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{\f493\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}VAG Rounded Black;}{\f494\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}VAG Rounded Bold;}{\f495\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}VAG Rounded Light;}
{\f496\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}VAG Rounded Thin;}{\f497\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}WESTMINISTER CAPS;}{\f498\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Whimsy ICG;}
{\f499\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Whimsy ICG Bold;}{\f500\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Whimsy ICG Heavy;}{\f501\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Wonton ICG;}
{\f502\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Animals 1;}{\f503\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}AvantGarde Bk BT;}{\f504\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}AvantGarde BkOb BT;}
{\f505\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}AvantGarde Dm BT;}{\f506\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}AvantGarde DmOb BT;}{\f507\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}AvantGarde Md BT;}
{\f508\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}AvantGarde MdOb BT;}{\f509\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Balloons;}{\f510\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}CommonBullets;}
{\f511\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Festive;}{\f512\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}JackCondensed;}{\f513\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}JackExtraCond;}
{\f514\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}JackInput;}{\f515\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}JackRoman;}{\f516\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}LadyWindsor;}
{\f517\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Riverliffey-Light;}{\f518\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}SportsFigures;}{\f519\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}ZapfDingbats BT;}
{\f520\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}GoudyThirtySwash;}{\f521\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Cutting Corners;}{\f522\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Eighty Percent Caps;}
{\f523\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Jenkins v2.0;}{\f524\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Minion Web;}{\f525\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Monotype.com;}
{\f526\fswiss\fcharset77\fprq0{\*\panose 00000000000000000000}Arial-BoldMT{\*\falt Arial};}{\f527\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Norse{\*\falt Times};}
{\f528\fmodern\fcharset77\fprq0{\*\panose 00000000000000000000}Courier-Bold{\*\falt Times};}{\f529\froman\fcharset77\fprq0{\*\panose 00000000000000000000}Times-Italic{\*\falt Times};}
{\f530\froman\fcharset77\fprq0{\*\panose 00000000000000000000}Times-BoldItalic{\*\falt Times};}{\f531\froman\fcharset136\fprq2{\*\panose 02020300000000000000}????{\*\falt PMingLiU};}{\f532\froman\fcharset256\fprq0{\*\panose 00000000000000000000}PMingLiU;}
{\f533\fmodern\fcharset136\fprq1{\*\panose 02020309000000000000}???{\*\falt MingLiU};}{\f534\froman\fcharset256\fprq2{\*\panose 00000000000000000000}CG Times (W1){\*\falt Times New Roman};}
{\f535\fmodern\fcharset136\fprq1{\*\panose 00000000000000000000}?????{\*\falt ???};}{\f536\froman\fcharset204\fprq2{\*\panose 00000000000000000000}TIMES Cyr;}{\f537\froman\fcharset161\fprq2{\*\panose 00000000000000000000}TIMES Greek;}
{\f538\froman\fcharset162\fprq2{\*\panose 00000000000000000000}TIMES Tur;}{\f539\froman\fcharset186\fprq2{\*\panose 00000000000000000000}TIMES Baltic;}{\f540\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}HELVETICA Cyr;}
{\f541\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}HELVETICA Greek;}{\f542\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}HELVETICA Tur;}{\f543\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}HELVETICA Baltic;}
{\f544\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Arial Unicode MS CE;}{\f545\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Arial Unicode MS Cyr;}
{\f546\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Arial Unicode MS Greek;}{\f547\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Arial Unicode MS Tur;}
{\f548\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}Arial Unicode MS Baltic;}{\f549\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}ComicSansMS-Bold{\*\falt Times};}
{\f550\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}LucidaGrande-Bold{\*\falt Times};}{\f551\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}LucidaGrande{\*\falt Times};}
{\f552\froman\fcharset77\fprq0{\*\panose 00000000000000000000}Old English Text MT{\*\falt Apple Chancery};}{\f553\froman\fcharset186\fprq0{\*\panose 00000000000000000000}Lucida Grande Baltic;}
{\f554\froman\fcharset186\fprq0{\*\panose 00000000000000000000}Old English Text MT Baltic;}{\f555\froman\fcharset256\fprq2{\*\panose 00000000000000000000}CG Times{\*\falt Times New Roman};}
{\f556\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Tooled;}{\f557\froman\fcharset77\fprq0{\*\panose 00000000000000000000}Garamond-Bold{\*\falt Garamond};}{\f558\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Tahoma-Bold{\*\falt Tahoma};}
{\f559\fswiss\fcharset77\fprq0{\*\panose 00000000000000000000}Arial-BoldItalicMT{\*\falt Arial};}{\f560\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}Viking;}{\f561\fnil\fcharset134\fprq2{\*\panose 02010600030101010101}SimSun{\*\falt Times};}
{\f562\froman\fcharset256\fprq0{\*\panose 00000000000000000000}Times New Roman (Hebrew){\*\falt Times};}{\f563\froman\fcharset256\fprq0{\*\panose 00000000000000000000}Times New Roman (Arabic){\*\falt Times};}
{\f564\froman\fcharset186\fprq0{\*\panose 00000000000000000000}__ Baltic;}{\f565\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Mincho;}{\f566\fmodern\fcharset256\fprq1{\*\panose 00000000000000000000}Courier 10 Pitch;}
{\f567\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}Athens;}{\f568\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}Liverpool;}{\f569\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}LockFont;}
{\f570\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}London;}{\f571\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}M427k;}{\f572\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}Mos Eisley;}
{\f573\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}Phoenix;}{\f574\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}San Francisco;}{\f575\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}Vectors;}
{\f576\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}Woodstock;}{\f577\fswiss\fcharset77\fprq0{\*\panose 00000000000000000000}ArialRoundedMTBold{\*\falt Times};}{\f578\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Futura Bk BT;}
{\f579\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Bodoni Bd BT;}{\f580\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}ZapfHumnst Ult BT;}{\f581\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}BernhardMod BT;}
{\f582\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Impress BT;}{\f583\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Kuenst480 BT;}{\f584\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Kuenst480 Blk BT;}
{\f585\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Bodoni BT;}{\f586\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}ZapfHumnst BT;}{\f587\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Futura Md BT;}
{\f588\fmodern\fcharset238\fprq1{\*\panose 00000000000000000000}MS Mincho CE{\*\falt Times};}{\f589\fmodern\fcharset204\fprq1{\*\panose 00000000000000000000}MS Mincho Cyr{\*\falt Times};}
{\f590\fmodern\fcharset161\fprq1{\*\panose 00000000000000000000}MS Mincho Greek{\*\falt Times};}{\f591\fmodern\fcharset162\fprq1{\*\panose 00000000000000000000}MS Mincho Tur{\*\falt Times};}
{\f592\fmodern\fcharset186\fprq1{\*\panose 00000000000000000000}MS Mincho Baltic{\*\falt Times};}{\f593\fswiss\fcharset256\fprq0{\*\panose 00000000000000000000}Palatino-Bold{\*\falt Palatino};}
{\f594\fswiss\fcharset256\fprq0{\*\panose 00000000000000000000}Palatino-Roman{\*\falt Palatino};}{\f595\froman\fcharset77\fprq0{\*\panose 00000000000000000000}??\'c1\'a4??;}
{\f596\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}TrebuchetMS-Bold{\*\falt Trebuchet MS};}{\f597\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}TrebuchetMS{\*\falt Times};}
{\f598\fswiss\fcharset77\fprq0{\*\panose 00000000000000000000}Arial-Black{\*\falt Arial Black};}{\f599\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Verdana-Italic{\*\falt Times};}
{\f600\fnil\fcharset128\fprq0{\*\panose 00000000000000000000}?? ??{\*\falt Times New Roman};}{\f601\fswiss\fcharset256\fprq2{\*\panose 020b0604020202020204}Microsoft Sans Serif{\*\falt Arial};}
{\f602\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Microsoft Sans Serif CE{\*\falt Arial};}{\f603\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Microsoft Sans Serif Cyr{\*\falt Arial};}
{\f604\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Microsoft Sans Serif Greek{\*\falt Arial};}{\f605\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Microsoft Sans Serif Tur{\*\falt Arial};}
{\f606\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}Microsoft Sans Serif Baltic{\*\falt Arial};}{\f607\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Diploma{\*\falt Times New Roman};}
{\f608\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Linotext{\*\falt Times New Roman};}{\f609\fdecor\fcharset256\fprq2{\*\panose 04020500000000000000}Gaeilge 1{\*\falt Times New Roman};}
{\f610\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}American-Uncial-Normal{\*\falt Times New Roman};}{\f611\fnil\fcharset256\fprq2{\*\panose 00000400000000000000}HogwartsWizard{\*\falt Courier New};}
{\f612\fnil\fcharset238\fprq2{\*\panose 00000000000000000000}Linotext CE{\*\falt Times New Roman};}{\f613\fnil\fcharset162\fprq2{\*\panose 00000000000000000000}Linotext Tur{\*\falt Times New Roman};}
{\f614\fnil\fcharset238\fprq2{\*\panose 00000000000000000000}American-Uncial-Normal CE{\*\falt Times New Roman};}{\f615\fnil\fcharset161\fprq2{\*\panose 00000000000000000000}American-Uncial-Normal Greek{\*\falt Times New Roman};}
{\f616\fnil\fcharset162\fprq2{\*\panose 00000000000000000000}American-Uncial-Normal Tur{\*\falt Times New Roman};}{\f617\fswiss\fcharset256\fprq2{\*\panose 00000000000000000000}Univers;}
{\f618\fswiss\fcharset77\fprq0{\*\panose 00000000000000000000}CenturyGothic-Bold{\*\falt Century Gothic};}{\f619\fswiss\fcharset77\fprq0{\*\panose 00000000000000000000}CenturyGothic{\*\falt Century Gothic};}
{\f620\fnil\fcharset256\fprq2{\*\panose 0000000000003d36ffc6}SanMarco{\*\falt Times New Roman};}{\f621\fnil\fcharset129\fprq1{\*\panose 00000000000000000000}Batang{\*\falt Times};}{\f622\froman\fcharset128\fprq1{\*\panose 00000000000000000000}@MS Mincho;}
{\f623\froman\fcharset163\fprq2{\*\panose 00000000000000000000}Times New Roman (Vietnamese){\*\falt Times};}{\f624\fmodern\fcharset177\fprq1{\*\panose 00000000000000000000}Courier New (Hebrew){\*\falt Times};}
{\f625\fmodern\fcharset178\fprq1{\*\panose 00000000000000000000}Courier New (Arabic){\*\falt Times};}{\f626\fmodern\fcharset163\fprq1{\*\panose 00000000000000000000}Courier New (Vietnamese){\*\falt Times};}
{\f627\froman\fcharset177\fprq2{\*\panose 00000000000000000000}Times (Hebrew);}{\f628\froman\fcharset178\fprq2{\*\panose 00000000000000000000}Times (Arabic);}{\f629\froman\fcharset163\fprq2{\*\panose 00000000000000000000}Times (Vietnamese);}
{\f630\froman\fcharset256\fprq1{\*\panose 00000000000000000000}@MS Mincho Western;}{\f631\fswiss\fcharset177\fprq2{\*\panose 00000000000000000000}Arial (Hebrew){\*\falt Times};}
{\f632\fswiss\fcharset178\fprq2{\*\panose 00000000000000000000}Arial (Arabic){\*\falt Times};}{\f633\fswiss\fcharset163\fprq2{\*\panose 00000000000000000000}Arial (Vietnamese){\*\falt Times};}
{\f634\froman\fcharset256\fprq2{\*\panose 00000000000000000000}Roman PS;}{\f635\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Caliph{\*\falt Times New Roman};}
{\f636\fnil\fcharset256\fprq2{\*\panose 00000400000000000000}A Charming Font{\*\falt Times New Roman};}{\f637\fnil\fcharset256\fprq2{\*\panose 00000400000000000000}Allembert\'99;}
{\f638\froman\fcharset256\fprq2{\*\panose 02070a02080905020204}PosterBodoni BT{\*\falt Georgia};}{\f639\fnil\fcharset161\fprq2{\*\panose 00000000000000000000}Allembert\'99 Greek;}
{\f640\froman\fcharset238\fprq2{\*\panose 00000000000000000000}PosterBodoni BT CE{\*\falt Georgia};}{\f641\froman\fcharset161\fprq2{\*\panose 00000000000000000000}PosterBodoni BT Greek{\*\falt Georgia};}
{\f642\froman\fcharset162\fprq2{\*\panose 00000000000000000000}PosterBodoni BT Tur{\*\falt Georgia};}{\f643\fswiss\fcharset77\fprq0{\*\panose 00000000000000000000}ArialNarrow{\*\falt Arial Narrow};}
{\f644\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Verdana-BoldItalic{\*\falt Verdana};}{\f645\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Budapest{\*\falt Times};}
{\f646\fnil\fcharset238\fprq2{\*\panose 00000000000000000000}Budapest CE{\*\falt Times};}{\f647\fnil\fcharset162\fprq2{\*\panose 00000000000000000000}Budapest Tur{\*\falt Times};}
{\f648\fswiss\fcharset256\fprq2{\*\panose 020b0500000000000000}OldEnglish{\*\falt Techno};}{\f649\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}NewsGothicMT{\*\falt News Gothic MT};}
{\f650\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}NewsGothicMT-Italic{\*\falt News Gothic MT};}{\f651\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}NewsGothicMT-Bold{\*\falt News Gothic MT};}
{\f652\fdecor\fcharset256\fprq2{\*\panose 04000508060000020003}Amienne{\*\falt Times New Roman};}{\f653\fnil\fcharset128\fprq0{\*\panose 00000000000000000000}MS-Gothic{\*\falt ?? ????};}
{\f654\fnil\fcharset81\fprq2{\*\panose 00020005000000000000}New MingLiu;}{\f655\fnil\fcharset256\fprq2{\*\panose 00020206030504050203}Greek;}{\f656\fnil\fcharset80\fprq2{\*\panose 7000464f4e440d04b2f0}MS Song;}
{\f657\fnil\fcharset256\fprq2{\*\panose 00020206030504050203}AB Cairo;}{\f658\fnil\fcharset256\fprq2{\*\panose 00020206030504050203}Arial Hebrew;}{\f659\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}ComicSansMS{\*\falt Comic Sans MS};}
{\f660\fmodern\fcharset238\fprq1{\*\panose 00000000000000000000}@MS Mincho CE;}{\f661\fmodern\fcharset204\fprq1{\*\panose 00000000000000000000}@MS Mincho Cyr;}{\f662\fmodern\fcharset161\fprq1{\*\panose 00000000000000000000}@MS Mincho Greek;}
{\f663\fmodern\fcharset162\fprq1{\*\panose 00000000000000000000}@MS Mincho Tur;}{\f664\fmodern\fcharset186\fprq1{\*\panose 00000000000000000000}@MS Mincho Baltic;}{\f665\fswiss\fcharset177\fprq2{\*\panose 00000000000000000000}Helvetica (Hebrew);}
{\f666\fswiss\fcharset178\fprq2{\*\panose 00000000000000000000}Helvetica (Arabic);}{\f667\fswiss\fcharset163\fprq2{\*\panose 00000000000000000000}Helvetica (Vietnamese);}
{\f668\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}JuniusModern{\*\falt Times New Roman};}{\f669\fswiss\fcharset256\fprq2{\*\panose 00000000000000000000}Dingbats;}{\f670\froman\fcharset77\fprq0{\*\panose 00000000000000000000}?????? Pro W3;}
{\f671\froman\fcharset77\fprq0{\*\panose 00000000000000000000}BookAntiqua-Bold{\*\falt Book Antiqua};}{\f672\froman\fcharset77\fprq0{\*\panose 00000000000000000000}BookAntiqua{\*\falt Book Antiqua};}
{\f673\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Times Roman{\*\falt Times New Roman};}{\f674\fnil\fcharset161\fprq2{\*\panose 00000000000000000000}Greek Greek;}
{\f675\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}TrebuchetMS-Italic{\*\falt Trebuchet MS};}{\f676\fswiss\fcharset256\fprq2{\*\panose 020b0602020104020603}Tw Cen MT{\*\falt Times New Roman};}
{\f677\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Tw Cen MT CE{\*\falt Times New Roman};}{\f678\fswiss\fcharset256\fprq2{\*\panose 020b0500000000000000}Bunchl\'f3;}
{\f679\fdecor\fcharset256\fprq2{\*\panose 04020404030d07020202}Tempus Sans ITC{\*\falt Times New Roman};}{\f680\fswiss\fcharset256\fprq2{\*\panose 020b0603050302020204}English Gothic, 17th c.{\*\falt Techno};}
{\f681\froman\fcharset256\fprq0{\*\panose 00000000000000000000}sans-serif{\*\falt Times New Roman};}{\f682\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}MS Gothic;}{\f683\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}MS PGothic;}
{\f684\fnil\fcharset256\fprq0{\*\panose 00000000000000000000}MS PMincho;}{\f685\froman\fcharset77\fprq0{\*\panose 00000000000000000000}BookmanOldStyle{\*\falt Bookman Old Style};}
{\f686\fnil\fcharset256\fprq2{\*\panose 00000400000000000000}CAC Moose{\*\falt Courier New};}{\f687\fnil\fcharset78\fprq0{\*\panose 00000000000000000000}MS-Mincho{\*\falt ?? ??};}
{\f688\fswiss\fcharset256\fprq2{\*\panose 00000000000000000000}Albertus Medium{\*\falt Times New Roman};}{\f689\fswiss\fcharset256\fprq0{\*\panose 00000000000000000000}HAALI N+ The Sans Bold{\*\falt The Sans Bold};}
{\f690\froman\fcharset256\fprq0{\*\panose 00000000000000000000}Times New Roman Bold{\*\falt Times New Roman};}{\f691\froman\fcharset238\fprq0{\*\panose 00000000000000000000}?????? Pro W3 CE;}
{\f692\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Georgia-Italic{\*\falt Georgia};}{\f693\froman\fcharset256\fprq2{\*\panose 02040503050406030204}Cambria Math;}{\f694\froman\fcharset238\fprq2{\*\panose 00000000000000000000}Cambria Math CE;}
{\f695\froman\fcharset204\fprq2{\*\panose 00000000000000000000}Cambria Math Cyr;}{\f696\froman\fcharset161\fprq2{\*\panose 00000000000000000000}Cambria Math Greek;}{\f697\froman\fcharset162\fprq2{\*\panose 00000000000000000000}Cambria Math Tur;}
{\f698\froman\fcharset186\fprq2{\*\panose 00000000000000000000}Cambria Math Baltic;}{\f699\froman\fcharset77\fprq0{\*\panose 00000000000000000000}BookmanOldStyle-BoldItalic{\*\falt Bookman Old Style};}
{\f700\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Pegasus{\*\falt Times New Roman};}{\f701\fnil\fcharset128\fprq0{\*\panose 00000000000000000000}StarSymbol{\*\falt Arial Unicode MS};}
{\f702\fswiss\fcharset77\fprq0{\*\panose 00000000000000000000}ArialNarrow-Italic{\*\falt Arial Narrow};}{\f703\fswiss\fcharset77\fprq0{\*\panose 00000000000000000000}ArialNarrow-BoldItalic{\*\falt Arial Narrow};}
{\f704\fswiss\fcharset128\fprq2{\*\panose 00000000000000000000}@Arial Unicode MS;}{\f705\fswiss\fcharset177\fprq2{\*\panose 00000000000000000000}Arial Unicode MS (Hebrew);}
{\f706\fswiss\fcharset178\fprq2{\*\panose 00000000000000000000}Arial Unicode MS (Arabic);}{\f707\fswiss\fcharset256\fprq2{\*\panose 00000000000000000000}@Arial Unicode MS Western;}
{\f708\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}@Arial Unicode MS CE;}{\f709\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}@Arial Unicode MS Cyr;}
{\f710\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}@Arial Unicode MS Greek;}{\f711\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}@Arial Unicode MS Tur;}
{\f712\fswiss\fcharset177\fprq2{\*\panose 00000000000000000000}@Arial Unicode MS (Hebrew);}{\f713\fswiss\fcharset178\fprq2{\*\panose 00000000000000000000}@Arial Unicode MS (Arabic);}
{\f714\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}@Arial Unicode MS Baltic;}{\f715\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}.Keyboard;}{\f716\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}.LastResort;}
{\f717\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Osaka_|\'d2\'aa\'a5_;}{\f718\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}#\'b1\'cc_\'d0\'cc_;}
{\f719\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}#\'82\'93\'b5\'8c\'a6\'97\'cb\'ebA;}{\f720\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}#PC\'fc\'92\'e7\'a6;}
{\f721\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}#\'82\'e6\'b1\'89\'cc_;}{\f722\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}American Typewriter Condensed L;}
{\f723\fnil\fcharset2\fprq2{\*\panose 00000000000000000000}MACBETH{\*\falt Times New Roman};}{\f724\fnil\fcharset256\fprq2{\*\panose 00000400000000000000}Folkard\'99{\*\falt Times New Roman};}
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{\f161\fnil\fcharset256\fprq2{\*\panose 00020b06020402000203}Papyrus;}{\f162\fnil\fcharset256\fprq2{\*\panose 00020005000000000000}Party LET;}{\f163\fnil\fcharset256\fprq2{\*\panose 00020205020605050208}Perpetua Titling MT;}
{\f164\fnil\fcharset256\fprq2{\*\panose 00020200000000000000}Plantagenet Cherokee;}{\f165\fnil\fcharset256\fprq2{\*\panose 00040506030a06020202}Playbill;}{\f166\fnil\fcharset256\fprq2{\*\panose 00000004000000000000}PortagoITC TT;}
{\f167\fnil\fcharset256\fprq2{\*\panose 00000004000000000000}Princetown LET;}{\f168\fnil\fcharset256\fprq2{\*\panose 00020606030202050204}Rockwell;}{\f169\fnil\fcharset256\fprq2{\*\panose 00020609030405050204}Rockwell Extra Bold;}
{\f170\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Sand;}{\f171\fnil\fcharset256\fprq2{\*\panose 00020005000000000000}Santa Fe LET;}{\f172\fnil\fcharset256\fprq2{\*\panose 00020005000000000000}Savoye LET;}
{\f173\fnil\fcharset256\fprq2{\*\panose 00000004000000000000}SchoolHouse Printed A;}{\f174\fnil\fcharset256\fprq2{\*\panose 00020d05020202040202}Skia;}{\f175\fnil\fcharset256\fprq2{\*\panose 00020006030800000900}Snell Roundhand;}
{\f176\fnil\fcharset256\fprq2{\*\panose 0002000a040900000900}Snell Roundhand Black;}{\f177\fnil\fcharset256\fprq2{\*\panose 00020008030900000900}Snell Roundhand Bold;}{\f178\fnil\fcharset256\fprq2{\*\panose 00040409050d08020204}Stencil;}
{\f179\fnil\fcharset256\fprq2{\*\panose 00000007000000000000}Stone Sans ITC TT-Bold;}{\f180\fnil\fcharset256\fprq2{\*\panose 00000006000000000000}Stone Sans ITC TT-Semi;}
{\f181\fnil\fcharset256\fprq2{\*\panose 00000006000000000000}Stone Sans ITC TT-SemiIta;}{\f182\fnil\fcharset256\fprq2{\*\panose 00000007000000000000}Stone Sans OS ITC TT-Bold;}
{\f183\fnil\fcharset256\fprq2{\*\panose 00000006000000000000}Stone Sans OS ITC TT-Semi;}{\f184\fnil\fcharset256\fprq2{\*\panose 00000006000000000000}Stone Sans OS ITCTT-SemiIta;}
{\f185\fnil\fcharset256\fprq2{\*\panose 00000006000000000000}Stone Sans SC ITC TT-Semi;}{\f186\fnil\fcharset256\fprq2{\*\panose 00000004000000000000}Synchro LET;}{\f187\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Techno;}
{\f188\fnil\fcharset256\fprq2{\*\panose 00020005000000000000}Textile;}{\f189\fnil\fcharset256\fprq2{\*\panose 00020b06030202020202}Trebuchet MS;}{\f190\fnil\fcharset256\fprq2{\*\panose 00000004000000000000}TremorITC TT;}
{\f191\fnil\fcharset256\fprq2{\*\panose 00020005000000000000}Wanted LET;}{\f192\fnil\fcharset2\fprq2{\*\panose 00050301020105090607}Webdings;}{\f193\fnil\fcharset256\fprq2{\*\panose 00020a0a070505050204}Wide Latin;}
{\f194\fnil\fcharset2\fprq2{\*\panose 00050201020105070707}Wingdings 2;}{\f195\fnil\fcharset2\fprq2{\*\panose 00050401020108070707}Wingdings 3;}{\f196\fnil\fcharset2\fprq2{\*\panose 00050201020107040206}Zapf Dingbats;}
{\f197\fnil\fcharset256\fprq2{\*\panose 0003030300040707070c}Zapfino;}{\f198\fnil\fcharset88\fprq2{\*\panose 00000000000000000000}CarrickCaps;}{\f199\fnil\fcharset88\fprq2{\*\panose 00020005000000000000}Courier CE;}
{\f200\fnil\fcharset88\fprq2{\*\panose 00020b05030304040402}Geneva CE;}{\f201\fnil\fcharset88\fprq2{\*\panose 00020005000000000000}Helvetica CE;}{\f202\fnil\fcharset88\fprq2{\*\panose 00020004000000000000}Krungthep;}
{\f203\fnil\fcharset88\fprq2{\*\panose 00020b06000405020202}Lucida Grande CE;}{\f204\fnil\fcharset88\fprq2{\*\panose 00020005000000000000}Monaco CE;}{\f205\fnil\fcharset88\fprq2{\*\panose 00000004000000000000}Silom;}
{\f206\fnil\fcharset88\fprq2{\*\panose 00020005000000000000}Times CE;}{\f207\fnil\fcharset89\fprq2{\*\panose 00000004000000000000}Ayuthaya;}{\f208\fnil\fcharset89\fprq2{\*\panose 00000004000000000000}Charcoal CY;}
{\f209\fnil\fcharset89\fprq2{\*\panose 00000004000000000000}Geneva CY;}{\f210\fnil\fcharset89\fprq2{\*\panose 00000004000000000000}Helvetica CY;}{\f211\fnil\fcharset89\fprq2{\*\panose 00020b06000405020202}Lucida Grande CY;}
{\f212\fnil\fcharset89\fprq2{\*\panose 00020005000000000000}Monaco CY;}{\f213\fnil\fcharset89\fprq2{\*\panose 00000004000000000000}Sathu;}{\f214\fnil\fcharset89\fprq2{\*\panose 00000004000000000000}Thonburi;}
{\f215\fnil\fcharset89\fprq2{\*\panose 00020005000000000000}Times CY;}{\f216\fnil\fcharset81\fprq2{\*\panose 00020005000000000000}Apple LiGothic Medium;}{\f217\fnil\fcharset81\fprq2{\*\panose 00020005000000000000}Apple LiSung Light;}
{\f218\fnil\fcharset81\fprq2{\*\panose 00020106010001010101}BiauKai{\*\falt Times};}{\f219\fnil\fcharset81\fprq2 \u20791 _\u23435 _ Pro;}{\f220\fnil\fcharset81\fprq2 \u20791 _\u-24879 _ Pro;}{\f221\fnil\fcharset80\fprq2 GB18030 Bitmap;}
{\f222\fnil\fcharset80\fprq2{\*\panose 00020005000000000000}Hei;}{\f223\fnil\fcharset80\fprq2{\*\panose 00020005000000000000}Kai;}{\f224\fnil\fcharset80\fprq2 \u21326 _\u25991 _\u20223 _\u23435 _;}
{\f225\fnil\fcharset80\fprq2 \u21326 _\u25991 _\u-24879 _\u20307 _;}{\f226\fnil\fcharset80\fprq2 \u21326 _\u25991 _\u26999 _\u20307 _;}{\f227\fnil\fcharset80\fprq2 \u21326 _\u25991 _\u23435 _\u20307 _;}
{\f228\fnil\fcharset80\fprq2 \u21326 _\u25991 _\u32454 _\u-24879 _;}{\f229\fnil\fcharset78\fprq2 \u-211 _\u-205 _ \u-208 _\u12468 _\u12471 _\u12483 _\u12463 _;}{\f230\fnil\fcharset78\fprq2 \u-211 _\u-205 _ \u-208 _\u26126 _\u26397 _;}
{\f231\fnil\fcharset78\fprq2{\*\panose 00020b06000000000000}Osaka;}{\f232\fnil\fcharset78\fprq2 Osaka\u8722 _\u31561 _\u24133 _;}{\f233\fnil\fcharset78\fprq2 \u12498 _\u12521 _\u12462 _\u12494 _\u-30254 _\u12468 _ Pro W3;}
{\f234\fnil\fcharset78\fprq2 \u12498 _\u12521 _\u12462 _\u12494 _\u-30254 _\u12468 _ Pro W6;}{\f235\fnil\fcharset78\fprq2 \u12498 _\u12521 _\u12462 _\u12494 _\u-30254 _\u12468 _ Std W8;}
{\f236\fnil\fcharset78\fprq2 \u12498 _\u12521 _\u12462 _\u12494 _\u20024 _\u12468 _ Pro W4;}{\f237\fnil\fcharset78\fprq2 \u12498 _\u12521 _\u12462 _\u12494 _\u26126 _\u26397 _ Pro W3;}
{\f238\fnil\fcharset78\fprq2 \u12498 _\u12521 _\u12462 _\u12494 _\u26126 _\u26397 _ Pro W6;}{\f239\fnil\fcharset79\fprq2 #PC\u-17787 _\u-14224 _;}{\f240\fnil\fcharset79\fprq2 #\u-21119 _\u-16100 _\u-13132 _;}
{\f241\fnil\fcharset79\fprq2 #\u-10940 _\u-20944 _\u-13132 _;}{\f242\fnil\fcharset79\fprq2 #\u-10780 _\u-19236 _\u-18564 _\u-14472 _A;}{\f243\fnil\fcharset79\fprq2{\*\panose 00020005000000000000}AppleGothic;}
{\f244\fnil\fcharset79\fprq2{\*\panose 00020005000000000000}AppleMyungjo;}{\f245\fnil\fcharset79\fprq2 \u-21132 _\u-17988 _;}{\f246\fnil\fcharset256\fprq2 VT100;}{\f247\fnil\fcharset77\fprq0{\*\panose 00000000000000000000}Verdana-Bold{\*\falt Verdana};}
{\f248\fnil\fcharset2\fprq2{\*\panose 00000000000000000000}CITYSCAPE{\*\falt Times New Roman};}{\f249\fnil\fcharset256\fprq2{\*\panose 02000500000000000000}BRADDON{\*\falt Times New Roman};}
{\f250\fnil\fcharset78\fprq2{\*\panose 00000000000000000000}@\u-211 _\u-205 _ \u26126 _\u26397 _;}{\f251\fnil\fcharset78\fprq2{\*\panose 00000000000000000000}@\u-211 _\u-205 _ \u12468 _\u12471 _\u12483 _\u12463 _;}
{\f252\fswiss\fcharset128\fprq2{\*\panose 020b0604020202020204}Arial Unicode MS{\*\falt ?????? Pro W3};}{\f253\fnil\fcharset256\fprq2{\*\panose 00020b08000000000000}Blackadder ITC;}
{\f254\fnil\fcharset256\fprq2{\*\panose 00000004000000000000}Burton's Nightmare;}{\f255\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Calligrapher Regular{\*\falt Times New Roman};}
{\f256\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Carolingia{\*\falt Times New Roman};}{\f257\fnil\fcharset256\fprq2{\*\panose 00000004000000000000}codex;}{\f258\fnil\fcharset256\fprq2{\*\panose 00020b00000000000000}Glastonbury;}
{\f259\fnil\fcharset256\fprq2{\*\panose 00020b00000000000000}Glastonbury Shadow;}{\f260\fnil\fcharset256\fprq2{\*\panose 00020b00000000000000}Glastonbury Wide;}{\f261\fnil\fcharset256\fprq2{\*\panose 00020b00000000000000}Glastonbury Wide Shadow;}
{\f262\fnil\fcharset256\fprq2{\*\panose 00020005000000000000}Magdelena Plain:;}{\f263\fnil\fcharset256\fprq2{\*\panose 00020b00000000000000}Mottisfont No 1;}{\f264\fnil\fcharset256\fprq2{\*\panose 00020b00000000000000}MottisfontNo2;}
{\f265\fnil\fcharset256\fprq2{\*\panose 00020b00000000000000}MottisfontNo3;}{\f266\fnil\fcharset256\fprq2{\*\panose 00020b00000000000000}MottisfontNo4;}{\f267\fnil\fcharset256\fprq2{\*\panose 00020b05000000000000}Priory;}
{\f268\fnil\fcharset256\fprq2{\*\panose 00000004000000000000}Stonecross;}{\f269\fnil\fcharset256\fprq2{\*\panose 00020005000000000000}Theodoric;}{\f270\fnil\fcharset256\fprq2{\*\panose 00000004000000000000}Trinculo;}
{\f271\fnil\fcharset88\fprq2{\*\panose 00000000000000000000}BlackChancery{\*\falt Times};}{\f272\fnil\fcharset80\fprq2{\*\panose 00020005000000000000}Fang Song;}{\f273\fnil\fcharset80\fprq2{\*\panose 00020005000000000000}Song;}
{\f274\fnil\fcharset78\fprq2{\*\panose 00000000000000000000}@\u-211 _\u-205 _ \u-208 _\u12468 _\u12471 _\u12483 _\u12463 _;}{\f275\fnil\fcharset78\fprq2{\*\panose 00000000000000000000}@\u-211 _\u-205 _ \u-208 _\u26126 _\u26397 _;}
{\f276\fnil\fcharset78\fprq2{\*\panose 00020b06000000000000}@Osaka;}{\f277\fnil\fcharset78\fprq2{\*\panose 00000000000000000000}@Osaka\u8722 _\u31561 _\u24133 _;}{\f278\fnil\fcharset79\fprq2{\*\panose 00020005000000000000}Seoul;}
{\f279\fswiss\fcharset256\fprq2{\*\panose 00000000000000000000}AvantGarde;}{\f280\froman\fcharset256\fprq2{\*\panose 00000000000000000000}ITC Bookman;}{\f281\fswiss\fcharset256\fprq2{\*\panose 00000000000000000000}Helvetica-Narrow;}
{\f282\froman\fcharset256\fprq2{\*\panose 00000000000000000000}NewCenturySchlbk;}{\f283\froman\fcharset256\fprq2{\*\panose 00000000000000000000}ZapfChancery;}{\f284\fdecor\fcharset2\fprq2{\*\panose 00000000000000000000}ZapfDingbats;}
{\f285\fnil\fcharset2\fprq2{\*\panose 00000000000000000000}Marlett;}{\f286\fmodern\fcharset256\fprq1{\*\panose 020b0609040504020204}Lucida Console;}{\f287\fswiss\fcharset256\fprq2{\*\panose 020b0602030504020204}Lucida Sans Unicode{\*\falt Times};}
{\f288\froman\fcharset2\fprq2{\*\panose 05050102010706020507}Bookshelf Symbol 3;}{\f289\froman\fcharset256\fprq2{\*\panose 02020a06060301020303}Times New Roman MT Extra Bold;}
{\f290\fmodern\fcharset256\fprq2{\*\panose 020b0509020102020204}Letter Gothic MT;}{\f291\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Motorola7;}{\f292\fmodern\fcharset256\fprq1{\*\panose 020b0609020202020204}HE_TERMINAL;}
{\f293\fmodern\fcharset256\fprq1{\*\panose 00000009000000000000}System VT Special;}{\f294\fmodern\fcharset256\fprq1{\*\panose 00000009000000000000}System APL Special;}{\f295\fnil\fcharset2\fprq2{\*\panose 05000000000000000000}MS Outlook;}
{\f296\fnil\fcharset256\fprq2{\*\panose 00000400000000000000}Sydnie;}{\f297\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Arial CE{\*\falt Times};}{\f298\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Arial Cyr{\*\falt Times};}
{\f299\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Arial Greek{\*\falt Times};}{\f300\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Arial Tur{\*\falt Times};}
{\f301\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}Arial Baltic{\*\falt Times};}{\f302\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Tahoma CE{\*\falt Verdana};}
{\f303\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Tahoma Cyr{\*\falt Verdana};}{\f304\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Tahoma Greek{\*\falt Verdana};}
{\f305\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Tahoma Tur{\*\falt Verdana};}{\f306\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}Tahoma Baltic;}{\f307\fmodern\fcharset238\fprq1{\*\panose 00000000000000000000}Lucida Console CE;}
{\f308\fmodern\fcharset204\fprq1{\*\panose 00000000000000000000}Lucida Console Cyr;}{\f309\fmodern\fcharset161\fprq1{\*\panose 00000000000000000000}Lucida Console Greek;}{\f310\fmodern\fcharset162\fprq1{\*\panose 00000000000000000000}Lucida Console Tur;}
{\f311\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Lucida Sans Unicode CE{\*\falt Times};}{\f312\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Lucida Sans Unicode Cyr{\*\falt Times};}
{\f313\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Lucida Sans Unicode Greek{\*\falt Times};}{\f314\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Lucida Sans Unicode Tur{\*\falt Times};}
{\f315\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Arial Narrow CE{\*\falt Times};}{\f316\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Arial Narrow Cyr{\*\falt Times};}
{\f317\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Arial Narrow Greek{\*\falt Times};}{\f318\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Arial Narrow Tur{\*\falt Times};}
{\f319\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}Arial Narrow Baltic{\*\falt Times};}{\f320\froman\fcharset238\fprq2{\*\panose 00000000000000000000}Bookman Old Style CE{\*\falt Georgia};}
{\f321\froman\fcharset204\fprq2{\*\panose 00000000000000000000}Bookman Old Style Cyr{\*\falt Georgia};}{\f322\froman\fcharset161\fprq2{\*\panose 00000000000000000000}Bookman Old Style Greek{\*\falt Georgia};}
{\f323\froman\fcharset162\fprq2{\*\panose 00000000000000000000}Bookman Old Style Tur{\*\falt Georgia};}{\f324\froman\fcharset186\fprq2{\*\panose 00000000000000000000}Bookman Old Style Baltic{\*\falt Times};}
{\f325\froman\fcharset238\fprq2{\*\panose 00000000000000000000}Garamond CE{\*\falt Times};}{\f326\froman\fcharset204\fprq2{\*\panose 00000000000000000000}Garamond Cyr{\*\falt Times};}
{\f327\froman\fcharset161\fprq2{\*\panose 00000000000000000000}Garamond Greek{\*\falt Times};}{\f328\froman\fcharset162\fprq2{\*\panose 00000000000000000000}Garamond Tur{\*\falt Times};}
{\f329\froman\fcharset186\fprq2{\*\panose 00000000000000000000}Garamond Baltic{\*\falt Times};}{\f330\fmodern\fcharset238\fprq1{\*\panose 00000000000000000000}HE_TERMINAL CE;}
{\f331\fmodern\fcharset204\fprq1{\*\panose 00000000000000000000}HE_TERMINAL Cyr;}{\f332\fmodern\fcharset161\fprq1{\*\panose 00000000000000000000}HE_TERMINAL Greek;}{\f333\fmodern\fcharset162\fprq1{\*\panose 00000000000000000000}HE_TERMINAL Tur;}
{\f334\fmodern\fcharset186\fprq1{\*\panose 00000000000000000000}HE_TERMINAL Baltic;}{\f335\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Arial Black CE;}{\f336\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Arial Black Cyr;}
{\f337\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Arial Black Greek;}{\f338\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Arial Black Tur;}{\f339\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}Arial Black Baltic;}
{\f340\froman\fcharset238\fprq2{\*\panose 00000000000000000000}Book Antiqua CE;}{\f341\froman\fcharset204\fprq2{\*\panose 00000000000000000000}Book Antiqua Cyr;}{\f342\froman\fcharset161\fprq2{\*\panose 00000000000000000000}Book Antiqua Greek;}
{\f343\froman\fcharset162\fprq2{\*\panose 00000000000000000000}Book Antiqua Tur;}{\f344\froman\fcharset186\fprq2{\*\panose 00000000000000000000}Book Antiqua Baltic;}{\f345\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Century Gothic CE;}
{\f346\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Century Gothic Cyr;}{\f347\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Century Gothic Greek;}{\f348\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Century Gothic Tur;}
{\f349\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}Century Gothic Baltic;}{\f350\fscript\fcharset238\fprq2{\*\panose 00000000000000000000}Comic Sans MS CE;}{\f351\fscript\fcharset204\fprq2{\*\panose 00000000000000000000}Comic Sans MS Cyr;}
{\f352\fscript\fcharset161\fprq2{\*\panose 00000000000000000000}Comic Sans MS Greek;}{\f353\fscript\fcharset162\fprq2{\*\panose 00000000000000000000}Comic Sans MS Tur;}{\f354\fscript\fcharset186\fprq2{\*\panose 00000000000000000000}Comic Sans MS Baltic;}
{\f355\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Impact CE;}{\f356\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Impact Cyr;}{\f357\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Impact Greek;}
{\f358\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Impact Tur;}{\f359\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}Impact Baltic;}{\f360\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Trebuchet MS CE;}
{\f361\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Trebuchet MS Tur;}{\f362\fswiss\fcharset238\fprq2{\*\panose 00000000000000000000}Verdana CE;}{\f363\fswiss\fcharset204\fprq2{\*\panose 00000000000000000000}Verdana Cyr;}
{\f364\fswiss\fcharset161\fprq2{\*\panose 00000000000000000000}Verdana Greek;}{\f365\fswiss\fcharset162\fprq2{\*\panose 00000000000000000000}Verdana Tur;}{\f366\fswiss\fcharset186\fprq2{\*\panose 00000000000000000000}Verdana Baltic;}
{\f367\fnil\fcharset161\fprq2{\*\panose 00000000000000000000}Sydnie Greek;}{\f368\fmodern\fcharset128\fprq1{\*\panose 02020609040205080304}MS Mincho{\*\falt Times};}{\f369\froman\fcharset256\fprq1{\*\panose 00000000000000000000}FE Roman font face;}
{\f370\fmodern\fcharset256\fprq1{\*\panose 00000000000000000000}FE Modern font face;}{\f371\froman\fcharset256\fprq1{\*\panose 00000000000000000000}FE Truetype Roman font face;}
{\f372\fmodern\fcharset256\fprq1{\*\panose 00000000000000000000}FE Truetype Modern font face;}{\f373\froman\fcharset77\fprq0{\*\panose 00000000000000000000}Times-Bold{\*\falt Times};}
{\f374\froman\fcharset77\fprq0{\*\panose 00000000000000000000}Times-Roman{\*\falt Times};}{\f375\fmodern\fcharset77\fprq0{\*\panose 00000000000000000000}CourierNewPSMT{\*\falt Times};}{\f376\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Motorola;}
{\f377\fnil\fcharset256\fprq2{\*\panose 00000000000000000000}Chaucer{\*\falt Times};}{\f378\fswiss\fcharset256\fprq2{\*\panose 020b0500000000000000}Frame5 Font;}
{\f379\froman\fcharset238\fprq0{\*\panose 00000000000000000000}\u-211 _\u-205 _ \u26126 _\u26397 _ CE;}{\f380\froman\fcharset204\fprq0{\*\panose 00000000000000000000}\u-211 _\u-205 _ \u26126 _\u26397 _ Cyr;}
{\f381\froman\fcharset161\fprq0{\*\panose 00000000000000000000}\u-211 _\u-205 _ \u26126 _\u26397 _ Greek;}{\f382\froman\fcharset162\fprq0{\*\panose 00000000000000000000}\u-211 _\u-205 _ \u26126 _\u26397 _ Tur;}
{\f383\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Arial Narrow Bold;}{\f384\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Arial Narrow Bold Italic;}{\f385\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Arial Narrow Italic;}
{\f386\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Book Antiqua Bold;}{\f387\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Book Antiqua Bold Italic;}{\f388\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Book Antiqua Italic;}
{\f389\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Bookman Old Style Bold;}{\f390\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Bookman Old Style Bold Italic;}
{\f391\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Bookman Old Style Italic;}{\f392\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Century Gothic Bold;}{\f393\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Century Gothic Bold Italic;}
{\f394\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Century Gothic Italic;}{\f395\fnil\fcharset77\fprq2{\*\panose 00000000000000000000}Century Schoolbook Bold;}
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{\keywords Middle East, Dance, bellydancing, history}{\operator Mark S. Harris}{\creatim\yr2008\mo6\dy6\hr20\min57}{\revtim\yr2008\mo6\dy6\hr20\min57}{\version2}{\edmins1}{\nofpages20}{\nofwords8456}{\nofchars38056}{\nofcharsws59198}{\vern25093}}
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\f7\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\f5\fs36\ul\insrsid8527089 ME-dance-msg - 5/13/08
\par }{\f6\fs20\insrsid8527089\charrsid8527089 
\par }\pard \ql \li0\ri-990\widctlpar\faauto\adjustright\rin-990\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 Middle Eastern dance, "bellydancing". Sources for Medieval Middle Eastern dancing.
\par 
\par NOTE: See also the files: dance-msg, dance-par-art, fd-Mid-East}{\f6\fs20\insrsid9710411\charrsid8527089 -msg}{\f6\fs20\insrsid8527089\charrsid8527089 , ME-feasts-msg, fd-Turkey-msg, jewelry-msg, drums-msg, instruments-msg.
\par }\pard \qj \li0\ri0\widctlpar\faauto\adjustright\rin0\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 
\par }\pard \qj \li0\ri-990\widctlpar\faauto\adjustright\rin-990\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 ************************************************************************
\par }\pard \ql \li0\ri-990\widctlpar\faauto\adjustright\rin-990\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 NOTICE -
\par 
\par This file is a collection of various messages having a common theme that I have collected from my reading of the various computer networks. Some messages date back to 1989, some may be as recent as yesterday.
\par 
\par }\pard\plain \s18\ql \li0\ri-990\widctlpar\aspalpha\aspnum\faauto\adjustright\rin-990\lin0\itap0 \f6\fs20\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\insrsid8527089\charrsid8527089 
This file is part of a collection of files called Stefan's Florilegium. These files are available on the Internet at: http://www.florilegium.org
\par }\pard\plain \ql \li0\ri-990\widctlpar\faauto\adjustright\rin-990\lin0\itap0 \f7\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\f6\fs20\insrsid8527089\charrsid8527089 
\par I have done a limited amount of editing. Messages having to do with separate topics were sometimes split into different files and sometimes extraneous information was removed. For instance, the message IDs were removed to save space and remove clutter.

\par 
\par The comments made in these messages are not necessarily my viewpoints. I make no claims as to the accuracy of the information given by the individual authors.
\par 
\par Please respect the time and efforts of those who have written these messages. The copyright status of these messages is unclear at this time. If information is published from these messages, please give credit to the originator(s).
\par 
\par Thank you,
\par     Mark S. Harris                  AKA:  THLord Stefan li Rous
\par                                           Stefan at florilegium.org
\par ************************************************************************
\par }\pard \ql \li0\ri-980\widctlpar\faauto\adjustright\rin-980\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 
\par From: hashiri at aol.com (Hashiri)
\par Newsgroups: rec.org.sca
\par Subject: Re: Documentation on "belly" dance?
\par Date: 18 Feb 1996 14:12:38 -0500
\par 
\par Greetings!
\par 
\par I myself have attempted to do historical research on the dance.  There is
\par very little out there.  Most of the books I have found agree that belly
\par dancing has been around for 1000s of years and in many different cultures,
\par but there is little to no documentation before the 17th century.  The best
\par book I found was by Wendy Buonaventura:  Belly Dancing - The Serpant and
\par the Sphinx, 1983, Virago Press Limited (London).  She had the best
\par research into pre 17th century dance.  
\par 
\par Hope this helps!
\par Christiana Ivarrsdottir, mka Christine Wilson
\par aka Hashiri
\par Barony of Bjornsborg, Ansteorra
\par 
\par 
\par From: hashiri at aol.com (Hashiri)
\par Newsgroups: rec.org.sca
\par Subject: Re: Documentation on "belly" dance?
\par Date: 21 Feb 1996 09:38:29 -0500
\par 
\par I'm afraid I'm going to have to disagree with the assertion that only
\par prostitutes danced with body parts exposed.  Belly dance has many forms
\par from many cultures, with different mores.
\par 
\par While many people point out that the Ghwazee dancers wore dresses that
\par covered from neck to ankle, and that this is a 'correct' or 'authentic'
\par style of dress, everything I've read about the Ghwazee dancers says that
\par when they danced, they would unbutton the dresses to the navel and dance
\par bare-breasted.  Granted, this practice was documented in the 1700s,  but
\par this is the time period from which most of the research availible comes
\par from.
\par 
\par I think it all depends on how far back your dance persona goes, and what
\par educated  guesses you can make from the little information out there.
\par 
\par So I guess what I'm saying is keep an open mind, have fun, and live happy!
\par  :)
\par Christiana Ivarrsdottir, mka Christine Wilson
\par aka Hashiri
\par Barony of Bjornsborg, Ansteorra
\par 
\par 
\par From: aceia at onr.com (Robin Gammon)
\par To: bryn-gwlad at eden.com
\par Date: Tue, 21 May 1996 09:02:54 +0100
\par Subject: Re: Revel
\par 
\par Sounds like it could be fun....
\par 
\par Could we dancer types request a limit on how many drummers drum at one time
\par (not more than 5- it gets too loud and too confusing about who is lead
\par drum)?   We would also like to encourage drummers to include a little
\par variation in their rythems and try and be aware of the dancer.  If the
\par dancer speeds up then you speed up.  If the dancer slows down then you slow
\par down.  If the dancer looks tired then please find an ending and STOP!
\par Please don't take this as rude.  Drumming is an art, I agree.  However,
\par trance dancing is very different from middle-eastern dancing.  As a dancer
\par I tire too quickly and get bored when there is only one unchanging rythem
\par to dance to.  Remember- you are drumming for the dancer, the dancer is not
\par dancing to you.
\par 
\par Robin Anderson of Ross
\par Alternate Personna: Roshan (dancing girl of Conor Sigmundson)
\par Ex-officer 2 years running of ABA and student of Jeanette, Nisaba and Elmaazah.
\par 
\par 
\par From: DDFr at Best.com (David Friedman)
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: Sun, 20 Oct 1996 11:21:50 -0800
\par Organization: School of Law, Santa Clara University
\par 
\par > I have drummed for the past few years for belly dancers.  is there any 
\par > evidence of SCA Period Belly Dancing?
\par > 
\par > Baron Achbar Ibn Ali
\par > Achbar at worldbet.att.net
\par 
\par So far as I can tell, by asking lots of questions over the years of people
\par who claimed to have such evidence, there is evidence that dancing was being
\par done by women for entertainment in the Islamic world (although references
\par in the literature to singing girls seem much more common). There is no
\par material (at least that I have been able to locate) from which you can
\par figure out what they were doing in any detail--i.e. nothing sufficient to
\par reconstruct a dance. It is rather as if we knew that medieval people had
\par feasts, but had no recipes or menus.
\par 
\par The issue gets confused by the fact that people in the dance community use
\par "authentic" to mean "what is being done now, or what was being done
\par recently, among people where such a dance is a tradition." That is a
\par perfectly legitimate way of using the term, but it does not tell us whether
\par the same things were being done by those people four hundred years ago. 
\par 
\par Two exceptions: 
\par 
\par 1. There is a modern Turkish book, which has been translated, that
\par describes from (I believe) a period source, a dance. But it is not what we
\par think of as belly dancing--it sounds more like a masque.
\par 
\par 2. A friend in the society who I consider reliable tells me he has a
\par description of a sword dance, from period, which involves a blindfolded man
\par with a sword striking out "at" his female partner, who avoids the blows. As
\par best I remember, he does not have steps for it--just the description.
\par 
\par David/Cariadoc
\par 
\par 
\par From: dani at telerama.lm.com
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: 20 Oct 1996 15:06:27 -0400
\par Organization: Telerama Public Access Internet, Pittsburgh, PA USA
\par 
\par Baron Achbar Ibn Ali <kuba at worldnet.att.net> wrote:
\par >is there any evidence of SCA Period Belly Dancing?
\par 
\par No.
\par 
\par And, having said that, let me hedge and elaborate.  Establishing a
\par negative is always an unsatisfactory business, so I'm not going to
\par say that we can 'prove' that what's done in the SCA as belly dancing
\par wasn't done in period.  I will say that if anyone has evidence *for*
\par its being done in period, it's a well-kept secret.
\par 
\par For a number of years now, I've been asking Middle Eastern dancers
\par about this, and the usual answer is of the form "I don't personally
\par have documentation, but so-and-so has researched the topic, and if
\par you ask her, *she'll* tell you."  Talking to so-and-so generally
\par gets you an answer of the form "Here are the names of a couple of
\par books on Belly Dancing Throught the Ages, but if you want more detailed
\par information, you should talk to such-and-such."  If you follow that chain 
\par of references to its end, you generally wind up talking to someone who
\par is knowledgeable, has done extensive research, and has left behind a
\par trail of students who don't understand the limitations of that research.
\par 
\par What the documentation that I've seen and that I've heard described
\par comes to is that we know that Middle-Eastern dance was done in period.
\par We are fairly sure that it was a style of dance we would recognize as
\par Middle Eastern dance, and that it included moves similar or identical
\par to relatively modern ones.
\par 
\par This is roughly on a par with stating that we know that European
\par dance was done in period, that it was a style of dance we would 
\par recognize as European (as opposed to, say, Middle Eastern, or Oriental),
\par and that it included steps similar or identical to steps found in some
\par relatively modern European dances.
\par 
\par The specific dances or dance styles presented in the SCA as Middle
\par Eastern dance cannot be documented earlier than the nineteenth 
\par century, though they clearly have earlier roots.
\par 
\par AFAIK.  I'd be pleased to be proven wrong.
\par 
\par Note, this isn't to say that belly dancing has no place in the SCA.
\par Rather, it has about the same place as 'Korobushka', as a modern
\par artifact that has become part of the SCA culture.
\par 
\par -- Dani
\par 
\par 
\par From: ejpiii at delphi.com
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: Sun, 20 Oct 96 22:50:04 -0500
\par 
\par Katherine Crowe <kuba at worldnet.att.net> writes:
\par >I have drummed for the past few years for belly dancers.  is there any 
\par >evidence of SCA Period Belly Dancing?
\par  
\par Greetings from Eddward,
\par I have seen close up photos of a bas that depict a celebration of some sort.
\par I was interested in it because it shows a young girl juggling 12 objects.
\par At the time I was studying juggling, so the rest of the picture was kind of
\par ignored. However, it did show what appeared to be dancers, wearing tight
\par enough fitting clothes that they could be called 'belly dance' like. I'm
\par not trying to establish provenance here, and am certainly not qualified to,
\par but it should interest you to note that to the best of my recollection this
\par was supposed to be an egyptian carving. I can't recall from which era, but
\par the whole point was to show me how 'old' juggling was. So we have at least
\par an interesting tidbit from the right area, but literally thousands of years
\par early! I will try to find this refence, but it was 20 years ago, and several
\par professional changes, so it may not be easy.
\par Eddward.
\par 
\par 
\par From: polearmed <polearmed at worldnet.att.net>
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: Sun, 20 Oct 1996 23:01:48 -0400
\par Organization: Raleigh, NC
\par 
\par Asalaam alia qum!
\par 
\par Although I cannot locate my source, now(isn't that how it works everytime), I do recall an article with cites posted to soc.culture.islam that dealt with this very question.  
\par 
\par While there is little or no documentation for the dances itself, there is a local law that was recorded during the advance of Islam.
\par 
\par It seems as though a Caliph, with the intent of "cleaning up his streets" in his 
\par subjection to Allah, made it a law 
that all dancing girls were to be clothed while dancing.  Knowing that laws can be interpreted a number of ways, even in the 8th century, made specifications for the clothing they were allowed to wear while dancing for entertainment.  The shoulders and br
easts were to be covered, along with the navel.  The hips to the ankles must also be covered(what a decadent period we live in today).  
\par 
\par In literation, the women covered their shoulders and breasts and legs to ankles, and began wearing "jewels" to "cover" 
their navel.  With this the only bear skin being shown, the belly, the dances eventually acentuated those parts of women's most wonderful physique.
\par 
\par Without this blessed occurance, you may have never seen the shimmy;)
\par 
\par Falcone
\par ----------------------------------------------------------------------
\par Donald Wagner                            Falcone al Rasool ibn Muhajir
\par Raleigh, NC                              Barony of Windmasters' Hill
\par Knowledge Engineer - AT&T                Kingdom of Atlantia
\par dswagner at attmail.com                     polearmed at worldnet.att.net
\par ----------------------------------------------------------------------
\par 
\par 
\par From: whymzee at aol.com (Whymzee)
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: 21 Oct 1996 09:02:32 -0400
\par 
\par  : Baron Achbar Ibn Ali
\par  : Achbar at worldbet.att.net
\par  : kuba at worldnet.att.net
\par 
\par Unto Baron Achbar, does Avril Boulle send greetings;
\par 
\par Evidence of period SCA belly dancing ....
\par 
\par "Belly dancing", from the French danse du ventre (circa 18th or 19th C.),
\par usually refers to the arabic raks sharqi,  which is the oriental form of
\par the dance, popularly seen in night clubs and restaurants.   In the middle
\par east "the dance" has a history of at least about 5,000 years.  While there
\par are some  traditional dances performed in a folkloric style (an example -
\par the shamadan, or candelabra dance - a balancing dance with 19th century
\par roots)  the dance is not a dance that tells a story or is fixed in style
\par as some pacific or Indian dances might be.  The tradition in the dance is
\par one of emotional interaction with the music (which makes it a personal
\par interpretation) using isolated movements that are natural to the human
\par body (as opposed to the grandly forced, seemingly impossible movements of
\par ballet and such). There are typical movements, gestures, postures,
\par isolations that are common to the dance, but they would be representative
\par of a cultural body language,  than fixed, required steps in a dance. There
\par are class of movements that would be less commonly used as well (leaps,
\par high kick, splits, severe, hard, power movements.) Although the presence
\par of dancers is documentable, (through records of ancient contract
\par negotiations) the notation of dance is not,and the dance is highly
\par mutable.  The tradition of playing finger cymbals would be that old and
\par older.  The folk tradition of dancing with a cane, in imitation of the
\par village shepards might be.  Dancing with a veil, as belly dancers do
\par today, has American roots, with dancer like Isadora Duncan, Ruth St Denis
\par and a whole passel of "Little Egypts" and "Salomes" that cropped up after
\par 1893, but undoubtedly somebody picked up a cloth somewhere and did
\par something with it in period.  Dance has existed throughout millenia in the
\par middle east for both men and women.  It's reason for being is a
\par celebration of joy, and its purpose is to delight, however that may
\par translate through time.
\par 
\par Avril
\par whymzee at aol.com
\par (mundanely, performer, teacher, lecturer, archivist for Arabesque
\par magazine)
\par 
\par 
\par From: msaroff at moose.erie.net (Matthew Saroff)
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: 21 Oct 1996 16:25:40 GMT
\par Organization: ErieNet
\par 
\par dani at telerama.lm.com wrote:
\par : Baron Achbar Ibn Ali <kuba at worldnet.att.net> wrote:
\par : >is there any evidence of SCA Period Belly Dancing?
\par 
\par : No.
\par 
\par         YES.  Specifically, my wife has a tri-lingual (English, Russian,
\par and Uzbek) book which has plates from an Uzbek museum where an artist
\par illustrates one of their legends (you'd have to write her at
\par sindara at pobox.com) for more details.  There are paintings of women dancing
\par in poses that are identical to those in traditional belly dancing. I may
\par be wrong as to the book, as I she has quite a few, and I am not touching
\par her library until she is through preparing for Laurel Prize down here in
\par Ansteorra, I value my life.  I believe that the paintings are c 1500. 
\par         Please note that this is NOT cabaret (the "I Dream of Jeanie"
\par costume).   The dancer is wearing a veil and the only skin that one sees
\par is eyes and finger-tips.
\par         Seeing as how notation for coreography is a little more than 100
\par years old, that will be the best that you can find.  It is a picture of a
\par woman dancing for an audience in poseses essentially identical to those
\par used now.
\par         BTW, my wife does not belly dance, she got it for the garb
\par pictures (which are exquisite). 
\par --
\par --  Matthew Saroff| Standard Disclaimer:  Not only do I speak for
\par        _____      | No one else, I don't even Speak for me.  All my 
\par       / o o \\     | personalities and the spirits that I channel
\par ______|_____|_____| disavow all knowledge of my activities. ;-)
\par   uuu    U   uuu  | 
\par 
\par 
\par From: JR Lacey <jrlacey at slic.com>
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: Mon, 21 Oct 1996 17:29:12 -0500
\par Organization: St. Lawrence Internet Connection
\par 
\par from Gaia Wildmane:
\par excellent reference book, "Serpent of the Nile", by Wendy Buonaventura.
\par Period art showing dancers, a lot of them Persian. You can jump from
\par there to other sources. Absolutely, belly dancing is period. The cabaret
\par costume was an invention of about 1920 or thereabouts. I'm questing for
\par contacts. Let me know if you come across anything interesting. Good
\par hunting.
\par 
\par 
\par From: Lord Wolfger Silberb\u228\'8ar <mfoster1 at voyager.net>
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: Tue, 22 Oct 1996 05:05:37 -0700
\par Organization: proto-incipient Shire of Altenberg
\par 
\par Katherine Crowe wrote:
\par 
\par > I have drummed for the past few years for belly dancers.  is there any
\par > evidence of SCA Period Belly Dancing?
\par 
\par Check out Compleat Anachronist #70 "The World's Oldest Dance; The
\par Origins of Belly Dancing". I haven't read it myself (no interest), but
\par that should answer what questions you have.
\par -- 
\par -Mike Foster                    Lord Wolfger Silberbaer
\par mfoster1 at voyager.net            GKMIT for the mythical Shire of Altenberg
\par 
\par 
\par Newsgroups: rec.org.sca
\par From: lindahl at deshaw.com (Greg Lindahl)
\par Subject: Re: Period Belly Dancing
\par Organization: D. E. Shaw & Co.
\par Date: Wed, 23 Oct 1996 00:37:38 GMT
\par 
\par Lord Wolfger Silberb\u228\'8ar  <mfoster1 at voyager.net> wrote:
\par >Check out Compleat Anachronist #70 "The World's Oldest Dance; The
\par >Origins of Belly Dancing". I haven't read it myself (no interest), but
\par >that should answer what questions you have.
\par 
\par The author has graciously made this document available on the net; it
\par is at:
\par 
\par ftp://nic.funet.fi/pub/culture/music/middle-eastern/dance/belly-dance-FAQ
\par 
\par It doen't answer all my questions, but I always have more than a
\par single document can answer.
\par 
\par Gregory Blount
\par 
\par 
\par From: miviv at aol.com (MiViv)
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: 23 Oct 1996 01:49:22 -0400
\par 
\par I thought the questioner was looking for information on a documentable,
\par in-period dance connected with what is being referred to as belly dance,
\par not a justification that it existed, or a discussion on what to wear.
\par 
\par Belly dance is a post period, 19th century phrase.  What we are discussing
\par here is neither Uzbekian, nor Persian dance, both of which are also
\par ancient (and roughly from the region, as opposed to Europe or Japan) and
\par have more stylized movements. 
\par 
\par What you will find in the SCA is the achievement of recreating the
\par ambiance and tradition  of the dance.  You can see both a more folkloric
\par style, and a more urban style (such as would be the entertainment at a
\par court or other major celebration event. 
\par 
\par You will not find a documented source in period for the particular dances
\par shown.  It was not the tradition of this dance to reproduce another's
\par interpretation  of the music over and over.  You will see the passion, and
\par the softness and the spice of the dance, the tradition of celebration of a
\par woman moving naturally as women do, interwoven with the pulse of the drum
\par and the songs of the various instruments.
\par 
\par At this past Pennsic, Mistress Farasha and I  (representing  the Middle
\par Eastern Dance Cooperative) hosted a two and a half hour exhibition of the
\par dance, joined by groups and soloists from throughout the Knowne Worlde in
\par twenty-five separate numbers.  The crowd who attended was delighted at the
\par depth and variety of the dance that was exhibited that day.  Since the
\par dancers all had a great time, and we will be doing it again, I cordially
\par invite all to attend next year.  
\par 
\par (For the dancers reading this who would like to participate, this is an
\par unofficial, open invitation to let me know that you are interested!)
\par 
\par There is indeed dancing representing the ancient tradition of the middle
\par east to be seen in the SCA and it is wonderful.  
\par 
\par Avril
\par whymzee at aol.com
\par 
\par 
\par From: cromabu at aol.com (CromAbu)
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: 27 Oct 1996 01:31:53 -0400
\par 
\par There are many referances available. Inter-library loan can aquire from
\par the University of Utah many sources, including 'Serpent of the Nile". The
\par costumine in period was what one will find under traditional folk wear. In
\par period the thought of "lifting up on one's heels" was thought abhorent and
\par unstylish. Most women only danced at home for their husbands, to allow
\par ones wife or daughter to dance outside of the household was to equate them
\par as prostitutes. Public dancing, other than at the trance like dances of
\par the Dirvishes, was considered advertising of wares, reserved for the
\par Gawazee who were considered as outcasts generally ( some like the Empress
\par of Byzantium were exceptions in rising above this lot).  The dance of
\par period was called the Baladee (spelling?) and the style was adapted
\par through the Moors into Spain by the Gawazee who went there as the
\par Flamenco.  Traditional "Belly Dancing" can still be seen in the dance
\par styles of North Africa.  What most think of as Belly Dancing only emerged
\par in the later 19th century due to the great Worlds Fairs, and was
\par originally called the "Hoochie Kootchie Dance", and was a means of
\par bringing people into the sideshows.  Look into sources regarding the
\par Worlds Fairs for pictures and descriptions of how this evolved. at the
\par time that sort of dance was not done in the middle east.  Little Egypt,
\par and Hollywood came up with the costume style known as Cabaret in the very
\par late 1800's and early 1900's (others helped too, but I will need to dig
\par out my thesis to give you names and specific dates. National Geographic
\par around 1920's did an article on this with pictures included of actual
\par traditional Baladee folk costume, which covers all but the eyes and hands
\par (no gauze) with loose fitting clothes which are in accordance with the
\par Koran, the shape of the human body is required to be concealed not just
\par covered.  The dance which would be period is best found in sources
\par regarding Folk Dance, not Belly Dance. Avril's posting is quite correct in
\par the origins and the magazine he refers to did an excellent article on it
\par several years back which many sources use for referance.  There are many
\par myths and opinions regarding belly dance, but a few Professionals have
\par shown a trend in the past few years for a return to the traditional
\par styles. If you can find a knowledgable Imam to point you in the right
\par direction, that's how I got started, I called the local Mosque.
\par        Sir fitz
\par 
\par 
\par From: Barb at DISTANT-CARAVANS.reno.nv.us (Barbara Morgan)
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: 29 Oct 1996 06:22:31 GMT
\par Organization: Great Basin Internet Services, Reno, NV
\par 
\par Several years ago a friend and I put on a Middle Eastern Collegium here in 
\par the West. 
\par 
\par Unfortunately I can't find the Mistresses SCA name that taught the class
\par on Ladies Middle Eastern Garb, however the thing I remember most from her
\par class was the number of period pictures she had showing belly dancers 
\par performing. (The class included a wonderful slide show.) There where
\par Middle Eastern minitures of ladies dancing with a tray, decanter and cup,
\par dancing with a cup and jug or just a jug, dancing with swords on their 
\par heads, dancing with two small peice of cloth in each hands, dancing with
\par two short sticks in their hands which where probably used like zills 
\par (finger cymbals are used today).
\par 
\par Many of these pictures also showed the ladies in poses that could only be
\par assocated with some of the current belly dance moves we use today.
\par 
\par Another thing we need to remember is that the tradition of belly dance has
\par been hand down, mother to daughter for centuries, so some of the moves 
\par that where around in period have probably survived the centuries.
\par 
\par Remember there really is nothing new under the sun.
\par 
\par Amaryllis Alexandrea de Lacey 
\par Barb Morgan, e-mail: Barb at DISTANT-CARAVANS.reno.nv.us     
\par Distant Caravans: http://www.greatbasin.com/~caravan/                   
\par 
\par 
\par From: DDFr at Best.com (David Friedman)
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: Tue, 29 Oct 1996 01:04:39 -0800
\par Organization: School of Law, Santa Clara University
\par 
\par > Unfortunately I can't find the Mistresses SCA name that taught the class
\par > on Ladies Middle Eastern Garb, however the thing I remember most from her
\par > class was the number of period pictures she had showing belly dancers 
\par > performing. (The class included a wonderful slide show.) There where
\par > Middle Eastern minitures of ladies dancing with a tray, decanter and cup,
\par > dancing with a cup and jug or just a jug, dancing with swords on their 
\par > heads, dancing with two small peice of cloth in each hands, dancing with
\par > two short sticks in their hands which where probably used like zills 
\par > (finger cymbals are used today).
\par 
\par What are the sources for the pictures? Given my experience with SCA verbal
\par tradition, your memory of what you saw and were told several years ago is
\par not very strong evidence. Nor, I should add, is the fact that the show was
\par by a "Mistress."
\par 
\par > Another thing we need to remember is that the tradition of belly dance has
\par > been hand down, mother to daughter for centuries, so some of the moves 
\par > that where around in period have probably survived the centuries.
\par 
\par Verbal tradition in the SCA drastically distorts facts within a decade or
\par two. Mother to daughter from 1600 to the present, at twenty years to the
\par generations, is twenty generations. That is enough time for an enormous
\par amount of change. Look, for example, at the drift in meaning of words, or
\par the changes in cooking, for both of which we do have evidence.
\par 
\par > Remember there really is nothing new under the sun.
\par > 
\par > Amaryllis Alexandrea de Lacey 
\par 
\par I can't "remember" it because it is not true. There are lots of modern
\par things, and nineteenth century things, and eighteenth century things, which
\par we have good reason to believe were not fourteenth or thirteenth or twelfth
\par century things.
\par 
\par David/Cariadoc
\par 
\par 
\par From: salazar at sprynet.com (Kim Salazar)
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: Tue, 29 Oct 1996 18:09:53 GMT
\par 
\par DDFr at Best.com (David Friedman) wrote:
\par 
\par <snip>
\par 
\par >My impression is that a fair number of people simply take it for granted
\par >that we are doing "authentic" period dance--because they are confusing the
\par >folklore sense of "authentic" with the historical sense. Others take it for
\par >granted that the relevant information does not exist--without showing any
\par >awareness of what sort of period textual material does exist.
\par 
\par >David/Cariadoc
\par 
\par I agree with his Grace on the extension of the folkloric term
\par "authentic" to cover "historical."  The same blurring of the lines
\par occurs in needlework research.  The folktale origins of Fair Isle and
\par Aran knitting patterns are prime examples.  However at least one
\par period mention of some sort of exotic dance of Moorish origin does
\par exist.
\par 
\par Pierre de Bourdeille (Abbe Brentome) wrote a fascinating treatise on
\par court life and morals in mid 16th century France and Italy.  He wrote
\par pieces of his work  between 1560 and his retirement around 1610.  He
\par died in 1614.  His work is a mix of eye-witness accounts, scandal,
\par rumor, innuendo, gossip, retold tales, and quasi-legendary stories.
\par Even in the 1930's vintage translation I found (with the delicate
\par parts rendered in the original French or Latin), it was a wonderfully
\par entertaining and informative read.
\par 
\par In his Second Discourse, in passing Brentome likens the debauchery of
\par Ancient Rome to (then) modern excesses.  The translation of one
\par passage  relating the depravity of the Roman Emperor Galba's fetes to
\par the goddess Flora states:
\par 
\par "Think of it!  Never a fiscaigne ('tis a lascivious dance the loose
\par women and Moorish slave-girls dance on Sundays at Malta publicly in
\par the open square), nor saraband did come near these Floralia for
\par naughtiness; and never a movement or wanton posture or provocative
\par gesture or lascivious twist and twirl did these Roman dames omit..."
\par 
\par There is no further mention of the fiscaigne - what it looked like,
\par what the steps were like, what the dancers wore, whether it was
\par performed anywhere besides Malta, or why it was done on Sunday in
\par particular.  
\par 
\par One note, Brentome was widely traveled and served as a mercenary
\par military attache for many years before becoming a (nominal) holder of
\par ecclesiastic office.  He was on Malta during this service, and his
\par mention of the fiscaigne may well be an eye witness account.
\par 
\par Here is the full citation:
\par 
\par de Bourdeille, Pierre (Seigneur Abbe de Brentome).  Translated by A.R.
\par Allinson.   "The Lives of Fair and Gallant Ladies."  New York:
\par Liverwright Publishing Co.  1933.   
\par 
\par During Brentome's liftime this was published in two volumes:   Vie de
\par Dames Illustres and Vies des Dames Galantes.  They were also called
\par Brentome's Premier and Second Livre des Dames.   
\par 
\par The book also includes many stories of noble  women taking up arms and
\par fighting in defense of home and family; and in at least one case
\par fighting a one-on-one bout to recover her ransomed husband.  
\par 
\par Ianthe d'Averoigne
\par Kim Brody Salazar
\par salazar at sprynet.com
\par http://home.sprynet.com/sprynet/salazar
\par 
\par 
\par From: sindara at pobox.com (Sharon R. Saroff)
\par Newsgroups: rec.org.sca
\par Subject: Re: Period Belly Dancing
\par Date: Fri, 01 Nov 1996 04:45:40 GMT
\par 
\par There are 3 books from Uzbekistan of Period Persian illuminated
\par manuscripts that I have.  Some of the pictures mentioned below are in
\par these books.  I believe that some date back to the 1200's. 
\par 
\par SIndara
\par 
\par 
\par From: tdewinter at aol.com
\par Newsgroups: rec.org.sca
\par Subject: Re: authentic bellydance costume
\par Date: 17 Mar 1997 06:08:18 GMT
\par 
\par zigs66 at aol.com (Zigs66) writes:
\par >     This is not meant to bring up the age-old issue of whether or not
\par >bellydance is period or authentic or whatever.  What I'm interested in
\par >knowing is what sources dancers who are _trying_ their utmost to be
\par >authentic are using in order to create their costumes.   I've recently
\par >begun learning middle eastern dance and would like to make a non-cabaret
\par >costume to wear when I dance.
\par >
\par >---Anfelise of Tintagel
\par 
\par Middle Eastern sections of museums usually have s
ome documentation of women's costuming.  Los Angeles County Museum of Art (LACMA) has various manuscript pages (15th-16th century usually) that show women.  One page last year (they've since removed it) showed a serving girl in a knee length "ghawazee" dr
ess that looked just like the types of dresses I wear for dancing.
\par 
\par There are several books out there that document women's clothing in the Middle East that you should be able to find in the larger book stores.  Perhaps someone else reading the Rialto can give you specific titles to look for.
\par 
\par If you would like to privately email your address to me I can send you a (very) rough sketch of a couple of dance outfits.
\par 
\par Countess Tristana de Winter
\par Caid
\par tdewinter at aol.com
\par 
\par 
\par Newsgroups: rec.org.sca
\par From: bq676 at torfree.net (Kristine E. Maitland)
\par Subject: Re: authentic bellydance costume
\par Organization: Toronto Free-Net
\par Date: Thu, 20 Mar 1997 17:47:45 GMT
\par 
\par Bona dies, tutti!
\par 
\par I see that this issue has come up, yet again.  Well, I thought that I 
\par would take the time to add something to the arguement(s).
\par 
\par My cousin Valizan does middle eastern dance as does my friend Viscount 
\par Roak (both of Ealdormere).  They were both wondering about the 
\par "peridocity" of MALE middle eastern dancers so I said that I would take a 
\par look about it sometime -- theCA on the topic was interesting but I felt 
\par that it was lacking in some areas.
\par 
\par Well, I was doing my usual browse at Robarts Library (U of T) and just by 
\par fluke I came across this article:
\par 
\par Anthony Shay. "Dance and Non-dance: patterned movement in Iran and 
\par         Islam." in _Iranian Studies_, vol 28 #1-2 
\par 
\par This is a MUST READ for those studying middle eastern dance.  What Shay 
\par notes is the fact that what WE in the west would call dance those in Near 
\par and Central Asia would not, necessarily.  For example in our context, we 
\par don't count baton-twirling as dance but in other countries they might 
\par (dance in New Zealand comes to mind).
\par 
\par Shay also says that dance researchers have not, until recently taken this 
\par into account fully.  So this is why dance research in this area is 
\par sketchy at best.  It might be a good idea for those interested in this 
\par topic to look Prof. Shay up a ask HIM about it.
\par 
\par hope this helps,
\par Inez Rosanera
\par Ealdormere
\par 
\par 
\par From: DDFr at Best.com (David Friedman)
\par Newsgroups: rec.org.sca
\par Subject: Re: authentic bellydance costume
\par Date: 24 Mar 1997 19:36:10 GMT
\par Organization: School of Law, Santa Clara University
\par 
\par bq676 at torfree.net (Kristine E. Maitland) wrote:
\par > My cousin Valizan does middle eastern dance as does my friend Viscount 
\par > Roak (both of Ealdormere).  They were both wondering about the 
\par > "peridocity" of MALE middle eastern dancers so I said that I would take a 
\par > look about it sometime -- theCA on the topic was interesting but I felt 
\par > that it was lacking in some areas.
\par 
\par The book _Mohammed's People_ contains a description of the characteristics
\par of the ideal dancer which looked to me as though it was describing male
\par dancers; I don't remember the exact cite. A good book, incidentally.
\par 
\par David/Cariadoc
\par 
\par 
\par From: Elaine Ragland <er37 at columbia.edu>
\par Newsgroups: rec.org.sca
\par Subject: Re: dancing at demos
\par Date: Mon, 24 Mar 1997 17:52:19 -0500
\par Organization: Columbia University
\par 
\par On Sat, 22 Mar 1997, Mark S. Harris wrote:
\par > "James A. Barrow" <redfalcon at thomson.net> wrote:
\par > >While I love to see a truly talented and well 
\par > > trained dancer in an itty-bitty costume (please excuse my chauvinism), I 
\par > > realize that, talent or ability notwithstanding, while such attire is 
\par > > perfectly acceptable for an event, it has no place at a demo.  
\par > 
\par > Since the cabaret clothing is not authentic, why do you find it
\par > "perfectly acceptable" for an event? 
\par > 
\par > And yes, I enjoy seeing dancers in "itty-bitty" costumes. I just
\par > don't find much of what I see being worn as really appropriate for
\par > SCA use.
\par 
\par Well, I have a picture of a Fatimid manuscript illustration, depicting a
\par dancer in either tattoos or body paint, and nothing else.  Cabaret costume
\par seems modest in comparison.  Then there are the dancing maidens on
\par Sassanian silver ewers.  At first glance, they seem naked.  Then, if you
\par look closely at the detail, you see something around the wrist that is
\par probably an embroidered cuff, and swirls around the ankles that must be
\par the hem of the dress.  When I made a Sassanian dance costume, I made it
\par out of the sheerest of silk jacquard.  I wear it with a flesh-colored
\par leotard, and I don't wear it to demos at all, but that's a personal
\par choice.  The ewers make it very clear that no underwear is worn with the
\par original.
\par 
\par Yes, I agree that everyone should dress with modesty at formal demos,
\par particularly those at schools or churches.  However, the argument that
\par dancers who show bare flesh are "not appropriate" to SCA events is really
\par a fallacy.  When I see a cabaret costume, I think of the body tattoos and
\par I'm reassured that the dancer is at least wearing clothes.  I did once see
\par a nude dancer at an SCA event, but that's another story.  I don't think
\par the authorities would approve.  
\par 
\par Elaine Ragland
\par aka Melanie de la Tour
\par 
\par 
\par From: Elaine Ragland <er37 at columbia.edu>
\par Newsgroups: rec.org.sca
\par Subject: Belly Dance Costume (long)
\par Date: Tue, 25 Mar 1997 19:43:12 -0500
\par Organization: Columbia University
\par 
\par I've had several requests to post the information regarding the Fatimid
\par illustration of the nude dancer.  Therefore: Rachel Milstein,_Islamic
\par Painting in the Israel Museum_, Jerusalem, 1984.  The illustration is the
\par first one in the book, on p. 20.  It's labeled:  Courtesan.  Drawing on
\par paper.  H. 280, w. 180.  Egypt, said to have been found in Fustat (old
\par Cairo).  Fatimid period, 11th century. 
\par 
\par The note on the figure reads:  
\par 
\par "Nude woman, wearing necklace, bracelets and anklets, and a ribbon around
\par her head.  Tatoos adorn her face, breasts, pubes and especially her arms
\par and legs.  She holds a six-string ud in her right hand and a wine goblet
\par in her left.  Her body lacks proportion - the head and arms are too large
\par for her short body and thickset stock legs.  The head is presented at
\par three-quarters, the body frontally and the legs in profile with one leg
\par slightly raised.  The figure occupies most of the page surface and the
\par small remaining space shows a shelf bearing a jug and a wine-bottle with
\par the vase of flowers underneath.
\par ...Surviving literary and other sources testify to the fact that in the
\par palaces of Muslim rulers depictions of nude figures decorated the harems
\par and baths, far from the eye of the general public and the disapproval of
\par the orthodox.  
\par ... As the drawing has no inscription, its precise function cannot
\par be ascertained.  It may have served as a "planet figure," with the girl
\par representing Venus playing the ud.  But her presentation in the nude, her
\par sensuality, the size of the figure relative to the page and the filling in
\par of the empty space with objects suggest that this may have been a study
\par for a fresco, similar in style to frescoes from the Ummayyad and Abbasid
\par periods, and, in addition, from the Fatimid period in Sicily.
\par Yet another possibility is that the drawing is a realistic portrait
\par of a well known period figure whom the artist wished to immortalize."
\par 
\par It also notes that this is not the first time the illustration has been
\par published.  Two other occurrences may be easier to get via interlibrary
\par loan:
\par 
\par Jones, D. "Notes on a Tattooed Musician:  A Drawing of the Fatimid
\par Period,"  Art and Archaeology Research Paper, June, 1975.
\par 
\par Rice, D.  "A Drawing of the Fatimid Period,"  Bulletin of the School
\par of Oriental and African Studies, #2 (1958), pp. 31-39.
\par         
\par For those of you who want information on Sassanian dance costume, I'll
\par post more another time.  Dinner, and other research projects, call.
\par 
\par Elaine Ragland
\par aka Melanie de la Tour
\par 
\par 
\par }\pard \ql \li0\ri-990\widctlpar\faauto\adjustright\rin-990\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 From: Elaine Ragland <er37 at columbia.edu>
\par Newsgroups: rec.org.sca
\par Subject: Re: Belly Dance Costume (long)
\par Date: Thu, 27 Mar 1997 14:35:33 -0500
\par Organization: Columbia University
\par 
\par > The text you quoted said nothing about this figure being a dancer.  How did
\par > you conclude that it is?
\par >
\par > Arval d'Espas Nord            mittle at panix.com
\par 
\par One foot is poised, as if to begin a dance step.  She is also
\par holding a musical instrument, so she is clearly an entertainer.  Shown in 
\par motion, while holding a goblet and an oud, she personifies courtly
\par entertainment of the time:  wine, women, song, and dance.
\par 
\par Also, I don't think she's nude for the purposes of playing music.  
\par I think that she is nude for the purposes of dancing. In the introduction
\par to the section on Fatimid art in the catalogue, it said that she was
\par stylistically related to the dancing maidens common in Sassanian art,
\par usually depicted in transparent gowns.
\par 
\par Fatimid arts were strongly influenced by Persian culture.  It's well known
\par that dance continued to be a courtly entertainment in medieval Persia
\par (Persian dance was imported to the court of Corduba).  I don't know for
\par certain that Muslim Persian dancers continued to wear little or no
\par clothing, as their Sassanian ancestors are depicted, but this Fatimid
\par entertainer seems to indicate that they did.
\par 
\par As I said before, I will post a longer message on depictions of dancers in
\par Sassanian art, but I'm engaged in another research project right now and
\par it will have to wait.  
\par 
\par Elaine Ragland
\par aka Melanie de la Tour
\par }\pard \ql \li0\ri-980\widctlpar\faauto\adjustright\rin-980\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 
\par 
\par }\pard \ql \li0\ri-990\widctlpar\faauto\adjustright\rin-990\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 From: Jennifer Kautz <jk74 at cornell.edu>
\par Newsgroups: rec.org.sca
\par Subject: Middle-Eastern & Gypsy Dancers in Period
\par Date: Wed, 06 Aug 1997 11:09:03 -0400
\par Organization: Cornell University
\par 
\par I beg to differ from the good folk who have posted on this, but 
\par as this is *my* area of interest, I thought I'd pass along some 
\par info.
\par 
\par I have photocopies in my hands right now, of 3 different examples 
\par of middle-eastern dancers well within period. Try looking at some 
\par of the Persian Miniatures, or some of the travellers to the 
\par Ottoman Empire's Accounts. Also, there is a tapestry depicting an 
\par encounter of a French Noble's Hunting Party w/the Rom, circa 
\par 1440(?), which specifically shows a Rom woman dancing. There is 
\par another picture (from another tapesty) of a Rom woman dancing 
\par from the same era, and then there is a picture of a Rom woman in 
\par black/yellow/red (eastern europe-style) costume, dancing at a 
\par European Court in 1620.
\par 
\par Granted, these are very few examples, but they all have 
\par similarities that are hard to ignore - the use of hand/wrist 
\par scarves & ribbons, the typical "turkish spin" stance that any 
\par modern bellydancer would recognize. No, they weren't common in 
\par period, but they did exist (both "belly"dancers & "gypsy" 
\par dancers). I would be happy to provide book references, but things 
\par are rather chaotic right now (Pennsic e.ta.= 47 hours...), so 
\par email me privately, or feel free to stop in at our camp to chat! 
\par Not all the costumes are revealing (by modern standards), but the 
\par one tapestry specifically pictures the Rom Dancer in a standard 
\par 15th century dress, except that there's a slit up the side to her 
\par hip, & her leg is out & exposed (no chemise)!
\par  
\par Come & chat, we'll be camped with our patrons, Clan Campbell/ 
\par Ragnesfolke in the bog!:-)
\par 
\par Rum tum bi salama!
\par 
\par 
\par From: XSimmons <"jls9" at  MSG.TI.COM>
\par Newsgroups: rec.org.sca
\par Subject: Re: Guedra
\par Date: Mon, 15 Sep 1997 18:57:43 -0500
\par 
\par Blodwen wrote:
\par > I am looking for sources mentioning or illustrating the North African
\par > dance called Guedra.
\par 
\par Can you do an online search?  Excite and Yahoo! both respond to "guedra"
\par with sources.
\par 
\par Can you access WWW?  If so, you might enjoy looking in:
\par 
\par http://www.lpl.arizona.edu/~kimberly/medance/culture/guedra.htm
\par 
\par The dance is a blessing dance (trance dance) of a tribe of Berbers
\par called Kel Tagilmus ("People of the Veil"), known to outsiders as
\par "Tuaregs."  This is a North African group, so it is possible that cross
\par fertilization of dance styles has occurred between the nomads and the
\par ancient Egyptians.  Of course, we might not expect _total_ consistency
\par over the last 5,000 years. . . .
\par 
\par It may help to remember that the pyramid-building Egyptians are not the
\par current inhabitants--the modern Egyptians are supposed to be relative
\par newcomers to the area, although I don't have specific dates or "target
\par eras" stored in my brain -- so sorry!      ;-)
\par 
\par BTW, this is one of the "topless dance" legend nominees.  Alas, when the
\par rumor trackers went into action, words like "prostitute" began to echo
\par across the ancient desert sands (as opposed to, say, "tradition" or
\par "hubba-hubba!"  Too bad!    ;-\\\}          )  Besides, I would doubt that
\par all the Berber women who ever lived could outnumber the decent ladies of
\par only _one_ medieval Islamic cultural center/decent-sized city.
\par 
\par The actual dance features a sitting/standing, veiled woman doing
\par repetitive motions, especially a characteristic "flicking" gesture and
\par maybe sharp swings of the head (with beaded braids--owee!), while two
\par choral groups chant simple religious phrases back and forth.  The
\par phrases reference Allah, ancestors, the king, the trance state, and Ali.
\par 
\par The American Middle Eastern dancer Morocco has done research on this
\par dance form, as well as others.  Whatever I know is probably traceable to
\par her from one source or another, so I'd like to credit her here for her
\par efforts in modern tribal dance research.
\par 
\par How old the Guedra is?  Dunno.  The natives appear to consider it a
\par spiritual service.
\par 
\par Warm regards, Ly Meara al-Isfahani  (more than you _ever_ wanted to know
\par about. . . .)
\par 
\par 
\par Subject: BG - BG- Middle Eastern Dance History
\par Date: Wed, 18 Feb 98 14:12:33 MST
\par From: Aceia at aol.com
\par To: bryn-gwlad at Ansteorra.ORG
\par 
\par Check out this web site it is great!
\par http://www.efn.org/~dduncan/bdance/
\par 
\par This next site is specifically on the history of dance
\par http://www.efn.org/~dduncan/bdance/BDhist0.html
\par 
\par I especially found the information about Egyptian dance costumes interesting,
\par since many people say that traditional dancers never show their waists.
\par "Women in the Old Kingdom put on the short men's skirts (i.e. aprons) or
\par danced completely nude on many occasions because the usual long dress was too
\par restrictive of movement. Nude dancers wore a belt around the waist which
\par concealed nothing. Otherwise dancers might wear long or short transparent
\par garments, sometimes with one breast completely revealed. ...
\par After the last of the Egyptian kingdoms, there is little or no documentation
\par on what people wore. But a look at the clothes worn in Egypt today show that
\par little has changed, except that fabrics are heavier and nudity is no longer
\par so acceptable."
\par 
\par The page on costuming is REALLY informative depending on what culture your
\par dancer comes from :
\par Greek/Roman 'castanet' dancers
\par Persian, Turkish and Ghawazee
\par Modern and Ancient Egyptian
\par Morroccan and Tunisian
\par Spanish Gypsy
\par 
\par There are makeup and hair tips too!
\par 
\par -Robin
\par 
\par }\pard \ql \li0\ri-980\widctlpar\faauto\adjustright\rin-980\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 
\par }\pard \ql \li0\ri-990\widctlpar\faauto\adjustright\rin-990\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 Subject: Re: BG - Middle Eastern Resource
\par Date: Mon, 11 May 98 19:12:44 MST
\par From: morganbri at juno.com (Briana Morgan)
\par To: bryn-gwlad at Ansteorra.ORG
\par 
\par I would like to offer up one of my favorite Middle Eastern resources as
\par well, in hopes that it will be helpful to anyone interested in the Middle
\par Ages, Renaissance, Belly Dancing, Ethnic Jewelry, Costuming, and other
\par wonderful things.
\par 
\par They are called 'Distant Caravans', and if you have a bit of time and
\par want to check them out, you'll find a full-color online catalog run by
\par two very wonderful SCA merchants (who also happen to be my parents), from
\par the Silver Desert region of the West Kingdom.  You can find them and
\par enjoy to your hearts content at:      www.distantcaravans.com
\par 
\par They carry a gorgeous collection of period-style Afghani Ethnic Jewelry,
\par Bells and Coins to create or add to your belly dance jewelry, Zills,
\par Tassel Scarves, Egyptian Coin and Bead Edged Scarves, Drums, Lanterns and
\par Lamps, various other wonderful costuming delights, as well as lots of
\par great links to other related sites.
\par 
\par Hope this is helpful.  Enjoy the adventure!
\par 
\par Elysia~
\par }\pard \ql \li0\ri-980\widctlpar\faauto\adjustright\rin-980\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 
\par 
\par }\pard \ql \li0\ri-990\widctlpar\faauto\adjustright\rin-990\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 Subject: ANST - RE: Coins for Eastern Dance Costumes
\par Date: Tue, 09 Feb 99 20:39:10 MST
\par From: Gunnora Hallakarva <gunnora at bga.com>
\par To: ansteorra at Ansteorra.ORG
\par 
\par Thorvald <odin at okom.net> asked:
\par >I am looking for sources for Eastern Dance supplies specifically
\par > loose coins. I have been to Chandra's web site but wish to see
\par > what other sources are available.
\par 
\par I recommend trying South Pacific Wholesale.  They are a wholesale jewellry
\par supplier who mainly carry stuff like semi-precious and glass beads, but also
\par odds and ends of other stuff.
\par 
\par In their most recent catalog, they had about three or four types of oriental
\par coins, pierced for hanging.  Some had one hole, others had one-and-one,
\par one-and-three, and one-and-four holes on opposite sides.  I don't
\par recall the price, but I just bought 70 lbs of beads for $83 (which included
\par the UPS costs)... very affordable.
\par 
\par Those of you who are looking to stock up on ransoms for Lyonnesse, there are
\par also pre-strung necklaces, including semiprecious gem chips, some beaded
\par necklaces, Mexican silver abalone-set bracelets, carved stone candle
\par holders, and lots more stuff that would make good ransoms.
\par 
\par Their contact info is:
\par South Pacific WholeSale Co.
\par http://www.beading.com
\par mailto:sopacvt at aol.com
\par (800) 338-2162
\par 
\par ::GUNNORA::
\par }\pard \ql \li0\ri-980\widctlpar\faauto\adjustright\rin-980\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 
\par 
\par }\pard\plain \s17\ql \li0\ri0\widctlpar\faauto\adjustright\rin0\lin0\itap0 \f2\fs20\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\f6\insrsid8527089\charrsid8527089 From: jonwillowpel at juno.com
\par To: ansteorra at ansteorra.org
\par Date: Tue, 1 Aug 2000 15:33:50 -0500
\par Subject: Re: ANST - Middle Eastern Dance Resource
\par 
\par I really thank for the post. I have been looking for this for days. This
\par lady, Robin Friend, has been really helpful to the dancers in Ansteorra
\par and now she has put out a tape "Dances of Iran". The money from the tape
\par is going to a study group that works on Persian dance. Dancers have a
\par hard time documenting their work and this lady's scholarly works are one
\par of the few places we can go. Everyone please check her stuff out.
\par 
\par Willow
\par 
\par On Mon, 31 Jul 2000 15:33:28 GMT "Russell Husted" <husted at hotmail.com>
\par writes:
\par > here is a post sent to a different list. I realize only a few poeple 
\par > will be interrested but it is a bibliography of middle eastern dance 
\par > refrences.
\par > 
\par > mahee
\par > 
\par > Persian, this time. There's a couple, towards the bottom, that seem
\par > interesting for our purposes -- one on Pre-Islamic Persian dance 
\par > sparks the imagination.... 
\par > <http://home.earthlink.net/~rcfriend/robyn21.htm>
\par }\pard\plain \ql \li0\ri-980\widctlpar\faauto\adjustright\rin-980\lin0\itap0 \f7\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\f6\fs20\insrsid8527089\charrsid8527089 
\par 
\par }\pard \ql \li0\ri-980\widctlpar\faauto\adjustright\rin-980\lin0\itap0\pararsid8527089 {\f6\fs20\insrsid8527089\charrsid8527089 From: Sandra Jakl <kieralady2 at yahoo.com>
\par Date: July 14, 2004 1:57:31 PM CDT
\par To: houstondancers at yahoogroups.com, ansteorra at ansteorra.org
\par Cc: Subject: [Ansteorra] online articles regarding Middle Eastern Dance
\par 
\par Please see these articles for further information on
\par this topic:
\par 
\par http://www.crosspump.net/tribalbellydance/dancepaper.htm
\par 
\par http://www.livejournal.com/talkread.bml?journal=asim&itemid=64660
\par 
\par http://www.gildedserpent.com/articles20/jalilahharamslaves.htm
\par 
\par http://www.gildedserpent.com/articles7/kirkemperor.htm
\par 
\par I make no comment regarding these sources. I post them
\par for possible interest only.
\par 
\par HL Clara von Ulm
\par (aka) Sayidda al Sheriffa Sana bint Kieran al Kerra
\par 
\par 
\par From: Laylia Bellydancing <layliasbellydancing at yahoo.com>
\par Date: April 2, 2006 3:19:57 AM CDT
\par To: stefan at florilegium.org
\par Subject: helpful link for drummers
\par 
\par I liked your site!  here is a really great place to pass on to people..
\par  
\par http://www.khafif.com/rhy/
\par  
\par I hope you like it!  I use it all the time!
\par 
\par Laylia's School of Belly Dance and Drum
\par 614-312-4252 www.Laylia.com
\par 
\par }\pard \ql \li0\ri-980\widctlpar\faauto\adjustright\rin-980\lin0\itap0 {\f6\fs20\insrsid8527089\charrsid8527089 <the end>
\par }}