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Garboholic-art - 10/18/91

"Cconfessions of a Garbaholic As Told By 'T'" by Lady Therica Ysabeau Talia Anne of Stonegate Manor. Humorous article warning those making garb.

NOTE: See also the files: clothing-msg, dyeing-msg, textiles-msg, fashion-msg, seamstresses-msg, Houppelande-art, patterns-msg, sewing-msg, sewng-machnes-msg.

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NOTICE -

This file is a collection of various messages having a common theme that I  have collected from my reading of the various computer networks. Some messages date back to 1989, some may be as recent as yesterday.

This file is part of a collection of files called Stefan's Florilegium. These files are available on the Internet at: http://www.florilegium.org

I  have done  a limited amount  of  editing. Messages having to do  with separate topics  were sometimes split into different files and sometimes extraneous information was removed. For instance, the  message IDs  were removed to save space and remove clutter.

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Please  respect the time  and  efforts of  those who have written  these messages. The  copyright status  of these messages  is  unclear  at this time. If  information  is  published  from  these  messages, please give credit to the originator(s).

Thank you,
    Mark S. Harris                  AKA:  THLord Stefan li Rous
                                          Stefan at florilegium.org
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From: adn at mayo.EDU (Ann Nielsen)
Date: 18 Oct 91 20:22:38 GMT
Organization: The Internet

Greetings, oh most gentle Rialtans!

Hmmmm... I was sitting here, thinking about the Authenticity Boors (ABs -- can also stand for Aurora Borelis, a totally different story and one that makes me blush...), when I remembered an article I had written a couple of years ago. At the time, I was being teased about being a 'garbaholic',  since I was making a new outfit for just about every event (now I'm down to one a month or so, but I'm handsewing them, and embroidering, and gemming,  and pearling, and...well, I guess it's true. I am a garbaholic.) So I wrote this little article, based on that comment, and published it. It's still one of my favorites. Permission is given to reprint, ONLY if you put my name on it (I'm working on being published AND paid, and I want all the credit I can get! ;-)  )

Therica

                CONFESSIONS OF A GARBAHOLIC

                     As Told By 'T'

        
        I don't know when it was I first became aware of the seriousness of garb. Perhaps it was when a well- meaning gentle asked me, "So what did you bring to wear  to the feast?" What? Was I supposed to bring something  MORE? Over and above my one and only piece of day garb?  I was doing well enough to remember my feastgear, much  less another piece of clothing, thank you very much!

        Ah, but at the feast! Gentles came out wearing  glorious outfits of sumptuous fabrics. Norman garb  rubbed shoulders with Tudor, Burgundian with Viking. It  was a feast for the eyes, with the myriad fashions and  luscious colors. I scrunched down in my chair and hoped  no one would see me (and if they did, they would take  pity on a poor newbie and ignore me).

        But I was hooked.

        Eavesdropping on conversations, I learned that  curtains make wonderful garb. Feeling like Scarlett  O'Hara, I haunted garage sales (always on the guard against rubber-backed material, of course. Much too  hot.) I learned that the sales tables at fabric stores  were great places to pick up 6, 8, even 10 or more yards of fabric for little more than what it cost to fill the  gas tank in my car. I became a regular at the fabric  stores to the point where the clerks knew my name and  were inquiring about my health. I found out that you can make garb out of just about anything, as long as it  looks 'period'. (Unless, of course, you are entering it  in an Arts and Sciences contest. Then you have to grow  the flax and linen and wool yourself, card it, spin it, dye it, weave it, cut it out with handmade scissors, and handstitch it with homemade, hand-forged needles and  pins. Something I plan to do when I retire, to keep  myself occupied.)

        I began making different kinds of garb. Simple  day garb, more complex evening wear. I found that  certain types of garb don't match certain kinds of  activities --- for example, garb with long trains are  wonderful and ever so romantic, but they are always  getting stepped on (and you would think WE would know  better!) and are (at least for me) almost impossible to  dance in. Dresses with two or three layers or lined in  fur are not the best for summer events (unless they are  being held indoors in the anachronistic enviroment of an air conditioner), and Tudor's mostly good for  standing around (never try to run in Tudor!).  I  discovered corsets. I also discovered the best thing about a corset is how you feel when you take it off. But corsets do have an advantage --- you can hardly eat a  thing when you're wearing them (wonderful for dieting!). I also discovered that breathing in a corset is an  aquired talent --- the first few times you wear one,  it's mostly Zen breathing until you get the knack of it. (Once again, never try to run in Tudor!)

        A wonderful thing happened when I began making  new garb. People came up to me and complimented it! Of  course, it was almost always followed by "But you should see Lady So-and-so's garb --- it's magnificent!" If  asked where I had found the fabric and I told them  (always on sale, of course!), the good gentles would  respond, "That's great! But you should see Lord Such- and-such's garb --- he took three army duffle bags and  his son's dirty bib and made Tudor garb that looks like  it stepped from the pages of history!"

        So of course, spurred on by the compliments and  the comparisons, I began to reach for greater heights. I lived at the library, pouring over the books with  pictures of medieval garb (one librarian once remarked  to another, "I don't understand...she seems intelligent, but all she does it look at the pictures."). I plotted  patterns, cutting them out over and over on paper until they worked just right. I became an expert on fabrics,  how they draped, how they cut, how they washed, and most of all, if they looked period or not. I lived for the  times when trims went on sale, and began sabotaging my  daily clothes for buttons ("These'll look great on that  new tunic!" Snip, snip.)

        I finally admitted that it might have gotten a  little out of hand when I came home one day with some  new fabric purchases and had no where to put them.  Fabric flowed from everywhere! Draped from the curtain  rods, thrown over chairs, piled on the couch and the  coffee table, stuffed into my kitchen cupboards...I  didn't own a dining room table anymore---it was now a  support for a multitude of fabrics! Finally I put my  new purchases (on sale, of course!) in the bathtub  (temporarily), and took stock of my situation. The only  clear spot in my entire home was in the sewing room ---  there was enough room, if you kicked the trims out of  the way, to lay out a pattern. A slender path from there wove between tilting stacks of material and leaning  towers of folded and refolded patterns (cut out of  typing paper, tissue paper, paper bags, plastic, fabric too ugly to wear, and my favorite, leftover Christmas wrapping) to the sewing machine, whose light was  constantly burning (rather like an eternal flame). My  checkbook had nothing but fabric stores written in the  register (or else people's names --- from their garage  sales), and I would rather make garb than see a movie!  (Unless, of course, it was a historical one...) It was time I made a change.

        Sitting on a pile of tapestry, velvet and  brocade, I estimated that it would take me approximately 423 years (give or take a few months) to make all the  fabric I owned into garb. I admitted that I was putting off paying bills to buy new material. I admitted that I loved the feel of fabric sliding through my fingers, of  holding it up to admire in the light, of planning what piece of garb would come out of what piece of material.  I even loved the smell of fabric --- right down to the sizing they put in at the factory.

        Enough! I resolved then and there to quit buying fabric, to work with what I had purchased, to be  satisfied with what I had, to be a responsible adult and not get so carried away. I put on my coat and grabbed  the car keys, checking my purse for my Visa card. I  resolved to be strong and resist temptation, to ignore  the late afternoon calls of unbought fabric --- "Take me home, 'T'. I need a good home. Aren't I lovely?  Wouldn't I look good with that teal broadcloth you  bought last week?"

        I resolved, as I got into my car and backed out the driveway, to go through my fabric and --- gasp ---  sort out that which I really didn't need and sell it. I resolved to turn my energies to another task, perhaps  gardening or nuclear science. I resolved to do all of  this --- tomorrow.

        After all, Fabric World is having a half-price  sale and it ends today.

        
Lady Therica Ysabeau Talia Anne of Stonegate Manor

<the end>



Formatting copyright © Mark S. Harris (THLord Stefan li Rous).
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Comments to the Editor: stefan at florilegium.org