or so). That's how I discovered about the legal
problems. In most of the western mountain states, for instance, woad is
illegal.
The seeds are cool. Grey when the light hits them one way, iridescent blue
(like a Morpho butterfly, only royal rather than turquoise) when the light
hits them another way. The seeds aren't used in dyeing, though, as far as I
know.
You can get yellow and green from woad too. Depends on the mordants, I
think. I never got that far with the stuff.
--brynhildr.
Date: Wed, 9 Jun 2004 21:37:01 -0700
From: "Wanda Pease" <wandap at hevanet.com>
Subject: RE: [Sca-cooks] Re: Indigo
To: "Cooks within the SCA" <sca-cooks at ansteorra.org>
> I had thought that Indigo might be of New World origin, but I guess it
> just showed up in the same time frame as a result of the European
> Voyages of Discovery opening up new areas. I'm surprised, since this
> would be one of the few dyes that could be used to create blue colored
> foods according to earlier conversations here, that indigo wasn't
> imported along with the other Asian spices such as pepper.
>
> Stefan
CIBA Review 85, 1951 " History of Indigo" CIBA is/was the giant Swiss
Chemical Company (now Ciga/Geigy who make my migraine meds) who make
dyestuffs.
"In the history of the dyeing industry indigo holds a unique place by
reason of its irresistible rise to supremacy among dyestuffs and its equally
rapid dethronement by the modern chemical colours. Though well-known to the
craftsmen of antiquity, it was so precious that it remained in rare use even
in the Middle Ages, but the discovery by Vasco da Gama (1498) of the sea
route to the East Indies and the European settlements in the Antilles and on
the continent of North America put it on the market where it ousted woad,
its most dangerous competitor, only to be in turn defeated by the rapid
advance of the coal-tar colour industry.
Like woad and the aristocratic purple, to which it is related, indigo is
one of the oldest vat dyes known to the craft having already been employed
in prehistoric days; but it was not till thousands of years later, after the
synthesis of indigo had been established, that it became evident that
indigo, woad and purple were not only closely related in technical respects
but belonged to the same group of dyestuffs. Both the indigo and woad
plants which yield a blue dye, contain indican, that is to say a kind of
ester or glucose compound of indoxyl and sulpheric acid or glucose
respectively, from which by decomposition indoxyl and then by oxidation
indigo is readily obtained. The juice extracted from the purple yielding
mollusks, Tyrian purple, with which in ancient times the robes of emperors,
kings and general were dyed, also contains a derivative of indigo, vis.
6-6dibromoindigo (Ciba Review No 4, page 129)
The sub-continent of India, noted for its age-long dyeing craft, is not
only the home of the indigo plant proper (Indigofera tinctoria, but also the
oldest centre of indigo dyeing in the Old World (cf. page 3088 CIBA Review
#85). It is believed that indigo first reached the ancient world together
with precious luxury articles imported from the East in the last few
centuries B.C. though the quantities received in the Mediterranean countries
must have been very small on account of the high prices realized.
Indigo is first mentioned as a paint pigment in Vitruvius' "De
architectura", a work dating from the end of the first century B.C. and
general supposed to be based to a large extent on older Greek
Sources..."
..."Realizing the great economic importance of woad, chiefly grown in
southern France, Picardy, Northern Germany and especially in Thuringia and
contributing substantially through taxation to the revenue of their
countries, the princes and Governments prohibited the employment of indigo.
Only in England, where little woad was cultivated, did the introduction of
indigo meet with no resistance; in fact, a Bill passed in 1581 provided
that, for the purpose of dying woolen material black, woad alone or woad and
indigo (nele, alias blew Inde) should be used as a bottoming. On the
continent of Europe, however, drastic steps were taken to keep the new
dyestuff out, very heavy penalties being announced for instance in France
against defaulting merchants and dyers in answer to the complaints lodged by
the estates of Languedoc in 1598. In Germany its prohibition was justified
on the grounds that the indigo used by dyers in the orpiment vat (cf. page
3077) was injurious. Thus the imperial police regulations issued at
Frankfort-on-Main in 1577 referred to 'the recently discovered injurious and
fraudulent, devouring and corrosive colour' as 'the devil's colour' and
instructed all governing bodies to see to it that cloth-dyers in every town
and state should refrain from using it."
It goes on to say that indigo wasn't very popular before da Gama's voyages
because it was terribly expensive and woad, even though it took more of it,
gave much the same result for less. It was also used as an astringent for
wounds.
I just got a whole load of CIBA Reviews Via ILL and am in the process of
Xeroxing all that appeal to me.
Regina Romsey
Date: Thu, 10 Jun 2004 02:02:20 -0700
From: lilinah at earthlink.net
Subject: [Sca-cooks] Indigo
To: sca-cooks at ansteorra.org
Stefan, indigo is an Old World plant. It's origin appears to be South
Asia. It was very commonly used within the SCA time frame in many
parts of Asia - bearing in mind that the Middle East is basically
Southwest Asia - and in North Africa, and thence to Spain.
Indigo was a trade item into Europe, but was considered expensive,
partly because of protectionist practices in some places (protecting
their woad production). Indigo was desirable in large part because a
little bit of indigo dyes considerably more cloth than the same
amount of woad.
It was sometimes used to make paint for manuscripts - by the Spanish,
for example, in their wonderful spacy art - i'm forgetting the time
period - but all the people have huge saucer eyes and the artists
used only about 5 colors of paint - vermilion, crimson lake
(alizarin) (a cool red, whereas vermilion is a warm red), indigo, a
bright yellow (i'm not sure of the source - there are a couple
possibilities, all toxic), white, and black.
Anahita
a persona proudly wearing indigo dyed clothing
From: Ewan Andor Graham <admin.westernesse at gmail.com>
Subject: woad permanence?
Date: Sat, 11 Feb 2006 17:37:27 -0500
Newsgroups: rec.org.sca
I acquired some woad via the guild of limners last pennsic with an eye for
using it as a fabric dye (not the focus of this post) and as a temporary
body decorator.
As recommended in the limner's "uses and history of woad", cutting it with
a small amount of high-ethanol spirits (in my case, vodka) and applying it
as a paint had the desired effect - somewhat. After the alcohol
evaporates off the skin, the only thing holding the woad on is a very weak
cohesive force and a pretty weak adhesive one. (translation: it sticks to
itself and stays on my face out of force of habit and not much else)
This makes it a *very* temporary body decorator.
Has anyone experimented with other application methods that give it a
better binding ability to skin? Instead of the one-time-wear i'm getting
now, i'd like to be able to apply a pattern and have it last for a couple
of days or more without flaking off or smudging if you touch it.
I had thought about cutting a weak solution of henna dye with woad to
shift the color over but retain the duration of the stain, which seems
feasible to my untrained eye. A solution using some kind of lipid binding
would also work, i suppose, but is still going to fall to drying/smudging
in a short time period.
ewan
<the end>