15C-Ital-Dce-art - 9/4/01 ਀ഊ"Fifteenth-Century Italian Dance" by Rosina del Bosco Chiaro (Vivian Stephens). These are the class notes from a class she taught at Pennsic 30. ਀ഊNOTE: See also the files: dance-msg, ME-dance-msg, dance-par-art, Italy-msg, fd-Italy-msg. ਀ഊ************************************************************************ ਀一伀吀䤀䌀䔀 ⴀഊ ਀吀栀椀猀 愀爀琀椀挀氀攀 眀愀猀 猀甀戀洀椀琀琀攀搀 琀漀 洀攀 戀礀 琀栀攀 愀甀琀栀漀爀 昀漀爀 椀渀挀氀甀猀椀漀渀 椀渀 琀栀椀猀 猀攀琀 漀昀 昀椀氀攀猀Ⰰ 挀愀氀氀攀搀 匀琀攀昀愀渀✀猀 䘀氀漀爀椀氀攀最椀甀洀⸀ ഊ ਀吀栀攀猀攀 昀椀氀攀猀 愀爀攀 愀瘀愀椀氀愀戀氀攀 漀渀 琀栀攀 䤀渀琀攀爀渀攀琀 愀琀㨀ഊhttp://www.florilegium.org ਀ഊCopyright to the contents of this file remains with the author. ਀ഊWhile the author will likely give permission for this work to be reprinted in SCA type publications, please check with the author first or check for any permissions granted at the end of this file. ਀ഊ Thank you, ਀                                    䴀愀爀欀 匀⸀ 䠀愀爀爀椀猀ഊ AKA: Stefan li Rous ਀                                         猀琀攀昀愀渀 愀琀 昀氀漀爀椀氀攀最椀甀洀⸀漀爀最ഊ************************************************************************ ਀ഊFifteenth-Century Italian Dance ਀戀礀 刀漀猀椀渀愀 搀攀氀 䈀漀猀挀漀 䌀栀椀愀爀漀 ⠀嘀椀瘀椀愀渀 匀琀攀瀀栀攀渀猀⤀ഊ ਀吀栀攀 攀愀爀氀椀攀猀琀 猀甀爀瘀椀瘀椀渀最 搀愀渀挀攀 挀栀漀爀攀漀最爀愀瀀栀椀攀猀 愀爀攀 椀渀 䤀琀愀氀椀愀渀 搀愀渀挀攀 洀愀渀甀愀氀猀 搀愀琀椀渀最 昀爀漀洀 琀栀攀 洀椀搀 琀漀 氀愀琀攀 昀椀昀琀攀攀渀琀栀ⴀ挀攀渀琀甀爀礀⸀  吀栀攀 搀愀渀挀攀猀 眀攀爀攀 挀漀洀瀀漀猀攀搀 戀礀 搀愀渀挀椀渀最 洀愀猀琀攀爀猀Ⰰ 漀爀 漀挀挀愀猀椀漀渀愀氀氀礀 戀礀 洀攀洀戀攀爀猀 漀昀 琀栀攀 渀漀戀椀氀椀琀礀Ⰰ 愀渀搀 眀攀爀攀 洀攀愀渀琀 琀漀 戀攀 瀀攀爀昀漀爀洀攀搀 戀礀  洀攀洀戀攀爀猀 漀昀 琀栀攀 挀漀甀爀琀 甀渀搀攀爀 琀栀攀 挀爀椀琀椀挀愀氀 攀礀攀猀 漀昀 琀栀攀椀爀 瀀攀攀爀猀⸀  吀栀攀猀攀 搀愀渀挀攀猀 眀攀爀攀 甀猀甀愀氀氀礀 搀愀渀挀攀搀 戀礀 漀渀氀礀 漀渀攀 猀攀琀 愀琀 愀 琀椀洀攀Ⰰ 愀渀搀 琀栀攀 攀洀瀀栀愀猀椀猀 眀愀猀 琀栀攀爀攀昀漀爀攀 洀甀挀栀 洀漀爀攀 漀渀 瀀攀爀昀漀爀洀愀渀挀攀 琀栀愀渀 愀猀 愀 猀漀挀椀愀氀 愀挀琀椀瘀椀琀礀⸀  䤀琀 椀猀 瀀漀猀猀椀戀氀攀Ⰰ 栀漀眀攀瘀攀爀Ⰰ 琀栀愀琀Ⰰ 愀猀 洀愀渀礀 瀀攀漀瀀氀攀 眀漀甀氀搀 欀渀漀眀 琀栀攀 搀愀渀挀攀猀Ⰰ 愀琀 氀攀猀猀 昀漀爀洀愀氀 漀挀挀愀猀椀漀渀猀 琀栀攀礀 眀攀爀攀 搀愀渀挀攀搀 戀礀 愀猀 洀愀渀礀 瀀攀漀瀀氀攀 愀猀 眀椀猀栀攀搀 琀漀⸀  吀栀椀猀 椀猀 琀栀攀 眀愀礀 眀攀 甀猀甀愀氀氀礀 搀漀 琀栀攀猀攀 搀愀渀挀攀猀 椀渀 琀栀攀 匀䌀䄀⸀ഊ ਀吀栀攀 琀眀漀 洀愀樀漀爀 挀栀漀爀攀漀最爀愀瀀栀攀爀猀 眀栀漀猀攀 眀漀爀欀猀 猀甀爀瘀椀瘀攀 愀爀攀 䐀漀洀攀渀椀挀漀 搀愀 倀椀愀挀攀渀稀愀 愀渀搀 栀椀猀 猀琀甀搀攀渀琀 䜀甀最氀椀攀氀洀漀 䔀戀爀攀漀 搀愀 倀攀猀愀爀漀 ⠀愀氀猀漀 欀渀漀眀渀 愀猀 䜀椀漀瘀愀渀渀椀 䄀洀戀爀漀猀椀漀⤀⸀  䄀渀漀琀栀攀爀 猀琀甀搀攀渀琀Ⰰ 䄀渀琀漀渀椀漀 䌀漀爀渀愀稀愀渀漀Ⰰ 眀爀漀琀攀 愀 搀愀渀挀攀 洀愀渀甀愀氀 挀漀渀琀愀椀渀椀渀最 挀栀漀爀攀漀最爀愀瀀栀椀攀猀 漀昀 䐀漀洀攀渀椀挀漀⸀ 䐀愀渀挀攀 洀愀渀甀愀氀猀 搀愀琀椀渀最 昀爀漀洀 愀戀漀甀琀 ㄀㐀㔀　 琀漀 琀栀攀 攀愀爀氀礀 ㄀㔀　　猀 猀甀爀瘀椀瘀攀Ⰰ 愀渀搀 猀栀漀眀 挀漀渀猀椀搀攀爀愀戀氀攀 猀椀洀椀氀愀爀椀琀礀⸀  吀栀攀爀攀 愀爀攀 氀攀猀猀 搀愀渀挀攀 猀漀甀爀挀攀猀 琀栀攀爀攀愀昀琀攀爀Ⰰ 愀渀搀 戀礀 琀栀攀 氀愀琀攀 猀椀砀琀攀攀渀琀栀ⴀ挀攀渀琀甀爀礀 眀栀攀渀 洀漀爀攀 猀漀甀爀挀攀猀 愀爀攀 愀最愀椀渀 愀瘀愀椀氀愀戀氀攀Ⰰ 琀栀攀 搀愀渀挀攀 琀爀愀搀椀琀椀漀渀猀 栀愀瘀攀 戀攀挀漀洀攀 渀漀琀椀挀攀愀戀氀礀 搀椀昀昀攀爀攀渀琀⸀ഊ ਀吀栀攀 猀漀甀爀挀攀猀 昀漀爀 琀栀椀猀 瀀攀爀椀漀搀 愀爀攀 甀渀昀漀爀琀甀渀愀琀攀氀礀 猀漀洀攀眀栀愀琀 瘀愀最甀攀Ⰰ 攀猀瀀攀挀椀愀氀氀礀 爀攀最愀爀搀椀渀最 琀栀攀 瀀攀爀昀漀爀洀愀渀挀攀 漀昀 琀栀攀 猀琀攀瀀猀Ⰰ 眀栀椀挀栀 愀爀攀 漀昀琀攀渀 渀漀琀 搀攀猀挀爀椀戀攀搀 愀琀 愀氀氀⸀  吀栀攀 挀栀漀爀攀漀最爀愀瀀栀椀攀猀Ⰰ 愀渀搀 琀栀攀 洀甀猀椀挀 昀漀爀 琀栀攀洀Ⰰ 愀爀攀 甀猀甀愀氀氀礀 渀漀琀 椀搀攀渀琀椀挀愀氀 椀昀 琀栀攀礀 愀瀀瀀攀愀爀 椀渀 洀漀爀攀 琀栀愀渀 漀渀攀 猀漀甀爀挀攀⸀  吀栀攀爀攀 愀氀猀漀 猀攀攀洀猀 琀漀 栀愀瘀攀 戀攀攀渀 挀漀渀猀椀搀攀爀愀戀氀攀 瘀愀爀椀愀琀椀漀渀 椀渀 栀漀眀 琀栀攀 猀琀攀瀀猀 眀攀爀攀 瀀攀爀昀漀爀洀攀搀 椀渀 瀀攀爀椀漀搀Ⰰ 愀渀搀 椀洀瀀爀漀瘀椀猀愀琀椀漀渀 眀愀猀 攀砀瀀攀挀琀攀搀⸀  䤀琀 椀猀 椀洀瀀漀爀琀愀渀琀 琀漀 爀攀洀攀洀戀攀爀 琀栀愀琀 琀栀攀爀攀 眀愀猀 渀漀琀 漀渀攀Ⰰ 椀洀洀甀琀愀戀氀攀Ⰰ 眀愀礀 漀昀 瀀攀爀昀漀爀洀椀渀最 搀愀渀挀攀 漀昀 琀栀椀猀 瀀攀爀椀漀搀⸀  䈀攀挀愀甀猀攀 漀昀 琀栀椀猀Ⰰ 爀攀挀漀渀猀琀爀甀挀琀椀漀渀猀 漀昀 琀栀攀猀攀 搀愀渀挀攀猀 瘀愀爀礀 爀愀琀栀攀爀 洀漀爀攀 琀栀愀渀 昀漀爀 氀愀琀攀爀 瀀攀爀椀漀搀猀⸀ 圀栀攀渀 琀愀欀椀渀最 愀 挀氀愀猀猀 礀漀甀 猀栀漀甀氀搀 攀砀瀀攀挀琀 琀栀愀琀 琀栀椀渀最猀 洀愀礀 戀攀 琀愀甀最栀琀 搀椀昀昀攀爀攀渀琀氀礀 琀栀愀渀 礀漀甀 愀爀攀 甀猀攀搀 琀漀Ⰰ 愀渀搀 琀栀愀琀 琀栀椀猀 搀漀攀猀 渀漀琀 洀愀欀攀 琀栀攀 琀攀愀挀栀攀爀Ⰰ 漀爀 礀漀甀爀猀攀氀昀Ⰰ 眀爀漀渀最⸀  䄀猀 眀攀氀氀Ⰰ 琀栀攀 猀愀洀攀 漀爀 猀椀洀椀氀愀爀 猀琀攀瀀 渀愀洀攀猀 眀攀爀攀 漀昀琀攀渀 甀猀攀搀 昀漀爀 猀琀攀瀀猀 琀栀愀琀 眀攀爀攀 瀀攀爀昀漀爀洀攀搀 搀椀昀昀攀爀攀渀琀氀礀 椀渀 琀栀攀 䈀甀爀最甀渀搀椀愀渀 漀爀 猀椀砀琀攀攀渀琀栀ⴀ挀攀渀琀甀爀礀 爀攀瀀攀爀琀漀椀爀攀猀Ⰰ 愀渀搀 琀栀攀猀攀 猀栀漀甀氀搀 渀漀琀 戀攀 挀漀渀昀甀猀攀搀 眀椀琀栀 琀栀攀 昀椀昀琀攀攀渀琀栀ⴀ挀攀渀琀甀爀礀 䤀琀愀氀椀愀渀 猀琀攀瀀猀⸀ഊ ਀䄀琀 琀栀椀猀 琀椀洀攀 琀栀攀爀攀 眀攀爀攀 昀漀甀爀 搀愀渀挀攀 琀攀洀瀀椀Ⰰ 戀攀椀渀最 戀愀猀猀愀搀愀渀稀愀 ⠀甀猀甀愀氀氀礀 渀漀琀愀琀攀搀 愀猀 戀攀椀渀最 椀渀 㘀⼀㐀 椀渀 洀漀搀攀爀渀 愀爀爀愀渀最攀洀攀渀琀猀⤀Ⰰ 焀甀愀搀攀爀渀愀爀椀愀 ⠀㐀⼀㐀⤀Ⰰ 猀愀氀琀愀爀攀氀氀漀 ⠀甀猀甀愀氀氀礀 㘀⼀㠀⤀Ⰰ 愀渀搀 瀀椀瘀愀 ⠀㈀⼀㐀 漀爀 㘀⼀㠀⤀⸀  䈀愀猀猀攀搀愀渀稀攀 眀攀爀攀 猀氀漀眀Ⰰ 猀漀洀攀眀栀愀琀 瀀爀漀挀攀猀猀椀漀渀愀氀 搀愀渀挀攀猀Ⰰ 昀漀爀 眀栀椀挀栀 挀栀漀爀攀漀最爀愀瀀栀椀攀猀 猀甀爀瘀椀瘀攀⸀  一漀 洀愀琀挀栀椀渀最 洀甀猀椀挀 椀猀 昀漀甀渀搀 椀渀 琀栀攀 猀漀甀爀挀攀猀Ⰰ 猀漀 椀琀 猀攀攀洀猀 琀栀愀琀 愀渀礀 戀愀猀猀愀搀愀渀稀愀 琀甀渀攀 漀昀 琀栀攀 爀椀最栀琀 猀椀稀攀 挀漀甀氀搀 戀攀 甀猀攀搀⸀  ⠀吀栀椀猀 搀椀昀昀攀爀猀 昀爀漀洀 琀栀攀 爀攀氀愀琀攀搀 䈀甀爀最甀渀搀椀愀渀 戀愀猀猀攀搀愀渀猀攀Ⰰ 眀栀攀爀攀 琀栀攀 挀栀漀爀攀漀最爀愀瀀栀椀攀猀 栀愀搀 猀攀琀 琀攀渀漀爀猀⸀⤀   一漀 挀栀漀爀攀漀最爀愀瀀栀椀攀猀 眀攀爀攀 最椀瘀攀渀 昀漀爀 琀栀攀 漀琀栀攀爀 琀栀爀攀攀 琀攀洀瀀椀Ⰰ 戀甀琀 琀栀攀 猀愀氀琀愀爀攀氀氀漀 愀渀搀 瀀椀瘀愀 眀攀爀攀 愀氀猀漀 搀愀渀挀攀猀⸀  䈀漀琀栀 眀攀爀攀 氀椀瘀攀氀礀Ⰰ 椀洀瀀爀漀瘀椀猀攀搀 搀愀渀挀攀猀Ⰰ 瀀爀漀戀愀戀氀礀 搀愀渀挀攀搀 戀礀 愀渀礀 渀甀洀戀攀爀 漀昀 瀀攀漀瀀氀攀Ⰰ 椀渀 挀漀甀瀀氀攀猀 漀爀 瀀攀爀栀愀瀀猀 氀愀爀最攀爀 最爀漀甀瀀猀Ⰰ 愀琀 琀栀攀 猀愀洀攀 琀椀洀攀⸀  吀栀攀 猀愀氀琀愀爀攀氀氀漀 猀攀攀洀猀 琀漀 栀愀瘀攀 戀攀攀渀 琀栀攀 愀渀挀攀猀琀漀爀 漀昀 琀栀攀 猀椀砀琀攀攀渀琀栀ⴀ挀攀渀琀甀爀礀 最愀氀氀椀愀爀搀⸀  儀甀愀搀攀爀渀愀爀椀愀 眀愀猀 爀愀爀攀氀礀 搀愀渀挀攀搀 愀猀 愀渀 椀渀搀攀瀀攀渀搀攀渀琀 搀愀渀挀攀 琀礀瀀攀Ⰰ 戀甀琀 洀愀礀 栀愀瘀攀 戀攀攀渀 猀漀洀攀琀栀椀渀最 氀椀欀攀 琀栀攀 氀愀琀攀爀 愀氀洀愀渀猀⸀  䐀愀渀挀攀爀猀 漀昀 琀栀椀猀 瀀攀爀椀漀搀 眀攀爀攀 攀砀瀀攀挀琀攀搀 琀漀 戀攀 愀戀氀攀 琀漀 搀愀渀挀攀 琀栀攀 戀愀猀椀挀 洀漀瘀攀洀攀渀琀 漀昀 漀渀攀 搀愀渀挀攀 琀攀洀瀀漀 琀漀 琀栀攀 漀琀栀攀爀 琀攀洀瀀椀 攀⸀最⸀ 搀愀渀挀椀渀最 猀愀氀琀愀爀攀氀氀漀 猀琀攀瀀猀 椀渀 戀愀猀猀愀搀愀渀稀愀 洀甀猀椀挀⸀ഊ ਀吀栀攀 戀愀氀氀漀 甀猀攀搀 愀氀氀 昀漀甀爀 漀昀 琀栀攀猀攀 琀攀洀瀀椀Ⰰ 猀漀洀攀琀椀洀攀猀 愀氀氀 椀渀 琀栀攀 猀愀洀攀 搀愀渀挀攀Ⰰ 琀栀漀甀最栀 猀漀洀攀 漀昀 琀栀攀 戀愀氀氀椀 爀攀洀愀椀渀攀搀 椀渀 漀渀攀 琀攀洀瀀漀 琀栀爀漀甀最栀漀甀琀⸀  吀栀攀 挀栀漀爀攀漀最爀愀瀀栀礀 漀昀 琀栀攀 搀愀渀挀攀 愀渀搀 琀栀攀 洀甀猀椀挀 洀愀琀挀栀攀搀 攀砀愀挀琀氀礀Ⰰ 爀攀猀甀氀琀椀渀最 椀渀 洀甀猀椀挀 琀栀愀琀 猀漀甀渀搀猀 漀搀搀 琀漀 洀漀搀攀爀渀 攀愀爀猀Ⰰ 愀猀 椀琀 挀愀渀 攀瘀攀渀 挀漀渀琀愀椀渀 栀愀氀昀 氀攀渀最琀栀 戀愀爀猀⸀  吀栀攀 挀栀漀爀攀漀最爀愀瀀栀椀攀猀 眀攀爀攀 漀昀琀攀渀 琀栀攀愀琀爀椀挀愀氀Ⰰ 眀椀琀栀 愀 琀栀攀洀攀 甀猀甀愀氀氀礀 猀甀最最攀猀琀攀搀 戀礀 琀栀攀椀爀 琀椀琀氀攀⸀  䴀漀猀琀 漀昀 琀栀攀 戀愀氀氀椀 爀攀焀甀椀爀攀搀 愀 猀瀀攀挀椀昀椀挀 渀甀洀戀攀爀 漀昀 搀愀渀挀攀爀猀Ⰰ 眀栀椀挀栀 挀漀甀氀搀 爀愀渀最攀 昀爀漀洀 漀渀攀 挀漀甀瀀氀攀 甀瀀 琀漀 琀眀攀氀瘀攀 搀愀渀挀攀爀猀⸀  吀栀攀 搀愀渀挀攀猀 眀攀爀攀 渀漀琀 愀氀眀愀礀猀 昀漀爀 挀漀甀瀀氀攀猀Ⰰ 漀昀琀攀渀 戀攀椀渀最 昀漀爀 琀爀椀漀猀 漀爀 氀愀爀最攀爀 渀甀洀戀攀爀猀 漀昀 甀渀攀瘀攀渀 最攀渀搀攀爀猀⸀  圀栀攀渀 琀栀攀 猀攀砀攀猀 眀攀爀攀 渀漀琀 戀愀氀愀渀挀攀搀Ⰰ 琀栀攀爀攀 眀攀爀攀 洀漀爀攀 氀椀欀攀氀礀 琀漀 戀攀 洀漀爀攀 洀攀渀 琀栀愀渀 眀漀洀攀渀Ⰰ 琀栀攀 洀漀猀琀 攀砀琀爀攀洀攀 挀愀猀攀 戀攀椀渀最 琀栀攀 搀愀渀挀攀 匀漀戀爀椀愀Ⰰ 眀栀椀挀栀 挀愀氀氀猀 昀漀爀 昀椀瘀攀 洀攀渀 愀渀搀 漀渀氀礀 漀渀攀 眀漀洀愀渀⸀ഊ ਀䌀攀爀琀愀椀渀 昀椀最甀爀攀猀 愀渀搀 瀀愀琀琀攀爀渀猀 眀攀爀攀 挀漀洀洀漀渀 椀渀 琀栀攀猀攀 搀愀渀挀攀猀Ⰰ 琀栀攀 洀漀猀琀 渀漀琀愀戀氀攀 戀攀椀渀最 愀 爀攀瀀攀琀椀琀椀瘀攀 猀琀爀甀挀琀甀爀攀Ⰰ 甀猀甀愀氀氀礀 戀愀猀攀搀 漀渀 最攀渀搀攀爀⸀  䤀渀 挀漀甀瀀氀攀 搀愀渀挀攀猀Ⰰ 琀栀攀 洀愀渀 眀椀氀氀 漀昀琀攀渀 瀀攀爀昀漀爀洀 愀 猀攀焀甀攀渀挀攀 漀昀 猀琀攀瀀猀 眀栀椀挀栀 椀猀 昀漀氀氀漀眀攀搀 戀礀 琀栀攀 眀漀洀愀渀 爀攀瀀攀愀琀椀渀最 琀栀攀 猀愀洀攀 猀攀焀甀攀渀挀攀⸀ ⠀伀爀Ⰰ 椀昀 琀栀攀 眀漀洀愀渀 椀猀 漀渀 琀栀攀 氀攀昀琀 猀椀搀攀Ⰰ 猀栀攀 洀愀礀 戀攀 琀栀攀 漀渀攀 爀攀焀甀椀爀攀搀 琀漀 搀漀 琀栀攀 猀攀焀甀攀渀挀攀 昀椀爀猀琀⸀⤀ 吀栀攀 攀渀琀椀爀攀 搀愀渀挀攀 椀猀 甀猀甀愀氀氀礀 爀攀瀀攀愀琀攀搀Ⰰ 眀椀琀栀 琀栀攀 眀漀洀愀渀 搀漀椀渀最 攀瘀攀爀礀琀栀椀渀最 昀椀爀猀琀 昀漀爀 琀栀攀 爀攀瀀攀愀琀⸀  䤀渀 搀愀渀挀攀猀 眀椀琀栀 洀漀爀攀 琀栀愀渀 漀渀攀 挀漀甀瀀氀攀Ⰰ 愀 昀椀最甀爀攀 洀愀礀 戀攀 爀攀瀀攀愀琀攀搀 漀渀挀攀 昀漀爀 攀愀挀栀 挀漀甀瀀氀攀Ⰰ 漀爀 琀栀攀 攀渀琀椀爀攀 搀愀渀挀攀 爀攀瀀攀愀琀攀搀 愀猀 洀愀渀礀 琀椀洀攀猀 愀猀 椀琀 椀猀 渀攀挀攀猀猀愀爀礀 昀漀爀 攀愀挀栀 挀漀甀瀀氀攀 琀漀 氀攀愀搀 琀栀攀 搀愀渀挀攀⸀  伀琀栀攀爀 挀漀洀洀漀渀 洀漀琀椀昀猀 愀爀攀 瀀爀漀挀攀猀猀椀漀渀愀氀 猀攀挀琀椀漀渀猀Ⰰ 眀栀攀爀攀 琀栀攀 搀愀渀挀攀爀猀 洀漀瘀攀 昀漀爀眀愀爀搀 琀漀最攀琀栀攀爀Ⰰ 猀攀挀琀椀漀渀猀 眀栀攀爀攀 琀栀攀 搀愀渀挀攀爀猀 洀漀瘀攀 愀瀀愀爀琀 愀渀搀 琀栀攀渀 爀攀琀甀爀渀Ⰰ ✀愀爀洀椀渀最✀ 昀椀最甀爀攀猀Ⰰ 眀栀攀爀攀 瀀愀爀琀渀攀爀猀 琀愀欀攀 栀愀渀搀猀 愀渀搀 洀漀瘀攀 愀爀漀甀渀搀 攀愀挀栀 漀琀栀攀爀Ⰰ 愀渀搀 渀甀洀攀爀漀甀猀 眀攀愀瘀攀猀 愀渀搀 栀攀礀猀Ⰰ 眀栀攀爀攀 漀渀攀 漀爀 洀漀爀攀 搀愀渀挀攀爀猀 眀攀愀瘀攀 愀爀漀甀渀搀 漀琀栀攀爀Ⰰ 猀琀愀琀椀漀渀愀爀礀 搀愀渀挀攀爀猀Ⰰ 漀爀 愀氀氀 琀栀攀 搀愀渀挀攀爀猀 洀漀瘀攀 椀渀 猀渀愀欀攀氀椀欀攀 瀀愀琀琀攀爀渀猀 愀爀漀甀渀搀 攀愀挀栀 漀琀栀攀爀⸀  匀漀洀攀 搀愀渀挀攀猀Ⰰ 瀀攀爀栀愀瀀猀 昀爀漀洀 氀愀琀攀爀 椀渀 琀栀椀猀 瀀攀爀椀漀搀Ⰰ 漀爀 猀栀漀眀椀渀最 愀 搀椀昀昀攀爀攀渀琀 猀挀栀漀漀氀 漀昀 搀愀渀挀攀Ⰰ 甀猀攀 愀 瘀攀爀猀攀 昀漀爀洀愀琀Ⰰ 眀栀攀爀攀 琀栀攀 猀愀洀攀 洀甀猀椀挀 椀猀 爀攀瀀攀愀琀攀搀 眀椀琀栀 搀椀昀昀攀爀攀渀琀 猀琀攀瀀猀Ⰰ 漀爀 愀 瘀攀爀猀攀⼀挀栀漀爀甀猀 昀漀爀洀愀琀Ⰰ 眀栀攀爀攀 愀 爀攀瀀攀琀椀琀椀瘀攀 挀栀漀爀甀猀 椀猀 搀愀渀挀攀搀 戀攀琀眀攀攀渀 攀愀挀栀 瘀攀爀猀攀⸀ഊ ਀伀爀渀愀洀攀渀琀愀琀椀漀渀 愀渀搀 椀洀瀀爀漀瘀椀猀愀琀椀漀渀 眀攀爀攀 挀漀渀猀椀搀攀爀攀搀 椀洀瀀漀爀琀愀渀琀 琀漀 琀栀攀 搀愀渀挀攀猀Ⰰ 戀甀琀 愀爀攀 甀渀昀漀爀琀甀渀愀琀攀氀礀 搀攀猀挀爀椀戀攀搀 愀猀 挀愀猀甀愀氀氀礀 愀猀 琀栀攀 猀琀攀瀀猀 琀栀攀洀猀攀氀瘀攀猀⸀  吀栀攀 猀琀攀瀀猀 眀攀爀攀 攀砀瀀攀挀琀攀搀 琀漀 戀攀 搀漀渀攀 眀椀琀栀 愀 爀椀猀椀渀最 愀渀搀 昀愀氀氀椀渀最 洀漀琀椀漀渀Ⰰ 甀渀搀愀最椀愀爀爀攀Ⰰ 搀攀猀挀爀椀戀攀搀 愀猀 戀攀椀渀最 氀椀欀攀 琀栀攀 洀漀琀椀漀渀 漀昀 愀 戀漀愀琀 椀渀 眀愀瘀攀猀⸀  䘀漀爀 愀渀漀琀栀攀爀 漀爀渀愀洀攀渀琀Ⰰ 挀愀洀瀀攀最椀愀爀爀攀Ⰰ 琀栀攀 琀漀爀猀漀 眀愀猀 猀眀椀瘀攀氀攀搀 猀氀椀最栀琀氀礀Ⰰ 琀漀 氀攀愀搀 眀椀琀栀 漀渀攀 猀椀搀攀⸀  䄀琀 琀栀攀 攀渀搀 漀昀 猀琀攀瀀猀 攀砀琀爀愀 洀漀瘀攀洀攀渀琀猀 挀漀甀氀搀 戀攀 愀搀搀攀搀Ⰰ 愀渀搀Ⰰ 椀渀 琀栀攀 猀愀氀琀愀爀攀氀氀漀 愀琀 氀攀愀猀琀Ⰰ 琀栀攀 戀愀猀椀挀 猀琀攀瀀 挀漀甀氀搀 戀攀 爀攀瀀氀愀挀攀搀 愀琀 眀椀氀氀 眀椀琀栀 漀琀栀攀爀 猀琀攀瀀猀⸀  䤀渀 琀栀攀 瀀椀瘀愀 洀攀渀 眀攀爀攀 攀砀瀀攀挀琀攀搀 琀漀 琀栀爀漀眀 椀渀 攀砀琀爀愀 栀漀瀀猀 愀渀搀 猀瀀椀渀猀⸀  吀栀攀猀攀 洀漀搀椀昀椀挀愀琀椀漀渀猀 琀漀 琀栀攀 猀愀氀琀愀爀攀氀氀漀 愀渀搀 瀀椀瘀愀 搀愀渀挀攀猀 洀愀礀 愀氀猀漀 栀愀瘀攀 戀攀攀渀 昀漀甀渀搀 椀渀 猀愀氀琀愀爀攀氀氀漀 愀渀搀 瀀椀瘀愀 猀攀挀琀椀漀渀猀 漀昀 琀栀攀 戀愀氀氀椀⸀  䠀漀眀攀瘀攀爀Ⰰ 椀渀 愀氀氀 洀愀琀琀攀爀猀 漀昀 猀琀礀氀椀渀最Ⰰ 洀漀搀攀爀愀琀椀漀渀 椀猀 椀洀瀀漀爀琀愀渀琀Ⰰ 愀渀搀 椀渀 戀愀猀猀愀搀愀渀稀愀 椀琀 椀猀 攀猀瀀攀挀椀愀氀氀礀 攀洀瀀栀愀猀椀稀攀搀⸀ഊ ਀吀栀攀 洀愀渀甀愀氀猀 愀氀猀漀 琀漀甀挀栀 戀爀椀攀昀氀礀 漀渀 漀琀栀攀爀 洀愀琀琀攀爀猀 椀洀瀀漀爀琀愀渀琀 琀漀 愀 搀愀渀挀攀爀Ⰰ 猀甀挀栀 愀猀 甀猀攀 漀昀 猀瀀愀挀攀Ⰰ 洀甀猀椀挀Ⰰ 攀砀攀爀挀椀猀攀猀 昀漀爀 搀愀渀挀攀爀猀 ⠀渀漀琀 漀甀爀 洀漀搀攀爀渀 猀琀爀攀琀挀栀椀渀最 攀砀攀爀挀椀猀攀猀Ⰰ 戀甀琀 琀爀礀椀渀最 琀漀 搀愀渀挀攀 眀椀琀栀 漀爀 愀最愀椀渀猀琀 爀栀礀琀栀洀猀Ⰰ 攀琀挀⸀⤀Ⰰ 搀愀渀挀椀渀最 椀渀 搀椀昀昀攀爀攀渀琀 挀氀漀琀栀攀猀 愀渀搀 栀漀眀 愀 眀漀洀愀渀 猀栀漀甀氀搀 搀愀渀挀攀⸀ഊ ਀ഊAnnotated Bibliography ਀ഊThis is a very short list of some of the works available on 15th-century Italian dance. ਀ഊ• Ingrid Brainard. The Art of Courtly Dancing in the Early Renaissance; Part II: The Practice of Courtly Dancing. West Newton, Mass.: I.G.Brainard, 1981. Includes information on both Italian and Burgundian dance, with reconstructions of the steps and of 9 dances (5 being Italian.) ਠ∀ 䴀愀搀攀氀愀椀渀攀 䤀渀最氀攀栀攀愀爀渀 愀渀搀 倀攀最最礀 䘀漀爀猀礀琀栀⸀ 吀栀攀 䈀漀漀欀 漀渀 琀栀攀 䄀爀琀 漀昀 䐀愀渀挀椀渀最 戀礀 䄀渀琀漀渀椀漀 䌀漀爀渀愀稀愀渀漀⸀ 䰀漀渀搀漀渀㨀 䐀愀渀挀攀 䈀漀漀欀猀 䰀琀搀⸀Ⰰ ㄀㤀㠀㄀⸀  䄀 琀爀愀渀猀氀愀琀椀漀渀 漀昀 漀渀攀 漀昀 琀栀攀 漀爀椀最椀渀愀氀 猀漀甀爀挀攀猀⸀ 䤀琀 搀漀攀猀 渀漀琀 椀渀挀氀甀搀攀 愀 琀爀愀渀猀挀爀椀瀀琀椀漀渀 漀昀 琀栀攀 漀爀椀最椀渀愀氀⸀ഊ• W. Thomas Marrocco. Inventory of 15th C. Bassedanze, Balli & Balletti. New York: CORD, 1981. This lists where the different dances occur in the sources, with some notes on them. It gives all the music present in the sources, but unfortunately in modern notation. Since the original music is open to considerable interpretation, this is not as useful as a transcription of the music would have been. ਠ∀ 䄀⸀ 圀椀氀氀椀愀洀 匀洀椀琀栀⸀ 䘀椀昀琀攀攀渀琀栀ⴀ䌀攀渀琀甀爀礀 䐀愀渀挀攀 愀渀搀 䴀甀猀椀挀⸀   匀琀甀瘀礀攀猀愀渀琀Ⰰ 一夀㨀 倀攀渀搀爀愀最漀渀 倀爀攀猀猀Ⰰ ㄀㤀㤀㔀⸀  吀栀椀猀 挀漀洀攀猀 椀渀 琀眀漀 瘀漀氀甀洀攀猀⸀ 吀栀攀 昀椀爀猀琀 挀漀渀琀愀椀渀猀 戀愀挀欀最爀漀甀渀搀 椀渀昀漀爀洀愀琀椀漀渀 愀渀搀 愀 琀爀愀渀猀挀爀椀瀀琀椀漀渀 愀渀搀 昀愀挀椀渀最 瀀愀最攀 琀爀愀渀猀氀愀琀椀漀渀 漀昀 琀栀爀攀攀 漀昀 琀栀攀 昀漀甀爀 洀愀樀漀爀 猀漀甀爀挀攀猀Ⰰ 愀渀搀 漀昀 琀栀攀 琀栀攀漀爀礀 瀀愀爀琀猀 漀昀 猀攀瘀攀渀 漀琀栀攀爀 洀愀渀甀猀挀爀椀瀀琀猀 眀栀攀爀攀 琀栀攀礀 搀椀昀昀攀爀 昀爀漀洀 琀栀攀 漀琀栀攀爀猀⸀ 䤀琀 愀氀猀漀 挀漀渀琀愀椀渀猀 愀 琀爀愀渀猀挀爀椀瀀琀椀漀渀 愀渀搀 洀漀搀攀爀渀 椀渀琀攀爀瀀爀攀琀愀琀椀漀渀 漀昀 琀栀攀 洀甀猀椀挀⸀ 吀栀攀 猀攀挀漀渀搀 瘀漀氀甀洀攀 最椀瘀攀猀 愀氀氀 琀栀攀 搀愀渀挀攀猀 昀爀漀洀 攀氀攀瘀攀渀 猀漀甀爀挀攀猀Ⰰ 椀渀 琀愀戀甀氀愀爀 昀漀爀洀Ⰰ 猀漀 琀栀攀 搀愀渀挀攀猀 挀愀渀 戀攀 攀愀猀椀氀礀 挀漀洀瀀愀爀攀搀 戀攀琀眀攀攀渀 猀漀甀爀挀攀猀⸀ 吀栀攀 搀愀渀挀攀猀 昀爀漀洀 愀 琀眀攀氀昀琀栀Ⰰ 䜀攀爀洀愀渀Ⰰ 猀漀甀爀挀攀Ⰰ 椀猀 最椀瘀攀渀 椀渀 愀渀 愀瀀瀀攀渀搀椀砀⸀ 䄀渀礀漀渀攀 眀栀漀 眀椀猀栀攀猀 琀漀 爀攀挀漀渀猀琀爀甀挀琀 搀愀渀挀攀猀 昀爀漀洀 琀栀椀猀 瀀攀爀椀漀搀 眀椀氀氀 昀椀渀搀 琀栀椀猀 眀漀爀欀 琀漀 戀攀 椀渀瘀愀氀甀愀戀氀攀⸀ഊ• Barbara Sparti, ed. On the Practice of the Art of Dancing, Guglielmo Ebreo., Oxford: Oxford University Press, 1993. This contains considerable background information, and a transcription and facing translation of one of the major sources, and those parts of another that differ from the first. It has the music, both reproduced from the original and a modern interpretation, and also has a glossary, with detailed notes on the steps. This should be read by anyone working with this repertoire. ਠ∀ 嘀椀瘀椀愀渀 匀琀攀瀀栀攀渀猀 ☀ 䴀漀渀椀挀愀 䌀攀氀氀椀漀⸀  䨀漀礀 愀渀搀 䨀攀愀氀漀甀猀礀㨀 䄀 䴀愀渀甀愀氀 漀昀 ㄀㔀琀栀ⴀ䌀攀渀琀甀爀礀 䤀琀愀氀椀愀渀 䈀愀氀氀椀⸀  倀椀琀琀猀戀甀爀最栀㨀 刀攀愀氀 匀漀漀渀 一漀眀 倀爀攀猀猀Ⰰ ㄀㤀㤀㜀⸀  吀栀椀猀 最椀瘀攀猀 爀攀挀漀渀猀琀爀甀挀琀椀漀渀猀 漀昀 琀栀攀 ㈀㌀ 戀愀氀氀椀 昀漀爀 眀栀椀挀栀 琀栀攀爀攀 愀爀攀 洀甀猀椀挀 椀渀 琀栀攀 猀漀甀爀挀攀猀 ⠀愀渀搀 漀渀攀 漀琀栀攀爀 眀椀琀栀 洀甀猀椀挀 昀漀甀渀搀 攀氀猀攀眀栀攀爀攀⤀Ⰰ 愀渀搀 漀昀 琀栀攀 猀琀攀瀀猀Ⰰ 眀椀琀栀 渀漀琀攀猀 攀砀瀀氀愀椀渀椀渀最 琀栀攀 爀攀愀猀漀渀椀渀最 昀漀爀 琀栀攀 爀攀挀漀渀猀琀爀甀挀琀椀漀渀猀⸀ 䤀琀 愀氀猀漀 挀漀渀琀愀椀渀猀 愀爀爀愀渀最攀洀攀渀琀猀 漀昀 琀栀攀 洀甀猀椀挀⸀ 䤀琀 椀猀 洀攀愀渀琀 昀漀爀 瀀攀漀瀀氀攀 眀栀漀 愀爀攀 渀漀琀 爀攀愀搀礀 琀漀 搀漀 琀栀攀椀爀 漀眀渀 爀攀挀漀渀猀琀爀甀挀琀椀漀渀猀⸀ഊ• D. R. Wilson. The Steps Used in Court Dancing in Fifteenth-Century Italy. D. R. Wilson, 1992. An in-depth examination of the steps, giving evidence of their execution from the sources. A very useful tool for anyone reconstructing the steps. ਀ഊDiscography ਀ഊBecause there is considerable variation in reconstructions of the music, (and of the dances, which then may change how the music is played) not all recordings of a dance will fit all reconstructions of that dance. Some of these recordings were not made with dancers in mind, and the musicians may have decided to trim off repeats, play it much slower or faster than required, or otherwise make the piece unusable for dancing. The three most highly recommended recordings are Alta Danza, Mesura et Arte and Forse Che Si. They are all professionally made, meant for dancing to, and available commercially on CD. The contents given are only those pieces used for fifteenth-century Italian dance. ਀ഊ• Alta Danza - Dance Music from 15th-century Italy. Les Haulz et Les Bas (Alta Cappella). Christophorus (Heidelberg, Germany): CHR 77208. Contents: Rostiboli gioioso; Gratioso; Fiore de virtu; Colonnese; Leoncello; Prisonera; Ingrata; Marchesana; Bassadanza (1); Bassa franzese; La fia guielmina; Amoroso; Bialte di castiglia; Gelosia; Pizochara; Vercepe; Tesara; Damnes; Voltati in ca Rosina; Castelana; Spero; Legiadra; La vita di colino; bassadanza (2); Saltarello; Piva. ਠ∀ 䤀氀 䈀攀氀 䐀愀渀稀愀爀攀Ⰰ 䐀愀渀挀攀猀 漀昀 琀栀攀 䌀漀甀爀琀猀 漀昀 䔀甀爀漀瀀攀 挀椀爀挀愀 ㄀㔀　　Ⰰ 匀椀爀椀渀甀⸀  䐀漀氀洀攀琀挀栀 䠀椀猀琀漀爀椀挀愀氀 䐀愀渀挀攀 匀漀挀椀攀琀礀Ⰰ ㄀㤀㤀㔀⸀ 䌀愀猀猀攀琀琀攀⸀ 䄀 戀漀漀欀 椀猀 愀瘀愀椀氀愀戀氀攀 琀漀 愀挀挀漀洀瀀愀渀礀 琀栀椀猀⸀  䌀漀渀琀攀渀琀猀㨀 䈀攀氀 昀椀漀爀攀Ⰰ 䜀椀漀氀椀瘀愀Ⰰ 䘀椀最氀椀愀 最甀氀椀攀氀洀椀渀愀Ⰰ 倀愀爀琀椀琀愀 䌀爀甀搀攀氀攀Ⰰ 䘀椀漀爀攀琀琀漀Ⰰ 䠀攀氀愀猀 洀愀搀愀洀攀Ⰰ 䈀攀氀 爀攀最甀愀爀搀漀Ⰰ 䄀洀漀爀漀猀漀Ⰰ 䰀愀氀琀爀愀 昀椀愀 最甀椀攀氀洀椀渀愀Ⰰ 嘀攀渀甀猀Ⰰ 䌀漀爀漀渀愀 最攀渀琀椀氀攀Ⰰ 刀漀猀猀椀渀愀Ⰰ 䜀椀漀瘀攀Ⰰ 䜀椀渀攀瘀爀愀Ⰰ 䈀椀愀氀琀攀 搀椀 䌀栀愀猀琀椀最氀椀愀Ⰰ 䌀栀椀爀椀渀琀愀渀愀⸀ഊ• Between the Lines, On the Mark, 1996. CD. Contents: Mercantia, Petit Vriens. ਠ∀ 䰀愀 挀漀甀爀 搀甀 刀漀椀 刀攀渀攀 ⠀䄀琀 琀栀攀 䌀漀甀爀琀 漀昀 䬀椀渀最 刀攀渀攀⤀⸀ 䔀渀猀攀洀戀氀攀 倀攀爀挀攀瘀愀氀Ⰰ 䄀爀椀漀渀 䄀刀一 㘀㠀㄀　㐀⸀  䌀䐀⸀  䌀漀渀琀攀渀琀猀㨀 䰀愀 猀瀀愀最渀愀Ⰰ 䨀攀氀漀猀椀愀 ⠀䜀攀氀漀猀椀愀⤀ ⠀爀攀瀀攀愀琀猀 琀栀攀 氀愀猀琀 猀攀挀琀椀漀渀 昀椀瘀攀 琀椀洀攀猀⤀Ⰰ 䰀椀漀渀挀攀氀氀漀Ⰰ 䰀愀甀爀漀Ⰰ 䘀愀氀氀愀 挀漀渀 䴀椀猀甀爀愀猀Ⰰ 䴀攀爀挀愀渀琀椀愀⸀ഊ• Dances by the Marian Ensemble, Heather M. Dale (Lady Marian of Heatherdale). CD. Contents: Amoroso, Vita di Cholino, Petit Rien. ਠ∀ 䐀愀渀稀愀爀攀 攀琀 匀漀渀愀爀攀Ⰰ 吀栀攀 䰀漀渀最猀氀愀搀攀 䌀漀渀猀漀爀琀⸀ 吀栀攀 䰀漀渀最猀氀愀搀攀 䌀漀渀猀漀爀琀 吀䰀䌀 㜀⸀   䌀愀猀猀攀琀琀攀⸀ 䄀 戀漀漀欀 椀猀 愀瘀愀椀氀愀戀氀攀 琀漀 愀挀挀漀洀瀀愀渀礀 琀栀椀猀⸀  䌀漀渀琀攀渀琀猀㨀 倀攀琀椀琀 嘀爀椀攀渀猀Ⰰ 䄀渀渀攀氀氀漀Ⰰ 䜀攀氀漀猀椀愀 ⠀㈀ 瘀攀爀猀椀漀渀猀⤀Ⰰ 䘀椀最氀椀愀 䜀甀椀攀氀洀椀渀愀 ⠀㈀ 瘀攀爀猀椀漀渀猀⤀Ⰰ 䄀洀漀爀漀猀漀Ⰰ 嘀攀爀挀攀瀀瀀攀Ⰰ 䜀爀愀挀椀漀猀漀Ⰰ 刀漀猀猀椀渀愀Ⰰ 䰀攀最最椀愀搀爀愀Ⰰ ഊ• Eloge du vin et de la vigne, La Maurache. Arion CD ARN 68248. CD. Not recommended for dancing. This CD has three dances, Gelosia, Amoroso, and Anello, but they are played as a suite, with the wrong internal repeats (usually none at all). None of them are therefore usable. ਠ∀ 䘀漀爀猀攀 䌀栀攀 匀椀Ⰰ 䘀漀爀猀攀 䌀栀攀 一漀Ⰰ 䘀攀爀爀愀爀愀 䔀渀猀攀洀戀氀攀⸀  䘀漀渀琀椀 䴀甀猀椀挀愀氀椀 昀洀搀 ㄀㠀㈀⸀  䌀䐀⸀  䌀漀渀琀攀渀琀猀㨀 嘀攀爀挀攀瀀瀀攀Ⰰ 䰀椀漀渀挀攀氀氀漀Ⰰ 倀愀稀椀攀渀稀愀Ⰰ 䌀甀瀀椀搀漀Ⰰ 倀攀氀氀攀最爀椀渀愀Ⰰ 嘀漀氀琀愀琀椀 椀渀 挀愀 刀漀猀椀渀愀Ⰰ 吀攀猀猀愀爀愀Ⰰ 刀漀猀琀椀戀漀氀椀 最椀漀椀漀猀漀Ⰰ 䄀渀攀氀氀漀Ⰰ 䜀椀漀瘀攀Ⰰ 倀椀渀稀漀挀栀攀爀愀Ⰰ 䰀愀甀爀愀漀Ⰰ 嘀攀渀甀猀Ⰰ 䄀氀攀猀猀愀渀搀爀攀猀挀愀Ⰰ 䜀攀氀漀猀椀愀Ⰰ 倀攀琀椀琀 刀椀攀渀猀攀Ⰰ 匀瀀攀爀漀Ⰰ 䰀愀 昀椀最氀椀愀 搀椀 䜀甀椀攀氀洀漀ഊ• Mesura et Arte del Danzare. Balli Italiani del Quattrocento. Accademia Viscontea i Musicanti. Ducale CDL 002. CD Contents: Leoncello, Marchesana, Anello, Colonnese, Vercepe, Petit Riense, Voltate in ca Rosina, Rostiboli Gioioso, Grazioso, La fia Guglielmina, Gelosia, Mercanzia, Sobria. ਠ∀ 䴀甀猀椀挀 椀渀 琀栀攀 䄀最攀 漀昀 䰀攀漀渀愀爀搀漀 搀愀 嘀椀渀挀椀Ⰰ 䔀渀猀攀洀戀氀攀 䌀氀愀甀搀攀ⴀ䜀攀爀瘀愀椀猀攀Ⰰ 䴀甀猀椀挀愀 嘀椀瘀愀  䴀嘀䌀 ㄀　㈀㈀⸀   䌀愀猀猀攀琀琀攀Ⰰ 愀氀猀漀 愀瘀愀椀氀愀戀氀攀 漀渀 䌀䐀Ⰰ 戀甀琀 琀栀攀爀攀 愀爀攀 漀渀氀礀 㐀 琀爀愀挀欀猀 昀漀爀 琀栀攀 ㈀㈀ 瀀椀攀挀攀猀Ⰰ 猀漀 挀愀渀 戀攀 搀椀昀昀椀挀甀氀琀 琀漀 甀猀攀⸀  䌀漀渀琀攀渀琀猀㨀 刀漀猀琀椀戀漀氀椀 䜀椀漀椀漀猀漀Ⰰ 䜀椀氀漀砀椀愀 ⠀䜀攀氀漀猀椀愀⤀Ⰰ 倀椀稀漀挀栀愀爀愀Ⰰ 䰀愀 昀椀愀 䜀甀椀氀洀椀渀⸀  䄀氀猀漀 椀渀挀氀甀搀攀猀 䰀愀 嘀椀搀愀 搀攀 䌀甀氀椀渀 ⠀䰀愀 嘀椀琀愀 搀椀 䌀栀漀氀椀渀漀⤀Ⰰ 戀甀琀 琀栀攀 猀漀渀最Ⰰ 眀栀椀挀栀 栀愀猀 愀 琀栀椀爀搀 瀀愀爀琀 渀漀琀 渀攀攀搀攀搀 昀漀爀 琀栀攀 搀愀渀挀攀⸀ഊ• Music from the time of Richard III, The York Waits. Saydisc CD_SDL 364. CD. Contents: La Spagna, Anello, Amoroso. Mercantia is also included, but not usable for the dance. ਠ∀ 䴀甀猀椀挀愀 搀攀氀 堀嘀 猀攀挀漀氀漀 椀渀 䤀琀愀氀椀愀Ⰰ 䄀爀猀 䤀琀愀氀椀挀愀Ⰰ 吀愀挀琀甀猀 吀䌀 㐀　　㄀㈀㈀　㄀⸀  䌀䐀⸀  䌀漀渀琀攀渀琀猀㨀 刀漀猀琀椀戀漀氀椀 最椀漀椀漀猀漀 ⠀眀椀琀栀 愀渀 攀砀琀爀愀 ㈀　 戀愀爀猀 琀栀爀漀眀渀 椀渀 ⴀ 瘀攀爀礀 瀀爀攀琀琀礀Ⰰ 戀甀琀 渀漀琀 愀搀瘀椀猀攀搀 昀漀爀 戀攀最椀渀渀攀爀猀⤀Ⰰ 伀 瀀愀爀琀椀琀愀 挀爀甀搀攀氀攀Ⰰ 䄀 䘀氀漀爀攀渀挀攀⼀䠀攀氀愀猀 氀愀 昀椀氀氀攀⼀攀渀 洀愀 挀栀愀洀戀爀攀 ⠀䘀椀愀 䜀甀椀攀氀洀椀渀愀⤀⸀ഊ• La Musica Italiana del XV Secolo, Sine Nomine. Quadrivium SCA 040. CD. Contents: Amoroso. Also has La Vida de Colin (La Vita di Cholino), the song related to the dance. ਠ∀ 䴀甀猀椀挀愀 匀甀戀琀攀爀爀愀渀攀愀Ⰰ 䴀甀猀椀挀愀 匀甀戀琀攀爀爀愀渀攀愀Ⰰ 䌀䐀⸀  䌀漀渀琀攀渀琀猀㨀 䜀攀氀漀猀椀愀Ⰰ 刀漀猀琀椀戀漀氀椀Ⰰ 倀攀琀椀琀 刀椀攀渀Ⰰ 䄀洀漀爀漀猀漀Ⰰ 䄀渀攀氀氀漀⸀ഊ• Renaissance Dances, Lionel Rogg, positif organ and The Ancient Instrument Ensemble of Zurich. CBS Records, YT 60036. Cassette. Contents: La Fille Guilmin (Fia Guielmina). ਠ∀ 刀攀琀甀爀渀 漀昀 琀栀攀 倀椀瀀攀爀猀Ⰰ 吀栀攀 倀栀椀氀愀搀攀氀瀀栀椀愀 刀攀渀愀椀猀猀愀渀挀攀 圀椀渀搀 䈀愀渀搀⸀  一攀眀瀀漀爀琀 䌀氀愀猀猀椀挀猀 一倀䐀 㠀㔀㔀㘀㜀⸀  䌀䐀⸀ 䌀漀渀琀攀渀琀猀㨀 䄀洀漀爀漀猀漀⸀ഊ• SCA Dance Musicke Vol II, The Companions of St. Cecilia, privately produced. Cassette. A book is available to accompany this. Contents: Gelosia, Lauro. ਠ∀ 匀漀渀愀爀攀 攀琀 䈀愀氀愀爀攀Ⰰ 䐀愀渀挀攀猀 昀爀漀洀 ㄀㔀琀栀 挀⸀ 䤀琀愀氀礀 愀渀搀 䘀爀愀渀挀攀Ⰰ 吀栀攀 䈀攀搀昀漀爀搀 圀愀椀琀猀⸀  吀栀攀 䐀漀氀洀攀琀猀挀栀 䠀椀猀琀漀爀椀挀愀氀 䐀愀渀挀攀 匀漀挀椀攀琀礀Ⰰ ㄀㤀㤀　⸀  䌀愀猀猀攀琀琀攀⸀  䄀 戀漀漀欀 椀猀 愀瘀愀椀氀愀戀氀攀 琀漀 愀挀挀漀洀瀀愀渀礀 琀栀椀猀⸀  䌀漀渀琀攀渀琀猀㨀 䄀渀攀氀氀漀Ⰰ 䈀攀氀爀攀最甀愀爀搀漀 一漀瘀漀Ⰰ 䰀愀氀琀爀愀 昀椀愀 最甀椀攀氀洀椀渀愀Ⰰ 䜀椀氀漀砀椀愀Ⰰ 䜀爀愀琀椀漀猀漀Ⰰ 䰀攀最椀愀搀爀愀Ⰰ 倀椀稀漀挀栀愀爀愀Ⰰ 刀漀猀琀椀戀漀氀椀 䜀椀漀椀漀猀漀Ⰰ 匀瀀攀爀漀Ⰰ 䌀愀猀琀攀氀愀渀愀Ⰰ 䌀愀琀攀爀瘀愀Ⰰ䌀漀爀漀渀愀Ⰰ 䐀愀洀渀攀猀Ⰰ 倀攀氀氀攀最爀椀渀愀Ⰰ 倀椀攀琀漀猀愀⸀ ⠀䄀氀猀漀 㔀 䘀爀攀渀挀栀 戀愀猀猀攀 搀愀渀挀攀猀⸀⤀ഊ• Tape of Dance CD, Vol 3. Contents: Sobria, Anello, Colonesse, Mercantia, Petit Riens. ਠ∀ 吀漀 䌀攀氀攀戀爀愀琀攀 愀 倀爀椀渀挀攀Ⰰ 䐀愀渀挀攀猀 漀昀 琀栀攀 琀椀洀攀 漀昀 䰀漀爀攀渀稀漀 搀攀 䴀攀搀椀挀椀Ⰰ 䄀氀琀愀⸀  䐀漀氀洀攀琀猀挀栀 䠀椀猀琀漀爀椀挀愀氀 䐀愀渀挀攀 匀漀挀椀攀琀礀Ⰰ ㄀㤀㤀㈀⸀  䌀愀猀猀攀琀琀攀⸀  䄀 戀漀漀欀 椀猀 愀瘀愀椀氀愀戀氀攀 琀漀 愀挀挀漀洀瀀愀渀礀 琀栀椀猀⸀  䌀漀渀琀攀渀琀猀㨀 倀攀琀椀琀 刀漀猀攀Ⰰ 嘀攀爀挀攀瀀攀Ⰰ 倀爀攀砀漀渀攀爀愀Ⰰ 䤀渀最爀愀琀愀Ⰰ 䰀攀漀渀稀攀氀氀漀Ⰰ 䌀漀氀漀渀攀猀攀Ⰰ 䐀甀挀栀攀猀挀漀Ⰰ 䘀椀漀爀攀 搀攀 嘀攀爀琀甀Ⰰ 倀爀椀渀挀椀瀀攀猀猀愀Ⰰ 吀攀猀愀爀愀Ⰰ 䴀椀最渀漀琀琀愀 一漀瘀愀Ⰰ 䴀愀爀挀栀攀砀愀渀愀Ⰰ 䜀爀愀琀椀漀猀漀Ⰰ 䌀甀瀀椀搀漀Ⰰ 䴀椀最渀漀琀琀愀 嘀攀挀挀栀椀愀⸀ഊ• La Vida de Colin, Sine Nomine. Quadrivium. CD. Not recommended for dancing. The only ballo on the CD is Petit Vriens It is nice and lively, but the repeat pattern is wrong, so is unusable. ਀ഊ ਀䘀漀爀 愀渀礀 昀甀爀琀栀攀爀 椀渀昀漀爀洀愀琀椀漀渀Ⰰ 瀀氀攀愀猀攀 昀攀攀氀 昀爀攀攀 琀漀 挀漀渀琀愀挀琀 洀攀 愀琀㨀  爀漀猀椀渀愀 愀琀 瀀愀琀栀挀漀洀⸀挀漀洀ഊ------ ਀䌀漀瀀礀爀椀最栀琀 ㈀　　㄀ 戀礀 嘀椀瘀椀愀渀 匀琀攀瀀栀攀渀猀⸀ 㰀爀漀猀椀渀愀 愀琀 瀀愀琀栀挀漀洀⸀挀漀洀㸀⸀ 倀攀爀洀椀猀猀椀漀渀 椀猀 最爀愀渀琀攀搀 昀漀爀 爀攀瀀甀戀氀椀挀愀琀椀漀渀 椀渀 匀䌀䄀ⴀ爀攀氀愀琀攀搀 瀀甀戀氀椀挀愀琀椀漀渀猀Ⰰ 瀀爀漀瘀椀搀攀搀 琀栀攀 愀甀琀栀漀爀 椀猀 挀爀攀搀椀琀攀搀 愀渀搀 爀攀挀攀椀瘀攀猀 愀 挀漀瀀礀⸀ഊ ਀䤀昀 琀栀椀猀 愀爀琀椀挀氀攀 椀猀 爀攀瀀爀椀渀琀攀搀 椀渀 愀 瀀甀戀氀椀挀愀琀椀漀渀Ⰰ 䤀 眀漀甀氀搀 愀瀀瀀爀攀挀椀愀琀攀 愀 渀漀琀椀挀攀 椀渀ഊthe publication that you found this article in the Florilegium. I would also ਀愀瀀瀀爀攀挀椀愀琀攀 愀渀 攀洀愀椀氀 琀漀 洀礀猀攀氀昀Ⰰ 猀漀 琀栀愀琀 䤀 挀愀渀 琀爀愀挀欀 眀栀椀挀栀 愀爀琀椀挀氀攀猀 愀爀攀 戀攀椀渀最ഊreprinted. Thanks. -Stefan. ਀ഊ ਀䔀搀椀琀攀搀 戀礀 䴀愀爀欀 匀⸀ 䠀愀爀爀椀猀ऀ㄀㔀䌀ⴀ䤀琀愀氀ⴀ䐀挀攀ⴀ愀爀琀ऀ倀愀最攀 㔀 漀昀 㔀ഊ ਊ