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armor-msg - 9/27/08

 

General comments on armor, SCA armor.

 

NOTE: See also the files: armor-leather-msg, armor-plastic-msg, duct-tape-msg, p-armor-msg, pottery-wepns-msg, rattan-msg, SCAweapons-msg, chainmail-msg.

 

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NOTICE -

 

This file is a collection of various messages having a common theme that I have collected from my reading of the various computer networks. Some messages date back to 1989, some may be as recent as yesterday.

 

This file is part of a collection of files called Stefan's Florilegium. These files are available on the Internet at: http://www.florilegium.org

 

I have done a limited amount of editing. Messages having to do with separate topics were sometimes split into different files and sometimes extraneous information was removed. For instance, the message IDs were removed to save space and remove clutter.

 

The comments made in these messages are not necessarily my viewpoints. I make no claims as to the accuracy of the information given by the individual authors.

 

Please respect the time and efforts of those who have written these messages. The copyright status of these messages is unclear at this time. If information is published from these messages, please give credit to the originator(s).

 

Thank you,

    Mark S. Harris                  AKA:  THLord Stefan li Rous

                                          Stefan at florilegium.org

************************************************************************

 

From:    Ioseph of Locksley  

To:      All

Date: 02-Jun-90 12:23pm

Subject: Armour

 

In re: the continuing conversation about armour....

  

The absolute best amour I ever saw was (is?) used by Sir Gaston, late

of Atenveldt and now being annoying over in Caid.

He walked out on the field in a most gorgeous Cavalier outfit, and put

on his helm. His opponent goggled at him, and then walked over to ask if

he had on *any* armour at *all.*

Gaston rapped his sword over his whole body with satisfying -thunk-

sounds....he had sewn plates under the beautiful Cavalier!

 

 

From: ddfr at quads.uchicago.edu (david director friedman)

Date: 22 Oct 91 03:47:28 GMT

Organization: University of Chicago

 

          Alternatives to Hockey Plastic

 

In the discussion of people with plastic armor, two important points

seem to have been largely, although not entirely, neglected.

 

1. It is possible to make plastic armor that is not obviously out of

period. One example is a Visby Coat made of leather, using plastic

for the (out of sight) plates. Aside from the sound when it is hit,

and the light weight, it might as well be steel.

 

On this subject, Rhys writes "If anyone claims this (hidden plastic

armor) is unneccessary and should be avoided... I'd ask what their

helm is lined with. Straw?"

 

Since you asked, my helmet is padded with horsehair. I have been

using it for years, and it works very well. I confess that the design

is not based on any period original, but I have seen pictures, and

one of these years ...  .

 

2. It is possible to make light armor that not only looks period but

is period. I have an article on hardened leather armor forthcoming in

T.I. which discusses the subject in some detail. If you are willing

to accept fairly minimal legal protection (i.e. body protection

suitable for a sword and shield fighter who does not get in messy

melees very often), you can cover your body with hardened leather

lamellar for a cost of about twenty dollars and a weight of about

five or six pounds (a little more for giants). For another two pounds

of weight and another ten or fifteen dollars you can use 13 ounce

leather instead of 8 ounce leather in the vulnerable places, and have

body armor that should be entirely adequate for most fighters. I have

made two klibanions in the former version and am currently converting

one of them into the latter.

 

My previous body armor was a Char Aina of 18 guage steel. It only

weighs about six pounds and provides very good protection, although

less coverage and much less flexibility than the lammellar.

 

Cariadoc

 

 

curved blades

Date: 7 Feb 92

From: MPFOSTER at mtus5.cts.mtu.EDU (Wulfgar Silberbar)

Newsgroups: rec.org.sca

 

Yes, there is an advantage to straight bladed swords in SCA combat. Straight

blades will strike quicker (the end reaches the target slightly faster than

a curved end would) and are harder to block (curved blades are the opposite

of hafted weapons; an axe can strike over a shield, but a curved blade will

strike "under" the shield, as it were). I hear that curved blades to not

hit as hard (they were designed to slice, not hack). Curved blades had but

a single edge.

 

So why use a curved blade? Because if everybody used a long, straight,

double-edged sword, we would be the Society for UN-Creative Anachronism.

I applaud those who use weapons based on their personna, rather than the

best weapons available. The same with armor (I'm trying to convince my

hips that they won't hurt that much when I switch to "authentic", rather

than "protective" tassets).

 

Wulfgar Silberbaer

 

 

Open Faced SCA Helm_

Date: 15 Jun 92

From: Nils Hammer <nh0g+ at andrew.cmu.edu>

Newsgroups: rec.org.sca

Organization: Carnegie Mellon, Pittsburgh, PA

 

     Some time back it was said that early period people couldn't have a period

helm and fight in it too. Here in the BMDL (East) we have a fighter who made

an open faced helm designed to be used with an armor-mask like the

japanese use.

 

The mask is blued much darker than the shiny nasaled helmet. from a distance it

looks disturbingly like an unauthorizable helm. I have suggested that he

glue a beard to it, but I suspect that he doesn't want to cover up his handwork.

 

When not fighting the helm can be worn alone for a decidedly period appearance.

 

Nils             nh0g at andrew.cmu.edu

BMDL       Pittsburgh

 

 

Date: 13 Jun 92

From: parr at acs.ucalgary.ca (Charles Parr)

Newsgroups: rec.org.sca

Organization: The University of Calgary, Alberta

 

Stephen.Whitis at f4229.n124.z1.fidonet.org (Stephen Whitis) writes:

>>I note that you express no reservations about my preferred materials

>>for construction (to wit--stainless steel).  Still . . .  I'd like to    

>>expand on it a bit.  Given the effort it takes to keep armor looking      

>>good (knights in rusty armor?  Nah . . .), and the lack of my time and    

>>household labor, I consider stainless to be a non-accidental , valid      

>>compromise.  At least--it still looks like steel. The alternative        

>>would be a carbon steel (or, really, a wrought iron) with a good          

>>coating of black on it.  I don't really think that'll work with mail.    

>

>I hadn't express any either, but since you ask... :-)

>

>Stainless never looks right to me, but gualvanized metal, once the

>"new" has worn off, looks much better.  It still doesn't rust and

>needs little if any upkeep, but doesn't have that bright stainless

>steel shine.

>

>I'm not complaining about those who choose stainless, but since you

>asked (more or less) what people thought about it...

 

Easy answer to this one....Don't polish the stainless in the

first place;-) Make it smooth and shiny, but don't buff it

or go all the way to emery paper, and it never gets that

chrome look.

 

Granted, it still has a different tone from mild steel, but so

do thr differing grades and alloys, which are in turn *very*

different from the (poor) steels of the middle ages...

 

This is one place where I like to apply the "they'd have used it

if they had it" rule...

 

Carolus Mediocris, Montengarde An Tir

 

 

From: Joe Bethancourt_

To: Charly The Bastard

Re: Unobtrusive SCA-legal armor for early periods___________

Date: 13 Jun 92

 

-=> Charly the Bastard said to Michael A. Chance on 06-06-92  21:06 <=-

 

MA>Ideally, I'd like to get a set of fully articulated knee armor, complete

MA>with reverse articulation on the back of the knees, similar to Henry

MA>VIII's foot armor in the Tower.  Then, I wouldn't need the wings, and

MA>could wear them under a pair of breeches.  But I've yet to find an SCA

MA>armorer who'd attempt it, and I can't afford the Royal Armory's

MA>prices! 8-)

CtB>

CtB> If you can come up with a good set of drawings or photos, I MIGHT be

CtB> persuaded to take a crack at it.  If so, send to Dwarven Metals, 333

CtB> SE 39th, Oklahoma City, Okla. 73129.  If I can fabricate the items,

CtB> they won't be cheap, but they'll fit and work.

CtB> charly the Bastard, HMFIC, Dwarven Metals

 

You both might want to talk to Sir "I don't have a Laurel, but I -do-

have an Oscar.." Gaston, of Dilligent Dwarves in N. Hollywood CA. He

built a suit of plate that fits -under- his Cavalier outfit.

 

 

Newsgroups: rec.org.sca

From: ross at chem.queensu.ca (Ross Dickson)

Subject: Re: arrows and armor

Summary: A reference!

Organization: Dept. of Chemistry, Queen's University

Date: Sun, 9 May 1993 02:17:12 GMT

 

Greetings, all you military historians!

I was today discussing this matter of arrow penetration with my good

friend Godwin Hrothmundsson, whom some of you may remember as Graydon

the Curious.  He showed me a recent (1992) article on the very subject

which addresses some of the questions which have been raised here on

the Rialto.  First, the citation:

Peter N. Jones, "The Metallography and Relative Effectiveness of

Arrowheads and Armor During the Middle Ages." _Materials_Characterization_,

vol. 29, pp.111-117 (1992).  [A periodical published by Elsevier Science

Publishing Co., Inc., 655 Avenue of the Americas, New York, NY 10010]

To summarize the relevant points, Jones and his colleagues have

examined surviving arrowheads (broadheads and bodkins) and armour to

ascertain their construction and hardness.  He mentions that Robert

Hardy demonstrated in _Longbow_ that mail was ineffective against the

longbow, and that mail was the "principal protection worn by the French

cavalry at Crecy" in 1346, but that plate armour was in wide use by the

time of Agincourt in 1415, the last great victory of the longbow.

 

The hardness of plate armour samples from the period improves steadily

through the Hundred Years War and into the sixteenth century, which

Jones suggests contributed to the demise of the longbow. He gives

tables of samples  which show the Vickers Hardness Number of some

armour pieces increasing from 100-140 early in the 1400s to 240-250 by

1550.  By contrast, the bodkins studied were typically 350 Vickers

Hardness Number.

 

Furthermore, plate was distributed on the body economically, thickest

in the faces of helms, and thinnest in arm and leg armour. Thicknesses

from 1.2 mm up to 4.5 mm were found in armour pieces from the late 1300s.

 

Mr. Denis Gotts fabricated some bodkin arrowheads with the methods and

materials determined earlier, and these were assembled into arrows by

Mr. John Waller, who then shot them at samples of wrought iron rolled

down to thicknesses of 3 mm, 2 mm, and 1 mm, using a 70 pound self yew

bow (28 inch draw, 10 meter range).  Penetration was achieved on the 1

mm sheet at angles of up to 20 degrees from straight on. No useful

penetration was achieved on the 2 or 3 mm plate.  One straight-on trial

on the 2 mm plate penetrated 11 mm (less than half an inch).

 

Jones concludes:  "These results indicate that the pattern of damage

inflicted on an advance of armored infantry at the Battle of Agincourt

would have been one of many disabling wounds [esp. to the arms and

legs] and few fatalities. ... It also shows that in the earlier battles

(Crecy in 1346 and Poitiers in 1356) the longbow would have been

extremely lethal and that in later battles, when armor had been further

improved, it would become marginal."

 

He also points out, along the way, that "the records of the holdings of

arrows in HM Tower of London for 1356 indicate there were over 400,000,

and enormous stock and procurement problem," and calls this "perhaps

the most impressive finding from this investigation."

 

Yours academically,

Angus Boghadair Mackintosh, Greyfells  |  Ross M. Dickson, Queen's Univ.

Ealdormere, Midrealm                   |  Kingston, Ontario, Canada

 

 

Newsgroups: rec.org.sca

From: griff at anvil.intel.com (Griff Griffith)

Subject: Re: rivets, rivets, rivets

Organization: Multimedia Software Technology Group

Date: Wed, 30 Jun 1993 14:44:51 GMT

 

Get in touch with R. J. Leahy, Inc. of San Francisco - That's

where I got my rivets from... They'll ship and bill you upon

request. :-) and I got a good bunch of standard 1/8" x 3/8"

metal rivets. (shoot, price was something like $28 for about

5 lbs? I think??)

 

:Richard E. Griffith, "griff" : iNTEL, Hillsboro Ore.

:griff at ibeam.intel.com

:SCA!: Lord Cyrus Hammerhand, Household of the Golden Wolf,

:      Sargeant of Three Mountains

:      Marshall of Dragons' Mist, An Tir

 

 

From: doconnor at sedona.intel.com (Dennis O'Connor)

Newsgroups: rec.org.sca

Subject: Re: rivets, rivets, rivets

Date: 30 Jun 93 08:48:31

Organization: Intel i960(tm) Architecture

 

gdaub at mcis.messiah.EDU writes:

]    The advice I received from this list has helped me on my mail and arming

] doublet, and I am ready for a new armoring question. What are good to use

] for rivets?  All I can find in hardware stores are pop-rivets, and I am

] doubtful about them.  I need rivets for a variety of uses:

]     1) Attach metal plates to leather for a coat of plates and gauntlets.

]     2) Rivet metal to metal for a helm.

]     3) Attach leather straps to metal plates for arms and legs.

 

In these parts, metal-to-metal connections are usually done with solid

soft iron rivets and burrs (washers). Leather-to-metal connections are

usually done with solid copper rivets and burrs.

 

Tandy Leather sells copper rivets and burrs, but is pricey.

We found a better source of copper rivert at a local place that

does saddle repairs (calld Boston Shoe Store, for some reason).

$9 for 1 pound ( about 100 1" rivets and 100 burrs: 1" is

longer than you need, but we have monster flush-cutters

in our horse supplies. )

 

Iron rivets I usually buy off a local SCA armourer.

--

Dennis O'Connor                          doconnor at sedona.intel.com

Intel i960(R) Microprocessor Division    Solely responsible for what I do.

 

 

Newsgroups: rec.org.sca

From: tbarnes at silver.ucs.indiana.edu (thomas wrentmore barnes)

Subject: Re: rivets, rivets, rivets

Organization: Indiana University

Date: Wed, 30 Jun 1993 17:22:16 GMT

 

For joining leather to leather, or leather to metal, use copper rivets.

The wide head and the "washer" on the back keeps the rivet from pulling

through the leather when it is under stress (mostly). You will need to

make a hole in the leather before you insert your rivet using a belt

punch or an awl. Slits in the leather tear.

        If you have a very long shanked copper rivet and you are

paranoid about the leather pulling through, you can use a standard

galvanized washer with the same i.d. as the washer you are replacing and

a much wider diameter. You need the longer shank since the new washer

will be thicker.

        For joining metal to metal, you need machinists rivets. Flat

headed rivets are period (they were called "arming nails"), but the

round headed rivets flatten if they are peened on a hard flat surface.

DO NOT use an anvil face to do this. It will leave little round dents in

the anvil which will take forever to grind and polish out. Obviously you

will have to drill out holes where you want to place your rivets. Make

the hole just a bit wider than the shank of the rivet, since the shank

will expand when you peen the end over. If you want the rive to pivot or

slide, put a washer between the metal and peened end of the rivet and be

careful peening the end.

        To peen the rivet shank over so that it will hold, use a ball

peen hammer and carefully upset the rivet working around the edges of

the rivet so that you flatten the shank evenly. A well set rivet should

look just as pretty from the inside as from the outside.

        For more on medieval armoring techniques, see

 

-Arms and Armor of the Medieval Knight- by Miles Edge and Neil Paddock

-The Armorer and his Craft- by Ffoulkes (Dover reprint ed. in print.)

 

Lothar

 

 

Newsgroups: rec.org.sca

From: griff at anvil.intel.com (Griff Griffith)

Subject: Re: rivets, rivets, rivets

Organization: Multimedia Software Technology Group

Date: Tue, 6 Jul 1993 20:52:39 GMT

 

In article <C9MAy0.AJG at cmcl2.nyu.edu>, fnklshtn at ACF1.NYU.EDU writes:

> Newsgroups: rec.org.sca

> From: fnklshtn at ACF1.NYU.EDU

> Subject: Re: rivets, rivets, rivets

>

> thomas barnes writes: " 3/8" ... rivets"

> 3/8" ? my G-d! talk about big!

> We use 3/16" and I thought they looked a bit bulky...

>

> Peace!

> Nahum <FNKLSHTN at acfcluster.nyu.edu>

 

  Oh Gawd - did I say 3/8"  -- You're right, Milord, I *did*

mean 3/16.... :-)

                              - Cyrus

 

:Richard E. Griffith, "griff" : iNTEL, Hillsboro Ore.

:griff at ibeam.intel.com

:SCA!: Lord Cyrus Hammerhand, Household of the Golden Wolf,

:      Sargeant of Three Mountains

:      Marshall of Dragons' Mist, An Tir

 

 

From: gray at ibis.cs.umass.edu (Lyle FitzWilliam)

Newsgroups: rec.org.sca

Subject: Re: Light, Breathable Armor

Date: 5 Aug 1993 19:02:54 GMT

Organization: Bergental, East Kingdom

Keywords: armor

 

Jalut (Guy Wells) asks about typical armor worn, and armor that has breathing

capability.

 

On the first question, my armor is a combination of wax-hardened leather,

steel splints, and plate steel.  The body is leather (hardened) rivetted to

leather (oiled).  I sweat a lot. ;-)

 

>Is there such a thing as "breathable plastic?" Or "breathing steel?"

 

There is an illustration in Rene' d'Anjou's Tournament Book, showing a breast

plate that has many holes in it (probably between 1/2 and 3/4 inch diameter).

A surcoat was worn over this armor.

 

I recently saw a fighter wearing something similar, made of black plastic,

again covered by a surcoat (although the sides were exposed -- he wanted a new

tabard).

 

So, I would say, yes, there is such a thing as "breathable" armor.

 

Lyle FitzWilliam

-------------------------------------------------------------------------

Lyle H. Gray                       Internet (personal): gray at cs.umass.edu

Quodata Corporation            Phone: (203) 728-6777, FAX: (203) 247-0249

 

 

From: paulb at saturn.uark.edu (Paul A. Byers)

Newsgroups: rec.org.sca

Subject: Re: Light, Breathable Armor

Date: Mon, 9 Aug 1993 10:27:32

Organization: University of Arkansas

Summary: sources, how-to questions

Keywords: armor

 

>Basically, I'm looking for ideas on what to put together that still

>provides beyond adequate protection. I currently wear a padded gambeson,

>breast and back plates, mantle and pauldrons, vambraces... So you get

>the idea, I'm almost completely covered. OR does anyone have any

>armorers who have had to deal with this sort of thing, and already have

>a system in place?

 

>Is there such a thing as "breathable plastic?" Or "breathing steel?"

>Jalut

 

Here in southern Calontir (NW Arkansas) we regulary face 90-100+ weather.

(humintity 80-90%) Those of us who, like your self, require max protection

wear coats of plates with out gambisons.

 

Since our weapons don't have real pokies plates can have 1'-2" gaps to let air

flow through the armor. (I use .5" straps to connect the plates.) The

strapping allows the armor to be flexable while still protecting against the

heavest blows. I also glue 1/8th" neaprem (sp?) foam to the inside of the

plates for padding. (some plates might require more in you take more blows

there.)

 

Wearing a light cotten 'fighting shirt' under a coat of plates helps with

'wicking' of heat/sweat.

 

My personal armor has 12 plates.  Two dished plates on the belly/cheast (sort

of a split globebos.)  two over the shoulder next to the neck, these cover the

collor bone and the tissues on the top  of the shoulder. ( from these I

suspend trollabite paldrons and roundels to protect the shoulder joint. I

don't count this as part of the body armor for plate count.)  These connect to

shoulder blade shaped shoulder blade plates have sole leather connecting them

over the spine and tope three virtabrea (sp?).  From this is supended two 4"

wide plates down the spine to the tail bone. ( the bottom plate is curved out

to match the curve at the bottem of the spine. This makes it more comfy to

fight from your knees from.) Two large curved plates are connected to the

sides of the spine plates. The wrap around to the front and are connected to

the front plates by strap/buckle arrangments. Two plates allow for lots of

movement and still protects from the shot to the ribs. If you tighten up the

side plate the weight is kept of the shoulders.

 

This type coat of plates is called 'Pavel Plate' around here. its designed to

let old fat guys with artificial joints survive on the field with young jocks

with great swords. (was designed by myself and Her Majesty Arion the Herion

many moons ago.)

 

If you want a pattern contact me Snail Mail or phone, After Pensic

 

Hell, Come to Grimfells  some week end, buy the supplies, and I'll make you a

set. (I've given 27 sets of this armor away. )

 

Pavel

Calontir

 

Paul A. Byers

220 W. Lafayette

Fayetteville, AR 72701

(501) 443-7174

(501) 442-6086 FAX

PAULB at SATURN.UARK.EDU

 

 

From: PORTERG at gems.vcu.EDU (Greg Porter)

Newsgroups: rec.org.sca

Subject: Tuchux, Fools and armor cooling device

Date: 28 Aug 1993 17:46:17 -0400

 

Greetings to the Rialto:

        I do not know any of the Tuchux personally, but a lady who was

with the group that came to the Drachenwald encampment before the field

battle helped me get the celtic chariot and King Elfin to the field in style,

and she and another gentle helped me get it back to the Drachnwald camp after-

wards, for which they received much thanks and water (off-site water,

so it didn't taste like the bottom of a mine).

 

        Concerning the Fools' Parade and the annoyed lady:  you never know

what kind of a day someone has had before you get to them. Pennsic has the

potential to be very stressful, especially to people in authority.  

Before complaining of her loud response to your intended tomfoolery, it would

be kindest to give her some leeway for her actions.  You may have been

the last straw in a rough day.

 

        Coolness and armor:  Lab Saftey Supply Inc., PO Box 1368, Janesville,

WI, 53547-1368   phone: 1-800-356-0783 (6am to 9pm CT) carries thermal vests

which are lightweight and easily cleanable.  The vest contains 6 reusable

hot or cold packs depending on the temperature desired. It is recommended

that the vest be worn over a light shirt.  I don't know if this would work

for fighters under armor, but it might be worth checking out as a way to

reduce heatstroke.  The vests come in men's sizes (S,M,L), and two colors

(blue, and blaze orange).  One blue vest costs $30.85 (orange $35.85).  

If you buy 6, the price drops to $27.80 ($32.30). Item # Blue is

QC-7637; Orange# is QC-20534.  

 

        Fare well,

        Morgan Wolfsinger (Catherine DeMott) by my lord's net access

        Barony of Caer Mear, Atlantia (Richmond, VA)

 

 

Newsgroups: rec.org.sca

From: mchance at nyx.cs.du.edu (Michael Chance)

Subject: Re: Hand protection for early

Organization: University of Denver, Dept. of Math & Comp. Sci.

Date: Mon, 13 Sep 93 23:20:34 GMT

 

Kvedjur fra Mikjal!

 

I sympathize with those who have early SCA characters with regards to

hand protection for combat.  Having started fighting in the Midrealm,

I fought with hockey gloves for many years (making sure that I bought

quality gloves, and not beat-up kid's hockey gloves with little or no

protective value from a garage sale).    While they provided usually

adequate protection (and with a bit of modification, better than

adequate for combat with polearms and two-handed weapons forms), they

never _looked_ right.  And, as I got more concerned about the

appearance of my armor, they became downright embarassing.

 

All that ended when I moved to Ansteorra from Drachenwald. Ansteorran

armor standards do not permit un-modified hockey gloves, and don't

permit the type of modifications that I'd made to mine. Not having

the time nor talent to make a pair of leather gauntlets that would

protect my hands to my satisfaction, I bought a pair of steel

gauntlets.  And promptly went down to the local hardware store, bought

a can of Rustoleum leather brown spray paint, and painted the things

brown.  Made the armorer cringe, but they don't

look nearly as out of place with an attempt at late 11th century

Varangian armor.  Heck, I've even had folks approach me with the

intent of asking who made my "leather" gauntlets, until they get close

enough to see that they're just painted steel.  It's not perfect, but

it suffices.

 

I've done it to my steel articulated knees, as well, which makes Count

Valerius' (their maker) apprentices groan.  He just sighed.

 

Adding anything over hockey gloves just looks dumb.  It's nearly

impossible to make them look anything like medieval armor. And they

usually have so much padding that it makes your hands look huge.

They may be OK (with help) as starter armor (if you can find a good,

inexpensive pair), but you need to upgrade them as soon as you can.

 

Mikjal Annarbjorn

--

Michael A. Chance          St. Louis, Missouri, USA   "At play in the fields

Work: mc3078 at sw1sta.sbc.com                             of St. Vidicon"

Play: ab899 at freenet.hsc.colorado.edu

      mchance at nyx.cs.du.edu

 

 

Newsgroups: rec.org.sca

From: tbarnes at silver.ucs.indiana.edu (thomas wrentmore barnes)

Subject: Re: rivets, rivets, rivets

Organization: Indiana University

Date: Wed, 30 Jun 1993 17:30:26 GMT

 

        Oh yeah, another thing. The magic word is 3/8" machinists

rivets. If you scrounge (or phone) enough you'll find a place that has

them. These work fine for attaching metal to metal. Space them 1" to 2"

apart, depending on how you want your helm to look and how strong you

want it to be. They should be placed at least 1/4" in from any edge so

they don't tear out under stress.

        Pop rivets are completely unacceptable for most purposes. They

are too weak to use for armoring, and tend to tear out of leather

straps.

        For leather, you want 1/4" copper rivets with washers and a 1/2"

to 3/4" shank. You can get them at the same place you got your machinist

rivets, or at tack or leather stores. These work fine for attaching

leather to leather and straps to metal. Don't skimp on the straps. You

want nice thick, leather - belt weight at least. In high stress areas or

areas where a thin strap would cut into you use a wider strap.

 

        Another good book:  

 

        The Best of the Hammer Vol. 1 -4 ed. Brian Flax. Pub. by

Raymond's Quiet Press.

 

 

 

Newsgroups: rec.org.sca

From: cav at bnr.ca (Rick Cavasin)

Subject: Re: rivets, rivets, rivets

Organization: Bell-Northern Research Ltd.

Date: Wed, 30 Jun 93 18:15:39 GMT

 

tbarnes at silver.ucs.indiana.edu (thomas wrentmore barnes) writes:

|>     Oh yeah, another thing. The magic word is 3/8" machinists

|> rivets. If you scrounge (or phone) enough you'll find a place that has

 

Ummm...do they make armour differently out your way? Around here, the

standard rivet has a 1/8" diameter shaft and a length of 3/8".  Some people

use 3/16" diameter rivets for helms.  The largest rivet I ever use is

1/4" diameter for knee articulations.

 

|> them. These work fine for attaching metal to metal. Space them 1" to 2"

|> apart, depending on how you want your helm to look and how strong you

|> want it to be. They should be placed at least 1/4" in from any edge so

|> they don't tear out under stress.

|>     Pop rivets are completely unacceptable for most purposes. They

|> are too weak to use for armoring, and tend to tear out of leather

|> straps.

|>     For leather, you want 1/4" copper rivets with washers and a 1/2"

|> to 3/4" shank. You can get them at the same place you got your machinist

 

Do they make 1/4" diameter saddlers rivets?

I think you mean 1/8" diameter.  And the 'washers' are usually called 'burrs'

in this context.  I think the difference is that a washer is intended to

fit loosely on a bolt shaft, while a burr fits snuggly on the rivet shaft.

So if you ask for 1/8" washers you will get something different than if you

ask for 1/8" burrs.  But then, you can always make your own from scrap copper

or brass.

 

|> rivets, or at tack or leather stores. These work fine for attaching

|> leather to leather and straps to metal. Don't skimp on the straps. You

|> want nice thick, leather - belt weight at least. In high stress areas or

|> areas where a thin strap would cut into you use a wider strap.

|>

|>     Another good book:  

|>

|>     The Best of the Hammer Vol. 1 -4 ed. Brian Flax. Pub. by

|> Raymond's Quiet Press.

 

Here's another tip!  Rather than using standard drill bits, ask for 'stubbs'.

These bits are short (don't need to be long) so they are harder to break.

The point is also designed to be self centering, so you don't need to mark

your hole with a punch.  Some of them are double ended which gives you more

bang for the buck, but I've been told they are lower quality than the single

ended ones.  

Cheers,

Balderik

 

 

 

From: harald at matt.ksu.ksu.edu (Harold Kraus Jr)

Newsgroups: rec.org.sca

Subject: Re: Metal in period

Date: 18 Oct 1993 16:07:42 -0500

Organization: Kansas State University

 

Ahoy!

 

Folks write:

>> > ...SI units please ...

>>

>> Well, I believe he posted inch thicknesses as the principal...

>> ...In general, however, U.S. gauges of thickness are reciprocals of

>> fractions of inches. That is, x gauge = 1/x inches = 25/x mm.

>>

>> Thus, roughly:

>     !!!^^^^^^^!!!

>[conversion deleted]

 

>This is very roughly indeed, and accurate to a factor 2 or so.

>Gauges for plate are not gauges for wire are not gauges for pipe

>etc. etc.

 

And a factor of 2 would set 16ga. in the range of 11 ga.

 

No direct relationship between gauge numbers and thickness was ever

intended, as far as I can tell.  I presume that much confusion over the

relationship stems from the apparent coincidence that for 16ga.,

16ga. = .0625in = 1/16in = 1.59mm. The relationship holds only for

the Birmingham Gage, as far as I know, not necessarily true for other

standards and other metals.  

 

Historicly, US sheet metal gauges are a *weight* per square foot standard

and were originally based on a density of 480 pounds/cu. ft. for wrought

iron, not steel which has a different density.

 

For gauges 3 to 14, oz/sf = 190 - 10*gauge number

           14 to 16, oz/sf = 120 - 5*gauge number

           16 to 20, oz/sf = 104 - 5*guage number

 

The Manufactures' Standard Gage for Sheet Steel is based on a weight of

41.82 pounds for a 1 inch thick, 1 square foot piece of steel.  This

value is an adjustment for the variation of thickness from the edge

to the middle of rolled sheet steel.  I understand that the basic value

for steel density is actually 40.8 pounds per 1x12x12 inch steel.  

 

Some Values:    Gauge   Inches   mm.

                 10     .1345   3.416

                 11     .1196   3.039

                 12     .1046   2.657

                 13     .0897   2.278

                 14     .0747   1.897

                 15     .0673    1.709

                 16     .0598   1.519  (not exactly 1/16 inch)

                 17     .0538   1.367

                 18     .0478   1.214

                 19     .0418   1.062

                 20     .0359     .912

 

However, I think any such industrial standardization is OOP.  :)

So back to a more SCA relevant discussion. :)  

 

 

What of those who wish to portray lightly or unarmored personnas?

Plastic is fine for hiding under fighting garb (or woad wet-suits).

 

 

I use aluminum because 1) its is a metal and not obviously non-steel

(pollished) at a distance so it does not need to be covered with garb

2) it does not rust so it always gives that clean-living immage 3) IMO,

many period pieces (16-18ga) would stand the service seen from weekly

practices and tourneys  4) I have no natual padding so I like rigid

plate (hardened leather doesn't cut it for me  5) Aluminum allows me

to have thicker- and stronger-than-period plate to help me surive,

without undue dammage and discomfort, many times the number of pactices,

wars, and tourneys the typical medieval noble experienced  6) I don't

own any slaves so I'd have to hammer out dents and scour off rust

myself  (and if I did own slaves, I'd still have to feed, cloth, and

house them, Ah-hah, so thats where SCA squires come in!).

 

Much the same argument can be made for the use of plastic save for

its blatantly modern apperance when uncovered.

 

Clovis wrote:

 

>I don't know how things really work, but I do know that for instance

>plate is sold as 16 gauge but is rolled down to thinner dimensions.

 

Thinner than 1/16 inch, yes; thinner than .0598, not really.

 

>At least there is a very rigid definition of the meter, and thus the

>millimeter as well.

 

16ga tolerance is about +/- .007in (+/- .178mm)

There is also a rigid definition for an inch.

 

>Plate dimensions varied depending on time and use. Extremes that I

>have seen here in Europe are several cm (over one inch) thick jousting

>chest plates and under 1 mm (1/25th inch) for lames on 16th century

>equestrian leg armour.

 

1mm = 19-20ga.  IMO, 18ga steel, while period and safe (in good condition),

will not stand up to SCA use unless you rarely fight or rarely get hit.

Anything less is not much better than tinfoil.

 

Point to ponder....We SCA fighters are to act out all blows as though

we are wearing armour that protects no more than chainmail regaurdless

of personna or actual equipment. Should we also act out all fighting

as though our armour weighs as much as chainmail (60-70 lbs of armor

for 10-15 pounds worth of protection) regaurdless of personna or

actual equipment?  I think not.

 

Harald Isenross, Spinning Winds, Calontir, harald at matt.ksu.ksu.edu  

 

 

From: mike at aloysius.equinox.gen.nz (Mike Campbell)

Newsgroups: rec.org.sca

Subject: Re: More period armor

Date: Sat, 09 Oct 93 22:06:36 GMT

 

v081lu33 at ubvms.cc.buffalo.edu writes:

  >         Personally, I think armor-equalization is a good idea. Plastic

  > might be discouraged by making it count as "no armor" if concealed, or

  > making the person have to stand there looking like a pickle barrel...

 

My personal is 11th Century Icelandic Mercenary - who would have worn

no armour on his legs, or possibly arms.  I conceal plastic legs under

baggy trousers, and have been told it looks very nice.  I currently

wear no body armour bar a very thick gambeson, and hope to complete a

set of boiled/waxed leather Lamellar some day.  Forearm protection

consists of splint steel over leather.

 

Since the Society has adopted "light chain over leather" with an open

faced helm, as being the defacto armour for all, why should allowance

be made for anything else?

 

Your suggestion would heavily influence fighters to adopt armour not

worn by their persona, or a persona who would have worn such armour.  

Much of the diversity and interest in armour making would be removed

(for me), and fighting would become just a little more boring.

 

Thorfyrd Hakonson, Shire of Southron Gaard, Caid

Mike Campbell, Christchurch, New Zealand

mike at aloysius.equinox.gen.nz

 

 

From: AGrunow at vitgwms1.telecom.telecom012.telememo.AU (Grunow, Aroleon)

Newsgroups: rec.org.sca

Subject: RE: Spun-top helmet noise problem

Date: 25 Oct 1993 20:35:24 -0400

 

> how to reduce the noise level inside certain helmets, especially

> spun-tops

 

If you have not yet made the helmet, and are rivetting the bottom/back

of the helmet to the spun-dome top, put a strip of light leather

between the two plates when rivetting. If the helmet is already made,

glue strips of light leather about an inch wide to the inside of the

dome, and glue the padding over that. You could put a helmet roll on

the outside of the helmet, and/or hang chainmail from the bottom of

the helmet.

 

> I don't have any idea what a spun-top helm is

 

It is a turned bowl of metal, usually 14 gauge to start with, and

becomes 16 gauge after spinning. I don't know how they are made, but

they look like a salad bowl and have marks in them from turning. You

use the dome for the top of the helm and add a backplate and faceplate,

resulting in a round-top helm.

 

Hope this helps.

 

----------Sven the Stormdriven (Aroleon Grunow)---------

Knight Marshal of the Principality of Lochac (Australia)

in the Kingdom of the West

     AGrunow at VITGWMS1.TELECOM.telecom012.telememo.au

--------------------------------------------------------

 

 

From: mjohnso7 at osf1.gmu.EDU (Michael P Johnson)

Newsgroups: rec.org.sca

Subject: Armor Question on Period

Date: 16 Mar 1995 22:07:34 -0500

 

To have all o your basic armor questions answered, check your local

library or bookstore for a book entitled The Armourer and His Craft, by

Ffoulke.  It gives a good over view of armor history, and production

techniques.  It was the first book that my teacher had me read and I

still use it as a reference, because I'm still learning. To answer your

question, yes, plate and mail were worn together, from the beginning of

the fourteenth century onward through the fifteenth century.  Visored

helms also started appearing in the fourteenth century with the adent of

the bascnet with the hound skull face plate.  This progressed into

several different types of visored helms.  The sallet and armet became

popular during the late fourteenth and early fifteenth centuries, but

mainly in the fifteenth.  The armet progressed into the close helm.  

Well, I could go on and on about armor.  If you have any other questions,

let me know, and I'll answer them as best as I can.

 

Lord Ingelri Kelvin

Argent Company

 

 

From: caradoc at enet.net (John Groseclose)

Newsgroups: rec.org.sca

Subject: Re: Armor Question on Period

Date: Sun, 19 Mar 1995 00:47:49 -0700

 

mjohnso7 at osf1.gmu.EDU (Michael P Johnson) wrote:

>To have all o your basic armor questions answered, check your local

>library or bookstore for a book entitled The Armourer and His Craft, by

>Ffoulke.  It gives a good over view of armor history, and production

>techniques.  It was the first book that my teacher had me read and I

>still use it as a reference, because I'm still learning.  To answer your

>question, yes, plate and mail were worn together, from the beginning of

>the fourteenth century onward through the fifteenth century.  Visored

>helms also started appearing in the fourteenth century with the adent of

>the bascnet with the hound skull face plate.  This progressed into

>several different types of visored helms.  The sallet and armet became

>popular during the late fourteenth and early fifteenth centuries, but

>mainly in the fifteenth.  The armet progressed into the close helm.  

>Well, I could go on and on about armor.  If you have any other questions,

>let me know, and I'll answer them as best as I can.

 

Be aware of the errors that ffoulkes makes. He makes several

"observations" about banded "mail" and ring "mail" that I can find

documented nowhere but in his book. Page 47 shows several drawings of

armor "constructions" that, to the best of my research, do not exist, did

not exist, and aren't really workable.

--

John Groseclose <caradoc at enet.net>

 

 

From: mikes at nickel.ucs.indiana.edu (michael squires)

Newsgroups: rec.org.sca

Subject: Re: Armor Question on Period

Date: 19 Mar 1995 19:48:57 GMT

Organization: Indiana University, Bloomington

Summary: Other sources

 

John Groseclose <caradoc at enet.net> wrote:

>mjohnso7 at osf1.gmu.EDU (Michael P Johnson) wrote:

>>To have all o your basic armor questions answered, check your local

 

The best one I've run into is in most large libraries but is out of print:

 

European Armour by Claude Blair.

 

Be very careful with anything published before about 1950, and very very

careful of anything published in the 19th century.

 

One major problem for novice armorers is that the armorers of the SCA

have acquired a huge amount of information which is not published in written

form anywhere; the best source for this is The Hammer but it stopped publishing

quite a few years ago and some of things described in it have been replaced by

others (such as the method of making bascinets, now commonly done with the

"3-cut" process that you can see on most SCA bascinets now sold.

 

For example, many of the armorers at Pennsic make their cops by welding two

pieces together in order to get a sharp vertical line.  It is actually faster

and the product  more reliable if you do it the correct way, as the weld

will always fail.

 

So the best way is to find a local armorer and watch what they do.  If no

one is local, go to an armorers's event or visit the armorers at a large

event such as Pennsic.

--

Michael L. Squires, Ph.D   Manager of Instructional Computing, Freshman Office,

Chemistry Department, IU Bloomington, IN 47405 812-855-0852 (o) 81-333-6564 (h)

mikes at indiana.edu, mikes at ucs.indiana.edu, or mikes at nickel.ucs.indiana.edu

 

 

From: crystal at io.com (Derk Groeneveld)

Newsgroups: rec.org.sca

Subject: Metal Scales from Australia

Date: 13 Jun 1995 15:51:01 GMT

 

[ Article crossposted from soc.history.living ]

[ Author was Derk Groeneveld ]

[ Posted on 12 Jun 1995 22:54:02 GMT ]

 

Today, a package arrived on the mail that made me a happy man indeed.

Inside I found the 1000 or so metal scales that Bill O'connel sent me...

they really do look _great_, anyone ccontemplating scale armour, don't go

through the awful trouble of making them yourself, order them from bill..

at australian $ 110, INCLUDING postage to the Netherlands, for 1000

scales (should be more then enough for a byrnie), I for one won't go

through the pain of making them myself.

 

Technical details:

 

        thickness:           0.8mm

        Length:                      3.7cm

        width:                2.5cm

        weight (1000 scales):      +-5kg

        transit time         2 weeks

               (Australia - Netherlands, Economy Air Mail)

 

There are also a number of double-sized sccales, for on the shoulders,

which have oval adges on both sides ad holes in the center - found 7, so

far.

 

I think they're made of steel (correct me if wrong, Bill), of the

NON-stainless type, for authentiic look. They have some spots of rust on,

but that is to be expected in sheet metal - nothing a good polisghing

won't cure... Overall, very good quality - clean cuts, clean holes (two

of them along the top)... the bottom edges are neatle rounded in a

semi-circle.

 

I'll get back to y'all once I made a byrnie out of the scales, and share

the experience with all... Anybody interested can either contacct me

(crystal at io.com) or bill (bill at iinet.net.au)

 

cheers,

        Derk Groeneveld

 

P.S. I have NO commerccial interest in this at all, although I hope that

if a lot more people get interested, there might be room for more such

initiaativves..

 

P.P.S. although I have a US email address, I really do live in the

Netherlands... Honestly!

 

 

From: tjustus at sprynet.com  (T. Justus)

Newsgroups: rec.org.sca

Subject: Re: Late Period Armor Padding (lengthy)

Date: Wed, 26 Mar 1997 06:56:04 GMT

 

On 21 Mar 1997 22:57:22 GMT, kymrii at aol.com (Kymrii) wrote:

>Could someone comment on late period armor paddong methods, and their

>effectiveness for SCA sport combat armor? So many people put so much time

>and money into period armor that it seems a shame to put it all over

>closed cell foam if there is an alternative.

 

  I assume that by late period you are refering to the 16th century,

in Europe. Unfortunately armor padding has been neglected by the

professional armor scholars-- I asked David Edge (curator of the

Wallace Collection) about this specifically, and that was the response

I got. Someone can make him-or-herself THE expert pretty easily.... a

surprising amount has survived.

 

  I  have examined a couple of 16th/17th c helmet paddings. (A cabacet

and a burgonet.) Both were made of quilted linen with tow stuffing.

The linings were stitched to a leather band rivited on the inside of

the helmet, and laced together at the top of the crown. This creates a

suspension system akin to those in modern football and military

helmets. Such a padding would be too thin for SCA-style high impact

fighting. It is fairly simple to cover a closed cell foam pad with

fabric, however, and (I'm told) makes it much more comfortable to

wear. The padding can be laced to an interior leather band, but if the

helmet is snug enough friction will keep it in place. Experiment with

lacing the crown together-- I have heard complaints that it does the

job too well and makes blow acknowledgement very difficult.

  As for padding the body armor, the high quality pieces in the 16th c

were often padded throughout, both to absorb shock and sound and to

protect the elegant gilding and etching from being scraped by adjacent

pieces, such as pauldrons. (besides, red leather picadils look SO

refined, especially against blued steel...)  It was not as common to

pad the harness as you go down the social ladder. I won't say it was

never done,  but I'd say it was quite rare for the common soldier to

have padding anywhere on his armor (except the helmet). He wore the

padding on his body, in the form of a padded doublet of cloth or

leather.  

 

  The pikeman of Elizabeth's day wore a helmet, a gorget, a

breastplate with tassets and backplate and a full arm harness with

pauldrons and gauntlets. Troops would "lose" the less useful pieces on

campaign, such as the arm defenses. A Trained Bandsman of no

pretensions would have just a helmet and a jack or breastplate. If you

were to do an SCA interpretation of the average soldier you'd have to

put selective protection under your clothing to meet requirements.

Fortunately this is not too difficult to do and retain the correct

profile. Although hideable arm and leg armor will be easier to find

than proper 16th c gear, you'l have to be prepared to replace your

breeches on a regular basis, especially if you fight from your knees

much.

 

A couple of books to look at: The Armada Campaign by John Tincey,

Osprey Elite series #15   and  Patterns of Fashion 3: the Cut and

Construction of Clothes for Men and Women c1560-1620 by Janet Arnold.

I know this response was lengthy and digressive but I hope it answered

your question.

 

Tracy (not Tom) Justus known as Clare de Crecy

BTW, there was a lovely morion padding at auction in England last

year. It was red silk velvet tie-tacked with yellow silk ribbons! The

photo was spectacular, wish I could have seen the real thing!

 

 

Date: Sat, 04 Oct 1997 00:14:52 -0500

To: ansteorra at Ansteorra.ORG

From: Dennis and/or Dory Grace <amazing at mail.utexas.edu>

Subject: Re: ANST - Re: ANST-Field Personnas?

 

Salut, mes Cosyns,

 

Lyonel aisai.

 

Lord Stefan posts Master Ioseph's:

>The absolute best armour I ever saw was (is?) used by Sir Gaston, late

>of Atenveldt and now being annoying over in Caid.

>He walked out on the field in a most gorgeous Cavalier outfit, and put

>on his helm. His opponent goggled at him, and then walked over to ask if

>he had on *any* armour at *all.*

>Gaston rapped his sword over his whole body with satisfying -thunk-

>sounds....he had sewn plates under the beautiful Cavalier!

 

Yep.  ABS plastic plates.  I've not only seen the suit, I have it on video;

Sir  Gaston wore it for the ESPN segment on Estrella War a few years back.

 

Sir Lyonel Oliver Grace

_____________________________

Dennis Grace

University of Texas at Austin

English Department

Recovering Medievalist

 

 

Date: Sat, 09 Sep 2000 16:45:52 -0400

From: rmhowe <MMagnusM at bellsouth.net>

Subject: Lamellar Armour

 

From: battleax at swbell.net

Subject: Re: Lamelar ?

 

Morganna,

 

Check with the Armour Archive at http://www.armourarchive.com/

 

The Armour Archive has a lot of people who can give you information

about the Birka Lamellar.  Use the search engine and

enter "lamellar", it should give you lots of articles.  I have never

found a good single source of information about the Birka

lamellar, only bits and pieces in different books.  The archeologist

Bengt Thordeman gets mentioned a lot in relation to the

Birka lamellar, and his name might be a starting place for finding

information.  I hope you can read Swedish.  :)

 

Lamellar was mostly an Eastern form of armor, but the Vikings were

closely linked through trade with the Byzantines so they

had access to products from that part of the world.  I think there was

also (again, Eastern-influenced) lamellar used in

Northern Europe in the 6th century or so.  I don't know if this style

of lamellar was still in use at the start of Viking age, but

someone else might.  Since Birka was a trading city, I guess the

lamellar there most likely came from their ties to

Constantinople.

 

A  group of people on the Armour Archive just combined funds to have

Birka lamellar plates stamped by a professional metal

shop.  They have already closed the order for the stainless steel

plates, but I think the aluminum plate order is still open.

 

Look at figure 5 on this link:

http://www.pbm.com/~lindahl/cariadoc/perfect_armor.html

--Cariadoc has a drawing of a Birka plate.

 

This link has information on the lacing of lamellar:

http://www.ozemail.com.au/~chrisandpeter/lamellar.html

 

If you do find a good single source of info about the Birka lamellar

(like a book),  please let me know.

 

Good luck and Happy Armoring!

 

Thorfinn

 

 

[contributed by L. Allison Poinvillars de Tours. LYN M PARKINSON <allilyn at juno.com>]

From: DuaneII at aol.com

To: sca-aethelmearc at andrew.cmu.edu

Subject: [ae-mod] Re: armor authenticity

Date: Mon, 21 Jan 2002 14:33:25 EST

 

Greetings List from Alexander Caithnes;

 

I have been reading this thread and have now chosen to reply in my capacity as a Knight and Laurel (Armoring).

 

This argument has been around as long as I have been in the SCA (I joined in 1978). Many Kingdoms have tried to force "period armor" upon their subjects and all attempts have failed. Why, because of most of the reasons you all have listed, primarily, nobody has come up with a reasonable way to get a period look without spending a small fortune.

 

My position has always been that a fighter should look as "period " as possible recognizing time spent in the club, availability of funds and desire to look the part. Not everyone is here for the same reason(s). Having said this, is there a solution for a person with a limited budget who wants to try?

 

Here's my reply:

 

First, you have to have a design that can be made with a minimum of tools. Expenditures on tools alone could bankrupt a beginner.

 

Second, the armor has to be functional. SCA fighting is different from period fighting. Most period armors will not function properly for SCA use.

 

Third, materials have to be sufficient to withstand the abuse of fighting and cheap enough to be affordable.

 

Having said all this I am going to skirt the issue of helms. Most folks can get one if they try. After all there is some cost of entry in to any new activity you'd like to try.

 

On to the armor.

 

I've fought in and constructed armor from the 11th-14th centuries. I've even fought in carpet armor and a freon can helm. (Yes, there is still photographic proof of this around. We all have to start somewhere.) So what in my experience works and meets the above criteria? Here goes:

 

Foot protection- This is a difficult area to cover and protect. Feet are very important and you can't fight well unless your feet are free from undo burden/pain. After trying a variety of footwear I keep coming back to sneakers. (Pause to let the shock and horror of this statement go away - Imagine, a Laurel in sneakers - piffle!!!)  But, my sneakers are a bit different. They are covered in a layer of upholstery velvet to make them look like period shoes.  

Added cost - $3.00 in material/ 2 hours in time/

Tools - sewing needle, thread and contact cement.

 

Shins - This area is possibly more troublesome than the foot. Many solutions have been tried. Unfortunately there is no good solution here. But there are some options:

 

1) Plastic (Pickle barrel or Joint Compound buckets) covered by threws and crossgarters. (Bloody Vikings)

Cost ~ 5.00/each- Tools - Drill, knife and hammer. Time ~ 2 hours each.

Materials - Plastic- Rivets and strapping material and buckles.

 

2) Leather half greaves with plain or decorate splints. Cost ~15.00 each- Tools - add to the above list a Saber Saw and heavy hunk of iron to pound upon. Materials 4-6 oz leather. Time ~ 3 hours each. Materials

- same as above but substitute leather for plastic. You might even add a

spiffy velvet covering.

 

3) Knees - Not many options here either - But most folks can manage to make dished knees using steel of 16 ga or better and a ball-peen hammer and a dishing stump. The design to go for in an unarticulated 13th/early 14th century look with side roundel  Without the roundel these knees can be hidden under threws and will protect the  average new person from harm. Most folks have or have access to a hammer and dishing stumps do grow on trees. ;-) Is the result great? No, but it looks a whole lot better than K-Mart specials.

 

Cost $4.00 steel - Leather straps and buckles $5.00.

Tools - see above -

Time ~ 10 hours if you're working with steel for the first time.

 

Cuisses - Here is where a beginner can really save $$$. Heavy canvas covered with upholstery velvet and lined with splints made from Saudi Arabian Whalebone ( That's pickle bucket plastic to the non-armoring types.) This is cheaper than leather, easier to work than steel and is very comfortable. The biggest outlay is in speed rivets required to hold everything together.

 

Cost - ~ $25.00 or less for the set.  Tools - Scissors, barge cement, an awl/ drill, knife, hammer, something heavy and metallic to set the rivets against, and a saber saw.

Time investment ~ 5 hours.

 

Armoring the body can be done in several different ways - Early period types might want to get themselves down to the Goodwill/Salvation Army and purchase a large women's leather coat ( the kind who's hemline approaches the knees) and line the thing with small rectangular plates. If this is not an option the armored sir-coat of the 11th and 12th century can be made from S_A Whalebone and heavy canvas covered in a fabric of your choice. You can even paint your arms upon it for that special added touch!  For the more adventurous a trip to the Library will yield a variety of patterns based upon the Visby dig, all which can be constructed from canvas and plastic. ( With snappy upholstery velvet covering of course)

 

Tools - as per the cuisses-

Materials - as per the cuisses.

Cost ~ $30.00 for the non-leather coat option.

Time ~ 15 hours.

 

Shoulders - These can be covered with dished spaulders - See knees for

time/materials/cost.

 

Arms - Again, judicious use of canvas and plastic  or plastic covered in velvet works great. The real bugaboo is elbows. However - I designed a very easy to manufacture elbow that look descent from 5' away. Write me for the design. I'll send it out free o'charge.

 

Tools- Mallet/Softface hammer. Something to bend the steel around. A ball

peen hammer, a heavy chunk of steel to rivet upon. Materials - 16 ga

steel, leather for straps and mounting points, small buckles and some solid

rivets.

Time - 1 hour.

Cost - ~ 10.00 a pair.

 

Gauntlets - What can I say - Everyone is right about these buggers. But the last time I checked a pair of good gauntlets costs a whole lot less than a trip to the Emergency Room for X-rays.

 

Well - that covers everything except the throat and head. I certainly haven't spent hundreds upon hundreds of dollars or required any unusual of hard to get tools. Admittedly this solution doesn't cover all nationalities or periods. But these techniques can be adapted to solve some of these problems.

 

The best way to build this armor is using the ouch replacement plan. If you keep saying ouch - that is the part you want to build next. If you use good quality canvas, the harness will survive long enough for all the pieces to get built and you'll still have a few seasons left to enjoy it.

 

I didn't mean to turn this into a class, but then again maybe I should.

 

Remember, everyone is here to learn and have fun -

 

Alexander Caithnes

 

 

Date: Mon, 04 Mar 2002 12:35:25 -0500

From: rmhowe <MMagnusM at bellsouth.net>

To: - Atlantia <atlantia at atlantia.sca.org>,

   - Regia Anglorum - North America <list-regia-us at netword.com>

Subject: Spun Helmet Tops in a Variety of Metals

 

http://www.jgbraun.com/balls.html

Spheres and Hemispheres in steel, stainless, Brass, and Aluminum.

Thick enough for helmet tops.

 

Just happened to see a page with these today.

Came by it off of a Blacksmiths' Ring.

http://rings.anvilfire.com/cgi-bin/list.pl?ringid=smithring

 

Check out http://www.kayneandson.com/

These people have dishing and armoring tools in western North

Carolina.

 

Do NOT pass my address on to a newsgroup or SCA-Universitas list.

You may clip the news out and repost it if you like.

 

Magnus

 

 

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From: Sean Malloy <srmalloy at cox.net>

Newsgroups: rec.org.sca

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Subject: Re: armor question

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"RolfN" <berserker_calm at bogus.msn.com> wrote:

 

>Two questions really....

>1) What's an armor scale worth? Specifically:

>* appropriate gage stainless-steel scales

>* about 2" x 4", one end rounded, no sharp corners

>* pre-punched with an appropriate pattern of 6 to 8 holes

>* radiused and/or fluted for strength

>

>What do people think pre-made scales like this would be worth each, or per

>hundred?

>

>2) What's the likely market size for a "reasonably-priced" scale? 1k? 100

>million?

>

>I'm trying to figure out if it's worth getting a punch made, and if its even

>theoretically possible to amortize (i.e., justify) the cost of it through

>sales of scales beyond what I'm using for my own armor....

 

Its not in metal, but Noble Plastics sells polypropylene armor scales

in two (soon to be three) types. From their website for the scales

(http://plasticlamellar.com/):

 

    'Newcastle Plates are made of polypropylene and can be heat-formed

     to create curves.  These plates are quite durable, and are 2š

     wide x 3.375š long, 0.160š thick, weighing 1.55# per 50.  An

     „averageš suits weigh 7-8 pounds, and takes 250-300 plates.'

 

    'Auk plates are made of polypropylene, and can be heat-formed to

     create curves.  These plates are smaller than the Newcastle and

     easy to lace into contoured silhouettes as they can be tapered in

     the assembly (thus a tapered torso is feasible).  The plates are

     1.22š wide x 2.345 long, 0.075š thick, weighing 0.56# per 100 and

     may require padding.  An „averageš suits weighs about 4 pounds,

     and takes 600 plates.'

 

The Newcastle plates are $19.50 per bag of 50, and are available in

Black, Copper, Blue, Gold, Brown, Pewter, Burgundy, Silver, Yellow,

White, Green, Red, Caramel, and Purple; the Auk plates are $22.00 per

bag of 100, and are only available in  Gold, Silver, Pewter, and

Copper.

 

The third style of scales, 'Effingham' plates, will be kozane for

making Japanese-style armor.

 

It's not the same material, but it gives you an idea of what a

commercial production cost would be.

--

Sean R. Malloy               | American Non Sequitur

    Naval Medical Center     |       Society

    San Diego, CA 92134-5000 |

srmalloy at cox.net             | "We may not make sense,

srmalloy at nmcsd.med.navy.mil  |  but we do like pizza"

 

 

From: wbfountain at aol.comnospam (Wm. Bryan Fountain)

Newsgroups: rec.org.sca

Date: 04 Mar 2004 02:29:07 GMT

Subject: Re: armor question

 

>Coming from this angle, the cost would be anywhere between $1.75 and $5

>(around $2500 just for scales in a full hauberk), not counting die cost.

>Which is why I was looking for some demand-side numbers that were in a bit

>smaller ballpark :-). Say, for example, a web-site of an armorer that sells

>steel armor scales.....

>

>> Charly

>RolfN

 

Try GAA Armouries - here is a link to the page that lists their scales.....

http://www.hammeredsteel.com/gaa/armour/gaa/body.htm

 

Ld Brun Canutteson - resident of the Midlands - (Midrealm)

Middle Kingdom Chief of Artillery

 

MKA - Wm. Bryan Fountain

Asst. Professor of Industrial Technology

Sauk Valley Community College

Dixon, IL

 

 

From: Sir Lyonel Oliver Grace <sirlyonel at hotmail.com>

Date: September 2, 2006 11:53:21 PM CDT

To: bryn-gwlad at lists.ansteorra.org

Subject: Re: [Bryn-gwlad] Combat archery prep (was Re:Would-becombat    

archers?)

 

> Charles mentioned:

> "Also, you could make them out of retired road  

> signs. ...snip...They're aluminum, not steel, but

> the requirement is for 'rigid material', not steel.

>

> Another alternative is a good, thick Kydex or ABS plastic. ...snip....

>

> To which Eule offers:

> Yes, however, it takes just as much effort to make them out of the

> appropriate material as it does to make them out of something that was

> not found in our designated period.

>

> Eule/Steve

> Unus sed Leo

 

Salut cozyns,

 

Plastic and aluminum have good and bad characteristics. Generally speaking,

for the level of armor an archer requires, I see no real advantage in either

material. Yes, in the case of aluminum, you might obtain the raw materials

for free. Still, there are trade-offs worth considering. As one who went

from a Wisby coat of plates (steel) and steel legs and arms to an aluminum

coat of plates and finally ended up spending many years with plastic breast

and back plates, plastic cuisses and greaves, and plastic arm armor, I think

I have a pretty good perspective.

 

Aluminum from street signs works fine if you want material to use as splints

for your vambraces, body armor, and gorget. For the more complex pieces like

knees, elbows, and even the demi-gauntlets, Master Eule's response is

generous. Aluminum is wonderfully light, but it's an evil metal to work.

Extremely brittle and with a crystalline structure that is easily pinned,

aluminum was to be carefully heat-treated to dish it or work in complex

bends. By comparison, steel is a cakewalk. Frankly, if you're going to put

that much work in, you might as well just use a thinner stainless steel and

temper it.

 

ABS is incredibly easy to form, and it's lightweight. Makes great

custom-fitted body plates, cuisses, greaves, vambraces, and rerebraces. It's

also tends to be a bit expensive. The stuff you get for free has already

been worked. Since ABS relies on layers of criss-crossed fibers to give it

strength and since heating breaks down those fibers, ABS should only be hot

formed once. After that, every reheating increases its fragility.  There are

those in the SCA who heat ABS and then dish it. This works in that you get

whatever shape you want, but it also makes the material brittle. I wouldn't

trust it. I also don't care for the look of dished plastic. It looks a bit

too shiny and insect-like for my taste.

 

With the price difference and the ugly appearance, the only real gain is in

weight. Honestly, though, the total weight difference between a steel knee

cop and an ABS knee cop is not great enough to notice when you're trying to

shoot down a hundred screaming Trimarians running up the hill at you.

 

Another option is Kydex. Bad idea. Has to be worked at a higher temperature

than ABS, so you're more likely to burn yourself. More to the point, if you

heat it just a few degrees too high, you get cyanide gas in your kitchen.

Kydex is also more expensive.

 

All in all, I have to agree with Master Eule. Let the good folks in the

barony help you arm up in steel and leather.

 

lo vostre per vos servir

Meser Lyonel

 

 

From: kcmarsh at suddenlink.net

Date: June 14, 2007 11:13:50 AM CDT

To: Barony of Bryn Gwlad <bryn-gwlad at lists.ansteorra.org>

Subject: [Bryn-gwlad] URLs for armour and helms and other good stuff

 

I have promised to post several URLs for people lately:

 

Kit planning guide, intended for armour but good for planning outfits as well:

http://pages.suddenlink.net/egrim/papers/armour.doc

 

Paper on materials for making armour:

http://pages.suddenlink.net/egrim/papers/Materials.doc

 

Valsgarde helm kits from Zweihammer Armoury:

http://www.zweihammer.com/catalog/page,shop.product_details/flypage,shop.flypage/product_id,1/category_id,1/manufacturer_id,0/

 

A nice SCA armour kit based around a war hat and a jack:

http://forums.armourarchive.org/phpBB2/viewtopic.php?t=63299&;start=0

 

War hat helm listed here as a "kettle hat":

http://www.whitemountainarmoury.com/standard.php

 

Digital images of Victorian-era books with original illustrations:

http://www.archive.org/details/americana

(Suggested reading includes Sir Nigel, Ivanhoe, Robin Hood, works of Alexandre Dumas)

 

Maelgwyn

 

<the end>



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