tattoos-msg - 10/21/99 Period tattoos and body and face decoration. Early Celtic tattoos. Medieval bans. Crusader tattoos. Book referances. NOTE: See also the files: woad-msg, dyeing-msg. KEYWORDS: tattoo woad henna substitute ************************************************************************ NOTICE - This file is a collection of various messages having a common theme that I have collected from my reading of the various computer networks. Some messages date back to 1989, some may be as recent as yesterday. This file is part of a collection of files called Stefan's Florilegium. These files are available on the Internet at: http://www.florilegium.org I have done a limited amount of editing. Messages having to do with separate topics were sometimes split into different files and sometimes extraneous information was removed. For instance, the message IDs were removed to save space and remove clutter. The comments made in these messages are not necessarily my viewpoints. I make no claims as to the accuracy of the information given by the individual authors. Please respect the time and efforts of those who have written these messages. The copyright status of these messages is unclear at this time. If information is published from these messages, please give credit to the originator(s). Thank you, Mark S. Harris AKA: THLord Stefan li Rous Stefan at florilegium.org ************************************************************************ From: folo at prairienet.org (F.L. Watkins) Newsgroups: rec.org.sca Subject: Tats in Period Date: 26 May 1994 01:46:01 GMT Organization: University of Illinois at Urbana I just picked up TOTAL TATTOO BOOK by Amy Krakow (Warner Books, ISBN 0-446-67001-4; $11.95; highly recommended for people interested in getting ink). The following is from the chapter on "The Tattoo in History": In Western Europe, pre-Celtic Iberians in the British Isles tattooed ceremonially and so did the Gauls. Teutonic peoples tattooed. The Danes, Norse and Saxons, being more cultured and artistic peoples, tattooed their family symbols and crests. Scots and other Anglo-Saxons still tattoo family crests--tattooist Lyle Tuttle is a well-known example of this practice! The early history of Western tattooing ended in AD 787, when Pope Hadrian banned the art form. Tattooing survived in Britain until the Norman invasion of 1066. Normans scorned tattoos, but "like Anglo-Saxon kings before him, King Harold was heavily tattooed. When his body was recovered from the battlefield of Hastings, it was identified by the word 'Edith' tattooed over his heart." (George Burchett, _Memoirs of a Tattooist_) After the Norman invasion, there's little mention of tattooing in Western culture from the twelfth to the sixteenth centuries. So, okay, you early-period types may not have cannon, but you do have tats... Anyway, look up this book (it's just out) if you're thinking of getting some ink. Nice photos, nice articles and a list of shops state by state, city by city. Yrs, Folo (and please note: all Folos got tats) -- Damin de Folo - F.L.Watkins - folo at prairienet.org Baron Wurm Wald (MK) - Commander Baldwin's Reg't (NWTA) From: folo at prairienet.org (F.L. Watkins) Newsgroups: rec.org.sca Subject: What Did They Call Tattoos Before Captain Cook Date: 18 Jan 1995 04:08:10 GMT Organization: University of Illinois at Urbana This snuck up on me while I was reading a tat book I had just purchased. The word "tattoo" appears to be Polynesian in origin and was introduced into Europe in the 18th century. Tattoos were known in Europe for thousands of years before that (although the Church forbade them after about the millenium, and they were essentially reintroduced in the 18th century). What were they called in period? I cannot find any citations that does not use the oop term "tattoo" to describe bodyart prior to the 18th century. I've posted on rec.arts.bodyart but figured that the Rialto has an eclectic enough of a following that someone--historian or linguist or someone who just picked up an odd piece of trivia--might know. Yrs, Folo -- Damin de Folo - F.L.Watkins - folo at prairienet.org Baron Wurm Wald (MidRealm) - Commander Baldwin's (NWTA) From: dnb105 at psu.edu (Ferret) Newsgroups: rec.org.sca Subject: Re: What Did They Call Tattoos Before Captain Cook Date: Wed, 18 Jan 1995 07:03:37 GMT Organization: Penn State University folo at prairienet.org (F.L. Watkins) writes: >I cannot find any citations that does not use the oop term >"tattoo" to describe bodyart prior to the 18th century. I've >posted on rec.arts.bodyart but figured that the Rialto has >an eclectic enough of a following that someone--historian or >linguist or someone who just picked up an odd piece of >trivia--might know. The Latin term is compungo and _possibly_ inficio or pictum. the first two are verbs the last a noun.I have been researching ancient tatooing in Europe for a couple years. The illumination of the subject is very vague and questionable esp. in translations. There is new forensic evidence however in the 5000 year old body recently recovered in the Oetzval region of the Italo- Austrian Alps. This body had tattoos of stripes and a (+) cross. Ferret From: dnb105 at psu.edu (Ferret) Newsgroups: rec.org.sca Subject: Re: What Did They Call Tattoos Before Captain Cook Date: Thu, 19 Jan 1995 17:23:31 GMT Organization: Penn State University andrixos at aol.com (Andrixos) writes: >From: andrixos at aol.com (Andrixos) >Subject: Re: What Did They Call Tattoos Before Captain Cook >Date: 18 Jan 1995 21:55:44 -0500 >Ferret wrote about Tatooing terminology >>The Latin term is compungo and _possibly_ inficio or pictum. the first >two >>are verbs the last a noun. >Latin teacher here, > "pictum" is actually a perfect passive participle from "pingo". It >means painted. My lexicon emphasizes the needle as a tool immediately >after a brush. However I b elieve they are referring in general to >embroidery. I agree whole heartedly, It is the translators and historians who believe these terms are indicative of tatooing although they often get liberal with the original works. As for "blue" folks in the north, they were neither "blue" nor in the north. The sole source for this was Caesars description of the Brittani south of the Thames. Althought the common translation is " All the Brittani, indeed, dye themselves with woad, which produces a dark blue coloring." the latin reads," Omnes vero se Britanni vitro inficiunt, quod caeruleum efficit colorem."First there is no mention of woad as the causative agent and second a better rendering would be "dye themselves with glazes." There is also the possibility that it read "infect themselves with glass" which could have been a description of a scarification ritual which left dark blue scars. These 1st century southern practices have been placed upon the northern peoples in an attempt to explain the name Picti which came into use only in the 3rd century. The comments on the Picts are that they have "designs carved into their faces by iron", sorry I don't have the latin at hand. There are however many comments by early authors describing such practices among the continental peoples. I think Livy, Strabo and Herotodus mention it. >Picti is the Latin term for those wonderful blue folks to the north. >Whether it refers to the wonderful shade of blue they use or tattos fits >into this question, though I lean toward the first, without any >references to fall back on. Pictophiles? The name Picti may also refer to their system of writing an large monoliths with pictograms (as yet undecipherable) this practice is the forerunner of the stone crosses. Rather than meaning "Painted people" it could mean " people who make pictures". Ferret Newsgroups: rec.org.sca Subject: Henna From: rowan at isaac.stonemarche.org (Rowan) Date: Sun, 14 May 95 10:51:22 EDT Organization: Stonemarche CoOperative Does anyone know how to mix henna for dyeing skin? I tried it two years ago and it left light red marks that went away the day after. I am told the original recipe involved camel pee, which I do not relish putting on my body even if I could find some. The henna I used was the Rainbow Henna sold to dye hair with and I mixed it with hot water and did my hands in patterns and feet solid. Actually, it did take well on the fett, which got me little response from fellow middle-easterners but plenty from those who had read Clan of the Cave bear... (wg) Damiana Tryphaena Caecilia Violetta di Caprona (Heraldsbane) From: moreta at prostar.com (Moreta) Newsgroups: rec.org.sca Subject: Henna Date: 16 May 95 12:06:59 PDT Organization: ProStar Internet Gateway out of curiosity why are you trying to die your skin with henna (maybe thats a dumb question.. but.. I have to ask it). From what I know of henna, and the dyeing process, it should be warm, but it shouldnt burn your skin. I am not sure with the rainbow whether or not its pure henna or if its a mixture. also how thick are you making it? Part of the problem with it staying on or around more than likely has to do with the oils on your skin. Rather than the strength of the henna or heat of the paste made. From what I remember of its ussages on the skin, have been in the dyeing of the palms of the hands and the bottoms of the feet.. the reason or purpose totally escapes me right now. (ornamentation I believe is the primary reason.. hmm maybe the brain does function) You could try adding other herbs to see if you can get a stronger dye, alkanet (which is a red/orange to my eye) or add some red food dye to the whole mixture. You also might try using some vinegar in the mixture. Mo From: Lassman at BldgDafoe.Lan1.UManitoba.CA (Linda Lassman) Newsgroups: rec.org.sca Subject: Re: Henna Date: Sun, 21 May 1995 23:49:12 GMT Organization: University of Manitoba In article <0000054A000021B2 at prostar.com> moreta at prostar.com (Moreta) writes: >From: moreta at prostar.com (Moreta) >Subject: Henna >Date: 16 May 95 12:06:59 PDT >out of curiosity why are you trying to die your skin with henna (maybe >thats a dumb question.. but.. I have to ask it). From what I know of henna, >and the dyeing process, it should be warm, but it shouldnt burn your skin. >I am not sure with the rainbow whether or not its pure henna or if its a >mixture. also how thick are you making it? The autocrats at an Arabic event we did in July a couple of years ago provided henna in the harem for the ladies at the even to use to dye patterns on their hands and feet because it was an Arabic sort of thing to do. The henna started out warm, but cooled off during the day, and was made according to the directions on the package. The pattern was painted on as thickly as possible (mostly using sticks rather than brushes) and then left to dry until it started to flake (about 15-20 min.), then washed off. While I managed to get my hands scrubbed clean in a few days (except for my nails), my feet were patterned for about 3 weeks! - Gabriela dei Clementini d'Orvieto Barony of Castel Rouge, Midrealm Winnipeg, Manitoba From: dnb105 at psu.edu (Ferret) Newsgroups: rec.org.sca Subject: Re: Anyone seen Braveheart yet? Date: Thu, 25 May 1995 20:57:56 GMT Organization: Penn State University rhonaapfin at aol.com (RhonaapFin) writes: >From: rhonaapfin at aol.com (RhonaapFin) >Subject: Re: Anyone seen Braveheart yet? >Date: 25 May 1995 13:50:07 -0400 >The blue paint is probably intended to simulate woad, which warriors did >wear in battle. The Picts were known, I believe, for their practice of >covering themselves with it and running into battle wearing *only* the >woad and their weapons. But how a Scot ended up with woad I am not >certain. --Arianrhod I wonder if the person who came up with the idea of blue paint was a wargamer ? The old-timers (1960-70s) used to paint celts and picts sky-blue. I think they never saw anyone painted with woad. Of course there is no documentation concerning woad per se, Caeser said they were _dark_ blue but not really how they got that way. Oh well, this is an old rant of mine from wargaming days. Anyway, that is a far cry from late medieval Scots. Ferret From: dnb105 at psu.edu (Ferret) Newsgroups: rec.org.sca Subject: Re: Anyone seen Braveheart yet? Date: Sat, 27 May 1995 01:58:36 GMT Organization: Penn State University cav at bnr.ca (Rick Cavasin) writes: >What is the bluish pigment used in tatooing? Might it be that rather than >being *painted* or *dyed* with woad, people were tatooed with woad pigment? >That seems like just as plausible a theory as any to me. Well, the whole woad premise is based on an error in translating Caesar in Gallic Wars. No translation I have seen has corrected it. What Caesar says is that all the Britons vitro infectunt which is stained themselves with glazes (painted) or infected themsleves with glass (tattooing). Since he was familiar with the tattoos he may have commented on the brittons either because they used painted rather than tatooed, used glass picks to tattoo or performed scarification practices. All of these could have left the dark blue color that Caesar describes. Later classical and medieval authors refer to the "designs cut by iron". Caesar's account is the only non-tattooing description (maybe he was in error) so they might have been tattoos. In any case none of the authors mention the coloring agents, "woad" was inserted by the modern translations. See Gallic Wars book V page 14 Ferret Newsgroups: rec.org.sca Subject: Re: woad in tattoos From: una at bregeuf.stonemarche.org (Honour Horne-Jaruk) Date: Sun, 04 Jun 95 09:21:11 EDT Jan.Wagner at f56.n105.z1.fidonet.org (Jan Wagner) writes: > Dear friend, > Saw your posting on tatoo and woad. Thought I have no concrete > evidence to back me up, I really don't believe woad was used for > tatoos. Ink would be the most likely material for tatoos and is made > from:water, oak or apple gall (tannic acid), some type of pigment, and > a binder(gum arabic). I have the feeling woad would break down in the > skin and eventually fade. The blue-black could have been derived from > indigo as opposed to woad. > humbly, > Companion Gytha Anora ni Keran > (who has 2 tatoos made with India ink!) Respected Friend: The active dye matter in both indigo and woad is the chemical complex _Indigin_. If indigo remains stable in a tattoo, so will woad; and if not, not. (Many people have the idea that woad is a paler blue than indigo. This isn't correct. It just takes more raw woad to produce a given shade of blue, because pound-for-pound it has less indigin than Indigo does.) Yours in service to the Society- (Friend) Honour Horne-Jaruk R.S.F. Alizaunde, Demoiselle de Bregeuf C.O.L. SCA Una Wicca (That Pict) From: Malcolm Grandis Newsgroups: rec.org.sca Subject: Re: woad in tattoos Date: 5 Jun 1995 23:05:35 +0100 Organization: None Woad was certainly used as a tattooing medium in Dark Age Scandinavia as well as in Iron Age Britain. The earlier ink recipe given would not work as a tattooing medium anyway. I will e-mail a cookie to anybody who can work out why! _ _ Try Our / / Web Page http://ifu.net/html/culture/celts/thecelts.htm \_ELTI\_ From: Vince Whitmore Newsgroups: rec.org.sca Subject: Woad Page Date: 17 Jan 1996 18:21:55 GMT Organization: Grand Rapids Free-Net I have a Web page I am putting together about woad: the plant, the dye, the body paint. I have some of it put together, come and check it out and give me any ideas that you would like to share about it. Thanks! Rowan of Wind-tree Tower Woad Page http://www.grfn.org/~rowan/woad.html From: zaphod at zoology.ubc.ca (Lance R. Bailey) Newsgroups: rec.org.sca Subject: Re: Facial Tattoos Date: 5 Feb 1997 17:01:39 GMT Organization: The University of British Columbia Dennis C. Featherstone (cedar7 at netcom.ca) wrote: > I am trying to document facial tattoos for 1285 along the Silk Road > close to Persia & Turkey area. I teach an ithra class on period body modification. I don't have much in your geographic/temporal time period, but you might start with The use and function of tattooing on Moroccan women Searight, Susan which is a little removed from your area but would make a starting point. -- devin o raudh Barony of Lions Gate, An Tir http://www.lydia.org/~zaphod/sca From: "Michael Logue" Newsgroups: rec.org.sca Subject: Re: Arabic Facial Tatoos Date: Fri, 8 Aug 1997 22:34:37 -0400 Ghazallah wrote: .. >My persona is North African and I really enjoy wearing my patterns of >facial tatoos. The only problem is, if I draw them in with eyeliner, they >either smear (even with translucent powder) or fade after a couple hours. >What can I do for a tatoo that lasts on my face for the whole day? >Ghazallah al-Qamar I have recently heard of a semi-permanant ink that can be removed by either alchohol/facial cream (I don't remember precicly). It was being used for actors who had the same problem. I beleive it is also used at some tatoo palours so the customers can "test" drive their tatoo before they have it permanently affixed. It aparently won't wash of with regular soap or sweat, but can be readily removed by other means. I would suggest checking with your local tatooists and ask if they have anything like this. Michael Logue mplogue at mindless.com From: dughall at imap2.asu.edu Newsgroups: rec.org.sca Subject: Re: Arabic Facial Tatoos Date: Sat, 9 Aug 1997 09:27:57 -0700 Organization: Arizona State University On 9 Aug 1997, Ghazallah wrote: > My persona is North African and I really enjoy wearing my patterns of > facial tatoos. The only problem is, if I draw them in with eyeliner, they > either smear (even with translucent powder) or fade after a couple hours. > What can I do for a tatoo that lasts on my face for the whole day? > Ghazallah al-Qamar The easiest thing to do is get grease paint... Mehron (brand) grease paint goes on with a paintbrush (I use it as a clown) powder well and is very solid for 8-10 hours (yes I have had it on that long) It comes off with baby oil very easily. Grrwffwyrr ap Chwith ap Ysoilhaig Dughall at IMAP2.asu.edu From: ghazallah at aol.com (Ghazallah) Newsgroups: rec.org.sca Subject: Re: Arabic Facial Tatoos Date: 9 Aug 1997 17:15:26 GMT thanks, everyone! I just wanted to say a bit about Henna. I use it on my hair and it makes it very strong and shiny. At Pennsic, I put it on my hands and feet. It lasts on me about a week and is very graceful-looking. I recommend using different types, though. For hair, I use Rainbow brand, which is consistent in the color from application to application and lasts at least until my roots start showing. Mix it with yogurt and it's easier to wash out, and leaves the hair silky. For hands, go to an Indian grocery store and buy it pre-mixed in tubes with very fine nozzles. You can also buy stencils and just slather it on. I love the stuff. Ghazallah al-Qamar From: zaphod at zoology.ubc.ca (Lance R. Bailey) Newsgroups: rec.org.sca Subject: Re: Arabic Facial Tatoos Date: 9 Aug 1997 20:30:31 GMT Organization: The University of British Columbia Jason C Kolton (kolton at kitts.u.arizona.edu) wrote: > : Ghazallah wrote in article <19970809005501.UAA08364 at ladder01.news.aol.com>. > : >My persona is North African and I really enjoy wearing my patterns of > : >facial tatoos. The only problem is, if I draw them in with eyeliner, > : they either smear (even with translucent powder) or fade see below > Would anybody know where I could find sources on this topic. While my > persona does not wear the tatoos I do love arabic history and never heard One of the definitive source books is: Searight, Susan. 1984. The Use and Function of Tattooing on Moroccan Women (Vol. 1 - 3). New Haven: Human Relations Area Files. Whose three volume set goes into great detail about tattoos, henna and herquas. I use it extensively in my ithra class on Period bodyart. herquas is the practice of drawing on your skin with ink (mixed with a few things). and is accurate to the morrocan area. it will last at least a day. -- damhi/n o/ ruaidh Gold Key, Barony of Lions Gate, An Tir (i pronounce it "devin o roah") http://www.lydia.org/~zaphod/sca From: georg hawks Newsgroups: rec.org.sca Subject: Re: Arabic Facial Tatoos Date: Mon, 11 Aug 1997 09:40:55 -0400 Organization: IBM Microelectronics Division dughall at imap2.asu.edu wrote: > On 9 Aug 1997, Ghazallah wrote: > > My persona is North African and I really enjoy wearing my patterns of > > facial tatoos. The only problem is, if I draw them in with eyeliner, they > > either smear (even with translucent powder) or fade after a couple hours. > > What can I do for a tatoo that lasts on my face for the whole day? > > Ghazallah al-Qamar > > The easiest thing to do is get grease paint... Mehron (brand) grease > paint goes on with a paintbrush (I use it as a clown) powder well and is > very solid for 8-10 hours (yes I have had it on that long) It comes off > with baby oil very easily. Another tip I learned from a clown, and have used successfully onstage with heavy makeup under hot lights: Keep a washcloth soaked in astringent in a cooler- Sea Breeze works very well. BEFORE putting on any makeup, rub the cold astringent all over your face. This closes your pores, and it takes longer for your face to start sweating. This definitely works for a few hours in extreme heat. georg non ani sunt permittendi From: XSimmons <"jls9" at MSG.TI.COM> Newsgroups: rec.org.sca Subject: Re: Arabic Facial Tatoos Date: Mon, 11 Aug 1997 11:23:00 -0500 Ghazallah wrote: > My persona is North African and I really enjoy wearing my patterns of > facial tatoos. > What can I do for a tatoo that lasts on my face for the whole day? > Ghazallah al-Qamar Okay, it isn't Period, or a native concoction, but it works. My Persian personna had the same problem with patterned hands and feet--hand/finger skin flexes a lot, and you have to handle so many different items during the day that makeup stuff isn't terribly practical. Imagine my surprise when a lady suggested washable marker pens (e.g., "Crayola" brand, which I now use). Black, brown and red are available to cover all henna/ink needs, and the stuff comes off with facial scrub. (Stuff with almond shells works great. Soap and a teaspoon of sugar would possibly also work.) The slender pen shape draws a fine line with good control for spectacularly intricate patterns that last at least a day, but come off at your command. I use brown for hands and fingers, black for first joints and toes. But that's Persian. (Solid red soles and toes also Persian.) Regards, Ly Meara al-Isfahani From: hrjones at uclink.berkeley.edu (Heather Rose Jones) Newsgroups: rec.org.sca,alt.fairs.renaissance Subject: Re: Tattoos Date: 7 Aug 1997 02:08:10 GMT Organization: University of California, Berkeley Joe Della-Fera (jgandalf at mindspring.com) wrote: : Since tattooing has been in existance in Europe for a few thousand : years (witness the "Ice Man" mummy), I've got to ask: What were : tattoos called during the Medieval and Renaissance periods in Europe? : (Remember, tattoo is taken from the Polynesian word "tatu".) There is a flaw in the above logic. We have evidence that tattooing was done in Europe several thousand years ago; we have evidence that tattooing is done in Europe today. But that does not prove continuous existence. _Is_ there any evidence that people were doing tattooing during the Medieval and Renaissance periods in Europe. After all, people tend to have words for things they do, and why would the word "tattoo" have been borrowed for the practice if it were a practice that European people were already familiar with and had a word for? To answer my own question about "is there any evidence", I'll note that when I was researching early references to the Picts, I found that, while the Classical references use the root "pictum" meaning "painted" to describe their characteristic feature, by the time we get to the 7th century writings of Isidore of Seville, he has changed this description to "their bodies bear designs pricked into their skins by needles" -- I believe using the word "punctum" (I don't have the original reference handy, but this seems the obvious origin of the translation). Now, the difference between "pictum" and "punctum" _could_ be a matter of a bad copyist or two in the intervening centuries, but the specific description of "pricked ... by needles" strongly argues a familiarity with a tattoo-like procedure -- at least on the part of Isidore. (Note that since the change in the description from "pictum" to "punctum" first shows up in the 7th century, its use says absolutely _nothing_ about what the Picts may or may not have done.) On the other hand, Isidore's presumed familiarity seems to have been at a cultural remove -- i.e., he describes the process but does not have a distinctive "name" for it (at least in Latin). But there's a place to start, at least. A 7th century Spaniard was familiar at some level with a process involving marking designs on the body by pricking with needles. A useful path to pursue from there would be to find a library that has a comprehensive dictionary or concordence of medieval Latin and see if any other writers were useing the verb "pungo" or the participle "punctum" to describe a tattoo-like process. Keep in mind that given the location of Seville, he may have been familiar with the process via contacts with northern Africa, rather than from its use in Europe, per se. (If you want to track down the exact citation from Isidore, I took it from F.T. Wainwright's "The Problem of the Picts" p.1.) Tangwystyl verch Morgant Glasvryn From: Rachel Ward Newsgroups: rec.org.sca,alt.fairs.renaissance Subject: Re: Tattoos Date: Thu, 7 Aug 1997 00:07:16 -0700 Organization: University of California, Davis On 7 Aug 1997, Heather Rose Jones wrote: > A useful path to pursue from there would be > to find a library that has a comprehensive dictionary or concordence of > medieval Latin and see if any other writers were useing the verb "pungo" > or the participle "punctum" to describe a tattoo-like process. Latham's _Revised Medieval Latin Word List_ lists "puncto" as tentatively (i.e., they have a question mark before the meaning) meaning "to tattoo"--but the dates are way after Isidore, in the 12th century. "Now is nat that of God a ful fair grace |Rachel Ward That swich a lewed mannes wit shal pace |Department of English The wisdom of an heep of lerned men?" |U.C. Davis Chaucer, _Canterbury Tales_, I 573-575 |rhward at ucdavis.edu From: dongiulio at aol.com (DonGIULIO) Newsgroups: rec.org.sca Subject: Re: Tattoos Date: 8 Aug 1997 01:39:05 GMT I don't know what they called Tattooing in Europe during the Middle and Renaissance Periods but, it seems there is evidence that they did Tattoo in the Middle ages during the crusades to be exact. Just finished watching A&E's : Ancient Mysteries and they just ran a program on Tattoos, I highly recommend it if you can catch it. Essentially gives the History of Tattooing from the "Ice Man" to Modern times quite fascinating! Don Giulio d" Medici G.M. Cavalieri Dell'Ordine de Santo Stefano "Onore et Onere" From: Merouda the True of Bornover Newsgroups: rec.org.sca Subject: Re: Tattoos Date: Fri, 08 Aug 1997 11:08:26 -0700 DonGIULIO wrote: > I don't know what they called Tattooing in Europe during the Middle and > Renaissance Periods but, it seems there is evidence that they did Tattoo > in the Middle ages during the crusades to be exact. What they said about tattooing during the Crusades was that the crusaders themselves had crosses tattooed on their bodies so that if they died they would be recognized and given a Christian burial. But I don't remember a mention them during that time for other reasons. It *was* a good show but oh so short. Merouda, or she who is 12th century and has a tattoo that gets shown during hot weather and doesn't really care if it's period or not *grin* From: Lou Stewart Newsgroups: rec.org.sca Subject: Re: Tattoos Date: Fri, 08 Aug 1997 18:14:34 -0500 Steven Jerkins wrote: > Now when WAS that papal bull issued that forbade all good christians > from "adorning their bodies with inks and needles"?? > > Stefan > > On Thu, 07 Aug 1997 00:30:19 GMT, jgandalf at mindspring.com (Joe > Della-Fera) wrote: > > >Since tattooing has been in existance in Europe for a few thousand > >years (witness the "Ice Man" mummy), I've got to ask: What were > >tattoos called during the Medieval and Renaissance periods in Europe? > >(Remember, tattoo is taken from the Polynesian word "tatu".) > > > >Joe In Roman times,the Tracians were well known to the Romans for their decorative tattooing; Cicero called the marks "punctum notis Thraeciis," meaning pricked with Thracian marks. Tertullian, in the 3rd century, implied that tattooing was the custom of the Britons, Picts and Scots, and called the marks "Stigmata Britonum." In the 16th century, it became the custom of pilgrims to Jerusalem to have crosses or other Christian symbols pricked onto their arms. The practice has been called "pricking," "marking" or "painting," in English and in equivalent words in other languages. I didn't find a reference to a Papal Bull against tattooing, but Leviticus 19:28 and 21:5, as well as Deuteronomy 14:1 carried prohibitions against it. At the Synod of Calcuth in Northumberland in 787, all forms of tattooing were forbidden, probably because of pagan associations. Hope this helps. Luigsech From: Glenda Robinson Newsgroups: rec.org.sca Subject: Re: Arabic Facial Tatoos Date: Wed, 13 Aug 1997 09:51:36 +1000 Organization: Flamberge Computer Services XSimmons wrote: > Imagine my surprise when a lady suggested washable marker > pens (e.g., "Crayola" brand, which I now use). Black, brown and red are > available to cover all henna/ink needs, and the stuff comes off with > facial scrub. (Stuff with almond shells works great. Soap and a > teaspoon of sugar would possibly also work.) > > The slender pen shape draws a fine line with good control for > spectacularly intricate patterns that last at least a day, but come off > at your command. I use brown for hands and fingers, black for first > joints and toes. But that's Persian. (Solid red soles and toes also > Persian.) > > Regards, Ly Meara al-Isfahani When one of my groups do ancient celtic reenactment, we use "Woadline". Blue "Artline" brand. Works wonderfully. However, a word of warning... Use pens that are Xylene free. One of our mob had a Xylene allergy, which built up with time. This was before they produced Xylene free ones. Also, don't use white board markers. They run really quickly. The only problem with Woadline is that some extremely small bits may get stick in the hair follicles (not much though) for a few days. Happy painting Glenda. From: SiFiFem at aol.com Date: Mon, 8 Sep 1997 03:27:47 -0400 (EDT) Subject: Re: Sources for Woad Stefan- Please add these people to your source list of period herbs, spices and those hard to find historical feast items. They also carry woad and henna as used for body tattoo and henna painting. They have been doing SCA on the west coast for 12 years. Their store is : Dragonmarsh - 3744 Main St .- Riverside, Ca 92501 - Phone is (909) 276-1116. Thanks Subject: ANST - Re: Tattoos Date: Mon, 15 Feb 99 15:48:19 MST From: Gunnora Hallakarva To: ansteorra at Ansteorra.ORG 'wolf said: > question ... how many work their tattoo work into their > personas / realities ??? know a couple from the "old > days", but haven't run into any in the current > days ... any good references on ancient tattoo > practices ??? Judging by the number of times I get Viking Answer Lady questions on this topic, a LOT of Norse types out there want authentic Viking tattoos. The Arabic observer Ibn Fadlan tells us of the Rus Vikings: "¤ 81. Each man has an axe, a sword, and a knife and keeps each by him at all times. The swords are broad and grooved, of Frankish sort. Every man is tatooed from finger nails to neck with dark green (or green or blue-black) trees, figures, etc." Probably what Ibn Fadlan is describing here is some sort of knotwork or tendril design. Of course, the only way we actually will ever have ANY record of period tattoo designs is from the occasional hapless person who got themselves frozen or freeze-dried. Under the "frozen" category, we have Otzi the Iceman. As far as freeze-dried, we have several examples of Scythians buried in kurgans where the burial chamber was below the level of the permafrost, which preserved their bodies perfectly. You can ge some info on both (including pictures of the Scythian tattoos) at http://www.tattoo.dk/engelske/history-english/oldest.htm I also have one good book on the Scythians by Renate Rolle that has better line drawings of the Scythian tatoos as well. ::GUNNORA:: Subject: ANST - More on Tattoos, Scythians, and Celts Date: Mon, 15 Feb 99 19:47:19 MST From: Gunnora Hallakarva To: ansteorra at Ansteorra.ORG 'wolf asked: > is this a decent resource? have a particular fondness for > the "horse barbarian" ciltures, especially the scythian and > was thinking of incorporating something with scythian / > pictish iconography into the master plan. Your fondness is perhaps more Celto-tribal than you know. The Romans fetched with them to Britain fairly large numbers of... you guessed it, Sarmatian auxiliaries (a people very closely related to the Scythians). Some very well-researched scholarship beginning with Georges Dumezil, has gone into quite a lot of detail proving that the origin of the entire Grail Cycle was these auxiliaries. (For instance, see http://www.users.globalnet.co.uk/~tomgreen/arthur.htm) But even before then, the Celts originally migrated from the area that the Scythians and Sarmatians called their home, so it is also very possible that the Celts brought these legends (and art and other cultural baggage) with them in their migrations north and west. Here are some sources: I believe that the first report of Scythian tattoos surviving in freeze-dried kurgan occupants was in the May 1965 Scientific American. Rolle, Renate. The World of the Scythians. London: B.T. Batsford. 1980. ISBN 0520068645. [Contains some very incorrect information, but also has some of the best pictures of horse trappings, tattoos, and line-art of Scythian artifacts I've ever seen. Get the book for the pictures. Get better sources for the real meat of the subject.] Rudenko, Sergei I. Frozen Tombs of Siberia: the Pazyryk Burials of Iron Age Horsemen. Berkeley: The University of California Press. 1970. [Probably the best over-all source on the kurgans and their frozen inhabitants.] "Nyt om gammelt m, artikel af S¿ren Nanche-Krogh om hans tatoveringer". Skalk No 4, 1969. [Magazine with article on Scythian tattooing, in Danish.] Cernenko, E.V. The Scythians: 700 - 300 B.C. Men-at-Arms Series 137. London: Osprey. 1983. [Very good book -- nice reconstructions of Scythian costume, arms and armor. No tattoos.] M. I. Artamonov. Treasures from Scythian tombs in the Hermitage Museum, Leningrad. ISBN 0500231125.[Contains some of the most famous and most beautiful photos of Scythian artifacts, particularly the gold belongings of chieftains.] Glusker Irwin, Christian von Rosenvinge and Lilly Hollander, eds. From the Lands of the Scythians: Ancient Treasures from the Museums of the U.S.S.R., 3000 B.C.-100 B.C. New York: (Museum Catalog) Metropolitan Museum of Art in conjunction with the Los Angeles County Museum of Art. 1975. [This book has many gorgeous photos of the most spectacular Scythian art and artifacts known today. No tattoos, but lots of very worthwhile art and art design.] Michael Vickers. Scythian Treasures in Oxford (Ashmolean Museum Archaeology, History & Classical Studies) Oxford: Ashmolean. 1979. ISBN 0900090618. [I have a copy of this one. This contains info only on the Scythian artifacts held at the Ashmolean Museum, and this is a fairly small collection. None the less, the information is very interesting and there's some nice jewellry pictured. No tattoos.] Minns, Ellis H. Scythians and Greeks: A Survey of Ancient History and Archaeology on the North Coast of the Euxine from the Danube to the Caucasus. Cambridge: Cambridge Univ. P. 1913. [Very dry, but also very informative. Predates the frozen kurgan finds.] Herodotus. Selections from the Persian Wars, Book IV. from The Greek Historian. ed. Francis R. B. Gondolphin. New York: Random House. 1942. [This is the famous description of the Scythians and the Sarmatians.] Here's another website that shows more of the Scythian tattoos... too bad the book being advertised is $108 -- you might, however, ask Sir Corey or Lady Jan if they own a copy. The tattoo shop in San Marcos isn't too far to go to loook at it: http://www.zapcom.net/~phoenix/TriBible.html see also Mummified Scythians and their Tattoos http://tattoos.com/jane/steve/mummies.htm Scientists work to preserve 3,000-year-old mummy found in Siberia http://detnews.com/menu/stories/14161.htm Scythian Archaeology of the Middle Don River Basin http://www.upenn.edu/museum/News/CentralAsiaArchy/Scythians.html A HairRaising Report of A Modern Archaeological Excavation of a Kurgan http://www.asianart.com/forum/golden.html The Center for the Study of the Eurasian Nomads http://garnet.berkeley.edu/~jkimball/table.contents.html Ukrainian Museum of Historical Treasures (Scythian Gold) in the Monastary of the Caves-Pecherska-Lavra http://mat.hut.fi/Ukraine/Kiev_Historical.html This should get you started! ::GUNNORA:: Subject: henna Date: Mon, 13 Sep 1999 01:26:37 MST From: "karinac" To: "Mark.S Harris (rsve60)" I do henna designs on my body on a regular basis. this is what works for me 1.Make some black or green tea 2. sift henna through a fine mesh kitchen filter(found eisily at your local grocery store) 3. mix henna with black or green tea until it is the consistency of tempera paint, (the ready made paint you used in school that smelled like wet chalk) 4. add a bit of lemon juice.(one must experiment with this becase of varying degrees of skin acididty.....that is why henna works well on some and not at all on others, the lemon adds necessary acids) 5. use a thin detail paint brush and paint the desired design.... 6. wait for it to dry, then pat some lemon juice on with a cotton ball or a wedge of lemon.... be careful not to smear your design.. 7. repaint your design on the cracks in the henna (use a bobby pin and a papertowel to fix the inevitable mistakes) 8.repeat steps 6 and 7 until you are sick and tired of it ... the longer the henna is on your skin and being doused with lemon juice the darker your designs will be ... there is a teqnique i heard one time that you SCAers might be able to try. While waiting for the henna to dry hold hands and feet in campfire smoke... this is supposed to turn the henna black or dark brown have fun painting Edited by Mark S. Harris tattoos-msg