yurts-msg – 10/21/03
Round Mongol tents also called gers. Referances. Construction hints.
NOTE: See also the files: Mongols-msg, fd-Mongols-msg, pavilions-msg, p-tents-art, p-tents-msg, tents-sources-msg, tent-fabrics-msg.
************************************************************************
NOTICE -
This file is a collection of various messages having a common theme that I have collected from my reading of the various computer networks. Some messages date back to 1989, some may be as recent as yesterday.
This file is part of a collection of files called Stefan's Florilegium. These files are available on the Internet at: http://www.florilegium.org
I have done a limited amount of editing. Messages having to do with separate topics were sometimes split into different files and sometimes extraneous information was removed. For instance, the message IDs were removed to save space and remove clutter.
The comments made in these messages are not necessarily my viewpoints. I make no claims as to the accuracy of the information given by the individual authors.
Please respect the time and efforts of those who have written these messages. The copyright status of these messages is unclear at this time. If information is published from these messages, please give credit to the originator(s).
Thank you,
Mark S. Harris AKA: THLord Stefan li Rous
Stefan at florilegium.org
************************************************************************
From: Blackwolf
Re: Burning Tents!!
Date: 22 Jan 92
One advantage yurts have over standard tents .... large "smoke" openings in the roof and skirting on the sides that can be partially raised to provide adequate ventilation .... hot air rises through roof, creates low pressure that pulls steady supply of air through "vents" in sides ... sets up a convection flow that carries stale air (including carbon monoxide) out and pulls fresh air in.
As for safety ... the yurt is a "sacred" space - the hearth is at the center and as such all who enter are aware of it (all of us mongol types know basic yurt protocol). when one enters such "sacred space", one does not casually fling ones cloak around .... consider, it was death penalty for any one who stepped on the "threshold" of a yurt (the dividing line between the sacred inner circle and the external consensus reality world). if the person who suggested this design (and having experience in yurts and amerind tepees in winter, it is an excellent design) is sensible, he'll have an extinguisher out of sight and near to hand - as all SCAdian tent dwellers should.
Basic point here is not to legislate out all possibility of danger ... it is to teach respect and understanding of these areas ... in this case how to live with fire - a skill that is sadly lacking. anyone who feels they need to have their hands held to that level really needs to get out of the woods and back into their apartments. it's amazing what stressing personal responsibility and common sense will get you verses trying to push responsibility off on others (concept has ramifications in many areas of SCAdian life as well as munucdane life ....).
bw
From: corun at access.digex.net (Corun MacAnndra)
Newsgroups: rec.org.sca
Subject: Re: tent space - period pavillions
Date: 25 May 1993 09:59:40 -0400
Organization: Express Access Online Communications, Greenbelt, MD USA
doconnor at sedona.intel.com (Dennis O'Connor) writes:
>corun at access.digex.net (Corun MacAnndra) writes:
>] I don't know what the size of the average European style pavilion or
>] tent is, but I bring a yurt (which is the Russian word for it, the
>] Mongolian being ger). My yurt is 15 feet in diameter, stands six feet
>] at the wall and eight at the roof ring, and has no center support poles.
>
>My newly-completed gher (known to Europeans as a "yurt", which really
>means "area of land where you live") is 16' in diameter, and stands
>5' tall at the walls. The roof peaks at 10', and has a 3' diameter
>smoke-hole with a flap to cover it, built around a Mongol-style
>wheel like your. Currently it does have a center-pole attached to the
>"wheel" by a spider of ropes and turnbuckles: I've first built an
>"easy-up" frame for it, which uses (horrors) tether lines, and as
>time goes by I'll also build a more authentic wooden framework for it.
>
>Corun, I have to advise you: I've never seen a real gher that had walls
>more than 5' high. Most seem to be abuou 4'6" or so. The advantages
>of a low wall are less fabric, less surface area exposed to the wind,
>less volume to try to heat in the winter, and your enemies have to
>duck coming in the door, making them easy to kill :-). But if you
>happen to have a taller gher than I've seen : I'm sure the height
>of gher walls varied some in the time of the Empire :-).
Thank you for the advice. My yurt is based on an actual one I was
allowed to climb around in that was brought to the Smithsonian by
the Russians several years ago for the exhibit Nomads of the Eurasian
Steppe. The only difference is that the roof poles on this one were
bent at one end so as to come down vertically to the khana (which was
around six feet already), adding another 18 inches or so to the height
of the wall. The roof ring was 57 inches inside diameter and rose to
about 12 feet or so. The whole yurt was still only 15 feet in diameter,
and the top and bottom pieces of the door frame were 7 inches wide,
allowing for the same need to stoop to get in the door (very effective
form of defense). Yes, there are subtle differences between the
various tribes that inhabit the steppe. I met some Tuvans recently,
and showed them a Mongol hat. They pointed out a difference in theirs
to the Mongol one that was very subtle to me, but glaring to them.
The four flaps that go around the hat on the Mongol one are of the
same size, but on the Tuavns hat, the front and back ones are smaller
than the side ones.
>The 5' walls on our gher work well, since the outer areas of the
>floor of the gher are usually taken up by sitting things (storage
>boxes, coolers, et cetera) disguised by throws, aproximately
>according to traditional Mongol interior design, except the king-size
>air matress. There's plenty of standing room.
On the yurt I researched, a pole was place horizontally across the
khana, acting as a closet pole for hanging things from. This is what
I do in my yurt.
>] Of course, not everyone wants to live as a Mongol. ;-)
>
>They just don't know any better. :-)
We can fix that. ;-)
I recall you saying in another message that you've only been to Pennsic
once. I hope this changes and we get a chance to compare yurt notes.
In service,
Corun
==============================================================================
Corun MacAnndra | Good morning. Good afternoon. Good evening.
Dark Horde by birth | How difficult to tell what time it is when you're
Moritu by choice | locked in a tiny room with flourescent lights.
From: mjc at telerama.lm.com
Newsgroups: rec.org.sca
Subject: Re: YURTS!!!!!
Date: 12 Apr 1995 10:38:49 -0400
Organization: Telerama Public Access Internet, Pittsburgh, PA USA
Todric (from the Dark Horde) gave me a set of yurt plans for the
asking. Sir Ogami sells a set for $5 that explains what's going on a
little better. [NOTE - Sir Ogami is no longer selling such plans -
5/12/01 - Stefan] (The former assume a little more knowledge on the part
of the reader, as I recall.) I still had to have someone who knows
something about carpentry explain a little of it to me, even working
from Ogami's plans, but I've never really done wood before so I wasn't
surprised.
One thing I found when we built ours last year was that, at least here
in Pittsburgh, wood prices are weird. The yurt requires something
like 70 8' lathes -- boards an inch and a half (inch and a quarter?)
wide and a quarter inch thick. These cost a fortune. It was actually
cheaper to buy 2x4 and a table saw, cut the 2x4s lengthwise (each one
yielded 8-10 lathes depending on how careful we were being), and then
throw the table saw away. (We didn't actually do this; we used a
friend's radial arm saw. But it would have been cheaper to buy the
tool for a single use than to buy the lathes.) Sure, it took extra
time to do this, but we're talking a price difference of a few hundred
dollars. And besides, drilling the lathes was easier; we just drilled
the 2x4s before cutting them down, guaranteeing that the holes mostly
lined up in the right places. (We used a drill press to make sure the
drill was vertical at all times.)
There seem to be at least as many ways to build a yurt as there are
yurts; a tour of Horde camp can be enlightening.
Ellisif
From: todric1 at aol.com (TODRIC1)
Newsgroups: rec.org.sca
Subject: Re: YURTS!!!!!
Date: 20 Apr 1995 00:06:08 -0400
Organization: America Online, Inc. (1-800-827-6364)
My ears have been burning. It would seem that I have finally found my way
here. (Nya-ha-ha!). For whatever use it is, the following: I recommend the
"drill & rip the 2X4s" method. The original specification of lath moulding
was for the prototype (what did I know then?). An excellent example of an
aluminum yurt showedup last year, who knows what's next? Pultruded
fibreglass? Spun carbon-fibre?
There are several approaches to constructing the roof-ring, but the
traditional method depends on which tribe's tradition you want to follow,
and how much you are forced to accomodate modern materials and tools. I
really think that steam-bending provides the strongest ring, but
lamination or fabrication from sections works okay if you plan from the
start to make it stronger than you think it needs to be.
It is true that to really know yurts, you must build one and spend some
time living in it. They are dynamic, like the rest of the universe.
If requested, I will post the name & # of a friend who will custom build
you a yurt suitable for permanent or temporary habitation.
P.S. Thanks to all who expressed their condolences on the death of my
Mother. Father is out of hospital and recuperating from the accident.
Wow! Look at the connect time! Gotta go!
TTFN, Todric
From: sevant at infinet.com (C. Baum)
Newsgroups: rec.org.sca
Subject: Re: YURTS!!!!!
Date: 23 Apr 1995 20:00:25 GMT
Organization: InfiNet
My lords and ladies all who share an interest in Mongolian Gers Greetings:
I have read with enthusiasm of the growing interest in Mongolian Gers. I
offer the following information on the topic of Gers from the perspective of
someone who has built two 18' Gers, and who is a paid member of the
Mongol-American Cultural Association, Inc., and a member of the Great
Dark Horde established in 1972 by Svea Wartooth (m.k.a. John Bailey), his
fencing student Yang the Nauseating (m.k.a. Robert Asprin, author of the
MYTH series and Phule's series, editor of The Thieves' World Books with
Lynn Abbey), Mr. Bailey's first wife [Mary] (deceased), and Aleeia of
the Two Swords (m.k.a. Jacquline Sapulski) another fencing student of Svea's.
Included herein will be the most complete and current contact information
for a variety of sources of information on Mongolian Gers, culture,
traditions and arts past and present available to me. I offer this
information to promote greater understanding based on independantly
verifiable facts. I strongly encourage interested parties to contact any
of these sources to get the truth for yourself. Remeber that ignorance
is the only real enemy of mankind. Also feel free to email me directly
with questions and comments.
"Due to special efforts of MACA board of directors member, Caghanbaatar,
an internet news forum "Soc.culture.mongolian" has come into existence"
quoted from Issue 3, August 1994 of the MONGOL TOLBO, national newsletter
of MACA, Inc. General Mongolian discussion group.
First a point of clarification. According to Sanj Altan, current President
of MACA, Inc., 50 Louis St., New Brunswick, NJ 08901, and a Mongolian
native who emegrated to the US at the age of 5 during the Second World
War when Mongolia was invaded and subjugated by the then Communist USSR,
"yurt" is the Russian word for the Mongolia nomads home called Ger by the
Mongol natives.
Mr. Altan has further explained to me that native Mongolians,
and the Mongolian-American emegrees, find the word "yurt" to be offensive
to them as it reminds them of the decades of oppression under the
Communist invaders. As a courtesy to the real Mongolian peoples, I will
refer to their wonderful portable architechture by their term "Ger"
throughout this posting. I would further like to encourage the use of
the name "Ger" to be used by everyone following this discussion as a
token of courtesy and respect for these fine people.
Furthermore, I am happy to report that Sanj has remarked to me on more
than one occasion his delight to learn that there is a growing interest
among Americans in the history, culture, traditions and arts of his
beloved native lands. He welcomes anyone interested in Mongolian culture
past and present to become paid members of MACA, Inc.
Regular membership in MACA is $50 annually which includes a subscription
to the national "Mongol Tolbo" newsletter. The annual subscription
rate for the "Mongol Tolbo" newsletter is also available seperately
for $20 annually. Full time students and retirees are elegable for a
membership for $20 annually.
For a membership application or subscription order form please contact
MACA, Inc. at the address listed previously. If you like you may even
mention my name in your letter of inquiry if you address your letter to
Mr. Altan directly, indicating me as the source of this information.
On the subject of Ger information:
For Ger enthusiats everywhere I am pleased to announce the "Mongol
Renaissance" exhibition which will be touring the US for 12 months,
opening in July 1995 at the Asian Art Museum in San Francisco, and
continuing for display at the Denver Art Museum and the National
Georgraphic's Explorer's Hall in Washington, DC. Current plans call for
a multimedia installation to be part of the exhibition along with a ger
being built for the show by the Ministry of Culture in Ulan Bator. A CD
ROM of the multimedia piece may also be produced for sale with the
exhibition catalog. Design and production for this work is currently
being donated by Dynamic Diagrams, for the Asian Art Museum of San
Francisco, the organizers of the show.
Mr. Paul Kahn, author of the excellent book "The Secret History of the
Mongols", an adaptation based on Francis Cleaves' translation, is the
project developer for the "Multimedia Ger Project" being featured in the
above mentioned "Mongol Renaissance" exhibition. Mr. Kahn's project
consists of four parts:
Part One: History
Part Two: Felt
Part Three: Making a Ger
Part Four: Living in a Ger
Mr. Kahn may be reached for further information as follows:
Paul Kahn
Dynamic Diagrams
12 Bassett St.
Providence RI 02903
Ph: 401.331.2014
Email: Paul_Kahn at brown.edu
My first interest in Gers came from living in the first Ger built by
Eadred Aelthylstan of the Great Dark Horde, at Pennsic in 1990. In turn
Eadred and I wish to give full credit to Todric Koenig, originally of the
Great Dark Horde and one of the founders of the Moritu (along with Rowan
Starbear, Bjorn and Cip/Baron Thomas Damien Blackmoor, established in
September, 1985, at the special khuralitai held at the University of
Wisconsin, in Madison, WI) for being responsible for inspiring Eadred
to build a ger of his own.
Eadred caught "ger fever" after Todric was gracious enough to invite
Eadred to be a guest in Todric's ger in Moritu camp at Pennsic. During that
first and many subsequent visits by Eadred to Todric's ger at the war, he
discussed the various technical challenges and options available to a
new ger builder. Todric's encouragement of Eadred's first effort and his
boundless enthusiasm for the elegant architechture of gers in general were
invaulable. While elegant in their simplicity, building a ger is a
little tricky, especially at first. Tonos or roof rings are an art all
by themselves, as you may well discover when you build your first ger.
In traditional Mongolian ger design there are several historically
documentable conventions that have progressed unchaged to this very day.
Palgi and Toch Toch Gyamcho (PH: 908-297-1140, leave a message) brought
their hand-crafted geniune Mongolian ger with them from Mongolia. The
brothers Gyamcho erect their ger, complete with all hand-crafted
Mongolian furnishings of traditional design, in traditional color
combinations, arranged in the traditional order of alignment, each year
at the annual Chinggis Qan(their spelling) Ceremony, hosted each fall by
MACA, Inc.
All aspects of the choices of and use of color, both inside and out, are
very important to the Mongols. Both the brothers Gyamcho and Sanj have
told me that the only "proper" color for a ger covering is white. Designs
painted on the white outer covering of a ger are also significant to
them. Oiyn or roof poles, the tono, and if used, the tono supports are
traditionally painted a bright scarlet red accented with black, silver,
gold and blue or green. To native Mongols their ger is more than merely
their home. It is their place of worship and therefore, to them, these
color conventions have religious as well as cultural significance.
There are also traditional conventions in the materials used to construct
and fasten the hana (wall sections) in gers. Wood strips, fastened at
each cross-point with oiled leather thong, is the only acceptable
material used by the Mongols in constructing the hana, from their earliest
recorded history to the present.
In discussions I have participated in with Mongols knowledgeable in ger
building whom I have met through MACA, the topic of alternative materials
in ger construction has been discussed at length. And I might add, with
great passion on the part of the Mongols. Bottom line in these
discussions is that gers are made of wood and leather, cloth and felt.
The habit of "round-eyes" to substitute metal or synthethic materials as
fastenings for the hana, or using metal or synthetic materials in other
parts of "true ger" construction is simply unacceptable to some of them.
One very old native ger builder I met at the Chinggis Qan Ceremony held
at Cook College in New Brunswick, NJ, in 1992, tried to explain things to
me this way. The venerable gentleman told me that Americans, like their
culture are very young. He went on to explain that being so young,
Americans were filled with the enthusiasm and folly of youth. He told me
that it had been his experience that when Americans were introduced to
gers their first reaction was to try and "improve" a design that had
already been "proved" over 800 years of continuous refinement through
actual use by hundreds of generations of Mongols. To this gentleman some
of the sillest "improvements" Americans applied to gers included making
the outermost coverings in outlandish colors and using "unnatural" or
"lifeless" materials in their construction.
To them it seems that a ger is more than merely a physical object.
I do not have the words to convey the reverance with which they describe
their gers. The joy and pride that shines forth like fire in their eyes
when they try to explain to a well-meaning but admittedly ignorant (in
the literal dictionary definition of that word) round-eye like myself,
of the "life" of their gers is something which can only be experienced,
not explained. But for the true native Mongols who have spoken with me
at length on this aspect of the nature of their gers this "life" is both
real, and for them, intuitively understood. Even the number of slats in
the hana is based on sacred numerology. Thirteen or eleven slats, as
counted from top to bottom are the "natural" numbers of slats in proper
hana.
These discussions have inspired me to continue to change my ger designs
to more closely incorporate as many of these traditions in each new
generation of ger I design and build. If I make enough of them, I may
even get it "right" someday. Who knows, stranger things have happened.
Fortunately the SCA is not renowned for authenticity in recreating period
items. After all Creativity is the SCA's middle name. This liberty of
perspective leaves a great deal of room for individual interpretation in
constructing all sorts of things. Including gers. In my travels I have
seen and visited gers ranging in colors like green with black tops, to
red, to blue, to orange, even one that is white on the bottom and pink on
top that always makes me think of a strawberry sundae. The one
consistancy I have found among all the gers I have visited is a universal
love for gers by all who have gone to the effort to build one of their
very own.
There is a great deal of flexibility in several aspects of ger building.
Especially in choice of materials. As the Mongolian ger design was
originated and perfected to work in what is a basically dry ecosystem
encompasing vast temperature differences, variable insulation concerns
were more important than waterproofing. In the US, on the other hand,
weather conditions like rain (especially at Pennsic >;-}) become a factor
in ger design. Therefore, consideration of waterproofing the ger
covering is important.
The exact degree of slope for the roof also varies. I try to get mine to
approximately 22 degrees of slope. But I have seen shallower and steeper
pitches. If it stays up when you put it up that is sure a good sign.
I have seen hana that form true squares when stretched in place and
others that form diamonds. It is truly a "forgiving" design within
reason.
One place to start for basic designs and construction methods is in the
book written by Mr. Charney, whose title I believe is "How to Build a
Yurt". I am sure of the author, but my copy is on loan and I admit I
don't remember the exact title. But that is close. So go to your local
library, contact some of the sources listed herein, and visit gers
whenever and whereever you get the chance. I have not yet met a ger
builder who didn't like to show off his efforts and discuss in some
detail the little tricks and triumphs of his own adventure in "home-making".
I can only hope that the effort I have presented here will encourage you
to take the plunge. Fair warning, once you have had the pleasure of
looking at beautiful moonlit and star-filled sky through the "heaven's
gate" of your own ger, you many never go back to tents again.
Offered in service to the society and to my household, I remain
Sevant
Newsgroups: rec.org.sca
From: bd906 at freenet.buffalo.edu (S. David Lee)
Subject: Re: YURTS!!!!!
Organization: Buffalo Free-Net
Date: Wed, 3 May 1995 05:00:00 GMT
Yurts are not difficult to build. I made mine, all by
myself, in a weekend, and I didn't have a clue. You can order
the canvas pre-made to the correct dimensions, which means that
you *don't* need an industrial sewing machinfe. All that you need