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glasswork-msg - 2/13/08

 

Stained glass, glass etching. glassblowing. glassbeads.

 

NOTE: See also the files: glass-bib, glass-lnks, pottery-msg, enameling-msg, tiles-msg, lampwrk-beads-lnks, beads-msg, ceramics-bib.

 

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NOTICE -

 

This file is a collection of various messages having a common theme that I  have collected from my reading of the various computer networks. Some messages date back to 1989, some may be as recent as yesterday.

 

This file is part of a collection of files called Stefan's Florilegium. These files are available on the Internet at: http://www.florilegium.org

 

I  have done  a limited amount  of  editing. Messages having to do  with separate topics  were sometimes split into different files and sometimes extraneous information was removed. For instance, the  message IDs  were removed to save space and remove clutter.

 

The comments made in these messages are not necessarily my viewpoints. I make  no claims  as  to the accuracy  of  the information  given by the individual authors.

 

Please  respect the time  and  efforts of  those who have written  these messages. The  copyright status  of these messages  is  unclear at this time. If  information  is  published  from  these  messages, please give credit to the originator(s).

 

Thank you,

    Mark S. Harris                  AKA:  THLord Stefan li Rous

                                          Stefan at florilegium.org

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Newsgroups: rec.org.sca

From: kreyling at lds.loral.com (Ed Kreyling 6966)

Subject: Re: Glass etching

Organization: Loral Data Systems

Date: Fri, 1 Oct 1993 16:25:59 GMT

 

st1xe at elroy.uh.edu (Brown, Derek S) writes:

>Does anyone know how period glass etching would be?

>

>William Silke (Ansteorra)

 

Greetings William,

 

At last a question I know something about! ;^)

 

Well lets see, your question is a little vague but I'll give it a try. In the

fifteenth to seventeenth centuries period stained glass used a type of glass

called "flashed glass" which was a thin layer (about 1mm) of colored glass

(usually read or blue) placed on a thicker layer of clear glass.  Then to aid

in the overall look of the piece some or all of the colored glass was removed

from the colored strata.

 

See "Stained Glass" by Lawrence Lee or "Windows" by Day.

 

For clear glass (ie goblet or bottle) etching you can find sources that show

diamond or copper wheel etching.  The diamond tip etching was usually done using

a hand tool much like a pen.  The process is also called stippling and shading

in some books.  You can get a good starter kit from a Swiss company called

"TB glass etching tools".  I have found them in some of the larger craft stores. But they are hard to find.  I have heard but not yet seen documentation on

apprentice driven rotating diamond tip etching tools. (Much like dremmel tools

diamond wheel glass etching tools.  Except that I do not believe the period

machine reached the speeds achieved by dremmel. ;^))  I cannot remember the

source I used for my documentation at the moment but I believe the title was

simple "Glass Etching".

 

I hope this answers your question.  If your question was more of a how intricate

or how good did it look?  I can site an example where Germany wanted to start a

German glass guild in the 16th century.  After some negotiations with Venice

including non-competition agreements in certain areas, Venice sent Germany a

large glass bowl with all the instructions engraved arround the bowl for the

construction and use of a glass works.  The pictorials described in detail how

to build the kilns,  how much wood and rushes to cut for the work, glass mixture

formulas ...

 

Let me know if I can help further.  I have some instructional materials, on

paper not glass ;^).  That I would be glad to mail you if you can send me

your postal address.

 

I have a Laurel in Stained and Etched glass.

 

Erik.

-----------------------------------------------------------------------

Ed Kreyling               | Master Erik of Telemark O.L.,O.P.

kreyling at world.lds.loral.com    | Shire of Brineside Moor

Sarasota,Fl. USA           | Kingdom of Trimaris, SCA

-----------------------------------------------------------------------

 

 

Newsgroups: rec.org.sca

From: UCCXDEM <UCCXDEM at MVS.UCC.OKSTATE.EDU>

Subject: Re: Glass etching

Organization: Oklahoma State University Computer Center, Stillwater OK

Date: Tue, 12 Oct 1993 15:04:00 GMT

 

>Well lets see, your question is a little vague but I'll give it a try. In the

>fifteenth to seventeenth centuries period stained glass used a type of glass

>called "flashed glass" which was a thin layer (about 1mm) of colored glass

>(usually read or blue) placed on a thicker layer of clear glass.  Then to aid

>in the overall look of the piece some or all of the colored glass was removed

>from the colored strata.

>

>See "Stained Glass" by Lawrence Lee or "Windows" by Day.

>Erik.

Greetings unto the Rialto and unto Master Erik from Marke.

I beg to differ on the definition on flashed glass. The base glass was

a 'muff' glass which was a white color ( not clear .) My sources are

_Stained Glass_ by Sarah Brown, curator and restoration of stained

glass. London and _De Diversis Artibus_ by Theophilus, a translation

The treatise by Theophilus is a period manuscript written in the 12th

century.

                                                Marke

 

 

Newsgroups: rec.org.sca

From: kreyling at lds.loral.com (Ed Kreyling 6966)

Subject: Re: Glass etching

Organization: Loral Data Systems

Date: Tue, 12 Oct 1993 14:56:46 GMT

 

In article <19931012090452UCCXDEM at MVS.UCC.OKSTATE.EDU> UCCXDEM <UCCXDEM at MVS.UCC.OKSTATE.EDU> writes:

>Greetings unto the Rialto and unto Master Erik from Marke.

>I beg to differ on the definition on flashed glass. The base glass was

>a 'muff' glass which was a white color ( not clear .) My sources are

>_Stained Glass_ by Sarah Brown, curator and restoration of stained

>   glass. London

>and

>_De Diversis Artibus_ by Theophilus, a translation

>The treatise by Theophilus is a period manuscript written in the 12th

>century.

>                                                Marke

 

Quite right, I was having a time cramp.  I have not found any flashed glass

on white, except black on white.  The three most available colors in this

area are red, blue, or green on clear glass.  If you engrave them with diamond

or copperwheel engravers the effect is a snowy looking backround (not clear).

 

Erik.

-----------------------------------------------------------------------

Ed Kreyling               | Master Erik of Telemark O.L.,O.P.

kreyling at world.lds.loral.com    | Shire of Brineside Moor

Sarasota,Fl. USA           | Kingdom of Trimaris, SCA

-----------------------------------------------------------------------

 

 

Newsgroups: rec.org.sca

From: kreyling at lds.loral.com (Ed Kreyling 6966)

Subject: Re: Glass etching ???

Organization: Loral Data Systems

Date: Wed, 20 Oct 1993 23:43:35 GMT

 

In article st1xe at jane.uh.edu (William Silke) writes:

>Does anyone know how period glass etching is?  I would think the Middle

>Eastern countries might have glass etching since their chemistry

>(i.e. alchemy) seemed more advanced than Western Europe for most of

>history.  Anyone?

>

>William Silke (Ansteorra)

 

I have been able to find documentation of Diamond tipped engraving; copper

wheel engraving; and a process called abration.  But I can not seem to find

any dates on acid etching.  Every book I have on glass mentions the dangers

of acid etching "don't try this at home" but none of the books gives a date

for the beginning of acid etching.

 

Erik.

-----------------------------------------------------------------------

Ed Kreyling               | Master Erik of Telemark O.L.,O.P.

kreyling at world.lds.loral.com    | Shire of Brineside Moor

Sarasota,Fl. USA           | Kingdom of Trimaris, SCA

-----------------------------------------------------------------------

 

 

From: beckum at aol.com (BECKUM)

Newsgroups: rec.org.sca

Subject: Re: Info on Glass Blowing needed!

Date: 24 Jun 1995 15:11:12 -0400

 

Your in luck, here is the address of my Baron whom does glass blowing as

well as stained \ leaded glass work and glass beads:

 

Syr Thomas ap Llewellyn

MKA: Thomas Williams

10160 Allen Rd.

Pickerington, OH  43147

 

E-Mail address:

tjw at cblph.att.com

 

Best of Luck

Beckum

 

 

From: david.razler at compudata.com (DAVID RAZLER)

Newsgroups: rec.org.sca

Subject: Re: Spectacles

Date: Tue, 18 Jul 95 01:57:00 -0400

Organization: Compu-Data BBS -=- Turnersville, NJ -=- 609-232-1245

 

VG>I seem to remember seeing something on period

VG>sunglasses...actually they  should have been possible, if

VG>you can make stained-glass windows, you can  make colored

VG>lenses--any color...

 

VG>Ellsbeth Lachlanina MacLabhruinn

 

The photophobe here - Thanks but - Yes, dark-colored and

actual "stained" glass* came before glasses, but did they

really exist?

 

*

  Authenticity note here: MOST colored glass bits held

together with lead came are NOT stained glass. It is a

misuse of the word run rampant in our lower-case s society.

 

  Stained glass is clear or colored glass painted with a

solution of silver nitrate dissolved in water and then put

in a kiln - where the chemicals react and produce a

permanent yellow-to-dark-brown color.

 

  The other stuff is beautiful, lasts for centuries if

treated right, but is NOT stained! (it is dyed at the time

of manufacture) Also, a lot of period through modern-day

stuff is painted, colored glass. Look for chipping of old

dark paint to know for sure.

 

                               In Trivia

                            Aleksandr the Traveller

                         [david.razler at compudata.com]

 

 

From: alysk at ix.netcom.com(Elise Fleming )

Newsgroups: rec.org.sca

Subject: Re: Period Patterns for Stained glass

Date: 2 Jul 1996 13:06:14 GMT

 

a013957t at bcfreenet.seflin.lib.fl.us (Kellen Harkins) writes:

>I'm looking for suggestions for locating patterns for stained glass.

 

Dover Books has (had?) a children's book entitled "Stained Glass" (I

think!).  The pages are translucent and one is encouraged to color

them.  Most of the pictures are religious but they are copies of actual

stained glass windows.

 

Alys Katharine

 

 

From: Pat McGregor <patriciaX_O_McGregor at ccm.fm.intel.com>

Newsgroups: rec.org.sca

Subject: Re: Period Patterns for Stained glass

Date: Tue, 02 Jul 1996 11:05:23 -0700

Organization: Intel IT Technical Publications

 

Greetings from siobhan!

 

Lady Kellen Oddsdottir wrote:

>

> I'm looking for suggestions for locating patterns for stained glass. I'd

> prefer not to do straight religious pieces but a small rose window would

> wonderful... Most of the research I've done is all 2nd and 3rd sources...

> Any suggestions?

 

When last I visited the York Minster, there was some sort of restoration

going on on one of the Seven Sisters. As a part of this, the glass

restoration company had a display of what the patterns they were using

were. Someone had apparently taken many close pictures and then

drawn detailed patterns of the windows.

 

I asked if there were manuals or patterns existing, and the craftsman

who was talking said that in some churches there were oiled paper

patterns that had apparently been used at one point, but that most

of the patterns disappeared in time.

 

You might check with York Minster; alternately, perhaps one or more

of our cousins in Drachenwald might know of a guild which might

have more info.

 

regards,

  siobhan

 

 

From: Joe Wolf <"JOE.B.WOLF" at conoco.dupont.com>

Newsgroups: rec.org.sca

Subject: (Bone sewing kit, who can help?) How about glass?

Date: Fri, 22 Aug 1997 09:45:10 -0700

Organization: Conoco, Inc. -  IT Sourcing/Purchasing

 

Sekhmet wrote:

> I recently decided I wanted my whole take-to-events-sewing-kit as period

> as I can get it. I decided I needed a box made out of bone to keep my

> needles in. I'm still looking for information on boneworking, both

> mundane and period, and I was wondering if anyone has come across what

> an actual period sewing kit consisted of? I'm thinking 12th century, but

> information about any time period is welcome.

 

My Lady (Her Ladyship Teleri ferch Pawl) here in Ansteorra is known for

her lampworked glass beads and bottles.  The earliest bottles were

formed by encasing a core with molten glass (not blowing!).  She has

small glass bottles, beautifully decorated, that many gentles here use

as needle cases! (Also as salt cellars, perfume/oil containers, etc) She

does merchant these small, and completely period treasures!

 

(Interesting note: she uses Venetian glass from a factory that has been

in constant production for the past 500 years!  So in truth, her

materials are period!)

 

If you are interested in obtaining a period, small, glass container

contact Teleri at esmitman at ghg.net   We have some pictures we could scan

and send via e-mail.

 

Lord Manfred Wolf                       mka     Joe Wolf

Barony of the StarGate, Ansteorra               Houston, TX

 

 

Date: Sun, 23 Nov 1997 12:46:36 -0500

From: Caitlin Cheannlaidir <caitlin at phosphor-ink.com>

To: "'sca-arts at raven.cc.ukans.edu'" <sca-arts at raven.cc.ukans.edu>

Subject: RE: Glass beads

 

Try:

 

The History of Beads: From 30,000 BC to th e Present, Lois Sherr Durbin

 

The Glass Beads of the Prehistoric and Roman Periods in Britain and

Ireland, Margaret Guido

 

I've got others here on the shelf; what do you already have?

 

There's a new SCAdian glassworkers' list forming; if you'd like to pose

your question there, you can subscribe by sending "subscribe" in the body

of a message to compagnia-request at phosphor-ink.com.

 

 

Newsgroups: rec.org.sca

From: johnrose at icubed.com (john rose)

Subject: Re: Acid etched glass

 

David Serhienko <tigycho at earthlink.net> wrote:

>Is the use of various acid based concoctions for the frosting and

>etching of glass in any sense period?

 

Acid etch usually uses some variant of hydroflouric acid, which as best I

recall, is not period. Diamond engraving is.

 

There is another glass etching technique that uses hide glue to create

patterns. You see it as feathery patterns on old office door panes, etc.

The materials and methods are all compatible with the SCA period, but I have

not come across any examples.

 

The glue method is easy. You paint the glue on, let it air dry, and then bake

the glass to about 150F until the glue desicates. The glass then spalls off as

the glue peels away.

 

Anybody seen this stuff around anywhere?

 

Master John the Artificer

 

 

From: Eric & Lissa McCollum <ericmc at primenet.com>

Newsgroups: rec.org.sca

Subject: Re: Acid etched glass

Date: 29 Jun 1998 22:36:01 -0700

 

David Serhienko wrote:

> Is the use of various acid based concoctions for the frosting and

> etching of glass in any sense period?

 

It has been a couple of years since I did the research

so I can't lay my hands on my sources right now--but

no, acid etching of glass is not period. (I'd love

to be proved wrong though!)

 

That said...diamond engraving of glass *is*. One

source (Glass by George Savage) states that diamond

engraving of glass began in Venice around 1560, and

quickly spread. This advance coincided with an

improvement in the quality of glass produced. The

book has several examples pictured, including a

beaker dated 1594 that pictures the Holy Roman Emporer

Rudolf II and the electors--with their arms. I used

it as documentation to engrave my arms on a drinking

goblet. I picked up the diamond stylus at my local

craft store.

 

Gwendolen Wold

 

 

From: DC <uboru at erols.com>

Newsgroups: rec.org.sca

Subject: Re: Acid etched glass

Date: Tue, 30 Jun 1998 19:00:57 -0400

 

What's being described is known as "glue chip glass" and should be

readily available from any dealer who carries stained glass materials.

The way it was described to me is that the glue is dropped onto the

glass when it is still in a semi liquid form.

 

 

From: Carrie Schutrick <caos+ at andrew.cmu.edu>

Newsgroups: rec.org.sca

Subject: Re: Acid etched glass

Date: Wed,  1 Jul 1998 11:38:59 -0400

Organization: Housing Services, Carnegie Mellon, Pittsburgh, PA

 

>The glue method is easy. You paint the glue on, let it air dry, and then bake

>the glass to about 150F until the glue desicates. The glass then spalls off as

>the glue peels away.

 

>Anybody seen this stuff around anywhere?

 

  It's really easy to find in stores that provide stained glass supplies--ask

for "gluechip."  You can get it in a variety of degrees of "chippedness,"

and the places with better stock will sell twice- and thrice-chipped glass

as well as once-chipped.

 

  Which brings up an interesting question: what colors and patterns of

stained glass are period?  I assume that the fancy Tiffanies, with streamers

and so on, are not period, but are we limited to solid colors?  What about

patterns for a piece?  All my mother's pattern books are very heavily

Victorian and Art Deco influenced.

 

--Jeannette de Beauvior

 

*****Carrie Schutrick--caos at andrew.cmu.edu--Pittsburgh PA--CMU*****

                 <http://www.contrib.andrew.cmu.edu/~caos>;

 

 

Newsgroups: rec.org.sca

From: johnrose at icubed.com (john rose)

Subject: Re: Acid etched glass

Organization: extrude hone

Date: Thu, 02 Jul 1998 14:36:27 GMT

 

Carrie Schutrick <caos+ at andrew.cmu.edu> wrote:

>>The glue method is easy. You paint the glue on, let it air dry, and then bake

>>the glass to about 150F until the glue desicates. The glass then spalls

>off as

>>the glue peels away.