cl-Italy-msg - 8/22/09
਀ഊClothing of medieval and Renaissance Italy.
਀ഊNOTE: See also the files: Italy-msg, fashion-msg, hose-msg, clothing-books-msg, pasta-msg, popes-msg, fd-Italy-msg.
਀ഊ************************************************************************
਀一伀吀䤀䌀䔀 ⴀഊ
਀吀栀椀猀 昀椀氀攀 椀猀 愀 挀漀氀氀攀挀琀椀漀渀 漀昀 瘀愀爀椀漀甀猀 洀攀猀猀愀最攀猀 栀愀瘀椀渀最 愀 挀漀洀洀漀渀 琀栀攀洀攀 琀栀愀琀 䤀 栀愀瘀攀 挀漀氀氀攀挀琀攀搀 昀爀漀洀 洀礀 爀攀愀搀椀渀最 漀昀 琀栀攀 瘀愀爀椀漀甀猀 挀漀洀瀀甀琀攀爀 渀攀琀眀漀爀欀猀⸀ 匀漀洀攀 洀攀猀猀愀最攀猀 搀愀琀攀 戀愀挀欀 琀漀 ㄀㤀㠀㤀Ⰰ 猀漀洀攀 洀愀礀 戀攀 愀猀 爀攀挀攀渀琀 愀猀 礀攀猀琀攀爀搀愀礀⸀ഊ
਀吀栀椀猀 昀椀氀攀 椀猀 瀀愀爀琀 漀昀 愀 挀漀氀氀攀挀琀椀漀渀 漀昀 昀椀氀攀猀 挀愀氀氀攀搀 匀琀攀昀愀渀✀猀 䘀氀漀爀椀氀攀最椀甀洀⸀ 吀栀攀猀攀 昀椀氀攀猀 愀爀攀 愀瘀愀椀氀愀戀氀攀 漀渀 琀栀攀 䤀渀琀攀爀渀攀琀 愀琀㨀 栀琀琀瀀㨀⼀⼀眀眀眀⸀昀氀漀爀椀氀攀最椀甀洀⸀漀爀最ഊ
਀䤀 栀愀瘀攀 搀漀渀攀 愀 氀椀洀椀琀攀搀 愀洀漀甀渀琀 漀昀 攀搀椀琀椀渀最⸀ 䴀攀猀猀愀最攀猀 栀愀瘀椀渀最 琀漀 搀漀 眀椀琀栀 猀攀瀀愀爀愀琀攀 琀漀瀀椀挀猀 眀攀爀攀 猀漀洀攀琀椀洀攀猀 猀瀀氀椀琀 椀渀琀漀 搀椀昀昀攀爀攀渀琀 昀椀氀攀猀 愀渀搀 猀漀洀攀琀椀洀攀猀 攀砀琀爀愀渀攀漀甀猀 椀渀昀漀爀洀愀琀椀漀渀 眀愀猀 爀攀洀漀瘀攀搀⸀ 䘀漀爀 椀渀猀琀愀渀挀攀Ⰰ 琀栀攀 洀攀猀猀愀最攀 䤀䐀猀 眀攀爀攀 爀攀洀漀瘀攀搀 琀漀 猀愀瘀攀 猀瀀愀挀攀 愀渀搀 爀攀洀漀瘀攀 挀氀甀琀琀攀爀⸀ഊ
਀吀栀攀 挀漀洀洀攀渀琀猀 洀愀搀攀 椀渀 琀栀攀猀攀 洀攀猀猀愀最攀猀 愀爀攀 渀漀琀 渀攀挀攀猀猀愀爀椀氀礀 洀礀 瘀椀攀眀瀀漀椀渀琀猀⸀ 䤀 洀愀欀攀 渀漀 挀氀愀椀洀猀 愀猀 琀漀 琀栀攀 愀挀挀甀爀愀挀礀 漀昀 琀栀攀 椀渀昀漀爀洀愀琀椀漀渀 最椀瘀攀渀 戀礀 琀栀攀 椀渀搀椀瘀椀搀甀愀氀 愀甀琀栀漀爀猀⸀ഊ
਀倀氀攀愀猀攀 爀攀猀瀀攀挀琀 琀栀攀 琀椀洀攀 愀渀搀 攀昀昀漀爀琀猀 漀昀 琀栀漀猀攀 眀栀漀 栀愀瘀攀 眀爀椀琀琀攀渀 琀栀攀猀攀 洀攀猀猀愀最攀猀⸀ 吀栀攀 挀漀瀀礀爀椀最栀琀 猀琀愀琀甀猀 漀昀 琀栀攀猀攀 洀攀猀猀愀最攀猀 椀猀 甀渀挀氀攀愀爀 愀琀 琀栀椀猀 琀椀洀攀⸀ 䤀昀 椀渀昀漀爀洀愀琀椀漀渀 椀猀 瀀甀戀氀椀猀栀攀搀 昀爀漀洀 琀栀攀猀攀 洀攀猀猀愀最攀猀Ⰰ 瀀氀攀愀猀攀 最椀瘀攀 挀爀攀搀椀琀 琀漀 琀栀攀 漀爀椀最椀渀愀琀漀爀⠀猀⤀⸀ഊ
਀吀栀愀渀欀 礀漀甀Ⰰഊ    Mark S. Harris                  AKA:  THLord Stefan li Rous
਀                                          匀琀攀昀愀渀 愀琀 昀氀漀爀椀氀攀最椀甀洀⸀漀爀最ഊ************************************************************************
਀ഊFrom: 6790753%356_WEST_58TH_5TH_FL%NEW_YORK_NY%WNET_6790753 at mcimail.COM ("KATMAN.WNETS385")
਀䐀愀琀攀㨀 㠀 一漀瘀 㤀㄀ ㄀㠀㨀㌀㈀㨀　　 䜀䴀吀ഊ
਀䄀猀 琀漀 最爀漀洀洀攀琀猀 戀攀椀渀最 瀀攀爀椀漀搀Ⰰ 眀攀氀氀Ⰰ 礀攀猀 愀渀搀 渀漀⸀ 䤀渀 琀栀攀 䤀琀愀氀椀愀渀 刀攀渀愀椀猀猀愀渀挀攀ഊgarb was made with "maglie" which were metal rings and lacing eyes. A good
਀爀攀昀攀爀攀渀挀攀 椀猀 琀栀攀 戀漀漀欀 漀渀 䤀琀愀氀椀愀渀 䘀愀猀栀椀漀渀 椀渀 琀栀攀 儀甀愀琀琀爀漀挀攀渀琀漀 戀礀 䨀愀焀甀攀氀椀渀攀ഊHerald (I think that's the spelling). There are many portraits of women wearing
਀挀氀漀琀栀攀猀 眀椀琀栀 琀栀攀猀攀 ∀洀愀最氀椀攀∀ 愀渀搀 猀漀洀攀 瀀攀爀椀漀搀 搀攀猀挀爀椀瀀琀椀漀渀猀 漀昀 眀漀洀攀渀✀猀 眀愀爀搀爀漀戀攀猀⸀ഊ
਀   䄀渀漀琀栀攀爀 猀漀甀爀挀攀 昀漀爀 椀渀昀漀⸀ 漀渀 洀攀琀愀氀 爀椀渀最猀 甀猀攀搀 昀漀爀 氀愀挀椀渀最 椀猀 䨀愀渀攀琀 䄀爀渀漀氀搀✀猀ഊPatterns of Fashion 15xx - 16xx (I forget the exact dates, it's the 3rd in a
਀猀攀爀椀攀猀⤀⸀ 匀栀攀 猀栀漀眀猀 猀漀洀攀 挀氀漀琀栀椀渀最 甀猀椀渀最 猀攀瘀攀爀愀氀 搀椀昀昀攀爀攀渀琀 琀礀瀀攀猀 漀昀 洀攀琀愀氀ഊfastenings, at least one of which is a grommet-like thing.
਀ഊ   Now the grommets that we have (t-shaped metal rings that fasten into and
਀愀爀漀甀渀搀 攀愀挀栀 漀琀栀攀爀 愀渀搀 昀愀戀爀椀挀⤀ 洀愀礀 漀爀 洀愀礀 渀漀琀 戀攀 眀栀愀琀 琀栀攀礀 甀猀攀搀 琀栀攀渀⸀ 䤀 栀愀瘀攀 渀漀琀ഊexamined any of the period ones up close, and don't recall the descriptions
਀眀攀氀氀 戀攀椀渀最 愀琀 眀漀爀欀⸀ 䤀 最甀攀猀猀 䄀爀渀漀氀搀 眀漀甀氀搀 戀攀 琀栀攀 戀攀琀琀攀爀 猀漀甀爀挀攀 昀漀爀 琀栀愀琀Ⰰ 猀栀攀 栀愀猀ഊtaken this garb apart to see exactly how it was made. My best guess is that
਀琀栀攀礀 愀爀攀 樀甀猀琀 洀攀琀愀氀 爀椀渀最猀 琀栀愀琀 眀攀爀攀 猀攀眀渀 愀爀漀甀渀搀 ⠀洀愀欀椀渀最 愀 爀攀椀渀昀漀爀挀攀搀 攀礀攀氀攀琀⤀⸀ഊ
਀   圀栀攀琀栀攀爀 漀爀 渀漀琀 琀栀攀猀攀 猀漀爀琀猀 漀昀 昀愀猀琀攀渀椀渀最猀 眀攀爀攀 甀猀攀搀 椀渀 攀愀爀氀椀攀爀 瀀攀爀椀漀搀 最愀爀戀 䤀ഊhave no clue.
਀ഊWinifred de Schyppewallebotham
਀⠀琀栀愀琀✀猀 䴀椀搀搀氀攀 䔀渀最氀椀猀栀 昀漀爀 ∀䘀爀漀洀 琀栀攀 瘀愀氀氀攀礀 眀椀琀栀 琀栀攀 猀琀爀攀愀洀 眀栀攀爀攀 琀栀攀 猀栀攀攀瀀ഊwere washed")(Nolite Secundo Flumine Natare)
਀䰀攀攀 䬀愀琀洀愀渀 㴀㴀 吀栀椀爀琀攀攀渀⼀圀一䔀吀 㴀㴀 一攀眀 夀漀爀欀Ⰰ 一夀ഊ
਀ഊDate: Tue, 12 Jan 1999 08:44:47 -0800
਀䘀爀漀洀㨀 䔀氀攀愀渀漀爀 漀昀 䰀攀礀挀攀猀琀攀爀猀栀礀爀攀 㰀栀攀欀愀瘀 愀琀 最琀攀⸀渀攀琀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀攀㨀 䤀琀愀氀椀愀渀 刀攀渀渀 瀀愀琀琀攀爀渀猀ഊ
਀䄀渀渀愀 吀爀漀礀 眀爀漀琀攀㨀ഊ> I'm thinking about making an Italian Renn costume. I've been looking at
਀㸀 倀攀爀椀漀搀 倀愀琀琀攀爀渀猀 ∀圀漀洀攀渀✀猀 䤀琀愀氀椀愀渀 刀攀渀愀椀猀猀愀渀挀攀∀ 䤀猀 琀栀椀猀 瀀愀琀琀攀爀渀 愀渀礀 最漀漀搀㼀 䄀爀攀ഊ> there any other pattern recommendations preferably with an url :-)? I'd
਀㸀 愀氀猀漀 愀瀀瀀爀攀琀椀愀琀攀 愀渀礀 猀甀最最攀猀琀椀漀渀 琀栀愀琀 愀爀攀 洀漀爀攀 猀瀀攀挀椀昀椀挀氀礀 愀戀漀甀琀 䤀琀愀氀椀愀渀 刀攀渀渀ഊ> costume since I have been looking and there doesn't seem to be much.
਀㸀ഊ> Anna de Byxe
਀ഊI have used this pattern at least 5 times, as well as
਀愀 氀愀爀最攀 渀甀洀戀攀爀 漀昀 漀琀栀攀爀 瀀愀琀琀攀爀渀猀 昀爀漀洀 琀栀椀猀 洀昀爀⸀⸀⸀愀氀猀漀Ⰰ 洀漀猀琀 爀攀挀攀渀琀氀礀ഊat 12th Night.  I find it works up beautifully for the most the
਀瀀愀爀琀Ⰰ 愀猀 搀漀 洀漀猀琀 漀昀 琀栀攀椀爀 瀀愀琀琀攀爀渀猀Ⰰ 愀渀搀 䤀 爀攀愀氀氀礀 搀漀 氀椀欀攀 琀栀攀洀ഊa lot.  But, as someone else has said, it can be slightly confusing
਀搀甀攀 琀漀 琀栀攀 洀甀氀琀椀瀀氀攀 猀椀稀椀渀最猀Ⰰ 攀猀瀀攀挀椀愀氀氀礀 椀昀 礀漀甀 愀爀攀 渀漀琀 甀猀攀搀 琀漀 琀栀愀琀⸀ഊBut very much less so for this pattern than some of the others
਀戀礀 琀栀椀猀 猀愀洀攀 洀愀渀甀昀愀挀琀甀爀攀爀⸀ഊ
਀䤀 栀愀瘀攀 洀愀搀攀 ㌀ 漀昀 琀栀攀 嘀攀渀攀琀椀愀渀 猀琀礀氀攀 最漀眀渀猀 眀椀琀栀 琀栀攀 ∀嘀∀ 戀漀搀椀挀攀ഊand I really do not like the inset arrangement of what they
਀琀攀爀洀 琀栀攀 ∀猀琀漀洀愀挀栀攀爀∀ 昀漀爀 琀栀椀猀 猀琀礀氀攀⸀  䤀琀 椀猀 琀栀攀 眀漀爀猀琀 瀀愀爀琀ഊof the assembly due to a hook and eye arrangement on either
਀猀椀搀攀 眀栀椀挀栀 栀漀氀搀猀 椀琀 椀渀 瀀氀愀挀攀⸀  䤀 昀攀攀氀 琀栀愀琀 椀琀 椀猀 渀漀琀 愀ഊtrue "period" treatment for this style of gown.  IMHO, that
਀琀栀攀爀攀 猀栀漀甀氀搀 愀挀琀甀愀氀氀礀 戀攀 愀 猀攀瀀愀爀愀琀攀 甀渀搀攀爀最漀眀渀 愀渀搀 愀 猀攀瀀愀爀愀琀攀ഊovergown, rather than the lining/underskirt/stomacher setup
਀眀栀椀挀栀 䤀 琀栀椀渀欀 椀猀 瀀爀漀戀愀戀氀礀 愀 ∀昀愀欀椀渀最∀⸀  䤀琀✀猀 挀甀洀戀攀爀猀漀洀攀Ⰰ 愀渀搀 搀椀昀昀椀挀甀氀琀ഊto get it "just right", overly complicated to get into, and
਀愀渀搀 䤀 琀栀椀渀欀 琀栀攀爀攀 愀爀攀 戀攀琀琀攀爀 眀愀礀猀 琀漀 愀挀栀椀攀瘀攀 琀栀攀 猀愀洀攀 ∀氀漀漀欀∀ഊusing this pattern.
਀ഊCheck out Lynn's page under "Ital. Ren." and you'll see a
਀戀攀愀甀琀椀昀甀氀 攀砀愀洀瀀氀攀 漀昀 漀渀攀 猀栀攀 栀愀猀 搀漀渀攀 氀椀欀攀 琀栀椀猀㨀ഊ
਀栀琀琀瀀㨀⼀⼀眀眀眀⸀樀瀀猀⸀渀攀琀⼀氀礀渀渀洀挀洀⼀氀礀渀渀⸀栀琀洀氀ഊ
਀䈀甀琀 琀栀攀 最漀眀渀猀 愀爀攀 瘀攀爀礀 挀漀洀昀漀爀琀愀戀氀攀 琀漀 眀攀愀爀Ⰰ 愀渀搀 氀漀漀欀 眀漀渀搀攀爀昀甀氀⸀ഊThe next one I do of this style, I will use the patterns as a
਀猀瀀爀椀渀最戀漀愀爀搀 愀渀搀 眀漀爀欀 甀瀀 琀栀攀 猀攀瀀愀爀愀琀攀 氀愀礀攀爀猀 愀猀 䤀 搀攀猀挀爀椀戀攀 愀戀漀瘀攀⸀ഊ
਀䤀 眀漀甀氀搀 愀氀猀漀 氀椀欀攀 琀漀 挀漀渀挀甀爀 琀栀愀琀 琀栀攀 搀漀挀甀洀攀渀琀愀琀椀漀渀 椀猀 最漀漀搀Ⰰ 愀渀搀ഊvery helpful.
਀ഊTry this site!  They have links to gazillions of costuming
਀爀攀昀攀爀攀渀挀攀 洀愀琀攀爀椀愀氀⸀  䰀漀漀欀 甀渀搀攀爀 ∀椀洀愀最攀猀∀⸀  吀栀攀爀攀 椀猀 愀 氀椀渀欀 琀漀ഊa site with a lot of Ital. Ren. portraits!  Quite nice;
਀ഊhttp://www.milieux.com/costume/index.html
਀ഊEleanor of Leycesterhsyre
਀ഊ
਀䐀愀琀攀㨀 吀甀攀Ⰰ ㄀㈀ 䨀愀渀 ㄀㤀㤀㤀 　㘀㨀㌀㔀㨀㌀㜀 ⴀ　㤀　　ഊFrom: jacki frederick <edenwild at alaska.net>
਀吀漀㨀 猀挀愀ⴀ愀爀琀猀 愀琀 爀愀瘀攀渀⸀挀挀⸀甀欀愀渀猀⸀攀搀甀ഊSubject: Re: Italian Renn patterns
਀ഊAnna Troy wrote:
਀㸀 䤀✀洀 琀栀椀渀欀椀渀最 愀戀漀甀琀 洀愀欀椀渀最 愀渀 䤀琀愀氀椀愀渀 刀攀渀渀 挀漀猀琀甀洀攀⸀ 䤀✀瘀攀 戀攀攀渀 氀漀漀欀椀渀最 愀琀ഊ> Period Patterns "Women's Italian Renaissance" Is this pattern any good?
਀ഊPeriod Patterns Italian is good, it has excellent documentation.  I use
਀琀栀攀 瀀愀琀琀攀爀渀 琀漀 最攀琀 椀搀攀愀猀 昀漀爀 琀栀攀 最愀爀洀攀渀琀 䤀 眀愀渀琀 琀漀 洀愀欀攀⸀ 吀栀攀渀 䤀 甀猀攀搀 琀栀攀ഊpattern pieces which can, in some instances become very confusing (or it
਀洀愀礀 樀甀猀琀 戀攀 洀攀⤀ 眀椀琀栀 愀氀氀 琀栀攀 洀甀氀琀椀瀀氀攀 猀椀稀攀 氀椀渀攀猀 愀渀搀 琀栀攀 氀愀挀欀 漀昀 最漀漀搀ഊmarkings.  But I eventually got the right bodice pattern and use it all
਀琀栀攀 琀椀洀攀 昀漀爀 漀琀栀攀爀 最愀爀洀攀渀琀猀 ⠀愀昀琀攀爀 洀愀欀椀渀最 琀栀攀 甀猀甀愀氀 昀椀琀琀椀渀最ഊadjustments). The skirts are more or less up to the individual on
਀昀甀氀氀渀攀猀猀 愀渀搀 氀攀渀最琀栀 椀猀 洀礀 琀栀漀甀最栀琀⸀  䤀 最甀攀猀猀 戀愀猀椀挀愀氀氀礀 眀栀愀琀 䤀✀洀 猀愀礀椀渀最 椀猀ഊthat I use the pattern as a base, build my own from there and they turn
਀漀甀琀 眀漀渀搀攀爀昀甀氀⸀ഊ
਀䄀 最漀漀搀 猀漀甀爀挀攀 漀昀 瀀椀挀琀甀爀攀猀 漀昀 䤀琀愀氀椀愀渀 最愀爀洀攀渀琀猀 椀猀 嘀攀挀攀氀氀椀漀✀猀 䤀洀愀最攀猀 漀昀ഊ15th and Early 16th Century Costume which can be found at
਀ഊ  http://costumes.org/pages/timelinepages/1500to1535a.htm
਀ഊA final note, I love Italians, I mean the clothes :); you can make them
਀昀愀渀挀礀Ⰰ 眀椀琀栀 洀甀氀琀椀瀀氀攀 昀愀戀爀椀挀猀Ⰰ 洀甀氀琀椀瀀氀攀 挀漀氀漀甀爀猀Ⰰ 琀栀攀礀 愀爀攀 最爀攀愀琀 琀漀甀爀渀攀礀ഊgarb with cottons and such, and great for many figure types.  PERFECT!
਀ഊElspeth Bouchannane
਀⠀䄀 琀爀愀渀猀瀀氀愀渀琀攀搀 匀挀漀琀 椀渀 䤀琀愀氀礀⤀ഊ
਀ഊDate: Wed, 13 Jan 1999 20:06:31 EST
਀䘀爀漀洀㨀 㰀匀椀最爀椀搀倀圀 愀琀 愀漀氀⸀挀漀洀㸀ഊTo: sca-arts at raven.cc.ukans.edu
਀匀甀戀樀攀挀琀㨀 刀攀㨀 䤀琀愀氀椀愀渀 刀攀渀渀 䜀愀爀戀 儀甀攀猀琀椀漀渀ഊ
਀氀搀礀攀氀椀猀戀琀栀 愀琀 礀愀栀漀漀⸀挀漀洀 眀爀椀琀攀猀㨀ഊ<<    Within my research for Italian Ren garb, I came across a picture
਀ 眀栀攀爀攀 琀栀攀 戀漀搀椀挀攀 瀀漀爀琀椀漀渀 漀昀 琀栀攀 甀渀搀攀爀搀爀攀猀猀 眀愀猀 氀愀挀攀搀 漀渀 琀栀攀 猀椀搀攀猀 ⠀愀猀ഊ in angled to the small of the back).  I was wondering if anyone knew
਀ 眀栀攀琀栀攀爀 漀爀 渀漀琀 琀栀椀猀 眀愀猀 琀栀攀 瀀爀攀昀攀爀爀攀搀 猀瀀漀琀 昀漀爀 氀愀挀椀渀最猀Ⰰ 漀爀 椀昀 椀琀ഊ changed.  Most of the other portraits I have seen, the women are also
਀ 眀攀愀爀椀渀最 漀瘀攀爀搀爀攀猀猀攀猀Ⰰ 猀漀 椀琀✀猀 栀愀爀搀 琀漀 昀椀最甀爀攀 漀甀琀 眀栀攀爀攀 琀栀攀 氀愀挀椀渀最猀ഊ would have been.>>
਀ഊItalian Renaissance clothes for women of the 1485 to 1550 variety were cut
਀眀椀琀栀 猀栀漀爀琀 戀漀搀椀挀攀猀 愀渀搀 洀漀猀琀 挀漀洀洀漀渀氀礀 氀愀挀攀搀 漀渀 琀栀攀 猀椀搀攀 漀爀 甀瀀 琀栀攀 戀愀挀欀⸀ഊHowever by the late 1500s the line was longer (though still not to the natural
਀眀愀椀猀琀⤀ 愀渀搀 瀀漀椀渀琀攀搀 椀渀 琀栀攀 昀爀漀渀琀⸀  吀漀 挀爀攀愀琀攀 琀栀攀 愀爀挀栀攀搀 昀椀琀 漀瘀攀爀 琀栀攀 栀椀瀀Ⰰ 愀ഊside piece  was used that created the angled line in the front (from the
਀渀攀挀欀氀椀渀攀 琀漀 琀栀攀 瀀漀椀渀琀攀搀 眀愀椀猀琀⤀ 愀渀搀 琀栀攀 愀渀最氀攀搀 氀椀渀攀 椀渀 琀栀攀 戀愀挀欀 ⠀昀爀漀洀 琀栀攀ഊshoulder towards the small of the back as you described).  This allowed for
਀愀 洀漀爀攀 昀椀琀琀攀搀 戀漀搀椀挀攀⸀  䄀 眀漀渀搀攀爀昀甀氀 攀砀愀洀瀀氀攀 漀昀 琀栀椀猀 琀礀瀀攀 漀昀 挀漀渀猀琀爀甀挀琀椀漀渀 椀猀ഊfound in Janet Arnold's book, Patterns of Fashion.
਀ഊ     << Second question...  these girls weren't wearing aprons, and were
਀ 眀漀爀欀椀渀最 椀渀 琀栀攀 欀椀琀挀栀攀渀⸀  䄀爀攀 愀瀀爀漀渀猀 猀漀洀攀琀栀椀渀最 眀栀椀挀栀 眀漀甀氀搀 栀愀瘀攀 戀攀攀渀ഊ worn?  And if so, does anyone know what style it would have been?>>
਀ഊThere are other examples of women wearing aprons, gathered to a waistband,
਀琀椀攀搀 愀琀 琀栀攀 眀愀椀猀琀 愀渀搀 愀戀漀甀琀 欀渀攀攀 琀漀 洀椀搀ⴀ挀愀氀昀 氀攀渀最琀栀⸀  伀渀攀 漀昀 洀礀 昀愀瘀漀爀椀琀攀猀ഊshows girl running and she has  <<gasp>> SANDALS on her feet!!  :o)  So when
਀礀漀甀✀爀攀 愀琀 漀渀攀 漀昀 琀栀漀猀攀 刀䔀䄀䰀䰀夀 栀漀琀 攀瘀攀渀琀猀⸀⸀⸀⸀  㨀漀⤀ഊ
਀      㰀㰀吀栀椀爀搀 焀甀攀猀琀椀漀渀⸀⸀⸀ ⠀䈀漀礀Ⰰ 愀洀 䤀 昀甀氀氀 漀昀 琀栀攀洀 琀漀渀椀最栀琀℀ 㬀⤀  䐀漀攀猀ഊ anyone have a url for period colors for fabrics and an idea of period
਀ 琀爀椀洀 愀渀搀 眀栀攀爀攀 椀琀 眀漀甀氀搀 戀攀 瀀氀愀挀攀搀㼀 㸀㸀ഊ
਀䤀 搀漀渀✀琀 栀愀瘀攀 愀 甀爀氀 爀椀最栀琀 漀昀昀 琀栀攀 琀漀瀀 漀昀 洀礀 栀攀愀搀Ⰰ 戀甀琀 愀 挀漀甀瀀氀攀 漀昀 洀礀 昀愀瘀漀爀椀琀攀ഊplaces to look for clothes ideas in general are the National Gallery and The
਀唀昀昀椀稀椀 䜀愀氀氀攀爀礀 ⠀礀攀猀Ⰰ 椀琀✀猀 椀渀 䘀氀漀爀攀渀挀攀 䤀琀愀氀礀℀⤀⸀  吀栀攀 唀昀昀椀稀椀 栀愀猀 愀 瘀椀爀琀甀愀氀 猀椀琀攀ഊcalled "Virtual Uffizi"  (how clever!).  You might also check some of the
਀氀椀渀欀猀 猀椀琀攀猀 氀椀欀攀 䴀椀氀椀攀甀砀 愀渀搀 琀栀攀 䌀漀猀琀甀洀攀 猀漀甀爀挀攀⸀ഊ
਀䰀愀搀礀 䜀椀甀最氀椀愀 䴀愀搀攀氀攀渀愀 匀愀爀搀甀挀挀椀ഊ
਀ഊDate: Wed, 28 Apr 2004 23:20:07 -0700 (PDT)
਀䘀爀漀洀㨀 䄀渀渀愀 吀爀漀礀 㰀漀眀氀礀㌀ 愀琀 礀愀栀漀漀⸀猀攀㸀ഊSubject: [SCA-AS] Finding fabrics
਀吀漀㨀 䐀爀愀挀栀攀渀眀愀氀搀 䴀愀椀氀椀渀最 㰀搀眀ⴀ氀 愀琀 搀爀愀挀栀攀渀眀愀氀搀⸀猀挀愀⸀漀爀最㸀Ⰰഊ	artssciences at lists.gallowglass.org
਀ഊWhen I was surfing around the excellent website A
਀䘀攀猀琀椀瘀攀 愀琀琀椀爀攀 ⠀最爀攀愀琀 椀昀 礀漀甀爀 椀渀琀漀 猀攀挀漀渀搀 栀愀氀昀 ㄀㘀琀栀ഊcentury Italian etc.
਀栀琀琀瀀㨀⼀⼀栀漀洀攀瀀愀最攀⸀洀愀挀⸀挀漀洀⼀昀攀猀琀椀瘀攀开愀琀琀礀爀攀⼀⤀ 䤀 猀琀甀洀戀氀攀搀 漀渀ഊa link to Istok Enterprises
਀栀琀琀瀀㨀⼀⼀椀猀琀漀欀⸀渀攀琀⼀挀最椀ⴀ椀猀琀漀欀⼀挀愀琀愀氀漀最⸀挀最椀 眀栀漀 猀攀氀氀ഊsupplies for Orthodox Christians. Now go into Vestment
਀昀愀戀爀椀挀猀 愀渀搀 猀琀愀爀琀 搀爀漀漀氀椀渀最⸀ 吀栀攀渀 䤀 琀栀漀甀最栀琀 ∀眀愀椀琀 愀ഊminute" and started a Google search on "vestment
਀昀愀戀爀椀挀猀∀ 愀渀搀 愀 眀栀漀氀攀 渀攀眀 眀漀爀氀搀 漀瀀攀渀攀搀 甀瀀⸀⸀⸀ഊ
਀䄀渀渀愀 搀攀 䈀礀砀攀ഊ
਀ഊFrom: Dianne Russell <cat_herder at comcast.net>
਀䐀愀琀攀㨀 䨀甀氀礀 ㈀　Ⰰ ㈀　　㤀 ㄀㄀㨀㈀㔀㨀㐀㤀 倀䴀 䌀䐀吀ഊTo: 1 castlemere <castlemere at yahoogroups.com>
਀䌀挀㨀 吀爀椀洀愀爀椀猀ⴀ琀攀洀瀀 㰀琀爀椀洀愀爀椀猀ⴀ琀攀洀瀀 愀琀 礀愀栀漀漀最爀漀甀瀀猀⸀挀漀洀㸀ഊSubject: [tri-temp] Italian Clothing links
਀ഊHere are some Italian Clothing links to fit with the theme of Fall Coronation. I have posted them on the event web site as well. 
਀ഊ



Italian Clothing 
http://moas.atlantia.sca.org/wsnlinks/index.php?action=displaycat&catid=131

Italan 
਀ഊRenaissance Costuming Mailing list
http://groups.yahoo.com/group/Italian_Renaissance_Costuming/

Italian
਀ഊRenaissance Hair Taping 
ਠ⠀栀琀琀瀀㨀⼀⼀眀眀眀⸀洀昀最爀愀昀昀椀砀⸀挀漀洀⼀栀椀爀搀⼀昀愀漀椀氀琀⼀栀愀椀爀琀愀瀀攀⸀栀琀洀氠⠠⠀ഊ
਀䤀琀愀氀椀愀渀 刀攀渀愀椀猀猀愀渀挀攀 䜀漀眀渀 䌀漀渀猀琀爀甀挀琀椀漀渠⠀ഊhttp://homepages.wmich.edu/~rowen/renbk/rendressbook.html


਀ഊHow To Make Italian Ribbon Coifs

਀栀琀琀瀀㨀⼀⼀眀眀眀⸀洀漀搀愀爀甀渀椀瘀攀爀猀椀琀礀⸀漀爀最⼀戀爀椀愀渀愀⼀挀漀椀昀㄀⸀栀琀洠⠠⠀ഊ
਀䄀 䰀愀琀攀 ㄀㔀琀栀 䌀攀渀琀甀爀礀 䤀琀愀氀椀愀渀 䌀栀攀洀椀猀攀 倀愀琀琀攀爀渠⠀ഊhttp://www.modaruniversity.org/chemise1.htm


਀ഊEver After Costumes Study Site

਀栀琀琀瀀㨀⼀⼀眀眀眀⸀攀瘀攀爀愀昀琀攀爀挀漀猀琀甀洀攀猀⸀挀漀洀⼀ഊ
ਠ⠠⠀䤀琀愀氀椀愀渀 刀攀渀愀椀猀猀愀渀挀攀 䠀攀愀搀最攀愀爠⠀ഊhttp://www.sword.net/jessica/firenze/ItalianRenaissanceHeadgearClass.pdf


਀ഊMiddle Class Italian Renaissance Gown 
http://genvieve.net/sca/mcitalrennotes/index.html
਀ഊ

An Easy Italian Renaissance Gown

਀栀琀琀瀀㨀⼀⼀椀氀愀爀椀愀⸀瘀攀氀琀爀椀⸀琀爀椀瀀漀搀⸀挀漀洀⼀椀琀愀氀椀愀渀搀爀攀猀猀⸀栀琀洀氠⠠⠀ഊ
਀吀栀攀 䜀愀爀戀 䌀氀漀猀攀琀 ⴀ 昀攀洀愀氀攀 愀渀搀 洀愀氀攠⠀ഊhttp://www.florentine-persona.com/closet.html
਀ഊ

An Overview of Men's Clothing in Northern Italy c. 1420 - 1480

਀栀琀琀瀀㨀⼀⼀眀眀眀⸀栀漀甀猀攀漀昀瀀甀渀最⸀渀攀琀⼀猀挀愀⼀㄀㔀挀开洀攀渀猀开椀琀愀氀椀愀渀⸀瀀搀映⠠⠀ഊ
਀䴀攀渀✀猀 䌀氀漀琀栀椀渀最 椀渀 ㄀㔀琀栀 䌀攀渀琀甀爀礀 䘀氀漀爀攀渀挀攠⠀ഊhttp://www.florentine-persona.com/menflorence.html


਀ഊFarsetto Construction of the Italian Renaissance (1425-1470) - man

਀栀琀琀瀀㨀⼀⼀栀漀洀攀⸀攀愀爀琀栀氀椀渀欀⸀渀攀琀⼀縀氀椀稀樀漀渀攀猀㐀㈀㤀⼀昀愀爀猀攀琀琀漀⸀栀琀洀氠⠠⠀ഊ
਀䴀愀爀礀✀猀 䤀琀愀氀椀愀渀 刀攀渀愀椀猀猀愀渀挀攀 䌀漀猀琀甀洀攀 氀椀渀欀猀ഊ
http://www.quite-contrary.org/cost_link_ital.htm

਀ഊ<the end>
਀䔀搀椀琀攀搀 戀礀 䴀愀爀欀 匀⸀ 䠀愀爀爀椀猀ऀ挀氀ⴀ䤀琀愀氀礀ⴀ洀猀最ऀ倀愀最攀 㔀 漀昀 㔀ഊ
ਊ