theater-bib - 12/8/98
਀ഊA Bibliography on theater. This bibliography covers specifically Commedia dell'arte (Renaissance Italian popular theatre)
਀ഊNOTE: See also the files: theater-msg, puppets-msg, storytelling-art, music-bib, jesters-msg, Jestrs-Mumrs-lnks, masks-msg, bardic-msg, medvl-poetry-lnks.
਀ഊ************************************************************************
਀一伀吀䤀䌀䔀 ⴀഊ
਀吀栀椀猀 昀椀氀攀 椀猀 愀 挀漀氀氀攀挀琀椀漀渀 漀昀 瘀愀爀椀漀甀猀 洀攀猀猀愀最攀猀 栀愀瘀椀渀最 愀 挀漀洀洀漀渀 琀栀攀洀攀 琀栀愀琀 䤀 栀愀瘀攀 挀漀氀氀攀挀琀攀搀 昀爀漀洀 洀礀 爀攀愀搀椀渀最 漀昀 琀栀攀 瘀愀爀椀漀甀猀 挀漀洀瀀甀琀攀爀 渀攀琀眀漀爀欀猀⸀ 匀漀洀攀 洀攀猀猀愀最攀猀 搀愀琀攀 戀愀挀欀 琀漀 ㄀㤀㠀㤀Ⰰ 猀漀洀攀 洀愀礀 戀攀 愀猀 爀攀挀攀渀琀 愀猀 礀攀猀琀攀爀搀愀礀⸀ഊ
਀吀栀椀猀 昀椀氀攀 椀猀 瀀愀爀琀 漀昀 愀 挀漀氀氀攀挀琀椀漀渀 漀昀 昀椀氀攀猀 挀愀氀氀攀搀 匀琀攀昀愀渀✀猀 䘀氀漀爀椀氀攀最椀甀洀⸀ 吀栀攀猀攀 昀椀氀攀猀 愀爀攀 愀瘀愀椀氀愀戀氀攀 漀渀 琀栀攀 䤀渀琀攀爀渀攀琀 愀琀㨀 栀琀琀瀀㨀⼀⼀眀眀眀⸀昀氀漀爀椀氀攀最椀甀洀⸀漀爀最ഊ
਀䤀 栀愀瘀攀 搀漀渀攀 愀 氀椀洀椀琀攀搀 愀洀漀甀渀琀 漀昀 攀搀椀琀椀渀最⸀ 䴀攀猀猀愀最攀猀 栀愀瘀椀渀最 琀漀 搀漀 眀椀琀栀 猀攀瀀愀爀愀琀攀 琀漀瀀椀挀猀 眀攀爀攀 猀漀洀攀琀椀洀攀猀 猀瀀氀椀琀 椀渀琀漀 搀椀昀昀攀爀攀渀琀 昀椀氀攀猀 愀渀搀 猀漀洀攀琀椀洀攀猀 攀砀琀爀愀渀攀漀甀猀 椀渀昀漀爀洀愀琀椀漀渀 眀愀猀 爀攀洀漀瘀攀搀⸀ 䘀漀爀 椀渀猀琀愀渀挀攀Ⰰ 琀栀攀 洀攀猀猀愀最攀 䤀䐀猀 眀攀爀攀 爀攀洀漀瘀攀搀 琀漀 猀愀瘀攀 猀瀀愀挀攀 愀渀搀 爀攀洀漀瘀攀 挀氀甀琀琀攀爀⸀ഊ
਀吀栀攀 挀漀洀洀攀渀琀猀 洀愀搀攀 椀渀 琀栀攀猀攀 洀攀猀猀愀最攀猀 愀爀攀 渀漀琀 渀攀挀攀猀猀愀爀椀氀礀 洀礀 瘀椀攀眀瀀漀椀渀琀猀⸀ 䤀 洀愀欀攀 渀漀 挀氀愀椀洀猀 愀猀 琀漀 琀栀攀 愀挀挀甀爀愀挀礀 漀昀 琀栀攀 椀渀昀漀爀洀愀琀椀漀渀 最椀瘀攀渀 戀礀 琀栀攀 椀渀搀椀瘀椀搀甀愀氀 愀甀琀栀漀爀猀⸀ഊ
਀倀氀攀愀猀攀 爀攀猀瀀攀挀琀 琀栀攀 琀椀洀攀 愀渀搀 攀昀昀漀爀琀猀 漀昀 琀栀漀猀攀 眀栀漀 栀愀瘀攀 眀爀椀琀琀攀渀 琀栀攀猀攀 洀攀猀猀愀最攀猀⸀ 吀栀攀 挀漀瀀礀爀椀最栀琀 猀琀愀琀甀猀 漀昀 琀栀攀猀攀 洀攀猀猀愀最攀猀 椀猀 甀渀挀氀攀愀爀 愀琀 琀栀椀猀 琀椀洀攀⸀ 䤀昀 椀渀昀漀爀洀愀琀椀漀渀 椀猀 瀀甀戀氀椀猀栀攀搀 昀爀漀洀 琀栀攀猀攀 洀攀猀猀愀最攀猀Ⰰ 瀀氀攀愀猀攀 最椀瘀攀 挀爀攀搀椀琀 琀漀 琀栀攀 漀爀椀最椀渀愀琀漀爀⠀猀⤀⸀ഊ
਀吀栀愀渀欀 礀漀甀Ⰰഊ    Mark S. Harris                  AKA:  THLord Stefan li Rous
਀                                          匀琀攀昀愀渀 愀琀 昀氀漀爀椀氀攀最椀甀洀⸀漀爀最ഊ************************************************************************
਀ഊNewsgroups: rec.org.sca
਀䘀爀漀洀㨀 挀猀樀氀洀 愀琀 渀攀眀猀⸀挀琀猀⸀攀椀甀⸀攀搀甀 ⠀䨀攀爀椀 䴀愀琀琀攀猀漀渀ⴀ䠀甀最栀攀猀⤀ഊSubject: Re: Medieval theatre sources
਀匀甀洀洀愀爀礀㨀 挀漀洀洀攀搀椀愀 搀攀氀氀✀愀爀琀攀ഊOrganization: Eastern Illinois University
਀䐀愀琀攀㨀 吀甀攀Ⰰ 㔀 䄀瀀爀 ㄀㤀㤀㐀 ㄀㐀㨀㄀㤀㨀　㐀 䜀䴀吀ഊ
਀吀栀攀 䌀漀洀洀攀搀椀愀 搀攀氀氀✀愀爀琀攀 ⠀刀攀渀愀椀猀猀愀渀挀攀⬀ 䤀琀愀氀椀愀渀 瀀漀瀀甀氀愀爀 琀栀攀愀琀爀攀⤀ 椀猀 愀ഊspecialty of mine.  I've been performing/studying this technique for
਀猀漀洀攀 ㈀㄀ 礀攀愀爀猀 愀渀搀 氀攀挀琀甀爀椀渀最 漀渀 椀琀 椀渀 琀栀攀 匀䌀䄀 昀漀爀 漀瘀攀爀 ㄀㈀⸀ ഊ
਀䠀攀爀攀 椀猀 愀 开猀攀氀攀挀琀开 戀椀戀氀椀漀最爀愀瀀栀礀 栀愀渀搀漀甀琀 琀栀愀琀 䤀 甀猀攀 眀椀琀栀 洀礀 氀攀挀琀甀爀攀猀⸀  䤀琀✀猀ഊa perennial work-in-progress; I'm always adding to it, although this copy
਀栀愀猀渀✀琀 戀攀攀渀 愀搀搀攀搀 琀漀 猀椀渀挀攀 氀愀猀琀 䨀甀渀攀⸀  ഊ
਀吀栀攀 䐀漀瘀攀爀 琀攀砀琀 琀栀愀琀 吀愀渀最眀礀猀琀氀 爀攀昀攀爀猀 琀漀 椀猀 戀礀 倀⸀ 䰀⸀ 䐀甀挀栀愀爀琀攀⸀  䤀 开栀椀最栀氀礀开ഊrecommend the K. and L. Richards text - a monumental work of recent
਀爀攀猀攀愀爀挀栀 椀渀 琀栀攀 最攀渀爀攀⸀ഊ
਀䴀礀爀爀愀  ഊ
਀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀⨀ഊA Select Bibliography on the _Commedia dell'arte_. 
਀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀㴀ഊ
਀䄀洀戀爀漀猀攀Ⰰ 䜀⸀ 䈀⸀  ∀刀攀愀氀 愀挀琀椀渀最Ⰰ∀  开吀栀攀 䴀愀猀欀开⸀  㤀 ⠀㄀㤀㈀㌀⤀ ㄀㈀ⴀ㄀㐀⸀ഊBeumont, Cyril W.  _The History of Harlequin_.  New York :
਀      䈀攀渀樀愀洀椀渀 䈀氀漀洀Ⰰ ㄀㤀㘀㜀⸀ഊBently, Eric, ed.  _The Classic Theater: Six Italian Plays_. 
਀      ⠀瘀⸀㄀⤀  一攀眀 夀漀爀欀 㨀 䐀漀甀戀氀攀搀愀礀 愀渀搀 䌀漀⸀Ⰰ ㄀㤀㔀㠀⸀ഊ"The Betrayed: A Scenario..." (n. trans.)  _The Mask.  7 (July
਀      ㄀㤀㄀㄀⤀ 㨀 㔀㌀ⴀ㔀㜀⸀ഊBoughner, Daniel C.  _The Braggart in Renaissance Comedy_. 
਀      䴀椀渀渀攀愀瀀漀氀椀猀 㨀 唀渀椀瘀攀爀猀椀琀礀 漀昀 䴀椀渀渀攀猀漀琀愀 倀爀攀猀猀Ⰰ ㄀㤀㔀㐀⸀ഊBroadbent, R. J.  _A History of Pantomime_.  New York : Benjamin
਀      䈀氀漀洀Ⰰ ㄀㤀㘀㐀⸀ഊBrubaker, David.  _Court and Commedia: The Italian Renaissance
਀      匀琀愀最攀开⸀  一攀眀 夀漀爀欀 㨀 刀椀挀栀愀爀搀猀 刀漀猀攀渀 倀爀攀猀猀Ⰰ ㄀㤀㜀㔀⸀ഊBruford, Rose.  _Teaching Mime_.  London : Methuen & Co. Ltd.,
਀      ㄀㤀㔀㠀⸀ഊCole, David.  "The Visual Script : Theory and Techniques."  _The
਀      䐀爀愀洀愀 刀攀瘀椀攀眀开 ⠀吀㜀㈀⤀⸀  ㈀　 ⠀䐀攀挀攀洀戀攀爀 ㄀㤀㜀㘀⤀ 㨀 ㈀㜀ⴀ㔀　⸀ഊCole, Toby and Chinoy, Helen Krich.  _Actors on Acting: The
਀      琀栀攀漀爀椀攀猀Ⰰ 琀攀挀栀渀椀焀甀攀Ⰰ 愀渀搀 瀀爀愀挀琀椀挀攀猀 漀昀 琀栀攀 䜀爀攀愀琀 䄀挀琀漀爀猀 漀昀ഊ      All Time as told in their own words_.  New York : Crown
਀      倀甀戀氀椀猀栀攀爀猀Ⰰ ㄀㤀㜀　⸀ഊCraige, Gorden.  "The Characters of the _Commedia dell'arte_." 
਀      开吀栀攀 䴀愀猀欀开⸀  㐀 ⠀䨀愀渀甀愀爀礀 ㄀㤀㄀㈀⤀ 㨀 ㄀㤀㤀ⴀ㈀　㈀⸀ഊ______________.  "The _Commedia dell'arte_ ascending."  _The
਀      䴀愀猀欀开⸀  㔀 ⠀伀挀琀漀戀攀爀 ㄀㤀㄀㈀⤀ 㨀 ㄀　㐀ⴀ㄀　㠀⸀ഊCroce, Bennedetto.  "_Commedia dell'arte_."  _Theatre Arts_, 17
਀      ⠀䐀攀挀攀洀戀攀爀 ㄀㤀㌀㌀⤀ 㨀 㤀㈀㤀ⴀ㤀㌀㤀⸀ഊDaLuiso, Florence S., ed.  "_La Commedia dell'arte_ : An
਀      䔀砀栀椀戀椀琀椀漀渀⸀∀  䔀砀栀椀戀椀琀椀漀渀 挀愀琀愀氀漀最 漀昀 昀漀甀爀 攀猀猀愀礀猀 愀渀搀ഊ      bibliography with preface by J. Daniel Vann, III - November
਀      㤀ⴀ㌀　Ⰰ ㄀㤀㠀　Ⰰ 䰀漀挀欀眀漀漀搀 䴀攀洀漀爀椀愀氀 䰀椀戀爀愀爀礀⸀  䈀甀昀昀愀氀漀 㨀 匀琀愀琀攀ഊ      University of New York, 1980.
਀䐀愀瘀椀猀Ⰰ 䨀攀猀猀椀挀愀 䴀椀氀渀攀爀⸀  开䘀愀爀挀攀㨀 吀栀攀 䌀爀椀琀椀挀愀氀 䤀搀椀漀洀开Ⰰ 瘀⸀ ㌀㤀Ⰰ 䨀漀栀渀ഊ      D. Jump, ed.  London : Methuen & Co., 1978.
਀䐀甀挀栀愀爀琀攀Ⰰ 倀椀攀爀爀攀 䰀漀甀椀猀⸀  开吀栀攀 䤀琀愀氀椀愀渀 䌀漀洀攀搀礀㨀 吀栀攀 䤀洀瀀爀漀瘀椀猀愀琀椀漀渀猀Ⰰഊ      Scenarios, lives, Attributes, Portraits and Masks of the
਀      䤀氀氀甀猀琀爀椀漀甀猀 䌀栀愀爀愀挀琀攀爀猀 漀昀 琀栀攀 䌀漀洀洀攀搀椀愀 搀攀氀氀✀愀爀琀攀开⸀  一攀眀 夀漀爀欀ഊ      : Dover Publications, 1966.
਀䘀愀栀攀爀琀礀Ⰰ 吀攀爀攀猀愀 䨀⸀  ∀伀琀栀攀氀氀漀 搀攀氀氀✀䄀爀琀攀 㨀 吀栀攀 倀爀攀猀攀渀挀攀 漀昀ഊ      _Commedia_ in Shakespeare's Tragedy."  _Theatre Journal_. 
਀      㐀㌀ ⠀䴀愀礀 ㄀㤀㤀㄀⤀ 㨀 ㄀㜀㤀ⴀ㄀㤀㐀⸀ഊ"The Four Lunatics: A Scenario..."  trans. by D. Nevile Lees. 
਀      开吀栀攀 䴀愀猀欀开⸀  㐀 ⠀伀挀琀漀戀攀爀 ㄀㤀㄀㄀⤀ 㨀 ㄀㄀㘀ⴀ㄀㈀㄀⸀ഊGarfein, Herschel ad Gordon, Mel.  "The Adriani _Lazzi_ of the
਀      开䌀漀洀洀攀搀椀愀 搀攀氀氀✀䄀爀琀攀开⸀∀  开吀栀攀 䐀爀愀洀愀 刀攀瘀椀攀眀开 ⠀吀㜀㜀⤀⸀  ㈀㈀ ⠀䴀愀爀挀栀ഊ      1978) : 3-12.
਀䜀栀攀爀愀爀搀椀Ⰰ 䔀瘀愀爀椀猀琀漀⸀  ∀吀栀攀 椀渀琀爀漀搀甀挀琀椀漀渀 琀漀 䰀愀 吀栀攀愀琀爀攀 䤀琀愀氀椀愀渀⸀∀ ഊ      trans. by D. Nevile Lees.  _The Mask_.  3 (April 1911) :
਀      ㄀㘀㐀ⴀ㄀㜀㄀⸀ഊGordon, Mel.  _Lazzi: The Comic Routines of the Commedia
਀      搀攀氀氀✀䄀爀琀攀开⸀  一攀眀 夀漀爀欀 㨀 倀攀爀昀漀爀洀椀渀最 䄀爀琀猀 䨀漀甀爀渀愀氀ഊ      Publications, 1983.
਀䜀爀攀攀渀Ⰰ 䴀愀爀琀椀渀 愀渀搀 匀眀愀渀Ⰰ 䨀漀栀渀⸀  开吀栀攀 吀爀椀甀洀瀀栀 漀昀 倀攀爀爀椀漀琀㨀 吀栀攀ഊ      Commedia dell'Arte and the Modern Imagination_.  New York :
਀      䴀愀挀洀椀氀氀愀渀 倀甀戀氀椀猀栀椀渀最 䌀漀⸀Ⰰ ㄀㤀㠀㘀⸀ഊHerrick, Marvin T.  _Comic Theory in the Sixteenth Century:
਀      䤀氀氀椀渀漀椀猀 匀琀甀搀椀攀猀 椀渀 䰀愀渀最甀愀最攀 愀渀搀 䰀椀琀攀爀愀琀甀爀攀开Ⰰ 瘀⸀ ㌀㐀Ⰰ 渀漀⸀ഊ      1-2, H. F. Fletcher, H. E. Cunningham, H. Rehder, eds. 
਀      唀爀戀愀渀愀 㨀 唀渀椀瘀攀爀猀椀琀礀 漀昀 䤀氀氀椀渀漀椀猀 倀爀攀猀猀Ⰰ ㄀㤀㔀　⸀ഊ_________________.  _Italian Comedy in the Renaissance_.
਀      唀爀戀愀渀愀 㨀 唀渀椀瘀攀爀猀椀琀礀 漀昀 䤀氀氀椀渀漀椀猀 倀爀攀猀猀Ⰰ ㄀㤀㘀　⸀ഊHodgson, John and Richards, Ernst.  _Improvisation_.  London :
਀      䔀礀爀攀 䴀攀琀栀甀攀渀 䰀琀搀⸀Ⰰ ㄀㤀㜀㐀⸀ഊJohnstone, Keith.  _Impro: Improvisation for the Theatre_.  New
਀      夀漀爀欀 㨀 吀栀攀愀琀爀攀 䄀爀琀猀 䈀漀漀欀猀Ⰰ ㄀㤀㜀㤀⸀ഊKatritzky, M. A.  "How did the _Commedia dell'arte_ cross the
਀      䄀氀瀀猀 琀漀 䈀愀瘀愀爀椀愀㼀∀  开吀栀攀愀琀爀攀 刀攀猀攀愀爀挀栀 䤀渀琀攀爀渀愀琀椀漀渀愀氀开⸀  ㄀㘀ഊ      (Autumn 1991) : 201-215.
਀䬀攀渀渀愀爀搀Ⰰ 䨀漀猀攀瀀栀 匀瀀攀渀猀攀爀⸀  开吀栀攀 䤀琀愀氀椀愀渀 吀栀攀愀琀爀攀开⸀  一攀眀 夀漀爀欀 㨀ഊ      Benjamin Blom, 1964.
਀䬀渀漀琀琀Ⰰ 䨀愀渀⸀  ∀吀栀攀 刀攀琀甀爀渀 漀昀 䠀愀爀氀攀焀甀椀渀⸀∀  开吀栀攀愀琀爀攀 一漀琀攀戀漀漀欀开⸀  一攀眀ഊ      York : Doubleday & Co., 1968.
਀䰀攀愀Ⰰ 䬀⸀ 䴀⸀  开䤀琀愀氀椀愀渀 倀漀瀀甀氀愀爀 䌀漀洀攀搀礀㨀 䄀 猀琀甀搀礀 椀渀 琀栀攀 䌀漀洀洀攀搀椀愀ഊ      dell'arte, 1560-1620, with special reference to the English
਀      猀琀愀最攀开⸀  一攀眀 夀漀爀欀 㨀 刀甀猀猀攀氀氀 愀渀搀 刀甀猀猀攀氀氀Ⰰ ㄀㤀㘀㈀⸀ഊLevi, Cesare.  "How Doctors were satirized in the Ancient
਀      吀栀攀愀琀爀攀⸀∀  开吀栀攀 䴀愀猀欀开⸀  ㄀㄀ ⠀䄀瀀爀椀氀 ㄀㤀㈀㔀⤀ 㨀 㜀㄀ⴀ㄀㤀⸀ഊ____________.  "Signor Brighelle."  _The Mask_.  5 (July 1912) :
਀      ㈀　ⴀ㈀㜀⸀ ഊMcGill, Kathleen.  "Improvisatory Competence and the Cueing of
਀      倀攀爀昀漀爀洀愀渀挀攀 㨀 吀栀攀 䌀愀猀攀 漀昀 琀栀攀 开䌀漀洀洀攀搀椀愀 搀攀氀氀✀䄀爀琀攀开⸀∀  开吀攀砀琀ഊ      and Performance Quarterly_. 10 (April 1990) : 111-122.
਀开开开开开开开开开开开开开开开开⸀  ∀圀漀洀攀渀 愀渀搀 倀攀爀昀漀爀洀愀渀挀攀 㨀 吀栀攀 䐀攀瘀攀氀漀瀀洀攀渀琀 漀昀ഊ      Improvisation by the Sixteenth-Century _Commedia
਀      搀攀氀氀✀䄀爀琀攀开⸀∀  开吀栀攀愀琀爀攀 䨀漀甀爀渀愀氀开⸀  㐀㌀ ⠀䴀愀爀挀栀 ㄀㤀㤀㄀⤀ 㨀 㔀㤀ⴀ㘀㤀⸀ഊMadden, David.  _Harlequin's Stick, Charlie's Cane_.  Bowling
਀      䜀爀攀攀渀 㨀 䈀漀眀氀椀渀最 䜀爀攀攀渀 倀漀瀀甀氀愀爀 倀爀攀猀猀Ⰰ ㄀㤀㜀㔀⸀ഊMantzuis, Karl.  _A History of Theatrical Art: The Middle Ages
਀      愀渀搀 琀栀攀 刀攀渀愀椀猀猀愀渀挀攀 ⠀瘀⸀㈀⤀开⸀  䜀氀漀甀挀攀猀琀攀爀Ⰰ 䴀愀猀猀⸀ 㨀 倀攀琀攀爀ഊ      Smith, 1970.
਀䴀愀稀稀漀渀攀ⴀ䌀氀攀洀攀渀琀椀⸀ 䌀愀爀氀漀⸀  ∀䌀漀洀洀攀搀椀愀 愀渀搀 琀栀攀 䄀挀琀漀爀⸀∀ 开吀栀攀 䐀爀愀洀愀 ഊ      Review_ (T61). 18 (March 1974) : 59-64.
਀䴀挀䐀漀眀攀氀氀Ⰰ 䨀漀栀渀 䠀⸀  ∀匀漀洀攀 倀椀挀琀漀爀椀愀氀 䄀猀瀀攀挀琀猀 漀昀 䔀愀爀氀礀 开䌀漀洀洀攀搀椀愀ഊ      dell'arte Acting_."  _Studies in Philology_. 39 (January
਀      ㄀㤀㐀㈀⤀ 㨀 㐀㜀ⴀ㘀㐀⸀ഊMeyerhold, Vsevolod.  "The Fairground Booth."  _Meyerhold on
਀      吀栀攀愀琀爀攀开⸀  一攀眀 夀漀爀欀 㨀 䠀椀氀氀 愀渀搀 圀愀渀最Ⰰ ㄀㤀㘀㤀⸀  䔀搀眀愀爀搀 䈀爀愀甀渀Ⰰഊ      ed.  Also published as "Farce" in Robert Corrigan, ed. 
਀      开吀栀攀愀琀爀攀 椀渀 琀栀攀 吀眀攀渀琀椀攀琀栀 䌀攀渀琀甀爀礀开⸀  一攀眀 夀漀爀欀 㨀 䜀爀漀瘀攀 倀爀攀猀猀Ⰰഊ      1963. 
਀一椀挀漀氀氀Ⰰ 䄀氀愀爀搀礀挀攀⸀  开䴀愀猀欀猀Ⰰ 䴀椀洀攀猀 愀渀搀 䴀椀爀愀挀氀攀猀开⸀  一攀眀 夀漀爀欀 㨀ഊ      Harcourt, Brace and Co., 1931.
਀开开开开开开开开开开开开开开开开⸀  开吀栀攀 圀漀爀氀搀 漀昀 䠀愀爀氀攀焀甀椀渀开⸀  䌀愀洀戀爀椀搀最攀 㨀ഊ      Cambridge University Press, 1963.
਀一椀欀氀愀甀猀Ⰰ 吀栀攀氀洀愀⸀  开䠀愀爀氀攀焀甀椀渀Ⰰ 漀爀 琀栀攀 刀椀猀攀 愀渀搀 䘀愀氀氀 漀昀 愀 䈀攀爀最愀洀愀猀欀ഊ      Rogue_.  New York : George Braziller, 1956.
਀伀爀攀最氀椀愀Ⰰ 䜀椀愀挀漀洀漀⸀  开吀栀攀 䌀漀洀洀攀搀椀愀 搀攀氀氀✀愀爀琀攀开Ⰰ 琀爀愀渀猀⸀ 戀礀 䰀漀瘀攀琀琀 䘀⸀ഊ      Edwards.  New York : Hill and Wang, 1968.
਀倀攀愀戀漀搀礀Ⰰ 刀甀琀栀 䔀⸀  开䌀漀洀洀攀搀椀愀 圀漀爀欀猀开⸀  圀愀猀栀椀渀最琀漀渀Ⰰ 䐀⸀䌀⸀ 㨀 䰀椀戀爀愀爀礀ഊ      of Congress, 1984.
਀倀攀爀爀甀挀挀椀Ⰰ 䄀渀搀爀攀愀⸀  ∀䐀椀爀攀挀琀椀漀渀猀 愀猀 琀漀 琀栀攀 瀀爀攀瀀愀爀愀琀椀漀渀 漀昀 愀ഊ      performance from a scenario, from _Arte Rappresentativa ed
਀      愀氀怀䤀洀瀀爀漀瘀椀猀漀✀开Ⰰ ㄀㘀㤀㤀⸀∀  开吀栀攀 䴀愀猀欀⸀  㐀 ⠀伀挀琀漀戀攀爀 ㄀㤀㄀㄀⤀ 㨀ഊ      113-115.
਀倀椀攀琀爀漀瀀愀漀氀漀Ⰰ 䐀漀洀攀渀椀挀漀Ⰰ 攀搀⸀  开吀栀攀 匀挀椀攀渀挀攀 漀昀 䈀甀昀昀漀漀渀攀爀礀 㨀 吀栀攀漀爀礀ഊ      and History of the Commedia dell'Arte_.  University of
਀      吀漀爀漀渀琀漀 䤀琀愀氀椀愀渀 匀琀甀搀椀攀猀Ⰰ 瘀⸀ ㌀⸀  伀琀琀愀眀愀 㨀 䐀漀瘀攀栀漀甀猀攀 䔀搀椀琀椀漀渀猀Ⰰഊ      1989.
਀刀椀挀栀愀爀搀猀Ⰰ 䬀攀渀渀攀琀栀 愀渀搀 刀椀挀栀愀爀搀猀Ⰰ 䰀愀甀爀愀⸀  开吀栀攀 䌀漀洀洀攀搀椀愀 搀攀氀氀✀䄀爀琀攀㨀ഊ      A Documentary History_.  Cambridge : Basil Blackwell Inc.,
਀      ㄀㤀㤀　⸀ഊ"The Roguish Tricks of Coviello: A Scenario..." trans. by Cesare
਀      䰀攀瘀椀⸀  开吀栀攀 䴀愀猀欀开⸀  㘀 ⠀䄀瀀爀椀氀 ㄀㤀㄀㄀⤀ 㨀 ㌀㔀㌀ⴀ㌀㔀㘀⸀ഊRolfe, Bari.  _Commedia dell`arte: A Scene Study Book_.  Oakland,
਀      䌀愀氀椀昀⸀ 㨀 倀攀爀猀漀渀愀戀漀漀欀猀Ⰰ ㄀㤀㜀㜀⸀ഊ__________.  _Farces, Italian Style_.  Oakland, Calif. :
਀      倀攀爀猀漀渀愀戀漀漀欀猀Ⰰ ㄀㤀㜀㠀⸀ഊRoyce, Anya Peterson.  "Who was Argentina?  Player and role in
਀      猀攀瘀攀渀琀攀攀渀琀栀ⴀ挀攀渀琀甀爀礀 开挀漀洀洀攀搀椀愀 搀攀氀氀✀愀爀琀攀开⸀∀  开吀栀攀愀琀爀攀ഊ      Survey_.  30 (May-November 1989) : 45-57.
਀匀愀渀搀Ⰰ 䴀愀甀爀椀挀攀⸀  开吀栀攀 䠀椀猀琀漀爀礀 漀昀 琀栀攀 䠀愀爀氀攀焀甀椀渀愀搀攀开⸀  ㈀瘀⸀ ㄀㤀㄀㔀ഊ      reprint.  New York : Benjamin Blom, 1968.
਀匀挀愀氀愀Ⰰ 䘀氀愀洀椀渀椀漀⸀  开匀挀攀渀愀爀椀漀猀 漀昀 琀栀攀 䌀漀洀洀攀搀椀愀 搀攀氀氀✀愀爀琀攀㨀 䘀氀愀洀椀渀椀漀ഊ      Scala's Il Teatro delle favole rappresentative_, trans. by
਀      䠀攀渀爀礀 䘀⸀ 匀愀氀攀爀渀漀⸀  一攀眀 夀漀爀欀 㨀 一攀眀 夀漀爀欀 唀渀椀瘀攀爀猀椀琀礀 倀爀攀猀猀Ⰰഊ      1967.
਀匀挀栀攀爀椀氀氀漀Ⰰ 䴀椀挀栀攀氀攀⸀  ∀䌀愀瀀椀琀愀渀 䘀爀愀挀愀猀猀愀⸀∀ 开吀栀攀 䴀愀猀欀开⸀  ㌀ ⠀䄀瀀爀椀氀ഊ      1911) : 149-160.
਀开开开开开开开开开开开开开开开开开⸀  ∀吀栀攀 开䌀漀洀洀攀搀椀愀 搀攀氀氀✀愀爀琀攀开⸀∀  开吀栀攀 䴀愀猀欀开⸀  ㌀ഊ      (April 1911) : 108-126.
਀开开开开开开开开开开开开开开开开开⸀  ∀吀栀攀 䜀攀渀攀愀氀漀最礀 漀昀 倀甀氀挀椀渀攀氀氀愀⸀∀  开吀栀攀 䴀愀猀欀开⸀ ഊ      3 (July 1910) : 22-29.
਀开开开开开开开开开开开开开开开开开⸀  ∀吀栀攀 匀挀攀渀愀爀椀漀猀 漀昀 䐀攀氀氀愀 倀漀爀琀愀⸀∀  开吀栀攀 䴀愀猀欀开⸀ ഊ      6 (July 1913) : 33-48.
਀匀挀漀琀琀Ⰰ 嘀椀爀最椀渀椀愀⸀  开吀栀攀 䌀漀洀洀攀搀椀愀 搀攀氀氀✀䄀爀琀攀 椀渀 倀愀爀椀猀Ⰰ ㄀㘀㐀㐀ⴀ㄀㘀㤀㜀开⸀ ഊ      Charlottesville : University Press of Virginia, 1990.
਀匀挀栀爀椀挀欀礀Ⰰ 圀⸀  ∀开䌀漀洀洀攀搀椀愀 搀攀氀氀✀愀爀琀攀开 瀀氀愀礀攀爀猀 椀渀 䄀渀琀眀攀爀瀀 椀渀 ㄀㔀㜀㘀㨀ഊ      Drusiano and Tristano Martinelli."  _Theatre Research
਀      䤀渀琀攀爀渀愀琀椀漀渀愀氀开⸀  ㄀ ⠀䘀愀氀氀 ㄀㤀㜀㘀⤀ 㨀 㜀㤀ⴀ㠀㘀⸀ഊSmith, Winifred.  _The Commedia dell'arte_.  New York : Benjamin
਀      䈀氀漀洀Ⰰ ㄀㤀㘀㐀⸀ഊ______________.  "A Comic Version of Romeo and Juliette." 
਀      开䴀漀搀攀爀渀 倀栀椀氀漀氀漀最礀开⸀  㜀 ⠀伀挀琀漀戀攀爀 ㄀㤀　㤀⤀ 㨀 ㈀㄀㜀ⴀ㈀㈀　⸀ഊ______________.  "Italian and Elizabethan Comedy."  _Modern
਀      倀栀椀氀漀氀漀最礀开⸀  㔀 ⠀䄀瀀爀椀氀 ㄀㤀　㤀⤀ 㨀 㔀㔀㔀ⴀ㔀㘀㜀⸀ഊ______________.  _Italian Actors of the Renaissance_.  New York :
਀      䈀攀渀樀愀洀椀渀 䈀氀漀洀Ⰰ ㄀㤀㘀㠀⸀ഊSpolin, Viola.  _Improvisation for the Theatre: A Handbook of
਀      吀攀愀挀栀椀渀最 愀渀搀 䐀椀爀攀挀琀椀渀最 吀攀挀栀渀椀焀甀攀猀开  䔀瘀愀渀猀琀漀渀 㨀 一漀爀琀栀眀攀猀琀攀爀渀ഊ      University Press, 1963.
਀匀琀攀攀氀攀Ⰰ 䔀甀最攀渀攀⸀  ∀匀栀愀欀攀猀瀀攀愀爀攀Ⰰ 䜀漀氀搀漀渀椀Ⰰ 愀渀搀 琀栀攀 䌀氀漀眀渀⸀∀ ഊ      _Comparative Drama_.  11 (Fall 1977) : 209-226.
਀∀吀栀攀 吀栀爀攀攀 倀爀椀渀挀攀猀 漀昀 匀愀氀攀爀渀漀㨀 䄀 匀挀攀渀愀爀椀漀⸀⸀⸀∀  琀爀愀渀猀⸀ 戀礀 䐀⸀ഊ      Nevile Lees.  _The Mask_.  4 (April 1912) : 335-339.
਀吀漀渀攀氀氀椀Ⰰ 䘀爀愀渀挀漀⸀  ∀䴀漀氀椀攀爀攀✀猀 开䐀漀渀 䨀甀愀渀开 愀渀搀 琀栀攀 匀瀀愀挀攀 漀昀 琀栀攀ഊ     _Commedia dell'Arte_."  _Theatre Journal_.  37 (December
਀     ㄀㤀㠀㔀⤀ 㨀 㐀㐀　ⴀ㐀㘀㐀⸀ഊ     Greenwood Press, 1984.
਀儀甀椀渀渀Ⰰ 䴀椀挀栀愀攀氀 䰀⸀  ∀吀栀攀 䌀漀洀攀搀礀 漀昀 刀攀昀攀爀攀渀挀攀 㨀 吀栀攀 匀攀洀椀漀琀椀挀猀 漀昀ഊ      "Commedia Figures in Eighteenth-Century Venice."  _Theatre
਀      䨀漀甀爀渀愀氀开⸀  㐀㌀ ⠀䴀愀爀挀栀 ㄀㤀㤀㄀⤀ 㨀 㜀　ⴀ㤀㈀⸀ഊVince, Ronald W.  _Renaissance Theatre_.  Westport, Conn. :
਀      䜀爀攀攀渀眀漀漀搀 倀爀攀猀猀Ⰰ ㄀㤀㠀㐀⸀ഊ-- 
਀䴀椀猀琀爀攀猀猀 䴀礀爀爀愀 搀攀 䈀氀愀挀欀眀漀漀搀ഊJeri Matteson-Hughes: Eastern IL U: Charleston, IL: csjlm at ux1.cts.eiu.edu
਀ഊ<the end>
਀䔀搀椀琀攀搀 戀礀 䴀愀爀欀 匀⸀ 䠀愀爀爀椀猀ऀ琀栀攀愀琀攀爀ⴀ戀椀戀ऀ倀愀最攀 㔀 漀昀 㘀ഊ
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