theater-bib

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theater-bib - 12/8/98

A Bibliography on theater. This bibliography covers specifically Commedia dell'arte (Renaissance Italian popular theatre)

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Newsgroups: rec.org.sca

From: csjlm at news.cts.eiu.edu (Jeri Matteson-Hughes)

Subject: Re: Medieval theatre sources

Summary: commedia dell'arte

Organization: Eastern Illinois University

Date: Tue, 5 Apr 1994 14:19:04 GMT

The Commedia dell'arte (Renaissance+ Italian popular theatre) is a

specialty of mine. I've been performing/studying this technique for

some 21 years and lecturing on it in the SCA for over 12.

Here is a _select_ bibliography handout that I use with my lectures. It's

a perennial work-in-progress; I'm always adding to it, although this copy

hasn't been added to since last June.

The Dover text that Tangwystl refers to is by P. L. Ducharte. I _highly_

recommend the K. and L. Richards text - a monumental work of recent

research in the genre.

Myrra

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A Select Bibliography on the _Commedia dell'arte_.

==================================================

Ambrose, G. B. "Real acting," _The Mask_. 9 (1923) 12-14.

Beumont, Cyril W. _The History of Harlequin_. New York :

Benjamin Blom, 1967.

Bently, Eric, ed. _The Classic Theater: Six Italian Plays_.

(v.1) New York : Doubleday and Co., 1958.

"The Betrayed: A Scenario..." (n. trans.) _The Mask. 7 (July

1911) : 53-57.

Boughner, Daniel C. _The Braggart in Renaissance Comedy_.

Minneapolis : University of Minnesota Press, 1954.

Broadbent, R. J. _A History of Pantomime_. New York : Benjamin

Blom, 1964.

Brubaker, David. _Court and Commedia: The Italian Renaissance

Stage_. New York : Richards Rosen Press, 1975.

Bruford, Rose. _Teaching Mime_. London : Methuen & Co. Ltd.,

1958.

Cole, David. "The Visual Script : Theory and Techniques." _The

Drama Review_ (T72). 20 (December 1976) : 27-50.

Cole, Toby and Chinoy, Helen Krich. _Actors on Acting: The

theories, technique, and practices of the Great Actors of

All Time as told in their own words_. New York : Crown

Publishers, 1970.

Craige, Gorden. "The Characters of the _Commedia dell'arte_."

_The Mask_. 4 (January 1912) : 199-202.

______________. "The _Commedia dell'arte_ ascending." _The

Mask_. 5 (October 1912) : 104-108.

Croce, Bennedetto. "_Commedia dell'arte_." _Theatre Arts_, 17

(December 1933) : 929-939.

DaLuiso, Florence S., ed. "_La Commedia dell'arte_ : An

Exhibition." Exhibition catalog of four essays and

bibliography with preface by J. Daniel Vann, III - November

9-30, 1980, Lockwood Memorial Library. Buffalo : State

University of New York, 1980.

Davis, Jessica Milner. _Farce: The Critical Idiom_, v. 39, John

D. Jump, ed. London : Methuen & Co., 1978.

Ducharte, Pierre Louis. _The Italian Comedy: The Improvisations,

Scenarios, lives, Attributes, Portraits and Masks of the

Illustrious Characters of the Commedia dell'arte_. New York

: Dover Publications, 1966.

Faherty, Teresa J. "Othello dell'Arte : The Presence of

_Commedia_ in Shakespeare's Tragedy." _Theatre Journal_.

43 (May 1991) : 179-194.

"The Four Lunatics: A Scenario..." trans. by D. Nevile Lees.

_The Mask_. 4 (October 1911) : 116-121.

Garfein, Herschel ad Gordon, Mel. "The Adriani _Lazzi_ of the

_Commedia dell'Arte_." _The Drama Review_ (T77). 22 (March

1978) : 3-12.

Gherardi, Evaristo. "The introduction to La Theatre Italian."

trans. by D. Nevile Lees. _The Mask_. 3 (April 1911) :

164-171.

Gordon, Mel. _Lazzi: The Comic Routines of the Commedia

dell'Arte_. New York : Performing Arts Journal

Publications, 1983.

Green, Martin and Swan, John. _The Triumph of Perriot: The

Commedia dell'Arte and the Modern Imagination_. New York :

Macmillan Publishing Co., 1986.

Herrick, Marvin T. _Comic Theory in the Sixteenth Century:

Illinois Studies in Language and Literature_, v. 34, no.

1-2, H. F. Fletcher, H. E. Cunningham, H. Rehder, eds.

Urbana : University of Illinois Press, 1950.

_________________. _Italian Comedy in the Renaissance_.

Urbana : University of Illinois Press, 1960.

Hodgson, John and Richards, Ernst. _Improvisation_. London :

Eyre Methuen Ltd., 1974.

Johnstone, Keith. _Impro: Improvisation for the Theatre_. New

York : Theatre Arts Books, 1979.

Katritzky, M. A. "How did the _Commedia dell'arte_ cross the

Alps to Bavaria?" _Theatre Research International_. 16

(Autumn 1991) : 201-215.

Kennard, Joseph Spenser. _The Italian Theatre_. New York :

Benjamin Blom, 1964.

Knott, Jan. "The Return of Harlequin." _Theatre Notebook_. New

York : Doubleday & Co., 1968.

Lea, K. M. _Italian Popular Comedy: A study in the Commedia

dell'arte, 1560-1620, with special reference to the English

stage_. New York : Russell and Russell, 1962.

Levi, Cesare. "How Doctors were satirized in the Ancient

Theatre." _The Mask_. 11 (April 1925) : 71-19.

____________. "Signor Brighelle." _The Mask_. 5 (July 1912) :

20-27.

McGill, Kathleen. "Improvisatory Competence and the Cueing of

Performance : The Case of the _Commedia dell'Arte_." _Text

and Performance Quarterly_. 10 (April 1990) : 111-122.

________________. "Women and Performance : The Development of

Improvisation by the Sixteenth-Century _Commedia

dell'Arte_." _Theatre Journal_. 43 (March 1991) : 59-69.

Madden, David. _Harlequin's Stick, Charlie's Cane_. Bowling

Green : Bowling Green Popular Press, 1975.

Mantzuis, Karl. _A History of Theatrical Art: The Middle Ages

and the Renaissance (v.2)_. Gloucester, Mass. : Peter

Smith, 1970.

Mazzone-Clementi. Carlo. "Commedia and the Actor." _The Drama

Review_ (T61). 18 (March 1974) : 59-64.

McDowell, John H. "Some Pictorial Aspects of Early _Commedia

dell'arte Acting_." _Studies in Philology_. 39 (January

1942) : 47-64.

Meyerhold, Vsevolod. "The Fairground Booth." _Meyerhold on

Theatre_. New York : Hill and Wang, 1969. Edward Braun,

ed. Also published as "Farce" in Robert Corrigan, ed.

_Theatre in the Twentieth Century_. New York : Grove Press,

1963.

Nicoll, Alardyce. _Masks, Mimes and Miracles_. New York :

Harcourt, Brace and Co., 1931.

________________. _The World of Harlequin_. Cambridge :

Cambridge University Press, 1963.

Niklaus, Thelma. _Harlequin, or the Rise and Fall of a Bergamask

Rogue_. New York : George Braziller, 1956.

Oreglia, Giacomo. _The Commedia dell'arte_, trans. by Lovett F.

Edwards. New York : Hill and Wang, 1968.

Peabody, Ruth E. _Commedia Works_. Washington, D.C. : Library

of Congress, 1984.

Perrucci, Andrea. "Directions as to the preparation of a

performance from a scenario, from _Arte Rappresentativa ed

al`Improviso'_, 1699." _The Mask. 4 (October 1911) :

113-115.

Pietropaolo, Domenico, ed. _The Science of Buffoonery : Theory

and History of the Commedia dell'Arte_. University of

Toronto Italian Studies, v. 3. Ottawa : Dovehouse Editions,

1989.

Richards, Kenneth and Richards, Laura. _The Commedia dell'Arte:

A Documentary History_. Cambridge : Basil Blackwell Inc.,

1990.

"The Roguish Tricks of Coviello: A Scenario..." trans. by Cesare

Levi. _The Mask_. 6 (April 1911) : 353-356.

Rolfe, Bari. _Commedia dell`arte: A Scene Study Book_. Oakland,

Calif. : Personabooks, 1977.

__________. _Farces, Italian Style_. Oakland, Calif. :

Personabooks, 1978.

Royce, Anya Peterson. "Who was Argentina? Player and role in

seventeenth-century _commedia dell'arte_." _Theatre

Survey_. 30 (May-November 1989) : 45-57.

Sand, Maurice. _The History of the Harlequinade_. 2v. 1915

reprint. New York : Benjamin Blom, 1968.

Scala, Flaminio. _Scenarios of the Commedia dell'arte: Flaminio

Scala's Il Teatro delle favole rappresentative_, trans. by

Henry F. Salerno. New York : New York University Press,

1967.

Scherillo, Michele. "Capitan Fracassa." _The Mask_. 3 (April

1911) : 149-160.

_________________. "The _Commedia dell'arte_." _The Mask_. 3

(April 1911) : 108-126.

_________________. "The Genealogy of Pulcinella." _The Mask_.

3 (July 1910) : 22-29.

_________________. "The Scenarios of Della Porta." _The Mask_.

6 (July 1913) : 33-48.

Scott, Virginia. _The Commedia dell'Arte in Paris, 1644-1697_.

Charlottesville : University Press of Virginia, 1990.

Schricky, W. "_Commedia dell'arte_ players in Antwerp in 1576:

Drusiano and Tristano Martinelli." _Theatre Research

International_. 1 (Fall 1976) : 79-86.

Smith, Winifred. _The Commedia dell'arte_. New York : Benjamin

Blom, 1964.

______________. "A Comic Version of Romeo and Juliette."

_Modern Philology_. 7 (October 1909) : 217-220.

______________. "Italian and Elizabethan Comedy." _Modern

Philology_. 5 (April 1909) : 555-567.

______________. _Italian Actors of the Renaissance_. New York :

Benjamin Blom, 1968.

Spolin, Viola. _Improvisation for the Theatre: A Handbook of

Teaching and Directing Techniques_ Evanston : Northwestern

University Press, 1963.

Steele, Eugene. "Shakespeare, Goldoni, and the Clown."

_Comparative Drama_. 11 (Fall 1977) : 209-226.

"The Three Princes of Salerno: A Scenario..." trans. by D.

Nevile Lees. _The Mask_. 4 (April 1912) : 335-339.

Tonelli, Franco. "Moliere's _Don Juan_ and the Space of the

_Commedia dell'Arte_." _Theatre Journal_. 37 (December

1985) : 440-464.

Greenwood Press, 1984.

Quinn, Michael L. "The Comedy of Reference : The Semiotics of

"Commedia Figures in Eighteenth-Century Venice." _Theatre

Journal_. 43 (March 1991) : 70-92.

Vince, Ronald W. _Renaissance Theatre_. Westport, Conn. :

Greenwood Press, 1984.

Mistress Myrra de Blackwood

Jeri Matteson-Hughes: Eastern IL U: Charleston, IL: csjlm at ux1.cts.eiu.edu